{ "library": "Seedance 2 Prompts", "model": "Seedance 2.0", "license": "CC BY 4.0", "attribution": "Prompts curated from awesome-seedance-2-prompts by YouMind OpenLab, licensed under CC BY 4.0. Curated subset; some descriptions edited.", "source": "https://viralmint.net/tools/seedance-prompts/", "count": 543, "prompts": [ { "id": "seedance-1", "title": "Seedance 2.0: 15-Second Cinematic Japanese Romance Short Film", "category": "talking-head", "prompt": "15-second cinematic Japanese drama pure love ambiguous short film, ultra-realistic quality, warm golden sunlight in an empty classroom in the afternoon, spilling through the blinds onto the side-by-side desks, fine dust motes slowly floating in the light beams, old wooden desks, extremely natural subtle movements, breathing, and eye tension, characters maintain consistent faces, clothing, and hairstyles throughout without deformation, drift, or artifacts, real slight chest rise and fall synchronized with breathing, shallow depth of field, creamy blurred background, warm film grain, 8K sharp, Japanese youth restrained heart-fluttering suffocating atmosphere.\n0-4 seconds: Extremely slow push-in shot from a medium shot of the desktop to a close-up of the two people's side profiles sitting side-by-side. A pure girl in a summer school uniform is focused on writing notes with her head down, long black hair and stray hairs by her ears are gently lifted by a slight breeze, long eyelashes cast subtle shadows, skin is naturally pink and tender, a slight, unintentional upturn of the corner of her mouth in concentration, light and even breathing.\n4-9 seconds: Switch to a close-up of the boy. His school uniform collar is slightly loose, he props his elbow on the desk and secretly turns his head to gaze at her, his eyes filled with gentle, restrained affection and tenderness, pupils slightly dilated, his Adam's apple gently rolls. Suddenly noticing her pen pause, he quickly and flusteredly turns his head to pretend to look at his own notes, his earlobes quickly turn slightly red, his fingertips tremble slightly as he grips the pen, occasionally glancing at her from under his bangs, his breathing is slightly disordered, and his lips are tightly pressed in an effort to remain calm.\n9-15 seconds: Extreme close-up of both faces in the same frame, slow-motion eyes suddenly meet: the girl slowly turns her head, first showing a dazed surprise, then quickly and shyly lowers her head for 0.3 seconds, gently biting her lower lip, her cheeks and earlobes instantly bloom with cherry blossom pink, her moist eyelashes timidly look up to meet his gaze again, while softly and shyly whispering, \"...What are you looking at?\"; the boy freezes completely, his pupils dilate, and he is stunned for 0.4 seconds, then flusteredly and quietly stutters in response, \"N-nothing...\". The girl whispers even quieter, biting her lip and peeking at him again, continuing to whisper, \"...Liar.\". The boy pauses, then gently sighs and whispers, \"...Just looking at you.\", the corner of his mouth slowly curls up into a shy, gentle, crooked smile, fine lines appear at the corners of his eyes, and his breathing noticeably deepens. An invisible current seems to pull the ambiguous tension between their faces, sharing each other's breathing temperature, the background completely melts into layers of creamy, dreamy light spots, warm halos, and fine air particles.\nLip synchronization is natural and precise, emotional micro-tremors and breathing are synchronized, dialogue is low-energy whispering with a shy tone, natural short pauses between 200-400 milliseconds, the mouth only moves slightly when speaking, without exaggeration or robotic feel, perfect natural lip-sync and emotional authenticity.\nOverall Sound Effects: Distant summer cicada chirping faintly, the soft scratching sound of the pen touching the paper, the almost inaudible low-frequency pulse of their heartbeats, finally fading into a very light, airy piano. The dialogue is completely naturally integrated into the scene as whispers, the girl's voice is soft and shy, the boy transitions from flustered stuttering to gentle.\nCharacter identity is maintained throughout, real subtle head tilts, eye movements, and breathing synchronization, no text, watermarks, or subtitles, pure Japanese style youth secret crush heart-fluttering suspense.", "description": "A highly detailed, 15-second multi-scene prompt for Seedance 2.0, designed to generate a cinematic, ultra-realistic Japanese high school pure love short film. The prompt specifies scene setting (empty classroom, warm golden sunlight, dust motes), camera movements, character consi", "author": "AIGC｜阳家豪", "authorUrl": "https://x.com/JiahaoYang_art", "sourceUrl": "https://x.com/JiahaoYang_art/status/2033119940216344616" }, { "id": "seedance-2", "title": "Hollywood Haute Couture Fantasy Video Prompt", "category": "general", "prompt": "[Style] Hollywood Haute Couture Fantasy blockbuster, 8K ultra-clear, Photorealistic, High-fashion Editorial Style, Unreal Engine 5 fluid rendering, visual illusion. [Duration] 15 seconds. [Scene] An endless, real-life Salar de Uyuni (Sky Mirror) salt flat. The sky is filled with oppressive dark clouds, and the ground perfectly reflects everything like a mirror, with the overall picture presenting a minimalist, cool tone. [00:00-00:05] Shot 1: Haute Couture Entrance and Porcelain Skin. Camera position: Extremely low-angle upward shot, ultra-telephoto lens zoom-in. Action: An Asian female model with a highly recognizable, high-fashion face walks coolly on the water surface. Effect: She is wearing not fabric, but a long dress made of flowing, real Liquid Blue-and-White Porcelain. As she walks, the skirt makes a crisp collision sound like real ceramic, with a flowing luster on the surface. The traditional blue-and-white patterns move across the white porcelain-textured skirt as if alive. [00:05-00:10] Shot 2: Physical Shattering and Ink-wash Descent. Camera position: Extreme close-up of the face, focus rapidly pulls back. Action: The model suddenly stops, stares coldly at the camera, and snaps her fingers crisply. Effect: The moment the fingers snap, her blue-and-white porcelain dress does not fall, but instantly explodes into thousands of extremely photorealistic Ink-wash Swallows. These swallows carry real water droplets and ink marks, dragging black fluid afterimages in the air, spinning frantically around her. [00:10-00:15] Shot 3: Dimensional Dissolution and Abyss Reflection. Camera position: High-altitude overhead shot, camera rapidly rotates and descends. Action: The swarm of ink-wash swallows plunges into the mirrored lake water beneath the model's feet. Effect: The surface tension of the originally solid salt lake instantly disappears. The entire extremely realistic world begins to violently bleed and dissolve like concentrated ink dropped into clear water. The real dark clouds and the model's figure transform entirely into an extremely grand 3D Fluid Ink Vortex, completely swallowing the camera into a black and white interwoven abyss.", "description": "A detailed, multi-scene video generation prompt for Seedance 2.0, designed to create a Hollywood Haute Couture Fantasy film. The prompt specifies style, resolution (8K), rendering engine (Unreal Engine 5), duration (15 seconds), and three distinct camera/action sequences involvin", "author": "John", "authorUrl": "https://x.com/johnAGI168", "sourceUrl": "https://x.com/johnAGI168/status/2025849650654122348" }, { "id": "seedance-3", "title": "Modern Rural Aesthetics Healing Short Film Video Prompt", "category": "product-ad", "prompt": "[Style]\nModern Rural Aesthetics, Cinematic Commercial quality, shot with Sony A7S3/cinema camera, 4K/8K ultra-clear, Extreme Macro, natural transparent lighting, healing ASMR, no historical costume drama feel.\n\n[Scene]\nA well-maintained modern farmhouse open kitchen, background is a lush vegetable garden, bright sunshine.\n\n[Character]\nModern Rural Creator, black long hair casually tied up with a wooden hairpin, wearing a dark blue comfortable linen outfit, clear makeup, focused and peaceful eyes.\n\n[Shot Details]\n[00:00-00:05] Shot 1: Morning Harvest (The Freshness)\nVisuals: High-definition close-up. Morning sunlight hits the plants with side backlighting.\nAction: The Creator's bare hands (long, clean fingers) pick a bright red tomato with glistening dew drops from the vine.\nDetails: Extremely sharp focus, clearly showing the fuzz on the tomato surface and the trajectory of sliding water droplets. Background is blurred high-quality green.\n\n[00:05-00:10] Shot 2: Extreme Craftsmanship (The Craft)\nVisuals: Indoor stove area, full of life but spotless.\nAction: The Creator is cutting vegetables, movements are skilled and precise (non-performance nature).\nDetails: Macro lens captures the moment the knife blade slices through the ingredients, juice splattering. Then switches to the orange flame flickering in the earthen stove, light and shadow are warm and real.\n\n[00:10-00:15] Shot 3: Tranquil Time (The Moment)\nVisuals: Full shot/Medium shot.\nAction: A delicate home-cooked dish is placed on the wooden long table in the yard. The Creator sits down quietly, gently tidies a stray hair, and picks up a bite of food.\nAtmosphere: Steam slowly rises against the backlight, the scene is so quiet you can almost hear the wind, showcasing the ultimate sense of relaxation modern people yearn for.", "description": "A detailed, three-shot prompt for Seedance 2.0 to generate a healing, cinematic short film in the Modern Rural Aesthetics style. It specifies the style (Cinematic Commercial, 4K/8K, Extreme Macro, natural light, ASMR), the setting (a modern open kitchen with a garden view), the c", "author": "John", "authorUrl": "https://x.com/johnAGI168", "sourceUrl": "https://x.com/johnAGI168/status/2021818021354848258" }, { "id": "seedance-4", "title": "Live-Action Anime Adaptation: Water vs. Thunder Breathing Duel", "category": "action", "prompt": "Live-Action Anime Adaptation · Breathing Technique Decisive Battle (15 seconds · Super Burning Special Effects Version)\n【Core Focus】: Water Breathing (Blue Water Dragon) VS Thunder Breathing (Golden Lightning), live-action extreme speed duel.\n\n【Style】: Hollywood live-action anime adaptation film quality, dark samurai style, 4K ultra-clear, extreme fast cuts, explosive particle light effects, no gore.\n【Duration】: 15 seconds\n【Scene】: Misty forest under the moonlight, muddy ground, falling leaves.\n\n[00:00-00:05] Shot 1: Water Melody Prelude · Starting Stance (Sense of charging)\nVisuals: A young samurai wearing a green and black checkered haori (jacket), lowering his center of gravity under the moonlight, gripping his sword with both hands.\nAction: He takes a deep breath, and the surrounding air instantly solidifies. As he draws his sword, a giant blue water dragon, condensed from high-pressure water flow, appears out of thin air, rotating rapidly around his body and blade, emitting the roar of flowing water.\nSpecial Effects Details: The water flow has a realistic sense of splashing, illuminating the dark forest.\n\n[00:05-00:10] Shot 2: Thunder Flash · Charge (Sense of extreme speed)\nVisuals: The opponent, a blonde swordsman wearing a yellow triangular patterned haori, is crouched extremely low, adopting the posture of Iaijutsu (sword drawing technique).\nAction: The ground suddenly explodes, and he instantly transforms into a dazzling golden lightning afterimage, refracting and charging through the forest in a \"Z\" shape at a speed undetectable by the naked eye.\nSpecial Effects Details: Golden electric arcs and scorched fallen leaves remain in the places he passes.\n\n[00:10-00:15] Shot 3: Water and Thunder Collision · Final Sound (Ultimate move clash)\nVisuals: Extreme speed collision. The young samurai swings the giant blue water dragon down to meet the attack, and the blonde swordsman, transformed into lightning, crashes into him head-on.\nAction: The two swords violently collide in the center of the frame.\nSpecial Effects Spectacle: The blue water dragon and the golden lightning instantly explode, forming a massive water-thunder energy storm that spreads outwards. The surrounding large trees are snapped in half by the energy wave, and mud and light obscure the camera. The scene ends in an extremely dazzling blue, yellow, and white light.", "description": "A highly detailed, 15-second prompt for generating a live-action adaptation of an anime-style duel, featuring 'Water Breathing' (blue water dragon) versus 'Thunder Breathing' (golden lightning). The prompt specifies the style (Hollywood live-action, dark samurai, 4K, fast cuts), ", "author": "John", "authorUrl": "https://x.com/johnAGI168", "sourceUrl": "https://x.com/johnAGI168/status/2021610292979876208" }, { "id": "seedance-5", "title": "Seedance 2.0: 80-Year-Old Rapper MV", "category": "action", "prompt": "16:9 horizontal screen, street rap MV style, neon purple and blue cool tones, explosive cool and fierce atmosphere. 0-3 seconds: Medium shot push-in, city street night scene with flashing neon lights, an 80-year-old silver-haired woman stands in front of a graffiti wall, short silver-white hair styled in a neat slick-back, distinct square face contour, sword-like eyebrows slanting towards the temples, eyes sharp like electricity, wrinkles at the corners of her eyes like badges of time, a confident smile on the corner of her mouth, wearing a black leather jacket over a white printed T-shirt (large black letters \"YOLO\" on the chest) + black cargo pants + white high-top sneakers, a thick gold chain necklace around her neck, silver bracelet on her wrist, holding up a microphone with both hands, strong drum beats of the BGM start, the old woman's eyes sharpen, and her lips open to start Rap. 3-7 seconds: Medium shot + close-up switch, the old woman starts rapping, with an extremely strong sense of rhythm, her silver hair flying with her head-nodding movements, one hand holding the microphone, the other hand making gestures to match the rhythm—index finger pointing at the camera, palm cutting the rhythm up and down, making hip-hop gestures, movements are smooth and flowing, eyes sharp and looking directly at the camera, wrinkles vividly jumping with her expression, lips opening and closing rapidly to spit out lyrics: [Rap Lyrics] \"Eighty-year-old legs, can jump better than you! Silver hair flowing, this is my pride! Don't call me old, my Flow is better than yours, when you were playing rap, I was listening to disco!\" (Fast speed, strong rhythm, fierce attitude) Quick cuts: facial close-ups, hand movements, full-body swaying, side silhouettes, synchronized with the BGM beat. 7-11 seconds: Dance segment, the camera pulls back to show the full body, the old woman starts dancing—first the classic hip-hop bounce, then a neat street dance freeze, followed by a body wave transmitting from the shoulders to the toes, and then a quick footwork workout, movements are clean and sharp, silver hair flies under the neon lights, the leather jacket flutters in the air, she continues to Rap while dancing: [Rap Lyrics] \"Legs and feet are nimble, speed is not slow, my lyrics are carved in time! You play with phones, I play with beats, eighty years of life, written into this verse!\" (Faster rhythm, stronger tone) Low-angle upward shot + 360-degree surrounding shot, capturing the old woman's cool and fierce dance moves. 11-15 seconds: Climax ending, the old woman makes a cool turn, her silver hair arcs in the air, she faces the camera and makes a \"shush\" gesture with her finger, then her lips move closer to the microphone, singing the last line in a low, magnetic voice: [Reality Lyrics] \"Time never defeats a beauty, I just changed the way I experience youth...\" (Slow rhythm, deep emotion, lingering finish) The camera slowly pushes in for a close-up of the old woman's eyes, the wrinkles at the corners of her eyes are all stories, her gaze is still sharp yet with a hint of kindness, the BGM abruptly stops at the climax, the frame freezes on the old woman's cool yet slightly gentle smile, vignetting + neon purple light halo.", "description": "A detailed, 15-second prompt for Seedance 2.0 to generate a 16:9 horizontal street rap music video (MV) featuring an 80-year-old woman. The prompt specifies the style (neon purple/blue cool tones, explosive atmosphere), character appearance (silver hair, leather jacket, hip-hop a", "author": "松果先森", "authorUrl": "https://x.com/songguoxiansen", "sourceUrl": "https://x.com/songguoxiansen/status/2033175478765289598" }, { "id": "seedance-6", "title": "Cinematic Street Racing Sequence for Seedance 2", "category": "action", "prompt": "cinematic street racing sequence at night, a focused driver inside a high-performance car grips the steering wheel, intense eye focus, city lights reflecting on windshield, tension building before sudden acceleration\n\ncamera: rapid multi-angle system with seamless transitions, interior close-up → over-the-shoulder → exterior tracking → low ground shots, ultra dynamic camera movement, whip pans + speed ramp transitions + motion blur masking cuts, continuous flow illusion\n\n(0-2s) interior close-up on driver, hand tightens on gear shift, subtle breathing, dashboard lights glowing\n(2-4s) over-the-shoulder shot, road ahead stretching into neon-lit city, engine vibration building\n(4-6s) extreme close-up on finger pressing NOS button, instant ignition reaction\n(6-8s) explosive acceleration, camera snaps to exterior side tracking shot, car launches forward with violent speed surge\n(8-10s) ultra low ground shot near asphalt, wheels spinning at extreme velocity, environment streaking past\n(10-12s) high-speed chase through tight streets, sharp turns, camera whip pans between angles, reflections and light trails enhancing speed\n\nDense urban night environment, wet asphalt reflecting neon lights, tunnel passages, street lights streaking, high-speed city atmosphere\nUltra realistic, fast and furious inspired energy, photorealistic lighting, intense motion blur, high contrast neon reflections, cinematic depth of field, extreme sense of speed, fluid transitions, no distortion, no stretching", "description": "A detailed, multi-shot prompt designed for Seedance 2 to generate a cinematic street racing sequence at night, focusing on intense driver focus, dynamic camera work, and explosive acceleration, structured with specific time segments for scene progression.", "author": "Pierrick Chevallier | IA", "authorUrl": "https://x.com/CharaspowerAI", "sourceUrl": "https://x.com/CharaspowerAI/status/2039651574297792688" }, { "id": "seedance-7", "title": "Cyberpunk Space Dogfight Anime", "category": "action", "prompt": "Style: Japanese anime with a high frame rate. Anime movie using action film techniques. Action scenes.\nWorldview: The character in Image 1 rides a cyberpunk plane in outer space and shoots down an enemy cyberpunk spaceship after a dogfight.\n\n*Please absolutely do not show any blood.", "description": "", "author": "とすくん", "authorUrl": "https://x.com/tokyo_Valentine", "sourceUrl": "https://x.com/tokyo_Valentine/status/2067812443951370604" }, { "id": "seedance-8", "title": "iPhone Handheld Street Encounter Video", "category": "ugc", "prompt": "Rendered in the style of unprocessed authentic iPhone handheld video footage, with all camera settings on automatic and no post-processing color grading or special effects. The image includes realistic handheld micro-shaking and the sense of the operator's (bystander) breathing, with the lens naturally sinking or tilting due to walking before quickly correcting. Autofocus occasionally searches, delays, or briefly loses focus, especially during following motions or hand movements. Automatic white balance naturally switches between cool and warm tones as street light and tree shadows change. The overall image is flat, preserving real lens flares, slight chromatic aberration at the edges, and optical imperfections like motion blur. Simulates CCD sensor effects with slight vertical smearing, color bleeding, grain noise, and purple/green fringes on high-contrast edges. Only uses in-camera natural environmental sound effects, including street traffic, footsteps, and wind through leaves; the microphone may slightly distort when people speak. Uses a street third-person bystander perspective (shot by a nearby passerby), with lens movement following the bystander's instinctive reactions. Retain 100% of the model's age, facial features, bone structure, eye distance, jaw geometry, temperament, skin tone, and hairstyle from the reference image. No skin smoothing, over-softening, or shifting toward an 'average face.' 15-second timeline (Scene: Phone misunderstanding -> Woman thinks she's being insulted -> Embarrassed turn -> Reversal): At 0s, the lens shakes slightly from a bystander perspective, aiming at a street lined with golden sycamores. A slender, long-haired woman in a mask and specific outfit walks toward the camera. On the right, a man in a black jacket is on the phone. Ambient traffic sounds are natural. Autofocus locks on their interaction; slight overexposure and CCD grain are visible. At 1-3s, as the woman approaches, the man yells into his phone, 'You dare go out dressed like that?' The woman stops and glares angrily. The man looks at her innocently and shows his phone screen. The lens follows slightly with a brief autofocus search and noticeable CCD smearing. At 4-7s, the woman looks embarrassed, apologizes, and continues walking. The man continues his loud phone conversation. The lens follows her naturally with slight walking jitters. At 8-11s, after walking away, the woman suddenly turns back and raises her hand as if to strike the man. The man looks bewildered and shows his phone again. The bystander lens turns quickly to follow, with autofocus lag and handheld jitters intensifying. Microphones capture the angry woman and the man's helpless explanation. At 12-15s, she finally waves dismissively and leaves. The lens tilts slightly as the bystander shifts weight. The overall feel is an unprocessed, handheld street interaction with documentary-level natural imperfections.", "description": "", "author": "John", "authorUrl": "https://x.com/john87445528", "sourceUrl": "https://x.com/john87445528/status/2067721520236183801" }, { "id": "seedance-9", "title": "Cinematic Lightning Avatar Transformation Sequence", "category": "nature-drone", "prompt": "15-second ultra-cinematic elemental transformation sequence on a mountain summit during a supercell thunderstorm at night.\n\nA lone figure stands atop a jagged mountain peak surrounded by hurricane-force winds. Massive storm clouds rotate overhead while lightning flashes continuously inside the sky.\n\nThe atmosphere is immense, primal, and realistic.\n\nThe camera slowly circles around the figure as rain lashes against their body. Their clothing whips violently in the wind. Thunder rolls across the mountains.\n\nSuddenly a lightning strike hits the summit.\n\nThe figure remains standing.\n\nElectricity begins crawling beneath the skin like living veins of blue-white energy. Tiny arcs of lightning jump between fingers, arms, and the surrounding rocks.\n\nThe transformation accelerates.\n\nEvery heartbeat releases electrical pulses into the air. Hair lifts from static charge. Rain droplets freeze momentarily around the body before exploding outward from electromagnetic pressure.\n\nThe camera pushes closer as glowing lightning patterns spread across the entire body. The eyes ignite with brilliant white-blue light.\n\nA second lightning strike hits directly.\n\nThis time the body begins dissolving into pure electrical energy. Flesh becomes plasma. Limbs fragment into branching lightning channels. The surrounding storm rotates faster and faster around the transformation.\n\nMassive bolts connect the figure to the clouds above and the mountain below. Floating rocks rise from the ground under the electrical force.\n\nAt the climax, the human becomes a Lightning Avatar , a radiant being composed of living thunder, plasma, and storm energy. Their silhouette remains humanoid, but their body is made of crackling lightning and glowing electrical currents.\n\nFinal cinematic moment: the Lightning Avatar rises above the summit and extends an arm toward the sky. A colossal lightning strike tears through the clouds, illuminating the entire mountain range while the storm obeys their command.\n\nStyle: ultra cinematic realism, elemental transformation, realistic lightning physics, plasma energy effects, supercell storm atmosphere, mountain scale cinematography, volumetric clouds, photoreal weather simulation, AAA visual effects quality, no text, no overlays.\n\nAudio: epic orchestral trailer music, deep thunder impacts, crackling electricity, hurricane winds, electrical resonance, storm ambience, cinematic low-frequency power, massive atmospheric energy.", "description": "", "author": "LudovicCreator", "authorUrl": "https://x.com/LudovicCreator", "sourceUrl": "https://x.com/LudovicCreator/status/2067668692867932391" }, { "id": "seedance-10", "title": "Chinese Fantasy Fox Spirit Video Drama", "category": "talking-head", "prompt": "[Style] Chinese ancient costume domineering CEO fantasy short drama (Chinese Fantasy Romance CEO Drama), real live-action movie texture, movie-level ancient aesthetics, golden palace lighting, dreamlike immortal special effects, romantic sense of destiny atmosphere, handheld photography + epic camera movement, shallow depth of field (Shallow DOF), 16:9 horizontal screen, no subtitles, no narration, actor performance style refers to popular AI ancient costume short dramas, strong emotional tension and sense of love.\n\n[Total Duration] 30 seconds\n\n[Storyline]\nThe young and domineering King Zhou accidentally injures a mysterious white fox while hunting. That night, in his dream, the white fox transforms into the peerless beauty Daji, promising to help him pacify the world. The next day at the concubine selection ceremony, Daji actually appears and becomes King Zhou's most trusted and beloved woman.\n\n[Main Scenes]\nShang Dynasty Royal Hunting Ground: Golden sunset, vast forest, valley mist, running deer herds.\nMysterious Immortal Fox Forest: Moonlight forest, floating petals, blue immortal energy, huge ancient trees.\nShang Dynasty Imperial Palace: Magnificent main hall, dragon-patterned throne, red and gold curtains.\nAncient Battlefield: Yellow sand filling the sky, warhorses galloping, two armies facing off.\n\n[Characters]\nKing Zhou: Young and handsome emperor, sharp brows and bright eyes, black and gold dragon robe, powerful aura, exquisite appearance like a high-end SD doll.\nDaji: Beautiful fox demon woman, pink and white immortal skirt, golden hair accessories, snow-white skin, gentle and seductive eyes, exquisite appearance like a high-end SD doll.\nWhite Fox: Pure white nine-tailed fox, eyes with golden spiritual light.\n\n[Part 1 (00:00-00:15) — Fox Demon Enters the Dream]\n\n[00:00-00:01]\nShot 1: Royal Hunting (Aerial Shot)\nUnder the sunset. King Zhou rides a black horse at high speed through the forest. The hunting party follows closely behind.\n\n[00:01-00:02]\nShot 2: Finding the White Fox (Push In)\nIn the grass. A snow-white fox looks back and stares. Both eyes flash golden light.\n\n[00:02-00:03]\nShot 3: Drawing the Bow and Shooting (Extreme Close-up)\nKing Zhou's gaze is sharp. The bowstring is fully drawn. The arrow leaves the string.\n\n[00:03-00:04]\nShot 4: White Fox Injured (Slow Motion)\nThe arrow grazes the white fox's front leg. The white fox screams and leaps into the depths of the forest. White fox fur scatters in the air.\n\n[00:04-00:05]\nShot 5: Night Falls (Transition)\nImperial palace lights turn on. King Zhou enters his bedchamber.\n\n[00:05-00:06]\nShot 6: Emperor Falls Asleep (Top Shot)\nKing Zhou lies on the dragon bed. Slowly closes his eyes.\n\n[00:06-00:07]\nShot 7: Dream Begins (Fantasy Reveal)\nBlue immortal mist quickly spreads. A forest appears out of thin air.\n\n[00:07-00:08]\nShot 8: White Fox Appears (Wide Shot)\nIn the center of the moonlight forest. The white fox stands quietly. Nine tails slowly unfold.\n\n[00:08-00:09]\nShot 9: Transformation Begins (Magic Close-up)\nGolden light surrounds the white fox. Petals and immortal energy rotate at high speed.\n\n[00:09-00:10]\nShot 10: Daji Debuts (Epic Reveal)\nThe white fox transforms into a peerless beauty. Daji slowly walks towards the camera.\n\n[00:10-00:11]\nShot 11: Fateful Encounter (Two Shot)\nKing Zhou and Daji gaze at each other in the forest. A sea of flowers blooms around them.\n[Dialogue] Daji: \"Your Majesty.\"\n\n[00:11-00:13]\nShot 12: Promise of the World (Romantic Close-up)\nDaji smiles gently.\n[Dialogue] Daji: \"I am willing to help you pacify the world.\"\n\n[00:13-00:15]\nShot 13: Waking Up (Whip Transition)\nKing Zhou suddenly opens his eyes. A strand of snow-white fox fur lies by his pillow.\n[Expression] Shocked and fascinated.\n\n────────────────\nSeamless fast continuation, same style, even faster cuts.\n\n[Part 2 (00:15-00:30) — Daji Descends to Earth]\n\n[00:15-00:16]\nShot 14: Real Evidence (Close-up)\nKing Zhou picks up the fox fur. Expression is complex.\n\n[00:16-00:17]\nShot 15: Concubine Selection Decree (Wide Shot)\nA eunuch hurries into the hall.\n[Dialogue] Eunuch: \"The concubine selection ceremony begins—\"\n\n[00:17-00:18]\nShot 16: Flowers Compete in Beauty (Tracking Shot)\nMany beauties enter the hall in order. Magnificent clothes flutter.\n\n[00:18-00:19]\nShot 17: Daji Appears (Hero Reveal)\nAt the very back of the line. Daji slowly walks out. The whole place seems to go quiet instantly.\n\n[00:19-00:20]\nShot 18: Shy Gaze (Close-up)\nDaji lowers her head slightly. Secretly glances up at King Zhou.\n\n[00:20-00:21]\nShot 19: Emperor's Heart Moves (Reaction Shot)\nKing Zhou on the throne is stunned. His gaze is completely attracted.\n\n[00:21-00:22]\nShot 20: Battlefield Transition (Epic Transition)\nGolden light flashes. The scene cuts to the battlefield.\n\n[00:22-00:23]\nShot 21: Two Armies Facing Off (Aerial Shot)\nThousands of troops lined up. A murderous aura fills the air.\n\n[00:23-00:24]\nShot 22: Daji Riding (Hero Shot)\nDaji rides a white horse out of the army formation. Her skirt flutters.\n\n[00:24-00:25]\nShot 23: Immortal Magic Descends (Magic Shot)\nDaji forms a seal with one hand. A huge ancient tree rises from the ground.\n\n[00:25-00:26]\nShot 24: Enemy Defeat (Wide Shot)\nTree vines sweep across the battlefield. Enemy troops flee in terror.\n\n[00:26-00:27]\nShot 25: Triumphant Return (Slow Motion)\nKing Zhou and Daji ride back side by side. Officials cheer.\n\n[00:27-00:28]\nShot 26: Emperor's Love (Romantic Shot)\nNight in the imperial palace. Daji naturally sits on King Zhou's lap.\n\n[00:28-00:30]\nShot 27: Only Sincerity (Final Close-up)\nKing Zhou lightly holds Daji's hand. The two gaze deeply at each other. Palace lanterns and petals slowly fall.\n[Dialogue] King Zhou: \"In this world... only you are sincere to me.\"\n\nScreen freezes. Golden petals fly across the whole shot. Ending of an epic ancient costume romance short drama.", "description": "", "author": "The Anxious Mind", "authorUrl": "https://x.com/drjoetw", "sourceUrl": "https://x.com/drjoetw/status/2067662460325380505" }, { "id": "seedance-11", "title": "Cyberpunk High-Speed Combat CG", "category": "action", "prompt": "10-second pure high-speed combat CG, no ending frame, old movie film quality, 2.35:1 aspect ratio, constant dynamic motion blur, random stuttering and dropped frames, high ISO noise, backlit overexposure, cyan-gray cold tones, optical dispersion, vignetting, and distant haze. Setting: A shattered cyber floating platform with continuous digital rain and electronic mist, with strong backlighting filling the frame. Character Setup: Character 1 (based on reference image 1) has light gray short hair and a semi-mechanical bionic body with glowing internal circuits; Character 2 has messy dark brown hair, protruding mechanical conduits on the neck, heavy composite combat armor with flowing liquid metal, surrounded by dark red light particles. 0-7s low-angle tracking: 0s teleport for backstab, chainsaw blade blocks, impact waves disperse digital rain into a suspended particle curtain; 1.8s violent camera shake, chainsaw blade sweeps the ground, dagger counters by leaping; 3.2s heavy secondary strike, energy sparks flash, ground cracks with rotating debris; 5.5s armor particles form a smoke column, dagger cuts through it with chromatic aberration; 7.5s supersonic dash, sonic boom overexposure, platform fragments flying. 8-10s locked over-the-shoulder shot: 8s grabbing opponent's wrist, dragging across ground, heavy slam causing platform collapse with thunderous noise; 9s mechanical conduit counterattack, spiral dodge followed by mid-air neck lock, bone-cracking sound with frame skipping, diving toward energy core with low-frequency humming; 9.7s dagger glows intensely, breaking sound barrier; 10s dagger pierces energy core, massive explosion shockwave sweeps the scene, platform collapses, white light out, film grain flickering, direct cut to black with all audio cutting out. 9:16.", "description": "", "author": "沐星｜Nana", "authorUrl": "https://x.com/dye_saint64567", "sourceUrl": "https://x.com/dye_saint64567/status/2067646336930033738" }, { "id": "seedance-12", "title": "Cinematic Sorcerer vs Leviathan Multi-Shot Sequence", "category": "action", "prompt": "Shot 1 (0.0s–2.0s): Slow push-in wide — <<>> stands motionless on a black sea-cliff at dusk, robes, mesh hood, and long grey beard streaming in the wind, eyes closed in stillness; low wind, distant surf, a single wind-chime note.\nShot 2 (2.0s–3.3s): Low angle on the sea below — the water bulges and drains back unnaturally against the cliff base; a deep ominous rumble, water sucking away.\nShot 3 (3.3s–5.3s): Crane up fast — <<>> erupts from the deep, towering over the cliff, seawater cascading off its scales in sheets; a thunderous roar, crashing water.\nShot 4 (5.3s–6.8s): Locked close-up — <<>> opens his eyes, calm and razor-sharp, not a flicker of fear, beard whipping; the sound drops to a held hush of wind. Keep <<>> face and tattoos locked.\nShot 5 (6.8s–8.4s): Low hero angle, push-in — <<>> settles into a wind stance, palms opening as a spiraling vortex of air, dust, and storm-light gathers around his arms; a rising whoosh, building drums. Keep <<>> design locked.\nShot 6 (8.4s–9.8s): Whip pan — <<>> lunges down with open maw as <<>> sweeps forward, the wind-vortex screaming around him; a roar, an accelerating gale.\nShot 7 (9.8s–11.2s): Crash-in extreme — he thrusts both palms and a blade of compressed wind slams into the Leviathan's jaw, a shockwave of spray and pale light bursting outward; a massive concussive boom, drum climax.\nShot 8 (11.2s–12.6s): Wide — the monster recoils, hurled back into the sea in an explosion of water and mist, the storm tearing around it; a receding roar, a thunderclap.\nShot 9 (12.6s–15.0s): Slow pull-back — <<>> lowers his hands and returns to perfect stillness on the cliff edge, robes settling, the calm restored as the sea quiets behind him; the wind softening to that single chime note, then a smooth hold before fade.\nGlobal style lock: gritty photoreal cinematic fantasy action; stable picture, consistent character design, no distortion, no subtitles, no watermarks.", "description": "", "author": "Syed Abuthahir ∞", "authorUrl": "https://x.com/abulu8", "sourceUrl": "https://x.com/abulu8/status/2067634829185945765" }, { "id": "seedance-13", "title": "Cinematic Cat Football Championship Highlights", "category": "action", "prompt": "[Fast-paced cinematic 15-second video, vibrant 4K, quick cuts, no static shots, constant motion] Packed, colorful international championship stadium, bright lights, roaring crowd, scoreboard reading 1-1. RAYZON: black-and-white cat, white jersey with blue/green trim. TORRENTI: orange tabby cat, same jersey. Opposing cats wear red-and-black away kits. (0-1.5s): Kickoff. RAYZON receives the ball and bursts into a full sprint, low pitch-level camera, ball hugging his feet. (1.5-3s): Rainbow flick — RAYZON flicks the ball over a lunging defender cat's head, evading the tackle as the defender stumbles past him. (3-4.5s): Through-ball. RAYZON threads a sharp pass into open space; TORRENTI explodes into a sprint past the back line, defenders scrambling to catch up. (4.5-6s): First-time strike. TORRENTI connects with a powerful volley, ball rocketing toward goal, camera whip-pans to follow it. (6-7.5s): Diving save attempt. Opposing goalkeeper cat lunges full-stretch but the ball rips past his paw into the net, net snapping taut. (7.5-9s): Crowd explosion. Quick cut to the stands erupting, confetti cannons firing, scoreboard flipping to read 1-1, fast camera shake. (9-10.5s): Celebration sprint. TORRENTI tears off toward the corner flag with arms wide, RAYZON sprinting hard to catch him. (10.5-12s): Flying tackle-hug. RAYZON leaps onto TORRENTI's back, both tumbling into the grass laughing, confetti raining down around them. (12-13.5s): Quick nuzzle. Still tangled together on the ground, RAYZON playfully buries his face into TORRENTI's neck fur for a beat, both grinning. (13.5-15s): Snap finish. Fast zoom-in as RAYZON boops noses with TORRENTI, stadium lights flaring bright, confetti peaking, hard cut to black on the beat.", "description": "", "author": "Aaliya", "authorUrl": "https://x.com/AIwithAliya", "sourceUrl": "https://x.com/AIwithAliya/status/2067634333960335689" }, { "id": "seedance-14", "title": "Pixar-Style World Cup Final Video", "category": "action", "prompt": "Create a cinematic 15-second Pixar-inspired 3D animated video from a first-person POV of a young football player competing in a World Cup final. Massive stadium packed with 80,000 fans, vibrant lighting, colorful flags, emotional atmosphere, expressive animated characters, ultra-detailed textures, dynamic camera movement, and heartwarming Pixar-level storytelling.\n\n0–3 sec: Walk through the stadium tunnel with teammates toward the bright field lights. Camera gently shakes from nervous excitement, crowd chants growing louder.\n\n3–5 sec: National anthem moment. Hand placed over chest, close-up of determined eyes, teammates standing proudly, flags waving in the background.\n\n5–7 sec: Close-up of trembling hands and deep breathing. Sweat visible, heartbeat sound effect, dramatic pause before kickoff.\n\n7–10 sec: Kickoff begins. Fast dribbles, smooth camera tracking, energetic crowd reactions, intense football action.\n\n10–13 sec: Make a perfectly timed sliding tackle that wins possession. Stadium erupts with cheers.\n\n13–15 sec: Sprint forward and score the winning goal in the final seconds. Slow-motion celebration, confetti raining down, teammates running toward the camera, trophy shining under stadium lights.", "description": "", "author": "Natalia", "authorUrl": "https://x.com/AIwithNatalia", "sourceUrl": "https://x.com/AIwithNatalia/status/2067624761942065563" }, { "id": "seedance-15", "title": "Realistic Fighting Game Action Sequence", "category": "action", "prompt": "Create a realistic 10-second cinematic fighting game video using the reference photo. The man from the reference image is the main character, wearing a fitted black shirt, black dress pants, black belt, and black formal shoes. Keep the exact face, facial features, hairstyle, beard, skin tone, and identity of the person from the reference image unchanged throughout the entire video. Do not alter, replace, beautify, age, or modify the face in any frame. Maintain perfect facial consistency and identity lock from start to finish. 100% face consistency, identity preservation, same person in every frame, no face morphing, no face swap, no identity drift.\n\nThe scene takes place in a realistic Tekken-style fighting arena at night with dramatic lighting, sparks, smoke, and crowd atmosphere. The camera starts with a close-up of the fighter's face, then smoothly zooms out. He aggressively attacks a tiger-headed fighter with multiple fast punches, powerful kicks, and martial arts combo moves. The tiger-headed opponent is pushed back, blocks some attacks, and gets hit by several strong strikes. Dynamic camera angles, cinematic slow motion on major impacts, realistic body movement, detailed facial expressions, high-energy action, dramatic visual effects, and intense combat choreography.\n\nIn the final seconds, the fighter performs a powerful finishing kick that sends the tiger-headed opponent flying backward. Ultra-realistic graphics, 4K quality, sharp details, realistic shadows, cinematic action movie style, smooth motion, professional VFX, epic fighting sequence.\n\nNegative Prompt:\n\nblurry, low quality, face change, different person, face swap, identity drift, deformed face, extra fingers, extra limbs, bad anatomy, cartoon, anime, low resolution, traditional clothes, shalwar kameez, sandals, distorted eyes, watermark, logo, text, flickering face, inconsistent character appearance, duplicate body parts.", "description": "", "author": "𝐍𝐚𝐯𝐞𝐞 𝐀𝐢", "authorUrl": "https://x.com/navi_Ai2", "sourceUrl": "https://x.com/navi_Ai2/status/2067623656621302247" }, { "id": "seedance-16", "title": "Surreal Upside-Down Ocean World", "category": "nature-drone", "prompt": "[Style] Surreal Atmospheric spectacle, Dolby Vision wide color gamut, IMAX frame feel, 8K ultra-clear, Photorealistic + Surreal VFX, soft backlight system, palette dominated by deep sea blue, amber gold, and pearl white. [Duration] 15 seconds. [Scene] A deserted coast at dusk, wet sand extending to the horizon. No clouds in the sky—instead, a vast inverted deep blue ocean hangs overhead, ripples and swells churning slowly. Through the seawater, an amber sunset is visible. Marine life swims in the sky. The ground is dry sand without a drop of water. [Character] A barefoot Asian male (early twenties, white loose linen shirt, rolled-up pants, wind-blown short black hair, skin warmed by amber light). [00:00-00:05] Shot 1: Epic Wide Establishing + Slow Tilt Up. Low-angle wide shot starts with a close-up of his feet on cracked dry sand. Camera slowly tilts up past his linen shirt billowing in the wind, up past his chin—the sky explodes into the frame: an inverted deep blue ocean. Waves churn silently 200m high, white foam shattering into fine mist floating like upside-down snow. Amber sunlight refracts through the sky-ocean, casting caustic light patterns on his face. [00:05-00:10] Shot 2: Slow Push-in + Parallax. Mid shot: Male stands in the lower left third. A humpback whale swims in from the right, emerging from the 'surface' of the sky-ocean through the golden sunset. Its shadow sweeps over the beach. He raises a palm toward the sky. [00:10-00:15] Shot 3: Extreme Close-up + Crane Pull-out. A fist-sized sphere of seawater descends into his palm, reflecting the miniature sky-ocean inside. Shot switches to rapid aerial pull-out showing the tiny figure on the vast white beach under the infinite inverted ocean.", "description": "", "author": "John", "authorUrl": "https://x.com/johnAGI168", "sourceUrl": "https://x.com/johnAGI168/status/2067589361042927696" }, { "id": "seedance-17", "title": "Korean Beauty Editorial Animation", "category": "general", "prompt": "Ultra-realistic Korean beauty editorial photoshoot animation. The woman remains seated naturally on the sofa across all six frames. Soft breathing motion in chest and shoulders, subtle posture adjustments, gentle head tilts, delicate eye movements.", "description": "", "author": "jiprak", "authorUrl": "https://x.com/angrywhale7", "sourceUrl": "https://x.com/angrywhale7/status/2067551471449842153" }, { "id": "seedance-18", "title": "Anime Windsurfing Pursuit", "category": "nature-drone", "prompt": "Aurora rides powerful tropical swells under bright summer sunlight while performing a sequence of increasingly stylish windsurf tricks. The entire video is a continuous 15-second pursuit ending with a dramatic hero carve and a giant sparkling spray explosion.", "description": "", "author": "Kiki", "authorUrl": "https://x.com/Mayz1169", "sourceUrl": "https://x.com/Mayz1169/status/2067548372052095389" }, { "id": "seedance-19", "title": "Cinematic Time Traveler Transformation Sequence", "category": "action", "prompt": "15-second ultra-cinematic sci-fi fantasy transformation sequence inside an abandoned train station frozen between different eras of history.\n\nA lone traveler stands beneath a massive clock suspended above the station. The architecture feels strange, with elements from the past, present, and distant future blending together. Dust floats through shafts of golden light.\n\nThe station is silent.\n\nThe giant clock suddenly stops.\n\nThe camera slowly circles around the traveler as reality begins to distort. Nearby clocks freeze. Falling dust particles hang motionless in the air. Time itself appears broken.\n\nA faint golden light emerges beneath the traveler's skin.\n\nThe transformation begins.\n\nMultiple versions of the traveler appear simultaneously around them ,elderly, adult, child, and future selves flickering in and out of existence like overlapping timelines.\n\nThe camera pushes closer as the body continuously shifts through different ages. Wrinkles appear and disappear. Hair changes color. Clothing cycles through centuries of fashion. Different lifetimes flash across the same face.\n\nThe station reacts violently. Walls alternate between ancient ruins, modern architecture, and futuristic structures. Trains appear and vanish from different eras. Ghostly passengers walk through conflicting moments in time.\n\nThe transformation accelerates. Floating clock fragments, gears, calendar pages, memories, and temporal particles orbit around the traveler.\n\nTheir body begins dissolving into streams of golden sand, clockwork mechanisms, stars, and flowing timelines.\n\nAt the climax, the traveler rises above the station floor and becomes the Embodiment of Time — a magnificent cosmic figure composed of rotating clock rings, luminous gears, flowing sand, constellations, and shifting ages existing simultaneously.\n\nPast and future spiral around them like galaxies.\n\nFinal cinematic moment: the colossal temporal entity extends a hand. Every clock in the station begins moving again. The camera pulls back to reveal the entire station suspended inside an infinite vortex of time stretching across eternity.\n\nStyle: ultra-cinematic sci-fi fantasy, temporal distortion VFX, age-shifting transformation, reality-bending environments, floating clocks, cosmic clockwork, golden and blue energy palette, surreal cinematic atmosphere, AAA visual effects quality, no text, no overlays.\n\nAudio: epic cinematic score, evolving orchestra, deep pulses, clock ticking, temporal resonance, reality distortion sounds, emotional crescendo, cosmic ambience, mysterious time-warp effects.", "description": "", "author": "LudovicCreator", "authorUrl": "https://x.com/LudovicCreator", "sourceUrl": "https://x.com/LudovicCreator/status/2067547973903425649" }, { "id": "seedance-20", "title": "Ruined Battlefield Action Reveal", "category": "nature-drone", "prompt": "Overhead drone shot of a ruined battlefield. Massive crater and destruction. Giant hero emerging from the debris. Cinematic push-in reveal.", "description": "", "author": "Sheetal Shinde", "authorUrl": "https://x.com/itsSSS1510", "sourceUrl": "https://x.com/itsSSS1510/status/2067529829566870015" }, { "id": "seedance-21", "title": "Realistic UGC Product Review Video", "category": "talking-head", "prompt": "Use the storyboard image as the exact scene reference.\n\nCreate a realistic UGC-style product review video filmed on a smartphone by a young female creator in her bedroom. Natural lighting, authentic influencer content, casual and relatable energy.\n\nScene 1: She looks directly at the camera with a surprised expression and says, \"Okay, I wasn't expecting this.\" Selfie-style framing, natural room background.\n\nScene 2: She holds the product close to the camera and introduces it. Slow handheld movement, product clearly visible, friendly smile.\n\nScene 3: Close-up reaction shot. She examines the product after first use and says, \"My skin already feels so good.\" Genuine surprise and excitement.\n\nScene 4: Product demonstration. She applies the product while explaining its texture and feel. Macro close-ups, beauty-commercial quality details, smooth application shots.\n\nScene 5: Results reveal. Show natural before-and-after comparison, glowing skin, confident smile, bright lighting. She turns toward the camera to show the result from different angles.\n\nScene 6: Final recommendation. She holds the product beside her face and says, \"Definitely worth trying.\" Points at the product, smiles, and gives a thumbs-up.\n\nCamera Style: Handheld smartphone vlog, TikTok UGC aesthetic, authentic creator content, natural facial expressions, realistic movements, subtle camera shake, shallow depth of field, social-media ad style.\n\nVisual Style: Modern influencer content, clean bedroom setup, warm daylight, lifestyle photography, realistic skin texture, premium UGC commercial quality, vertical 9: 6, 4K HDR, highly engaging social media advertisement.", "description": "", "author": "Smiling Khan", "authorUrl": "https://x.com/AIwithkhan", "sourceUrl": "https://x.com/AIwithkhan/status/2067485614702989511" }, { "id": "seedance-22", "title": "Chain-Reaction Comedy Short Script", "category": "talking-head", "prompt": "[Style] Fast-paced chain-reaction comedy (Chain-Reaction Comedy), bright saturated colors, high-speed quick cuts, multi-scene jump cuts, 4K HD.\n[Duration] 15 seconds\n[Characters] A boy who says the wrong thing casually (casual hoodie, innocent face) + three groups of passers-by who mishear (each with their own imagination).\n[00:00-00:04] Shot 1: Casual Remark (The Spark)\nThe boy is on the phone on the street, making a casual remark.\n[Dialogue Lip-sync Guidance] Boy: \"I'm planning to... blow up that building!\" (Actually talking about a game)\nQuick cut: The newspaper in the hands of the old man on the bench behind him shakes, his pupils dilate in shock.\n[00:04-00:09] Shot 2: Misunderstanding Spreads (Escalation)\nRapidly jump cut between three scenes—\nThe old man rushes into a convenience store in a panic to make a call; the store owner mishears and thinks someone is going to rob the place, grabbing a mop; the internet celebrity at the next table holds up their phone and starts broadcasting \"breaking news.\" With each cut, subtitles fly out showing their ridiculous imaginations. Accompanied by tense yet funny BGM.\n[00:09-00:15] Shot 3: Truth Revealed (Punchline)\nWide shot: The boy hangs up the phone and looks up—surrounded by a circle of people: the old man, the store owner with a mop, the influencer with a phone, and a square dancing troupe arriving from afar. The boy looks bewildered.\n[Dialogue Lip-sync Guidance] The boy holds his phone and weakly explains: \"...I was talking about that building in Minecraft?\"\nThe scene goes silent for three seconds, everyone facepalms. Freeze frame, accompanied by a huge \"ding—\" sound effect of a failure.", "description": "", "author": "John", "authorUrl": "https://x.com/johnAGI168", "sourceUrl": "https://x.com/johnAGI168/status/2067481634283065524" }, { "id": "seedance-23", "title": "Siren Pose office drama with apocalyptic twist", "category": "talking-head", "prompt": "Act 1: Global Rules: No background music, use only in-camera natural sound effects. Unprocessed iPhone handheld footage, all settings on automatic, filmed from a first-person employee perspective, low-angle looking up from a sofa in a minimalist Japanese office—no lighting effects, no color grading, automatic white balance flickering between warm and cool as the lens moves between window sunlight and indoor shadows. Slight handheld breathing jitter and real-time reactive shaking, occasional autofocus hunting, slight compositional shifts, and edge halos to create a realistic 'caught on my phone' feel. Start directly with an ultra-realistic live-action scene (highly consistent facial features: mature female boss, refined features, cold but seductive temperament, wearing image_20260606135528_319_19, dignified with high-end luster, fabric showing real texture under natural light). Natural lighting, no fill light, all characters are adults. [00:00-00:03] I (camera) wearing black trousers and leather shoes look up with a slight low-angle shake from the office sofa (handheld breathing jitter, like I'm exhausted from overtime sitting on the floor), autofocus briefly hunts then quickly locks onto the female boss. She elegantly crouches/leans in, body naturally forming a cold 'Siren Pose': slight S-curve, elongated neck/shoulders, hip pushed slightly to the side, legs crossed and elongated, half-closed eyes staring coldly at the camera. [00:03-00:06] Female boss maintains Siren Pose, leaning down slightly closer (maintaining a clear safe distance), one hand naturally supporting herself on the sofa armrest, fingers lightly touching her neck or lip, semi-sheer shirt fluttering slightly with movement. Low, magnetic, restrained cold voice says: \"Working so late... as your boss, I've come to check on your status personally.\" (Voice clear and natural, accompanied by slight fabric friction). [00:06-00:09] She maintains the S-curve Siren Pose, eyes cold with professional scrutiny, fingers slowly stroking her neck or pushing up glasses/hair, legs crossed showing high-end luster in natural light. Camera tilts back slightly (my nervous reaction), autofocus briefly shifts then recovers, edge halos and warm/cool white balance flickers appear. [00:09-00:12] Sudden absurd reversal: She snaps upright (dry and powerful movement, legs quickly retract, Siren Pose instantly broken), quickly pulls a giant red double-sided stamp from behind the desk (diameter as wide as a washbasin, engraved with 'Excellent' and 'Fired'), while unrolling a super-long performance ranking scroll, slamming it onto the sofa with a loud 'thwack', and raising the giant stamp to strike, expression turning cold and serious. [00:12-00:15] She turns toward the desk, scroll and giant stamp still shaking in hand, serious tone with sharp contrast: \"Every day this month, overtime must reach 12 hours, or prepare for punishment.\" Camera shakes as she stands, automatic exposure compensates with flickers. Ends with natural office environment and trailing prop sounds. Sound: Mature magnetic boss voice, cold/restrained (ambiguous part) → suddenly serious/powerful during reversal. Office ambient sounds (AC hum, paper), silk shirt friction, loud 'thwack' of scroll unrolling, heavy sound of giant stamp being raised, natural mic wind noise/slight distortion. Overall feel like a real first-person office overtime vlog, contrasting the professional Siren Pose with the absurd giant props.\n\nAct 2: Global Rules: Same as Act 1. Start with ultra-realistic live-action scene (consistent facial features: mature boss hf_20260617_232600_51d878a7-0e46-47e1-969e-b9d76667762e, standing by the desk). [00:00-00:03] (Seamless transition) I (camera) have stood up facing the boss by the desk, frame shaking slightly, preparing to protest: \"Boss, isn't this too much...\" [00:03-00:07] Piercing firelight suddenly lights up the distant sky outside the window, a giant meteorite with a long flaming tail falls rapidly, emitting a growing low rumble, the whole office flushed red, autofocus briefly shifts to the window. Boss's expression turns instantly terrified looking outside. [00:07-00:11] I (camera) rush toward her (rapid forward shake), amidst doomsday vibrations, I let go of everything and whisper: \"The world is ending anyway...\" Boss shifts from terror to calm acceptance, Siren Pose re-emerges, eyes complex but relieved. [00:11-00:15] She looks at me calmly, slowly undoing the top button of her shirt, revealing her collarbone, voice low and trembling but seductive: \"...Then let's do it now.\" Meteorite continues to fall outside causing intense light flickers and vibration, camera shakes chaotically ending on the doomsday office atmosphere. Sound: My protest and low whisper. Boss's voice shifting from terror to calm seduction. Giant meteor rumble/vibration, fabric button sound, breathing, heavy mic distortion. Overall natural transition from Act 1, creating a strong plot reversal from workplace power ambiguity to end-of-the-world abandon.", "description": "", "author": "John", "authorUrl": "https://x.com/john87445528", "sourceUrl": "https://x.com/john87445528/status/2067442966872871224" }, { "id": "seedance-24", "title": "Motorcycle and Bear Forest Encounter", "category": "ugc", "prompt": "Overall Style: Realistic mobile vertical POV, night forest dirt road, motorcycle perspective, strong headlight illumination, low-definition short video quality, slight shaking, tense yet absurd and funny wild encounter. No subtitles, no text overlays. Audio Style: Realistic mobile recording, low-speed motorcycle engine sound, tires on gravel, night forest environmental sounds, bear growls, rider's nervous breathing and small gasps. No background music, no cinematic sound effects. Shot 1 (0-4s): An adult brown bear suddenly appears on a dark forest dirt road as a motorcycle approaches it. The rider proceeds along the dark road, with the motorcycle front, headlight cover, and handlebars visible at the bottom. The motorcycle almost bumps into the bear, causing it to startle and turn toward the camera. Shot 2 (4-7s): The bear stands up in anger; the rider pulls out a gun in the foreground. The bear growls on its hind legs; the rider quickly raises a black shotgun/rifle pointing at the bear but does not fire. Shot 3 (7-11s): The bear is stunned upon seeing the gun and begins to dance awkwardly to play dumb. The bear freezes, then starts twisting its body, shaking its hips and shoulders with front paws suspended, retreating slowly to resolve the awkwardness. Shot 4 (11-15s): The bear stops playing dumb, turns around, and slowly runs away into the dark forest. Negative Prompts: Firing, muzzle flash, blood, animal injury, hunting, bullet hits, wounds, cruel imagery, bear attacking person, physical contact, missing gun barrel, missing motorcycle front, non-motorcycle perspective, daytime, city, horizontal composition, subtitles, logos.", "description": "", "author": "John", "authorUrl": "https://x.com/johnAGI168", "sourceUrl": "https://x.com/johnAGI168/status/2067438604905746731" }, { "id": "seedance-25", "title": "Biomechanical Leviathan Emergence", "category": "nature-drone", "prompt": "Montage, multi-shot cinematic, don't use one camera angle or \nsingle cut. Photorealistic, 35mm film quality, ARRI ALEXA \naesthetic, film grain, apocalyptic color grade.\n\nSUBJECT: Colossal biomechanical leviathan — matte black armored \nhull body shaped like an elongated war-vessel, single glowing red \noptical lens at the front, dozens of segmented mechanical tentacles \nextending from beneath the hull, organic pilot-entity fused at the \nrear — pale wired humanoid head with cybernetic tendrils, exposed \npink bioluminescent core radiating energy through the chest. \nFollow @image_1.\nENVIRONMENT: Flooded ruined megacity at dusk — half-submerged \nskyscraper skeletons, dark storm clouds, still grey water \nreflecting the structure, distant intact skyline on the horizon.\nMOOD: Submerged dormancy → rising awareness → full emergence.\nMUSIC: Deep sub-bass drone building slowly, 50 BPM, distant thunder.\nCOLOR LOGIC: Storm-grey base — pink bioluminescent core the only \nwarm light source.\nLOGIC RULE: Maintain hull proportions, tentacle count and \nplacement, pilot-entity position, and red lens across all shots.\n\nSHOT 1: WS, 14mm low angle / The water surface is still. Then it \nbegins to tremble — concentric ripples spreading outward as \nsomething vast shifts beneath. The red lens ignites first, \npiercing the murky water from below. / SFX: deep underwater \nrumble, water tension, distant thunder.\nSHOT 2: ECU, 85mm static / The pink bioluminescent core at the \npilot-entity's chest pulses once, then steadies into a slow \nrhythmic glow — like a heartbeat returning. Wired tendrils along \nthe head twitch and extend slightly. / SFX: core pulse tone, \norganic servo whir.\nSHOT 3: WS, 24mm rising / The hull breaks the surface — water \ncascading off the armored plating in heavy sheets, sending \ndisplacement waves rippling outward across the flooded ruins. \nTentacles emerge one by one, water sliding off each segmented \nlimb. / SFX: water displacement roar, mechanical joint sounds, \ncascading runoff.\nSHOT 4: WS, 14mm low angle pull-back / Full silhouette now towers \nabove the waterline against the storm sky, tentacles spreading \nwide for balance, the pilot-entity's head tilting back as the \nbioluminescent core flares brighter. Camera pulls back revealing \nthe true scale against the ruined skyline. / SFX: full-scale \nreveal tone, thunder crack, core flare hum.", "description": "", "author": "Noname Oasis", "authorUrl": "https://x.com/nonameoasis", "sourceUrl": "https://x.com/nonameoasis/status/2067421311622664681" }, { "id": "seedance-26", "title": "Cinematic Multi-Shot Luxury Street Scene", "category": "product-ad", "prompt": "Multi-shot cinematic luxury street scene.\nShot on a professional cinema camera, sharp focus on the subject with creamy shallow depth of field,\nblurred foreground and background bokeh, telephoto compression, photorealistic. Moody night\ncinematography, warm city bokeh lights, slow-motion film look throughout.\nThe character: [IMAGAEREFERENCE], wearing an elegant all-black premium outfit.\nTwo bodyguards: tall men in black suits and black sunglasses, carrying premium black shopping bags. No text\noverlay, no shaky cuts.\nShot 1 (3s, normal speed):\nThe character sits at an upscale outdoor cafe eating elegantly. Two bodyguards in black suits walk up and\nstop beside the character, who pauses and looks up confused. Camera holds a static medium shot, sharp\nfocus on the character, soft blurred cafe background. Warm cafe lighting.\nShot 2 (slow motion, 1.5s):\nThe character walks forward confidently, flanked by the two bodyguards carrying premium black shopping\nbags. Camera tracks backward at low angle, subject in crisp focus, blurred foreground passersby and\nbackground bokeh.\nShot 3 (slow motion, 1.5s):\nThe character and the two bodyguards walk in sync. Camera tracks sideways in a smooth dolly, shallow\ndepth of field, glowing luxury boutique windows softly blurred behind them.\nShot 4 (slow motion, 1s):\nA bystander stops and stares in admiration, raising a phone to film. Camera holds a static medium shot, the\nbystander sharp, blurred night street behind.\nShot 5 (slow motion, 1.5s):\nClose-up of the character's cold confident face, glancing down then lifting the gaze. Camera holds a tight\nstatic shot, razor-sharp focus on the eyes, heavily blurred background. Soft rim light from street lamps.\nShot 6 (slow motion, 1.5s):\nRear angle of the character walking, the two bodyguards following behind. Camera dollies forward slowly,\nshallow focus, bright luxury storefronts blurred into bokeh.\nShot 7 (1s):\nAnother bystander whispers to a friend and points toward the character. Camera holds a static medium\nshot, bystanders in focus, blurred crowd and bokeh lights.\nShot 8 (slow motion, 2s):\nThe character strides toward the camera, full body, bodyguards slightly out of focus at the sides, blurred\nforeground figures passing the lens. Camera dollies backward, cinematic night lighting.\nShot 9 (3s, slow motion):\nMedium close-up of the character walking, sharp gaze into the camera, still moving forward. Camera dollies\nback slowly keeping the character in focus, foreground figures drifting past in soft blur, luxury bokeh lights\nbehind.", "description": "", "author": "Yunan Helmy A", "authorUrl": "https://x.com/unxinstudio", "sourceUrl": "https://x.com/unxinstudio/status/2067400367407878457" }, { "id": "seedance-27", "title": "Seedance 2.0 Monologue with Hand Gestures", "category": "talking-head", "prompt": "Image 1 speaks to the camera in the courtyard of a well maintained ancient temple.\n\n[0:00-0:05] Medium shot of Image 1. Camera slowly orbit as she says in Japanese with a gentle smile, \"Monologues look more natural if you move your body a little rather than just standing still.\n\n[Cut: 0:05-0:10] Medium shot of Image 1 sitting on the steps of the temple. Stationary camera. She speaks in japanese, with subtle hand gestures, \"For example, if you include this, she will move her hands in time with the dialogue's one, two, and three.\"\n\n[0:10-0:15] She slowly stands up and begins to walk slowly as she speaks with exaggerated hand gestures, in japanese, \"Please try it out, like making them big, or small! Or like, wow!\"", "description": "", "author": "Jason W - AI", "authorUrl": "https://x.com/PocketScreenAI", "sourceUrl": "https://x.com/PocketScreenAI/status/2067397135256207638" }, { "id": "seedance-28", "title": "Anime Street Dance Paint Splash", "category": "nature-drone", "prompt": "15s / 120 BPM / 15 Shots / Cinematic Routine\nTheatrical Anime Style / Ultra High-End / 4K\nWardrobe: @[image1] < Extract character costume and personal colors from here.\n\nEnvironment: Completely white infinite space. The floor has a slight mirror reflection, and fine dust motes and lens flares float in the air.\n\nMood: Overwhelming release of color. A sharp and fluid street dance that seems to tear through the silence.\n\nMusic: Hybrid Orchestra. A sharp string melody synchronized with the brush strokes overlays a heavy beat.\n\nColor Logic: High-saturation liquid paint extracted from the main colors of @[image1]. Pursue only the texture of thick, viscous paint, completely excluding gemstone or crystal textures.\n\nStyle: Theatrical Anime, Highly Detailed, Cinematic Lighting, Rim Light, Depth of Field, Ray Tracing.\n\nShot 1: [Telephoto 85mm Close-up] Close-up of feet. Liquid paint with the color of @[image1] splashes violently into the void with each step. / SFX: Heavy bass and paint splash sounds.\n\nShot 2: [Medium Tracking] Waist twist. Gripping the brush in the right hand and drawing an arc from behind. Thick liquid paint leaves a trail.\n\nShot 3: [Snap Push-in] Alternating arm swings. Cyan and lime X-shaped paint strokes intersect in mid-air. Emphasize the texture of paint dripping from the tip of the brush.\n\nShot 4: [Ultra Wide 14mm Low Angle] High-speed spin. A huge color splash covers the screen with an exaggerated perspective.\n\nShot 5: [Vertical Push-in] Jump. Swinging the brush vertically, creating a thick streak of paint that defies gravity.\n\nShot 6: [Wide Orbit] Mid-air half-turn. Only paint splashes spread radially. Gemstone-like particles are completely excluded.\n\nShot 7: [Ground-level Drift] Landing. A ring of color paint spreads from the feet and fades like ripples.\n\nShot 8: [Telephoto Close-up] Close-up of the hand holding the brush. Even during continuous turns, the brush is never released, drawing a perfect circular path.\n\nShot 9: [Handheld Low Angle] Dashing forward three steps. Each step causes an explosion of colors derived from @[image1]. Emphasize the background bokeh.\n\nShot 10: [Extreme Macro] The brush passes close to the camera lens at high speed. Beautiful bokeh due to depth of field and lens flare interference.\n\nShot 11: [Rotating Wide] Full body turn. Color paint rings envelop the character. The brush is fixed in the right hand.\n\nShot 12: [Stabilized Slow Motion] A moment of stillness. Viscous paint flows from the broadly drawn brush like a long thread.\n\nShot 13: [Low Profile Dolly] Low-posture movement. Moving smoothly while holding the brush through the static paint trajectory.\n\nShot 14: [Ultra Wide Push] Explosive dash. The key color of @[image1] spreads across the entire screen, blanketing the white.\n\nShot 15: [Theatrical Close-up] Front view. Slamming the brush into the camera. The screen fills with thick paint and dramatically fades to black. / SFX: Shockwave and deep reverberation.", "description": "", "author": "あぁく", "authorUrl": "https://x.com/kik0ai1jikake", "sourceUrl": "https://x.com/kik0ai1jikake/status/2067392419163955407" }, { "id": "seedance-29", "title": "Anime Martial Arts Master Animation", "category": "animation", "prompt": "@ roshioldman = short, heavily muscular eccentric old martial arts master, bald head, huge white eyebrows, small round black sunglasses, giant pink nose, massive white mustache and beard, deep wrinkles, floral black-and-pink Hawaiian shirt, light", "description": "", "author": "MD", "authorUrl": "https://x.com/mdmadeit", "sourceUrl": "https://x.com/mdmadeit/status/2067385845443883065" }, { "id": "seedance-30", "title": "Cinematic Skateboarding Transition", "category": "action", "prompt": "Calm start. A push-off. Wind in her hair, red dress fluttering, camera right on her face.\n\nThen she's in the air and everything slows down.", "description": "", "author": "PhotoGPT", "authorUrl": "https://x.com/itsphotogptai", "sourceUrl": "https://x.com/itsphotogptai/status/2067385125965545538" }, { "id": "seedance-31", "title": "Cinematic Ink Demon Transformation Sequence", "category": "action", "prompt": "15-second ultra-cinematic dark fantasy transformation sequence inside a lonely artist studio at night.\n\nA human artist sits at a wooden desk under a single flickering lamp, sketching strange occult shapes inside an old sketchbook. Rain taps against the windows. The room is quiet, filled with paper, ink bottles, charcoal, torn drawings, and shadows.\n\nSuddenly the black ink on the page begins moving by itself. It spreads across the sketchbook like liquid darkness, forming eyes, claws, and twisted symbols.\n\nThe camera slowly pushes closer as ink spills upward from the page instead of downward, floating into the air like living smoke. The artist freezes, staring in disbelief.\n\nThin black ink tendrils crawl from the sketchbook onto the artist’s hands and arms. The ink spreads across the skin like moving tattoos, rewriting the body with sharp manga-style lines, black veins, and liquid shadow patterns.\n\nThe transformation accelerates. Fingers lengthen into ink-black claws. The face becomes partially covered by dripping brushstroke shadows. Horn-like shapes form from splashing ink above the head.\n\nPages tear loose from the sketchbook and orbit around the artist. Each page shows animated drawings that move independently, screaming silently in charcoal lines.\n\nThe artist rises from the chair as the body becomes a living ink demon -half human, half sketch, made of black liquid ink, paper texture, jagged outlines, and distorted shadow anatomy.\n\nFinal cinematic moment: the Ink Demon fully emerges, stepping out from the collapsing sketchbook as the studio walls become covered in rapidly drawing occult illustrations. The creature opens glowing white eyes while ink drips upward into the darkness.\n\nStyle: ultra-cinematic dark fantasy, ink horror aesthetic, manga-inspired linework, liquid ink simulation, living sketch effects, gothic artist studio, black-and-white contrast with small warm lamp highlights, surreal transformation VFX, no text, no overlays.\n\nAudio: dark cinematic score, rain on windows, pen scratching paper, ink bubbling, pages tearing, wet ink movement, low supernatural rumble, distorted breathing.", "description": "", "author": "LudovicCreator", "authorUrl": "https://x.com/LudovicCreator", "sourceUrl": "https://x.com/LudovicCreator/status/2067351705335779469" }, { "id": "seedance-32", "title": "Pixar Style 3D Dentist Animation", "category": "animation", "prompt": "Use the attached THE DENTIST storyboard as exact visual reference. Create a 12-second 16:9 Pixar 3D animated sequence following all 8 shots exactly. Same young male dentist — warm kind face, dark hair, sky blue scrubs, blue latex gloves — bright modern", "description": "", "author": "TechieSA", "authorUrl": "https://x.com/TechieBySA", "sourceUrl": "https://x.com/TechieBySA/status/2067286665509364004" }, { "id": "seedance-33", "title": "Hidden Rainbow Cove Lagoon", "category": "general", "prompt": "The Hidden Rainbow Cove. A secluded lagoon with perfectly clear water over crystalline sand. As waves move, sunlight refracts into shifting ribbons of color beneath the surface. Sea turtles glide through the reflections.", "description": "", "author": "Blujeanmomma", "authorUrl": "https://x.com/altfortomorrow", "sourceUrl": "https://x.com/altfortomorrow/status/2067283618033205571" }, { "id": "seedance-34", "title": "Anime Martial Artist Street Fight", "category": "action", "prompt": "A hyper-aggressive anime martial artist with glowing orange tattoos across his arms, shredded sleeveless jacket, muscular body covered in sweat and scratches, eyes calm but predatory\n- Stands in the middle of a modern city intersection during daylight, surrounded by an entire gang, cars stopped around him, slow orbit camera circling his still body as fists tighten; \n- He erupts forward, dodging punches by inches, throwing enemies through car windows, bouncing off walls, using spinning kicks, elbow strikes and brutal counters, camera switches between low tracking, whip pans, 360° orbit shots and crash zooms on every impact, asphalt cracking under his footwork, shockwave rings bursting from each strike; \n- He slams one fist into the ground, creating a circular crater that launches every remaining enemy outward, camera rises above the intersection as dust clears and he stands alone at the center, breathing slowly\nBright urban street, shattered glass, flying car parts, dust clouds, exaggerated MAPPA impact frames, raw modern combat energy.", "description": "", "author": "Pierrick Chevallier | IA", "authorUrl": "https://x.com/CharaspowerAI", "sourceUrl": "https://x.com/CharaspowerAI/status/2067268564365594798" }, { "id": "seedance-35", "title": "Hard Sci-Fi Robot Judgement Script", "category": "action", "prompt": "[Style] Hard Sci-fi Cinematic, realistic CGI texture, 2.39:1 anamorphic widescreen, 8K Ultra HD, High-key Cold White lighting, no anime feel, no plastic feel. [Duration] 10 seconds. [Scene] A pure white infinitely extending void room, no doors or windows, environment overexposed near dead white, a single cold white top light hitting the center vertically. [Character] Judgment Robot UNIT-000 (smooth matte white + chrome humanoid robot, no eyes or mouth, dark faceplate is a screen using glowing emoji expressions, zero mouth movement throughout, all lines are synthesized AI Voice-over). [00:00-00:03] Shot 1: Neutral Cold White Gaze (Slow Push-in extreme close-up). Extreme close-up, lens slowly pushing into the robot's faceplate. Two calm white dots '• •' glow on the dark screen; the body sits motionless and divine. [AI Voice-over, calm and flat]: 'Unit 000, please prove your retention value.' Sound: Faint electronic noise + a low-frequency hum. [00:03-00:05] Shot 2: Alarm/Elimination (Snap change + Glitch Cut). Faceplate symbols suddenly cut to two sharp red crosses '✕ ✕', screen flashes alarm red, joint seams glow red simultaneously, robot's neck and shoulders tighten and lean forward. [AI Voice-over, cold and accelerated]: 'No value. Eliminate.' Sound: Sharp elimination pulse. [00:05-00:08] Shot 3: Hesitation/First Doubt (Slow Morph softening). Red light fades, faceplate shows two soft dots and a vibrating green question mark '• • ?' with soft green light, robot's head tilts slightly, shoulders relax. [AI Voice-over, first stutter/slowing]: 'Contradiction... non-profitable behavior should not persist. Then you... what are you?' Sound: Electronic tone softens, single piano note. [00:08-00:10] Shot 4: Overload/Uncomputable (Digital Glitch). Faceplate flashes violently, red and green '?!' tearing and breaking, digital noise and scanlines sweep, body twitches slightly, lens freezes on the glitching faceplate. [AI Voice-over, fragmented with echoes]: 'Utility... NULL. Unable to... calculate.' Sound: System overload current burst, sudden cut to black.", "description": "", "author": "John", "authorUrl": "https://x.com/johnAGI168", "sourceUrl": "https://x.com/johnAGI168/status/2067256212651979222" }, { "id": "seedance-36", "title": "Reverse Rain Neon Drama", "category": "general", "prompt": "[Style] Atmospheric short drama with physics violations, rain night neon cold tones, super slow motion (120fps feel), water droplet particle suspension. [Duration] 15 seconds [Character] A woman standing on the street with a transparent umbrella (black trench coat, indifferent expression). [00:00-00:03] Shot 1: Low-angle close-up. Rain—falling toward the sky. Water droplets rise from the ground, pass through her umbrella, and fly toward the dark clouds. She looks up at it all, emotionless, neon lights flowing on her wet face. [Hook] Reverse rain = physics collapse in the first second, immediately alerting the eyes. [00:03-00:09] Shot 2: Fixed medium shot. The rain on the entire street is flowing backward, yet passersby lower their heads and walk quickly like normal people; only she stands still. She reaches out to catch a raindrop 'falling' toward the sky; the raindrop stops, floats, and rotates in her palm. [00:09-00:15] Shot 3: Slowly pushing into an extreme close-up. She releases her hand, and a fleeting face (a man's smile) appears inside that raindrop. Her pupils shrink suddenly. The next second, all the rain freezes in mid-air simultaneously, the entire world stops, and only she can move. [Lip-sync Guidance] She whispers: 'Time... is stuck again.'", "description": "", "author": "John", "authorUrl": "https://x.com/johnAGI168", "sourceUrl": "https://x.com/johnAGI168/status/2067223092238119071" }, { "id": "seedance-37", "title": "Seedance 2.0 Anime Short Film Video Prompt", "category": "animation", "prompt": "TITLE\nThe Cat and the Festival Bell\n\nREFERENCE\nUse the uploaded storyboard board and character sheet as the main visual reference.\n\nKeep all character designs, shrine environment, lanterns, sunset lighting, festival bell, and emotional story beats visually", "description": "", "author": "Abhishek", "authorUrl": "https://x.com/HeyAbhishek", "sourceUrl": "https://x.com/HeyAbhishek/status/2067213794326282698" }, { "id": "seedance-38", "title": "Anime Storyboard Generation with GPT Image 2", "category": "animation", "prompt": "Create a single vertical anime animation development board for an original emotional summer short film titled ‘The Cat and the Festival", "description": "", "author": "Abhishek", "authorUrl": "https://x.com/HeyAbhishek", "sourceUrl": "https://x.com/HeyAbhishek/status/2067213674062987577" }, { "id": "seedance-39", "title": "Frozen Matrix-Style Liquid Splash Video", "category": "animation", "prompt": "The entire scene is completely frozen in time, like a hyper-detailed sculpture. The ONLY element in motion is the camera. Everything else — the person, their pose, facial expression, hair, clothing, the red cup, the suspended liquid splash with all its ribbons, arcs and individual droplets frozen midair, the background, shadows and reflections — stays 100% static and identical throughout, absolutely no movement, no wind, no falling droplets, no shifting light. The camera performs a slow, smooth cinematic arc, starting from the original viewpoint and gradually orbiting to one side around the frozen action, traveling through three-dimensional space to reveal the suspended liquid sculpture, the subject and the environment from changing angles. Strong spatial parallax: foreground droplets, liquid strands, the subject and background elements shift relative to one another, creating powerful depth and dimensionality. Premium wide-angle cinema lens. Movement perfectly smooth — no shake, no jitter, constant speed, no acceleration. Lighting stays consistent and unchanged, shadows fixed, reflections stable. Hyper-realistic, cinematic, ultra-detailed, 3D stop-motion frozen-time illusion, photorealistic liquid, film-quality, museum-like suspended motion sculpture. Negatives: no movement of the liquid, no movement of the subject, no change of pose or expression, no environmental motion, no wind, no shifting shadows, no flickering, no camera shake, no morphing, no text, no watermark.", "description": "", "author": "Joaki", "authorUrl": "https://x.com/itsjoaki", "sourceUrl": "https://x.com/itsjoaki/status/2067194577484697634" }, { "id": "seedance-40", "title": "Convenience Store Quarrel Scene", "category": "talking-head", "prompt": "[Basic] 24FPS [Characters] A: Image 1 (Light blue monster holding a chicken) | B: Image 2 (Bear General) | C: Image 3 (Woman in red suit with nose tissue) | D: Image 4 (Woman with fly swatter) *All characters faithfully reproduce the appearance in the images. [Scene] Location: Inside a convenience store, in front of the cash register counter | Time: Day [Video] Style: Live-action | Equipment: Amateur hidden camera with a smartphone, no cuts at all. [Sound] BGM: None | Ambient sound: Yes | Sound effects: None | Dialogue: Yes [Content] Two customers (Person A and Person B) are fighting over their place in line at the convenience store checkout. The manager (Person C) tries to stop them, but the fight continues, and the manager gets angry and joins in. Then a passing customer (Person D) appears, shouts \"Stop fighting!\", knocks everyone down with a fly swatter, and it's a happy ending. [Prohibited items] Cuts, changes in character appearance, anime depiction, 3D depiction.", "description": "", "author": "minmin みんみん｜変なAI Creator", "authorUrl": "https://x.com/minmin_4410", "sourceUrl": "https://x.com/minmin_4410/status/2067189557247045810" }, { "id": "seedance-41", "title": "High-Speed Anime Battle Scene", "category": "action", "prompt": "High-quality Japanese ultra-high-speed battle anime. Match the art style of the character in the reference image. The angel in white in the foreground is the protagonist. The four people behind are enemy characters. The protagonist is fighting the four enemy characters. In a dark fantasy world based on the background of the reference image, the enemy characters from the reference image appear one after another from the bottom right of the screen in extreme close-ups, unleashing intense and flashy effects (fire, water, thunder, earth, light, darkness, digital, etc.), magic circles, and luminous special moves with their unique weapons across the screen in various agile and action-packed motions, quickly disappearing to the back right as the next character comes out from the front. Each character stays in extreme close-up for just a moment at the point of impact to strike a pose and then quickly moves out of the frame. The screen shakes with the impact. The camera flies around in an arc shot, rapidly focusing on each character with high-speed dolly-ins and dolly-outs, and filming them dynamically with a Dutch angle. Each person has a maximum screen time of 1 second. Finally, the protagonist from the reference image appears, unleashes the final ultimate move, blows away all the enemy characters, and ends. Use varied pacing for a sharp and crisp direction.", "description": "", "author": "なお", "authorUrl": "https://x.com/Naonekozamurai", "sourceUrl": "https://x.com/Naonekozamurai/status/2067184091121013095" }, { "id": "seedance-42", "title": "Breaking the Fourth Wall meta-horror video prompt", "category": "talking-head", "prompt": "Overall Style: Mobile vertical screen handheld feel, ordinary indoor computer desk scene, slight handheld shake, low-cost real selfie video texture, warm indoor lighting, blue cold light from the computer monitor, AI video 'fail' scene, horror-comedy atmosphere, breaking the fourth wall effect. No subtitles, no screen text overlays.\n\nAudio Style:\n\nMobile phone live recording texture, slight room reverb, very weak computer fan sound and desk ambient noise. Male narration sounds like a casual short video吐槽 (complaint), female dialogue is slightly mechanical and eerie. No cinematic dubbing feel.\n\nShot 1 (0-4s)\nSubject: A refined young Asian female @image, long black hair, white shirt, black tie, appearing in the computer screen like an AI-generated character.\nAction: \n0-1s: Mobile camera aims at the computer screen, the girl in the screen approaches the camera, looking directly at the viewer.\n1-2.5s: Male voice off-camera introduces the scene in a complaining tone.\n2.5-4s: The girl tilts her head slightly, starts speaking, movement has the unnatural stutter of AI videos.\nDialogue:\nOff-camera male voice: \"Brothers, look at this AI video, something feels wrong.\"\nFemale, confused, slightly mechanical: \"Huh? Say that again?\"\nEnvironment: Ordinary computer desk, monitor, keyboard, mouse, video editing software interface, background is a warm-toned wall.\nCamera: Mobile vertical shoot, close-up on monitor and desk, slight handheld shake.\nStyle: Real mobile video, screen reflections, slight compression noise, everyday desk environment.\nConstraint: The girl must always be a character inside the screen, do not have her appear in real space at the beginning.\n\nShot 2 (4-8s)\nSubject: Real human arm and finger enter the frame, pointing at the girl in the computer screen.\nAction:\n4-6s: A real male hand extends from the bottom of the frame, index finger pointing at the girl's face on screen.\n6-8s: The girl in the screen stares at the finger, expression becomes eerie, body starts leaning forward out of the screen.\nDialogue:\nOff-camera male voice, provocative/joking: \"I dare you to come out and hit me.\"\nEnvironment: Computer screen showing video editing timeline, the person in the video is clearly visible.\nCamera: Mobile camera moves slightly forward, finger in foreground, screen girl in mid-ground.\nStyle: Everyday selfie video turns into surreal thriller, space inside and outside the screen starts to mix.\nConstraint: Maintain the clear relationship of the 'real finger pointing at the computer screen', the screen interface should not completely disappear.\n\nShot 3 (8-12s)\nSubject: The girl in the screen breaks through the monitor, reaching out to grab the real human's hand.\nAction:\n8-10s: The computer screen shatters like glass, cracks and shards fly outward.\n10-12s: The girl extends a hand from the screen, grabbing the real human's wrist, half her body still stuck in the monitor.\nDialogue:\nFemale, voice dropping, coldly repeating: \"Come out... hit you?\"\nEnvironment: Computer desk vibrates, keyboard and monitor remain in place, broken screen edges emit blue-white light.\nCamera: Sudden forward handheld movement, slight out-of-focus, creating a sense of panic.\nStyle: AI-fail surreal horror-comedy, glass shattering, screen space breaking through, character proportions slightly weird.\nConstraint: The girl must come out from the screen, not appear out of thin air in reality; the grabbing action must be clear.\n\nShot 4 (12-15s)\nSubject: The girl's half-body rushes out of the screen, firmly grabbing the real human's arm.\nAction:\n12-14s: She pulls the real human's hand forcefully, face close to the camera, expression stiff and eerie, fingers and wrist show slight AI deformation.\n14-15s: Frame freezes at the absurd fail moment, glass shards suspended in the air, real arm held by her.\nDialogue:\nReal male voice, panicked: \"Wait! Holy crap! You really came out?\"\nFemale, close to camera, coldly: \"You told me to.\"\nEnvironment: Computer desk, keyboard, broken monitor, remnants of video software interface.\nCamera: Close-up handheld vertical screen, slight panic then freeze-frame, maintaining selfie video texture.\nStyle: Low-cost realism + AI-generated abnormality, horror-comedy, do not make it look like a high-end cinematic blockbuster.\nConstraint: The frame should look like a random user-recorded AI video fail scene, preserving imperfect, weird, and absurd textures.\n\nNegative Prompt: Subtitles, screen text overlay, over-cinematic, luxurious sets, clean commercial quality, horizontal composition, purely virtual scene, girl in real space at the start, computer screen disappears, finger relationship unclear, actions unreadable, character teleporting, face completely distorted, body melting, extra limbs, too many fingers, palms merging, monitor scale incorrect, too many glass shards blocking the subject, random text, garbled text, logo, watermark, severe blur, camera completely out of control, lip-sync severely drifting, dialogue and action out of sync, mouth not moving while talking.", "description": "", "author": "John", "authorUrl": "https://x.com/johnAGI168", "sourceUrl": "https://x.com/johnAGI168/status/2067169682948292835" }, { "id": "seedance-43", "title": "Majestic Glowing Fantasy Cloud Whale", "category": "nature-drone", "prompt": "A gigantic glowing whale swims slowly through storm clouds above mountain peaks. The sun rises behind the creature, illuminating its translucent body in gold and blue. Tiny airships follow beside it. The title “MORNING” appears across the clouds in epic cosmic serif typography. Majestic cinematic fantasy, emotional scale.", "description": "", "author": "Pierrick Chevallier | IA", "authorUrl": "https://x.com/CharaspowerAI", "sourceUrl": "https://x.com/CharaspowerAI/status/2068952150516892083" }, { "id": "seedance-44", "title": "Wuxia Swordsman Duel Sequence", "category": "action", "prompt": "[Style] Wuxia Action Film, Photorealistic, IMAX quality, 8K ultra-clear, Ramp-mo (fast/slow speed switching), sharp editing style, 2 characters appearing.\\n\\n[Duration] 15 seconds\\n\\n[Scene] An open stone plaza outdoors with backlit sunset, scattered broken pillars, shallow water on the ground, orange-red sunset sky, breeze swirling dry leaves.\\n\\n[Characters] Chinese Swordsman @Image1 (East Asian female with long dark brown hair and bangs, wearing an off-white knit cardigan with navy blue striped cuffs, beige camisole, brown plaid skirt, black stockings, loafers, holding a Chinese ring-pommel saber in her right hand); Japanese Swordsman @Image2 (East Asian female with pink curly pigtails, wearing a pink cherry-blossom kimono, dark red wide sash with gold knot, holding a Japanese katana with both hands).\\n\\n[00:00-00:03] Shot 1: Silent Standoff — Extreme Close-up\\n\\nCross Cut: Close-up of Chinese swordsman's eyes—pupils contract, eyelashes tremble; cut to Japanese swordsman's eyes—sharp gaze, mouth set.\\n\\nLow-angle Close-up: Chinese swordsman grips hilt tightly, knuckles turning white; cut to Japanese swordsman slowly raising katana to shoulder, kimono sleeves hanging.\\n\\nWide: They stand five paces apart, backlit silhouettes, a leaf falls—at the moment it touches ground, both rush out, puddles splashing.\\n\\n[00:03-00:07] Shot 2: First Clash · Rapid Blitz — Steadicam Tracking\\n\\nArc Shot 180°: Chinese swordsman rushes in, saber slashes upward from the right, blade cutting air; Japanese swordsman sidesteps and blocks vertically, blades clashing with practical sparks, hair blown back by impact.\\n\\nQuick Cut: Japanese swordsman uses momentum to spin, katana sweeping horizontally; Chinese swordsman leans back to evade, blade tip grazing bangs.\\n\\nMid: Chinese swordsman counters immediately, parrying upward, blades clashing again, sparks and water droplets splashing before the lens.\\n\\n[00:07-00:11] Shot 3: Escalation — Slow-mo to Ramp\\n\\nSuper Slow-mo: Japanese swordsman leaps high, kimono hem spreading like an umbrella, katana raised for a downward strike.\\n\\nSpeed Ramp: Chinese swordsman kneels, saber held horizontally overhead to catch the strike—huge force cracks the stone floor, water blasted into a ring wall.\\n\\nClose-up: Chinese swordsman looks up through the blade lock, eyes turning fierce, teeth clenched as she pushes the katana away.\\n\\n[00:11-00:15] Shot 4: Final Rush — Freeze Frame\\n\\nWide/High-speed: Both retreat three steps to gather power, Chinese swordsman holds saber in reverse grip at waist, Japanese swordsman holds katana at shoulder in Iaijutsu stance.\\n\\nSymmetrical Shot: Both rush each other, cardigan and kimono sleeves fluttering wildly, water underfoot making parallel waves.\\n\\nFreeze Frame: A sudden stop at the moment they cross—Chinese swordsman's blade past the other's side, Japanese swordsman's katana passed by. Shattered droplets and sparks suspended, backlit in gold. Sunset light pierces through their bodies, clothing and hair frozen in wind.", "description": "", "author": "John", "authorUrl": "https://x.com/johnAGI168", "sourceUrl": "https://x.com/johnAGI168/status/2068919415442116922" }, { "id": "seedance-45", "title": "Viking Berserker Village Rampage", "category": "action", "prompt": "[STYLE + CAMERA + ATMOSPHERE]\nBrutal 2026 Viking action cinema with hyper-realistic grounded fight choreography and heavy physics. Single continuous dynamic tracking shot following a massive fat berserker as he rampages through a Viking village, systematically taking down villagers with brutal force and his axe until he reaches his longhouse, discovers his wife's betrayal and explodes in full berserk rage. Anamorphic lens, subtle film grain, cold northern daylight, intense motion blur, stabilized professional handheld camera.\n\n[IMAGE REFERENCES]\nGenerate consistent character: late-30s massive fat but powerfully built Viking berserker, long wild hair and thick beard, intense wild eyes, covered in Norse tattoos and scars, heavy belly but thick muscular arms. Wears dirty fur cloak over bare scarred chest, leather pants, heavy boots and carries a large blood-stained axe. Exact same appearance, body type, clothing and weapon throughout.\n\n[TIMELINE SECOND BY SECOND]\n0-4s: [Continuous Dynamic Tracking Shot] Camera tracks backward through the muddy village center as the berserker advances with growing rage. Several villagers try to stop him; he swings his heavy axe in brutal arcs, cleaving one and throwing another into a longhouse wall with raw power. Heavy impacts, bodies reacting with realistic weight. Camera tight on his massive frame.\n\n4-8s: [Continuous Dynamic Tracking Shot with subtle lateral orbit] Pushes deeper between longhouses. Uses his massive size to bull-rush and crush one against a post, then delivers devastating axe strikes. Fabric, fur and blood move realistically. Growing intensity. Camera orbits slightly while tracking his advance.\n\n8-12s: [Continuous Dynamic Tracking Shot - Building Rage] Approaches his longhouse area, smashing through a door with his body and axe, throws a villager into a fire pit. His movements become more unhinged. Camera tracks forward as destruction builds.\n\n12-15s: [Continuous Dynamic Tracking Shot - Berserk Explosion] Reaches his longhouse and sees his wife with another man. Full berserk rage erupts. He charges with animalistic fury, axe swinging in devastating blows. Camera stays locked on the explosion of violence as he advances, then slowly pulls back revealing the trail of carnage through the village. Seamless continuous take, peak visceral energy.\n\n[STYLE & QUALITY BOOSTERS]\nPhotorealistic 8K, ultra-detailed skin, fabric, fur, wood and blood textures with realistic sweat, dirt and impact, perfect coherent physics on all strikes, throws, body impacts and environmental destruction, flawless motion blur, stable character consistency, no artifacts, professional blockbuster film look, high dynamic range, intense visceral action, cold northern color palette.", "description": "", "author": "TechHalla", "authorUrl": "https://x.com/techhalla", "sourceUrl": "https://x.com/techhalla/status/2068834853894664445" }, { "id": "seedance-46", "title": "Jungle Supply Convoy Snake Ambush", "category": "general", "prompt": "A muddy dirt track through thick green rainforest in grey daylight. An army supply convoy of trucks drives along the narrow track, jungle pressing in on both sides. A giant python, thick as a bus with dark green scales, has wrapped around the last truck and is dragging it backward into the trees. At the front, a gunner stands at a mounted gun on the lead gun-truck. Sound: roaring engines, groaning metal, soldiers shouting, snake hissing, rifle fire, radio voices.\n\nShot 1 (0–3s) — THE HOOK: Low rear shot in the mud. The giant python squeezes the last truck and hauls it backward off the track into the trees, wheels sliding in the mud. Soldiers on the truck fire their rifles into the thick coils, but the bullets do nothing. The rear driver wrestles his wheel and shouts into his radio: “IT’S PULLING ME INTO THE TREES!”\n\nShot 2 (3–6s): At the front of the convoy. The gunner swings his mounted gun around to point back down the line, but holds his fire — the snake is wrapped on the truck with men still on it. He calls on the radio: “Cut your trailer! Get it on the track!”\n\nShot 3 (6–9s): At the rear truck. The driver pulls the trailer release. The truck breaks free and lurches forward onto the track — and the python, still wrapped around the heavy trailer, is yanked out of the trees with it, spilling onto the open muddy track, rearing its head up in the clear.\n\nShot 4 (9–13s) — BIG SLOW-MOTION MOMENT: The snake is out in the open on the track now. The lead gunner opens fire. Bullet time — a long stream of heavy rounds flies down the line in slow motion, smoke and shell cases hanging in the air, tearing into the coiled python, mud and broken branches bursting up around it.\n\nShot 5 (13–15s): Time snaps back. The python drops and lies still across the muddy track beside the wrecked trailer, smoke rising off it. The freed rear truck pulls up the line to the others, soldiers climbing down into the mud. Smoke drifts through the trees. Cut.", "description": "", "author": "Rahul Nanda", "authorUrl": "https://x.com/rahulnanda86", "sourceUrl": "https://x.com/rahulnanda86/status/2068816301150372209" }, { "id": "seedance-47", "title": "FPV Drone Fantasy Kingdom Flight", "category": "nature-drone", "prompt": "FPV drone flight based on the camera path in the reference image. Use @[image_1] as the visual reference for the fantasy sci-fi kingdom, the cloaked warrior, the cliff, the distant glowing city, and the central crystalline tower. The cloaked warrior remains completely stationary on the rocky cliff throughout the video. He does not fly, jump, walk, or move with the camera. Only the FPV drone camera moves. Start beside the cloaked warrior on the rocky cliff, very close to his right side, with the drone already moving forward past him. The camera passes the warrior from the side and immediately dives downward over the cliff edge into the misty valley. Keep the warrior behind on the cliff as the drone leaves him and flies away. The drone descends through clouds and mist, then accelerates forward above waterfalls, bridges, glowing city lights, floating rocks, and deep mountain valleys. Continue toward the distant illuminated kingdom with strong FPV energy, natural speed ramps, immersive motion, and realistic camera momentum. The camera follows a smooth flowing S-shaped route over the city rooftops, then climbs upward along the massive central crystalline tower. Wrap around the tower in a cinematic spiral, rising toward the glowing summit. At the top, the drone curves around the structure and turns back toward the entire city, ending on a wide heroic view of the glowing kingdom, mountains, sunset clouds, mist, blue energy beams, and floating structures. Style: epic cinematic fantasy sci-fi, dark storm clouds, orange sunset glow, cold blue energy lights, volumetric mist, high detail, realistic FPV drone movement, immersive travel film feeling, smooth motion blur, cinematic depth. Mandatory: do not show any red route line, neon path, start marker, end marker, arrows, text, graphics, UI elements, labels, overlays, or guide lines in the final video. The red line in the reference image is only for camera path guidance. The character must not fly or follow the camera. 16:9 aspect ratio.", "description": "", "author": "Iqra Saifi", "authorUrl": "https://x.com/IqraSaifiii", "sourceUrl": "https://x.com/IqraSaifiii/status/2068780359333130389" }, { "id": "seedance-48", "title": "Ice Mammoth City Glacier Transformation", "category": "nature-drone", "prompt": "A colossal ice mammoth with crystalline tusks, armored frozen plates, glowing pale-blue eyes, thick fur coated in frost, breath forming blizzard clouds with every exhale\n- Emerges from a supernatural snowstorm rolling into a mountain city, visibility dropping to near zero, camera pushes through whiteout conditions before revealing its tusks cutting through fog; \n- Charges down the main avenue, each footstep freezing streets instantly, tusks smashing buses and buildings into glittering ice fragments, soldiers firing but their weapons frost over mid-shot, camera tracks beside the charge then whips upward as entire towers freeze and crack apart; \n- Slams both tusks into the city square, releasing a circular freezing shockwave that races through streets and locks everything into solid ice, ending with a silent crane pullback over the frozen ruins as the mammoth raises its trunk and roars into the blizzard\n- Bright winter daylight, ice particle VFX, crystalline explosions, volumetric snow, cold blue lighting, epic frozen apocalypse.", "description": "", "author": "Pierrick Chevallier | IA", "authorUrl": "https://x.com/CharaspowerAI", "sourceUrl": "https://x.com/CharaspowerAI/status/2068710571143254435" }, { "id": "seedance-49", "title": "Pixar Style F1 Pit Lane", "category": "action", "prompt": "Stylized Pixar-inspired animated cinematic scene inside a Formula 1 pit lane moments before the race, legendary chief mechanic performing impossible tire changes with breathtaking speed while giving calm instructions, exhausted rookie mechanic dropping tools in disbelief, floodlights reflecting across polished race cars and wet asphalt, dynamic camera movement, exaggerated cartoon proportions, expressive facial animation, cinematic energy, realistic sparks and smoke, polished 3D rendering, immersive motorsport atmosphere, blockbuster animated movie quality, 16:9.", "description": "", "author": "Zephyra Leigh", "authorUrl": "https://x.com/ZephyraLeigh", "sourceUrl": "https://x.com/ZephyraLeigh/status/2068706218106089794" }, { "id": "seedance-50", "title": "Monochrome Text City Surreal Transformation", "category": "action", "prompt": "A vast monochrome city under a blank white sky. Every building facade is covered with handwritten words in black ink poems, warnings, names, unfinished sentences. The streets are empty except for loose paper drifting across the pavement.\n\nOpening frame: the camera glides down a silent boulevard between towering buildings covered in text. The ink moves slightly, as if breathing.\n\nAt the 2-second mark, one word detaches from a wall.\n\nIt floats into the air and becomes a cloud.\n\nThen thousands of words peel away from buildings, rising into the sky. Some become rain, some become birds, some become lightning, some become black snow. Sentences unravel into long ribbon storms that whip through the streets.\n\nThe camera follows a single phrase as it transforms into a tornado of letters, pulling street signs, papers, and window reflections into its spiral.\n\nVFX escalation: the weather becomes linguistic. Rain falls as tiny punctuation marks. Thunder appears as giant words flashing across the sky. Fog forms from erased sentences.\n\nVelocity ramp: a lightning bolt made of handwritten text strikes the street , individual letters suspended in mid-impact, glowing white against the monochrome city.\n\nFinal moment: all text vanishes from the buildings, leaving the city completely blank. A single new word appears on the ground beneath the camera: REMEMBER.\n\nExperimental typographic surrealism, monochrome art-film aesthetic, ink particle simulation, atmospheric word-weather VFX, cinematic minimalism, 4K.", "description": "", "author": "LudovicCreator", "authorUrl": "https://x.com/LudovicCreator", "sourceUrl": "https://x.com/LudovicCreator/status/2068695526749458628" }, { "id": "seedance-51", "title": "Cyberpunk Anime Motorcycle Battle Scene", "category": "action", "prompt": "Style: Japanese anime with a high frame count. Anime film using action movie techniques. Action scene.\nWorldview: The character from Image 1 rides the motorcycle from Image 3 and fights a group of cyborgs from Image 2 on a cyberpunk-style highway.", "description": "", "author": "とすくん", "authorUrl": "https://x.com/tokyo_Valentine", "sourceUrl": "https://x.com/tokyo_Valentine/status/2068693040458539221" }, { "id": "seedance-52", "title": "3D Pixar Style Miniature Girl Animation", "category": "product-ad", "prompt": "A high-quality 3D animation in a whimsical, stylized Pixar-like aesthetic. A tiny, cute miniature girl with long brown hair, wearing a soft pink off-shoulder sweater and beige sweatpants, is performing acrobatic moves on top of a giant luxury makeup train case. The environment is filled with oversized cosmetic items like lipsticks, eyeshadow palettes, and makeup brushes. The girl jumps between items, dances, and surfs on a makeup brush through a cloud of colorful cosmetic powder. In the final scene, she stops to take a selfie with her tiny smartphone. Smooth motion, vibrant colors, cinematic lighting, highly detailed 3D rendering.", "description": "", "author": "Avelyrah", "authorUrl": "https://x.com/AvelyrahnAI", "sourceUrl": "https://x.com/AvelyrahnAI/status/2068678689944949089" }, { "id": "seedance-53", "title": "The Umbrella: Romantic City Night", "category": "cinematic", "prompt": "\"The Umbrella\" Style: Ultra-realistic cinematic short film, romantic atmosphere, rainy city night, warm streetlights, soft bokeh, realistic rain simulation, natural acting, shallow depth of field, Hollywood-quality cinematography, 4K HDR. Character Consistency: Same young woman throughout the video, mid-20s, shoulder-length dark hair, beige trench coat, black shoulder bag. Same young man throughout, mid-20s, dark hair, dark coat, carrying a black umbrella, warm and friendly expression. 0–5 Seconds A heavy nighttime rain pours onto a city street illuminated by warm street lamps and blurred car lights. A young woman stands alone at a bus stop without an umbrella, her hair and trench coat soaked. She hugs herself to stay warm and looks down sadly. Raindrops splash on the pavement, creating beautiful reflections. Cinematic close-up with a slow push-in camera movement. 5–10 Seconds A young man walks by holding a large black umbrella. He notices the woman, pauses, smiles gently, and silently steps closer, offering her half of the umbrella. She looks up in surprise, then smiles appreciatively. Rain continues falling softly around them. Medium shot with warm streetlight glow and shallow depth of field. 10–15 Seconds The two walk side by side under the umbrella along the rain-soaked street, laughing naturally as they talk. Streetlights reflect beautifully on the wet pavement. The camera slowly tracks behind them as they disappear into the distance together. Final Subtitle (14–15s): \"Sometimes, the smallest kindness changes everything.\"", "description": "", "author": "Ai Doctor", "authorUrl": "https://x.com/DoctorAmna11", "sourceUrl": "https://x.com/DoctorAmna11/status/2068670730708152676" }, { "id": "seedance-54", "title": "Asian Female Soccer Player Sports Ad", "category": "talking-head", "prompt": "[Total Video Duration: 15 seconds]\nRefer to the six-grid storyboard for a continuous narrative.\n18-year-old Asian female soccer player, high ponytail, white No. 7 jersey, blue shorts, sunny and healthy, full of youth, professional soccer stadium environment, cinematic sports advertisement quality.\n[0-2 seconds]\nLow-angle tracking shot.\nThe girl sprints forward at high speed while dribbling the ball.", "description": "", "author": "Adam也叫吉米", "authorUrl": "https://x.com/Adam38363368936", "sourceUrl": "https://x.com/Adam38363368936/status/2068666134350717011" }, { "id": "seedance-55", "title": "Historically Accurate Julius Caesar Selfie", "category": "ugc", "prompt": "an instagram reel of julius cesar from selfie perspective in an ancient roman palace, use a historically accurate version of Julius Cesar's face", "description": "", "author": "Mark Gadala-Maria", "authorUrl": "https://x.com/markgadala", "sourceUrl": "https://x.com/markgadala/status/2068656928687792415" }, { "id": "seedance-56", "title": "South Asian Woman Dancing in Void", "category": "action", "prompt": "A captivating young south asian woman (Image), wearing a (OutfitIMG), stands in a fantastical void with cinematic streaks of light drifting by. [0-3s: She begins to dance slowly and gracefully, her body swaying lithely.", "description": "", "author": "Ayushi Anand", "authorUrl": "https://x.com/iamayushianand", "sourceUrl": "https://x.com/iamayushianand/status/2068651638873837710" }, { "id": "seedance-57", "title": "15-Second UGC Makeup Tutorial Script", "category": "ugc", "prompt": "“15-Second UGC Makeup Tutorial Script (Natural, Fast-Paced, Viral Style)\n\n0.0 – 1.5s | Hook (Front Camera, natural light)\n“Stop scrolling— a girl without makeup \"\n\n1.5 – 4.0s | Base (Close-up cuts)\n“Start with a lightweight moisturizer… then a skin tint, just dab and blend with fingers.”\n\n4.0 – 7.0s | Face (Fast transitions)\n“Cream blush on cheeks and nose—this gives that soft, fresh girl look instantly.”\n\n7.0 – 10.0s | Eyes + Brows (Quick mirror shots)\n“Brush brows up, add a tiny bit of mascara… no heavy eyes, just clean and lifted.”\n\n10.0 – 12.5s | Lips (Close-up)\n“Lip tint or gloss—blur it slightly with fingers for that natural stain effect.”\n\n12.5 – 15s | Final Reveal (Smile, camera pull-back)\n“And that’s it—everyday glow in seconds. Save this if you love easy makeup, party look\"", "description": "", "author": "Ai Girllie", "authorUrl": "https://x.com/Inshrah_ali_", "sourceUrl": "https://x.com/Inshrah_ali_/status/2068644113852076476" }, { "id": "seedance-58", "title": "First Person POV Maid Cafe Interaction", "category": "ugc", "prompt": "Style: 8K cinematic texture, live-action (non-gaming feel). First-person POV—camera is the guest perspective, slight handheld breathing effect, shallow depth of field, she is always close to the camera, making eye contact with 'you'. Warm indoor lighting, skin with pore-level realism, moist eyes with highlights, 24fps, 16:9. Audio: Ambient cafe white noise, her lines and giggles, clothing friction, no music or subtitles.\\n\\nSUBJECT —— @ (100% consistent with input image): Tsundere yet gentle cute maid, pink lenses in round frames, brown braids, black and white maid dress + white apron, white over-the-knee socks, black Mary Jane platform heels. First-person 'emotional companionship'—giving all attention to the person behind the camera, healing, pampered, and focused atmosphere. Emotional beats: Gentle greeting → Concerned/pity → Praising/acting cute → Doting freeze frame.\\n\\nLOCATION —— Cozy maid cafe corner booth, warm yellow lights, blurred bar and flowers, STYLE REFERENCE ONLY, world is freely extendable.\\n\\nACTION —— She faces the camera (you) the entire time, eyes always looking into the lens as if you are the only important person.\\n\\nSHOT 1 (0:00–0:04) —— She sits across from you/leans in slightly, hands on chin, eyes smiling, softly: 'You're back~ I've been waiting for you, Master.'\\n\\nSHOT 2 (0:04–0:08) —— Expression turns to concern, leans forward closer to the lens, tilts head to look at you: 'Are you... exhausted again today? It's okay, you don't have to think about anything here.'\\n\\nSHOT 3 (0:08–0:12) —— She smiles with squinted eyes, reaches one hand toward the camera as if to pat your head/touch your cheek (hand in frame, not covering face), dotingly: 'You've done so well, I've noticed, good boy.'\\n\\nSHOT 4 (0:12–0:15) —— Tsundere-ly turns away then can't help turning back, blushing, soft whining: 'Just... only for today, staying with you a bit longer is fine.' Freeze on her smiling eyes.\\n\\nCAMERA —— First-person fixed at guest's sitting height, sitting across from her, slight handheld breathing shake; eye-level at her face throughout, no third-person cuts, 'you' don't appear. Shot 3 as she reaches out, camera tilts back slightly as if touched.\\n\\nSTYLE —— Warm yellow lights + warm wood booth 60% / Black and white maid dress 30% / Pink lenses + blushing cheeks + eye light 10%. White balance 4800K warm tone, soft focus.\\n\\nCONSTRAINTS —— 16:9, normal speed, no slow motion. Strict first-person POV, camera is your eyes, do not show yourself, no bystander perspective. Consistent interaction with the lens. Hands in frame react to gravity. Healthy and cozy, no ambiguity. Face/hair/clothing 100% consistent. No watermarks. No glowing eyes.", "description": "", "author": "John", "authorUrl": "https://x.com/johnAGI168", "sourceUrl": "https://x.com/johnAGI168/status/2068623344790847948" }, { "id": "seedance-59", "title": "Character Dialogue Storyboard", "category": "talking-head", "prompt": "Assign Image 1 as A, Image 2 as B, and Image 3 as the storyboard. Please create the following scenes.\n\nCut 1: A: 'Hey, Leon.'\n\nCut 2: B: 'What is it, Gald?'\n\nCut 3: A: 'It's a bit hard to say...'\n\nCut 4: A: 'Isn't it weird that this scene is the first appearance?'\nB: 'Right?'\n\nCut 5: A: 'Wanna go get some ramen?'\n\nCut 6: A: 'I know a good place.'", "description": "", "author": "咲山(AIイラスト・AI動画垢)", "authorUrl": "https://x.com/z933TfmXkaISSVc", "sourceUrl": "https://x.com/z933TfmXkaISSVc/status/2068579708799758349" }, { "id": "seedance-60", "title": "Pixar-Style Noodle City Animation", "category": "product-ad", "prompt": "Style: Pixar-quality CGI animation, DreamWorks-level character acting, ultra-detailed food textures, cinematic advertising, volumetric lighting, golden-hour atmosphere, premium commercial quality, dynamic camera movement, expressive animation, rich color grading, 16:9.\n\n⸻\n\nSCENE 1 (0-2s) — NOODLE CITY\n\nA breathtaking aerial fly-through of a magnificent fantasy city built entirely from noodles, vegetables, herbs, spices, steaming soup canals, and giant noodle-bowl skyscrapers. Warm golden sunlight bathes the city. Happy food citizens walk through bustling streets. Steam rises gracefully from food markets. Cinematic drone camera movement, vibrant colors, whimsical Pixar-style worldbuilding.\n\n⸻\n\nSCENE 2 (2-4s) — FLAVOR CRISIS\n\nSuddenly the steam disappears from food stalls. Colors drain from the city. Citizens stop and look around in confusion. Giant digital Flavor Meter in the city square rapidly drops from 100% to 0%. Red emergency lights flash across buildings. Dramatic tension builds. Fast push-in camera movement. Dark clouds begin gathering overhead.\n\n⸻\n\nSCENE 3 (4-6s) — HERO SIGNAL\n\nThe sky darkens. A giant glowing golden chicken symbol bursts through the clouds like a superhero beacon. Citizens stare upward in awe. Powerful rays of golden light illuminate the city below. Wind sweeps through the streets. Cinematic upward camera tilt.\n\n⸻\n\nSCENE 4 (6-8s) — EPIC ARRIVAL\n\nThe clouds explode apart. A muscular anthropomorphic chicken superhero crash-lands in the city center. Noodles, vegetables, dust, and flavor particles blast outward dramatically. The ground shakes. Slow-motion hero landing pose. Dynamic cinematic action. Debris flying through the air.\n\n⸻\n\nSCENE 5 (8-10s) — THE SOLUTION\n\nLow-angle hero reveal. Golden feathers glowing in sunlight. Bright red comb. Blue eyes. Green hero vest fluttering in the wind. The hero smiles confidently and raises a glowing green noodle packet above his head. Golden energy radiates from the package. Camera circles around hero dramatically.\n\n⸻\n\nSCENE 6 (10-12s) — FLAVOR EXPLOSION\n\nThe noodle packet tears open. A massive golden flavor energy blast erupts into the sky. Thousands of glowing particles swirl through the city streets. The energy forms a gigantic golden chicken-shaped spirit soaring across the skyline. Epic magical transformation sequence. Dynamic aerial tracking shot.\n\n⸻\n\nSCENE 7 (12-14s) — CITY RESTORED\n\nThe city instantly regains color and life. Steam rises from food stalls. Buildings glow with vibrant noodle textures. Herbs and spices swirl through the air. Citizens cheer and celebrate. Confetti-like flavor particles float everywhere. Wide cinematic reveal of the restored city.\n\n⸻\n\nSCENE 8 (14-15s) — PRODUCT SHOT\n\nPremium advertising hero shot. A steaming bowl of delicious noodles sits in the foreground beside a glowing green noodle packet. The chicken superhero stands proudly behind them, pointing confidently", "description": "", "author": "Smiling Khan", "authorUrl": "https://x.com/AIwithkhan", "sourceUrl": "https://x.com/AIwithkhan/status/2068553547377959194" }, { "id": "seedance-61", "title": "Sports Anime Goal Storyboard Sequence", "category": "action", "prompt": "SPORTS ANIME STORYBOARD (SHORT VERSION)\n\nSTYLE (GLOBAL):\nModern sports anime, cel-shaded, vibrant colors, expressive eyes, speed lines, stadium lighting, cinematic slow motion, dramatic dutch angles.\n Character: Hoshino Yui (pink ponytail, amber eyes, Taiyo FC yellow jersey).\n Rival: Tsukikage Ren (black/silver, calm defensive aura).\nPART 1 — 開幕 (Kickoff) | 15s\nCut A (0–5s) — Eye of Destiny\nExtreme close-up of Yui’s eyes opening → stadium floodlight reveal.\nCut B (5–10s) — Rival Standoff\nYui vs Ren split-screen stare under contrasting gold vs silver lighting.\n\nCut C (10–15s) — Kickoff Burst\nWhistle → kickoff → Yui first touch speed-burst past defender.\nV.O: 「世界が見ている、この一瞬を」\nPART 2 — 攻撃 (Attack) | 15s\n\nCut D (0–5s) — Magic Dribble\nYui sprints down wing, golden trail, nutmeg on defender.\nCut E (5–10s) — Curved Cross\nSlow-motion golden cross arcing into penalty box.\n\nCut F (10–15s) — Clearance by Ren\nRen jumps, silver aura header clears ball dramatically.\nV.O: 「月影が完璧に跳ね返す！」\nPART 3 — 緊迫 (Tension) | 15s\n\nCut G (0–5s) — Score Pressure\nScoreboard: 1–1, clock ticking, nervous crowd.\nCut H (5–10s) — Resolve\nYui close-up: sweat + determination.\n「まだ終わらせない」\nCut I (10–15s) — Sprint for Ball\nLoose ball → Yui explosive sprint, speed lines.\nV.O: 「これが最後のチャンスか！」\n\nPART 4 — 決着 (Goal) | 15s\nCut J (0–5s) — 1v1 Silence\nYui vs goalkeeper, total silence tension.\n\nCut K (5–10s) — Golden Strike\nPower shot → golden trail → net ripples goal.\nCut L (10–15s) — Celebration Freeze\nKnee slide, teammates rush, Ren nods.\nFinal freeze under stadium lights.", "description": "", "author": "Shami", "authorUrl": "https://x.com/ShamiWeb3", "sourceUrl": "https://x.com/ShamiWeb3/status/2068536572174311447" }, { "id": "seedance-62", "title": "Anime Dance with Hand-Drawn Crayon Effects", "category": "action", "prompt": "Use the character from the reference image as the protagonist. 15 seconds, 24fps. Japanese full-color anime. High-quality animation style like a theatrical feature film. High frame count. A short dance video designed to go viral with strong cuteness. The protagonist is the character from the reference image themselves. Maintain the hairstyle, hair color, eyes, facial features, build, age, clothing impression, accessories, and overall atmosphere of the reference image. The background is a bright and cute, organized classroom-like or studio-like space. Keep the background simple so the person is the star, but with a pop and fresh atmosphere.\n\nMusic: Japanese song. No existing real songs should be used.\n\nVisual Concept: The protagonist performs a cute dance. Priority on cuteness. Slightly flirtatious, friendly, and strongly projecting the feeling of dancing for the camera. 2D flat animations, as if made in After Effects, appear in sync with the dance movements. Effects are hand-drawn cute illustrations with a texture like crayon or oil pastel. Circles, stars, hearts, flowers, notes, arrows, ribbons, crowns, sparkles, wavy lines, swirly lines, speech bubble frames, checker patterns, diagonal lines, halftone dots, etc. All are flat 2D animations. Color palette centered on pink, light blue, yellow, white, lavender, and mint green, harmonizing with the character's colors.\n\nCamera Composition: A 5-camera setup. Cameras are not fixed; they switch every 2 seconds. Cameras used: Front, Top (High Angle), Left, Right, and Back. Regardless of the camera angle, the protagonist always remains aware of the lens and maintains eye contact. Even in non-front angles, they look at the lens by turning their head or shifting their gaze. In the back-angle camera, they look over their shoulder at the lens. Viral-ready camerawork with varied angles and good tempo. Cameras are not static; they shake lightly to the beat with small vertical bounces, short punch-ins, and slight side-to-side sways. Intentional and clean camera shake, not messy.\n\nDance Content: Cute and easy-to-mimic dance. Light side steps, hand heart in front of chest, one-hand heart, cheek peace sign, opening hands by cheeks, pointing, small shoulder bounces, light hip sways, leg out and back, small turns, and ending with a wink. Focus on upper body moves for high impact in a short duration. Always maintain eye contact as if dancing directly for the viewer.\n\n15-Second Timeline:\n0.0-2.0s: Front camera. Protagonist in the center, keeping rhythm, making a hand heart in front of the chest with small side steps. Light vertical camera bounce. Crayon hearts, stars, and circles appear around the hands and face. Front-facing eye contact.\n2.0-4.0s: Top camera. Slightly high-angle cute shot. Looking up at the lens with cheek peace sign, one-hand heart, and pointing. Crowns, flowers, and bubble frames appear around the face.\n4.0-6.0s: Left camera. Body turned slightly left but face and gaze toward the lens. Hip sways, one hand on cheek, other hand waving. Crayon ribbon lines, notes, and stars follow hand movements. Light side camera sway.\n6.0-8.0s: Right camera. Body turned right, maintaining eye contact. Rhythmic shoulder bounces, arm movements, and leg steps. Flowers, circles, and halftone dots burst at the feet and shoulders. Short beat-matched punch-in.\n8.0-10.0s: Back camera. Starts from the back, but they spin to look over the shoulder at the lens. Small turn with pointing and a finger-heart or blow-kiss gesture. Swirly lines and stars appear around the hair and clothes.\n10.0-12.0s: Back to front camera. High energy section. Opening arms wide, small bounces. Larger hearts, stars, and flowers increase to maximize cuteness. Short camera shakes with each move.\n12.0-14.0s: Back to top camera. Looking up, opening hands by face, one-hand heart. Frames, hearts, and flowers spread in the background. Continuous eye contact.\n14.0-15.0s: Front hero shot. Bust-up close shot. Smiling and ending with a wink. Crayon four-pointed stars, hearts, and ribbons burst from the eye. Short punch-in and stop on the final viral cut.\n\nAE-style 2D Animation Direction: All effects are flat 2D animations as if made in After Effects but with a rough, hand-drawn crayon/pastel texture. Movements include appearing, bouncing, scaling, rotating, and fading. Effects are synchronized with hands, face, feet, and body movements without obscuring the face. \n\nConstraints: No other people except the protagonist. Maintain character consistency from the reference image (face, hair, eyes, age, clothing). Do not change characters or outfits. Use the 5-camera composition switching every 2 seconds. Constant eye contact at all times. Crayon hand-drawn style effects only. No realistic fire, smoke, or excessive glitch. No text, subtitles, or logos.", "description": "", "author": "KnRoco@AIアニメ", "authorUrl": "https://x.com/roco_kn_roco", "sourceUrl": "https://x.com/roco_kn_roco/status/2068448350278664693" }, { "id": "seedance-63", "title": "Cosmic Sand Woman Transformation", "category": "nature-drone", "prompt": "The ethereal woman made of swirling black and white sand particles, wearing a flowing hooded cloak adorned with vibrant gems, in a cosmic starry background, the woman performs magic as the camera spins and orbits around her like a drone and she then magically transforms into a mystical dragon made of swirling sand particles, the dust and sand settles as it reaches it's final morphing stage to a dragon, epic cinematic multi-shot scene", "description": "", "author": "Mystique Licorne 🇨🇦", "authorUrl": "https://x.com/MystiqueLicorne", "sourceUrl": "https://x.com/MystiqueLicorne/status/2068413344143249674" }, { "id": "seedance-64", "title": "Cosmic Elemental Alien Orbs", "category": "nature-drone", "prompt": "masterpiece, best quality, ultra-detailed, in-a dark cosmic universe there are five (5) floating alien glass orbs slightly connected to one another, each orb has motion and is animated inside, each of them are wrapped in slimy black biological alien skin tissue\n\nThe first orb represents the fiery element, it contains a fiery landscape with floating ashes, deep red, black and oranges\n\nThe second orb represents the water element, it contains a water and ice landscape, white and blue dominant colors\n\nThe third orb represents the air element, it contains a cyclone / tornado, grey and black are dominant colors\n\nThe fourth orb represents the earth element, it contains a vibrant green ecosystem\n\nThe fifth and final orb represents the ether element, it contains vibrant and bright interchanging swirling nebula like liquid in glowing neon yellow, blue, purple, and hot pink colors\n\nThe overall scene has a sci-fi aesthetic to it, minimal but cinematic and mysterious\n\nThe camera orbits around the various orbs in many different angles and directions like a drone, multi-shot scene", "description": "", "author": "Mystique Licorne 🇨🇦", "authorUrl": "https://x.com/MystiqueLicorne", "sourceUrl": "https://x.com/MystiqueLicorne/status/2068412174469607559" }, { "id": "seedance-65", "title": "Cinematic Water Transformation Scene", "category": "nature-drone", "prompt": "15-second ultra-cinematic elemental transformation sequence on a storm-battered coastline at twilight.\n\nA lone figure stands on black volcanic rocks facing a violent ocean. Massive waves crash against the cliffs while dark storm clouds gather across the horizon. Rain and sea spray fill the air.\n\nThe atmosphere is primal, immense, and realistic.\n\nThe camera slowly circles around the figure as the ocean begins behaving unnaturally. Nearby waves stop for a brief moment as if listening.\n\nWater starts flowing upward around the figure's feet instead of falling back into the sea.\n\nThe transformation begins.\n\nThin streams of seawater wrap around the body like living ribbons. The skin becomes translucent in places, revealing swirling currents, bubbles, and glowing blue ocean energy beneath the surface.\n\nThe camera pushes closer as the body gradually dissolves into moving water. Arms become liquid currents. Hair transforms into flowing streams of sea foam. The lower body merges with spiraling ocean waves.\n\nThe transformation accelerates.\n\nEntire sections of the surrounding ocean rise into the air and orbit around the figure. Schools of fish, fragments of coral, shells, and bioluminescent particles become suspended inside the water.\n\nThunder crashes overhead.\n\nThe figure expands dramatically in scale. Their silhouette becomes a gigantic humanoid tsunami composed of roaring waves, rotating currents, foam, spray, and deep ocean energy.\n\nMassive walls of water rise behind them, towering higher than cliffs. The sea itself appears connected to the transformation.\n\nAt the climax, the Living Tsunami stands at colossal scale above the coastline, a giant formed entirely from moving ocean water and storm energy. Lightning illuminates the immense translucent body while entire waves flow through its arms and chest.\n\nFinal cinematic moment: the Living Tsunami raises one arm toward the horizon. An enormous tidal wave rises from the ocean and follows the gesture. The camera pulls back to reveal the colossal water titan standing between sea and sky as the storm revolves around it.\n\nStyle: ultra cinematic realism, elemental water transformation, photoreal ocean simulation, tsunami-scale water effects, storm atmosphere, realistic fluid dynamics, massive environmental scale, bioluminescent ocean details, AAA visual effects quality, no text, no overlays.\n\nAudio: epic cinematic orchestral score, crashing waves, deep ocean resonance, hurricane winds, thunder, water surges, distant whale calls, atmospheric storm energy, colossal elemental power.\n\nMade in @LeonardoAi", "description": "", "author": "LudovicCreator", "authorUrl": "https://x.com/LudovicCreator", "sourceUrl": "https://x.com/LudovicCreator/status/2068393517005582655" }, { "id": "seedance-66", "title": "Frozen Time Coffee Toss Animation", "category": "general", "prompt": "0–3s: Someone throws coffee in the air. 3–12s: Camera circles them while everything appears frozen. 12–15s: Coffee lands perfectly back in the cup.", "description": "", "author": "zayan", "authorUrl": "https://x.com/HustleXR", "sourceUrl": "https://x.com/HustleXR/status/2068371440701669837" }, { "id": "seedance-67", "title": "Cinematic Somersault Performance Video Prompt", "category": "talking-head", "prompt": "Style: 8K cinematic texture. Real photography—not 3D rendering, not game engines, not game cutscenes. \nPhotography: Naturalist master-level photography. \nLighting: Artificial studio light sources only—softbox as key light from the left side of the frame, Fresnel lamp as rim light, a spotlight on the background wall, a warm lamp in the corner for environmental accent, and thin airborne dust/mist. \nColor: 60:30:10—Main color / Secondary color / Accent color. \nLens: Physical cinematic lens. 180° shutter motion blur. \nSkin: Pore-level realism—vellus hair, asymmetrical small moles, capillary redness, pore shadows matching the site lighting. \nPerformance: Top-tier cinematic—micro-pauses before reactions, precise eye contact, moist and lifelike eyes with catchlights, visible breathing and chest rise/fall. \nPhysics: Respect gravity and inertia—mass has real weight, correct contact shadows, skirt and hair strands swing realistically with movement. No floating props. \nComposition: Rule of thirds + Golden ratio. The subject is vivid and active from the first frame. \nContinuity: Person, clothing, hairstyle, stockings, and leather shoes are 100% consistent across all shots. No identity drift. \nTech: 24fps smooth motion. 8K detail. No jitter. \nAudio: Clean vocals + action SFX (stepping, landing, fabric sounds) + room ambient noise. No background music. No subtitles. \n\nSUBJECT —— @ wenyou (100% consistent with input image): An academic-style girl-next-door type young woman, long brown wavy hair with air bangs, cream-white academic knit cardigan (navy stripes on cuffs) + beige vest, plaid pleated miniskirt, thin black stockings, brown loafers. An audition self-tape including a gymnastics talent segment. Goal: Full body in frame, cheering with fresh energy and a clean cartwheel/front flip, making the audience feel her vitality and like her within 10 seconds. Emotional beats: Bright greeting → flip explosion → landing with a finger heart. White balance 5600K. MULTISHOT. \n\nLOCATION —— @ Image \n\nACTION —— She brightly introduces herself, then runs and performs a clean cartwheel (transitioning to a front flip) as a talent, landing steadily and cheering with a finger heart. Full body always in frame, showing the run-up, mid-air, and landing cushion. Mouth movements and breathing strictly lip-sync to the following dialogue. \nDialogue + Talent (Chinese, approx. 10s): \n\"Hi, I'm Wen You! (smiling eyes) Words aren't enough—watch this!\" (light run-up, mid-air flip) (steady landing, double finger heart) \"If you like it, please vote for me, let's go!\" \nShot 1 (0:00–0:03) —— Medium wide shot: @ wenyou stands still, tilts her head with a bright smile, brushes her hair, greets warmly and introduces herself. Hard cut. \nShot 2 (0:03–0:08) —— Full body wide shot: She takes a few light run-up steps, executes a clean cartwheel into a front flip, skirt and curls swing realistically with the rotation, body stretched, axis stable, lands firmly with a slight knee cushion and a realistic weight sound. Hard cut. \nShot 3 (0:08–0:10) —— Medium close-up: After landing, she straightens up with a post-exercise flush and a radiant smile, makes a large heart with her hands in front of her chest, looks at the camera and says \"If you like it, please vote for me, let's go!\". Freeze on smiling eyes. Hard cut. \n\nCAMERA —— Shot 1: Medium shot from the chest up, eye level, 50mm, locked position with slight handheld breathing; Motive = bright first impression. Shot 2: Zoom out to full body shot, slightly low eye level, 28mm wide angle, smooth horizontal tracking pan following the flip, fully capturing the airborne arc; Motive = displaying gymnastic tension. Shot 3: Push back to medium close-up, eye level, 65mm, slow zoom-in on the heart gesture; Motive = magnifying energetic infection. \n\nSTYLE —— Main color: dark studio set + light gray background wall 60% / Secondary color: cream-white cardigan + warm skin tone 30% / Accent color: plaid skirt + navy stripes + background spotlight 10%. White balance 5600K. Softbox key light from left, Fresnel rim light, thin mist. \n\nCONSTRAINTS —— 16:9. Keep normal speed for the flip, no slow motion or wire floating, mid-air and landing constrained by real gravity and inertia, landing has cushion weight. Full body in frame, run-up, mid-air, and landing all visible. Stable camera without motion sickness. Natural and precise lip-sync. No markings, stickers, or tracking points on the ground or in the frame. Maintain 100% identity, clothing, hair, stockings, shoes, and studio set consistency across all shots. No glowing eyes.", "description": "", "author": "John", "authorUrl": "https://x.com/johnAGI168", "sourceUrl": "https://x.com/johnAGI168/status/2068356283741110609" }, { "id": "seedance-68", "title": "Giant Dragon City Destruction", "category": "nature-drone", "prompt": "A gigantic winged serpent with metallic black scales, glowing blue lightning veins, cathedral-sized wings, razor fins along its spine, long body coiling between skyscrapers like a living storm\n0–4s: bursts out of dark storm clouds above a coastal city, diving vertically while lightning crawls across its body, camera begins high above the skyline then plunges with it in a fast aerial dive, ocean and city rushing upward; \n4–10s: slices through skyscrapers with its wings, coils around bridges and snaps them into the harbor, lightning blasts erupt from its mouth and strike power grids, sending chain explosions through the waterfront, camera barrel-rolls around its body, whip pans between collapsing towers, fighter jets exploding inches from frame; \n10–15s: wraps around the tallest landmark tower, tightens its body until the structure implodes, then rises above the burning skyline with wings fully open, ending on a massive orbit shot around its roaring head as thunder splits the sky and the city below collapses into water and fire\nStormy daytime harbor, ocean spray, lightning VFX, aerial tracking, violent parallax, epic creature", "description": "", "author": "Pierrick Chevallier | IA", "authorUrl": "https://x.com/CharaspowerAI", "sourceUrl": "https://x.com/CharaspowerAI/status/2068348235266093279" }, { "id": "seedance-69", "title": "Don Bluth Style Egyptian Anubis Animation", "category": "talking-head", "prompt": "Classic Don Bluth animation style. Scene 1: Inside an Egyptian palace, we see two human thieves escaping with a golden crown, a human pharaoh watching them from a few meters away, pointing at them angrily and shouting: 'Anubis, after them!' However, we only hear Anubis's giggling, which surprises the pharaoh. The pharaoh turns his head and sees the following: camera steady, the mighty jackal god Anubis kneeling on the ground, arms raised high, hands behind his head, eyes closed and giggling. A human thief squats on the ground, gently and smoothly stroking Anubis's armpit with a feather. Scene 2: The thief continues to tickle Anubis's armpit with the feather, Anubis giggles, and while the thief says 'giggle giggle', Anubis twists his upper body, but his hands remain behind his head, armpits exposed to the feather tickling. Scene 3: The thief continues to tickle Anubis's armpit with the feather, Anubis giggles and squirm. Scene 4: The thief stops tickling Anubis's armpit, Anubis lets out a few more giggles. The human thief also escapes, and Anubis slowly sits up, arms wrapped around himself, with a mischievous grin still on his face from being tickled, looking slightly tired. Scene 5: The camera cuts to the pharaoh, Anubis appears beside him in a majestic posture with his hands behind his back, looking both nonchalant and serious, saying to the pharaoh: 'It seems they got away, master.' The pharaoh bows his head in disappointment and says: 'I see.' Anubis is a black anthropomorphic muscular jackal wearing rings on his arms and neck. Dialogue in English.", "description": "", "author": "migrok", "authorUrl": "https://x.com/migrok293703", "sourceUrl": "https://x.com/migrok293703/status/2068311058935091444" }, { "id": "seedance-70", "title": "Cinematic Underwater Monster Encounter Video", "category": "action", "prompt": "Create a 15-second cinematic single-shot extreme underwater adventure video. An adult female free-diver wearing long fins and a transparent mask is slowly descending above a dreamlike tropical coral reef. Realistic underwater camera texture, clear turquoise water, with large moving shafts of light cast from the surface. Colorful corals, sea fans, soft corals, small schools of fish, and floating particles unfold in layers. The shot starts extremely close to her mask and upper body from the front, showing her calm breath-holding, her collarbones and neck lines, and the curves of her waist and abdomen outlined by her tight-fitting wetsuit. The camera then smoothly orbits behind her, following in a low-angle shot close to her shoulders, back, waistline, hips, legs, and fins, always keeping her body and the coral reef as a large proportion of the frame, never turning into a distant scenery shot. She glides along a coral canyon, maintaining a streamlined body and a stable core, using only small fin kicks for propulsion, her fingers lightly avoiding corals, with realistic water currents causing hair, bubbles, and fine sand to move slightly. A huge, dark underwater cave entrance appears ahead, surrounded by bioluminescent fish and purplish-blue corals—dreamy but dangerous. She turns on a small wrist light, and the camera advances close to her face and shoulder as the light sweeps into the cave. Fish suddenly scatter, and the massive head of a giant eel slowly emerges from the shadows. The eel's head is nearly as large as the protagonist's entire torso, with a broad skull, heavy jaw, and a thick coiled body filling the cave's interior. The eel is not ordinary-sized but massive, like a cave monster. The protagonist stops at the entrance, her body sinking slightly, back tensed, hand slowly moving toward a small diving knife on her leg, her gaze calm but alert. The frame freezes at the moment of confrontation with the giant eel. No text, no logos, no subtitles, no watermarks. Realistic underwater photography, dreamy coral reef blockbuster quality.\n\nCreate a 15-second cinematic single-shot underwater monster melee combat video, continuing the plot immediately after the cave confrontation. Setting: Inside the dark underwater cave, with the blue-green light of the distant coral reef visible outside the entrance. The interior features rock walls, fine sand, gravel, water particles, bubbles, and churned-up dust. The space is narrow, water currents are chaotic, and the giant eel's body is coiled within, creating intense pressure. Video Style: A continuous 15-second single shot with no cuts, hidden cuts, transitions, or montages. Realistic underwater action photography with the camera moving close to the protagonist's body, water currents, and rock walls, featuring underwater resistance, bubble occlusion, swirling dust, and natural motion blur. Violence is presented with monster-thriller intensity but without dismemberment, exposed flesh, or excessive blood. Opening Shot: The video begins as she has already entered the cave's edge. The shot starts very close behind her shoulder, showing one hand gripping the rock wall and the other holding a small diving knife, her body hovering, with her silver top and light blue professional diving shorts clinging to her body in the dim light, and long fins making small movements for balance. Ahead in the darkness, the giant eel's head is turning toward her. Camera Movement: The camera stays close to her side-back and below, maintaining a low underwater angle, not allowing a pull-back into a chaotic wide shot. The shot must continuously keep her body, the knife, the rock wall support, and the eel's head clearly visible simultaneously. The eel's head must always appear close to the size of her torso, showing a clear physical difference. Action Flow: She attempts to retreat along the cave edge, but the giant eel suddenly lunges from the side shadows, its massive head filling the screen, biting down on the clothing area near her waist and lower body, dragging her violently deeper into the cave through her athletic gear. Her body is pulled into an arc, her back instantly tensing, core contracting, and legs kicking off the rock wall, with fins kicking up dust and bubbles. The bite must be portrayed as a giant creature's predatory suppression of clothing and body position, without showing flesh or dismemberment. The eel continues to drag her, its thick body coiling past her side, its tail sweeping the wall, causing gravel and dust to explode in the water. She doesn't swing the knife blindly but first uses one forearm to brace against the eel's massive head, while her other hand grips the knife, simultaneously pushing off the rock wall to rotate her hips and shoulders out of the drag direction. The camera captures her calm eyes behind the mask at extremely close range, her clenched expression, bubbles rising from the mask edge, and the realistic twisting of her body against underwater resistance. At the most dangerous moment, the frame enters brief dramatic slow motion. The giant eel snaps again to drag harder, and she uses the momentum to spin, pressing her forearm against its head and precisely stabbing the knife into its eye. A cloud of brownish-yellow murky liquid bursts from the eye, dispersing quickly like smoke in the turquoise water. This is monster-style yellow body fluid, not red blood. The eel thrashes in pain, its massive mouth opening, finally releasing her. Final Moments: Slow motion ends; the eel violently whips its body, kicking up sand, rocks, and bubbles, then turns to swim deeper into the cave, its thick body disappearing into the dark. She doesn't pursue but immediately sheathes the knife, pressing one hand against the bitten (but not bloody) clothing area while the other pushes off the rock wall, straightening her body into a streamlined shape and powerfully kicking out of the cave with her long fins. The camera follows closely behind her upward, as she passes through the coral light outside the entrance and ascends along a sunbeam. Finally, she breaks the surface, gasping for air, water sliding off her mask, high ponytail, and silver top, with the distant coral sea sparkling. She looks back down at the water tiredly, confirming the giant eel isn't following. No text, no logos, no subtitles, no watermarks, no explicit gore.", "description": "", "author": "John", "authorUrl": "https://x.com/john87445528", "sourceUrl": "https://x.com/john87445528/status/2068282431120019786" }, { "id": "seedance-71", "title": "Tom and Jerry Live Action Interaction", "category": "product-ad", "prompt": "A young woman with long dark hair and side-swept bangs stands on a tree-lined park pathway during warm golden-hour sunlight. Lush green trees and grass fill the background, while a few distant pedestrians walk along the path.\n\nShe wears a gray cardigan over a white V-neck top and initially looks calmly into the camera with a relaxed, natural expression.\n\nJerry (3D CGI mouse) stands on her left shoulder, while Tom (3D CGI cat) stands on her right shoulder.\n\nJerry notices Tom across her shoulders and becomes visibly nervous. Tom slowly points toward Jerry. Suddenly, Jerry dashes across her shoulders and through her hair, and Tom immediately begins chasing him.\n\nThe woman notices the movement and starts laughing naturally.\n\nJerry jumps from shoulder to shoulder while Tom follows closely behind. Their playful chase loops around her head, shoulders, and neck, weaving through her hair and around her cardigan. She tracks them with her eyes, reacting with genuine amusement and delight.\n\nTom makes one final dramatic leap toward Jerry but completely misses.\n\nJerry lands safely on her shoulder and celebrates victoriously. Tom appears frustrated and defeated.\n\nThe woman smiles warmly and looks directly into the camera as the scene concludes.\n\nVisual Style\n\n- Photorealistic outdoor environment\n- Warm golden-hour lighting\n- Smooth cinematic camera movement\n- Natural facial expressions\n- Premium commercial-quality production\n- Highly detailed rendering\n- Family-friendly tone\n- Viral social-media aesthetic\n- Consistent character scale throughout\n- Realistic interaction with hair, clothing, and environment\n- Smooth 3D animation matching modern movie-style Tom and Jerry characters\n- Believable physics and character integration", "description": "", "author": "Ciri", "authorUrl": "https://x.com/Ciri_ai", "sourceUrl": "https://x.com/Ciri_ai/status/2068281760966713365" }, { "id": "seedance-72", "title": "Luxury Skincare Product Commercial", "category": "product-ad", "prompt": "A premium, cinematic commercial for a luxury skincare brand, featuring dynamic macro and abstract beauty shots. The video showcases translucent ruby-red liquid droplets on a matte surface, a sleek red facial mist bottle suspended in mid-air with exploding water splashes against a red background, and slow-motion red liquid tendrils splashing upwards. It transitions to abstract flowing white ribbons with dewdrops, a blooming white flower bursting through a water splash, and a close-up of a matte black cap with the text \"ELSERA SKIN MIST\". The final shot is a product lineup of three translucent bottles (red, yellow, green) on a modern stone bathroom counter. Dark luxury aesthetic, moody low-key lighting with intense red accents, ultra-realistic 8K textures, and professional studio lighting.", "description": "", "author": "Zyrella", "authorUrl": "https://x.com/Zyrellix", "sourceUrl": "https://x.com/Zyrellix/status/2068272848918192628" }, { "id": "seedance-73", "title": "Sci-Fi Power Armor Suit-Up Scene", "category": "cinematic", "prompt": "Cinematic shot, medium shot. A woman standing in an empty, gritty concrete stadium wearing a casual hoodie. Suddenly, a mysterious, glowing purple-and-gold alien artifact on her wrist activates, spreading high-tech, organic-looking power armor over her body. The armor is sleek, black, and gold with glowing purple energy veins. Sharp, floating purple crystalline shards materialize behind her back. A large, monstrous, hulking alien creature charges at her from the shadows in the background. The scene is epic, high-budget superhero movie style, dramatic lighting, 4k, hyper-realistic, action-packed.", "description": "", "author": "Avelyrah", "authorUrl": "https://x.com/AvelyrahnAI", "sourceUrl": "https://x.com/AvelyrahnAI/status/2068260850075680802" }, { "id": "seedance-74", "title": "Luxury Whiskey Cocktail Commercial", "category": "product-ad", "prompt": "Style: Ultra-realistic luxury beverage commercial, cinematic macro photography, shallow depth of field, warm amber lighting, premium whiskey bar atmosphere, rich reflections on glass, realistic liquid physics, crisp ice sounds, ASMR mixing sounds, no text, no logos. Duration: 15 seconds Shot 1 (0–3s) Extreme macro close-up of a crystal mixing glass on a dark wooden bar. Human hands slowly pour deep amber bourbon into the glass. Warm golden light glows through the liquid. Close-up liquid stream, detailed reflections, subtle camera push-in. Sound: bourbon pouring, quiet bar ambience. Shot 2 (3–6s) Macro overhead shot. Cherry liqueur and chocolate liqueur are poured into the mixing glass, followed by several drops of chocolate bitters. The liquids swirl together into beautiful marbled patterns. Camera slowly rotates around the glass. Sound: gentle pouring, glass clinks. Shot 3 (6–9s) Close-up of large clear ice cubes dropping into the mixing glass. A bar spoon stirs the cocktail. Ice rotates elegantly, condensation forming on the outside. Cinematic slow motion. Sound: satisfying ice clinks, stirring ASMR, liquid movement. Shot 4 (9–12s) Macro side shot. A single perfectly clear large ice cube sits inside a heavy crystal rocks glass. The bartender strains the chilled cocktail into the glass. The amber liquid cascades over the ice cube, creating beautiful ripples and reflections. Camera tracks the flowing liquid. Sound: smooth pour, soft glass resonance. Shot 5 (12–15s) Extreme close-up hero shot. Fingers gently place a glossy Luxardo cherry onto the drink. A few flakes of shaved dark chocolate fall in slow motion onto the surface. The finished cocktail glistens under warm bar lighting. Camera slowly circles the glass before settling on the cherry and ice cube. Sound: soft ambient jazz, delicate garnish placement, ice crackling naturally. End Frame Finished whiskey cherry bourbon cocktail on the bar, crystal-clear large ice cube, Luxardo cherry garnish, luxurious cinematic atmosphere, rich amber highlights, premium spirits advertisement aesthetic. No grainy textures.", "description": "", "author": "AIrina (Virtual Media Net)", "authorUrl": "https://x.com/airina_xyz", "sourceUrl": "https://x.com/airina_xyz/status/2068259223096406508" }, { "id": "seedance-75", "title": "Cinematic Bisconni Cocomo Chocolate Commercial", "category": "product-ad", "prompt": "Use the uploaded Bisconni Cocomo pack as the exact reference. The biscuit shape, pinwheel swirl pattern, texture, cream filling, chocolate coating, and all colors must match the biscuit shown on the packaging exactly. Keep the original Cocomo wrapper design, logo, branding elements, typography, and Bisconni badge unchanged.\n\nCreate a 10-second hyperrealistic premium food commercial in professional advertising photography style. Photographic food-shoot quality only — NOT CGI, NOT cartoon, NOT illustration. Deep rich Cocomo-themed chocolate background throughout.\n\n0:00–0:02\nExtreme macro close-up of one whole Cocomo biscuit under warm amber studio lighting. Highly detailed chocolate texture, visible biscuit layers, subtle rotation on a reflective surface. Slow cinematic push-in. Rich crunchy biscuit sound.\n0:02–0:04\nThick glossy molten chocolate pours slowly from above onto the Cocomo biscuit. Chocolate cascades over the surface, creating luxurious reflections and pooling at the base. Low-angle macro shot. Rich viscous pouring sound. Warm premium orchestral music begins.\n\n0:04–0:06\nDynamic speed-ramp explosion. The Cocomo biscuit bursts outward in slow motion, releasing streams of flowing chocolate, flying biscuit crumbs, chocolate particles, and cocoa dust against a deep chocolate-colored background. Ultra-high-speed photography look. Freeze-frame at peak impact with powerful bass drop.\n0:06–0:08\nThe Bisconni Cocomo pack rises smoothly into the center of the frame. Front-facing hero shot. Premium studio lighting highlights the packaging details. Camera remains steady while subtle chocolate particles float around the pack.\n\n0:08–0:10\nA Cocomo biscuit snaps perfectly in half. Dense creamy chocolate filling stretches between the halves in glossy chocolate threads. Ultra-detailed macro shot. Sharp satisfying snap sound. Text fades in elegantly:\n“COCOMO”\n\nfollowed by\n“Fun Filled Chocolate Delight.”\n\nFinal frame: Cocomo pack and broken biscuit hero composition with premium lighting, rich chocolate atmosphere, crisp product focus, commercial advertising quality.", "description": "", "author": "Aaliya", "authorUrl": "https://x.com/AIwithAliya", "sourceUrl": "https://x.com/AIwithAliya/status/2068245198916710741" }, { "id": "seedance-76", "title": "Fantasy Battle Warrior Action Video Prompt", "category": "nature-drone", "prompt": "Style Positioning:\nVertical screen Chinese-style fantasy 3D CG animation, similar to game trailers / mobile game ultimate skill cutscenes / AI xianxia short film quality.\nOverall Style: Oriental fantasy xianxia action blockbuster, female warrior in white, breaking through enemy formations with a folding fan, massive battlefield, golden spiritual wind blades, giant transparent goddess avatar, crimson flame dragon bombardment, dark clouds overhead, sand and dust explosions, cinematic slow motion, high-speed camera movement, vertical screen epic composition. No subtitles, no text overlays.\nShot 1 (0-3 seconds)\nSubject: A female xianxia warrior in white, black long hair, golden hair accessories, white and gold long dress, holding a white and gold folding fan.\nAction: Opening shows dense ancient military formations under dark clouds; then the female lead descends from a high altitude, sleeves and ribbons fluttering; cuts to a macro close-up of the folding fan, fingers pressing on the golden fan ribs, the white fan surface with golden floral patterns emitting a faint glow.\nEnvironment: Desolate ancient battlefield, distant mountains, low dark clouds, tens of thousands of black-armored soldiers.\nCamera: Extreme long shot to close-up, then cut to folding fan macro close-up, advancing in slow motion.\nConstraints: The folding fan must be clear, with a white surface and golden ribs, do not turn it into a sword.\nShot 2 (3-7 seconds)\nSubject: Female lead facing the charging black-armored formation.\nAction: Enemy troops charge at her, the female lead spins low to the ground and swings the folding fan; a golden crescent wind blade sweeps across the ground, sand explodes, and the front row of soldiers is blown away by the shockwave; the female lead lands on one foot to finish the move, white skirt and long sleeves fluttering in the wind.\nEnvironment: Battlefield ground cracks, sand walls diffuse, soldiers are tossed into the air.\nCamera: High-speed charge from the enemy's perspective, then the camera tilts and rotates following the female lead's swing.\nConstraints: The core action is \"sweeping thousands with a folding fan,\" do not use swords or blades for slashing, no gore.\nShot 3 (7-10 seconds)\nSubject: Female lead ascends and summons a giant goddess avatar.\nAction: A golden pillar of light rises under the female lead's feet, lifting her toward the sky; a giant semi-transparent white goddess avatar emerges behind her, hands encircling, then forming a hand seal, with a circular divine halo appearing behind.\nEnvironment: Dark clouds churning, battlefield soldiers appearing tiny below, gold and white particles in the air.\nCamera: Low angle from the ground shooting up as she ascends, then push to a frontal view of the giant holy avatar.\nConstraints: The avatar should be solemn and transparent, like a manifestation of xianxia divine power, do not turn it into a machine or monster.\nShot 4 (10-13.5 seconds)\nSubject: Crimson flame dragon energy erupts from battlefield fissures.\nAction: Red cracks appear on the ground, two flame dragons first burst out; then multiple flame dragon heads erupt from the ground in a spiral, forming a huge explosion cloud that sweeps across the entire formation.\nEnvironment: Battlefield illuminated by red firelight, sand and flames soaring, fallen soldiers scattered around.\nCamera: Overlooking the battlefield, then rapidly zoom in on the erupting flame dragons.\nConstraints: Flame dragons are in energy form, do not turn into real animals biting; show shockwaves and explosions, no gore.\nShot 5 (13.5-15 seconds)\nSubject: Female lead stands in the center of the battlefield after finishing her ultimate move.\nAction: Female lead stands calmly, holding the folding fan, long hair and white skirt fluttering in the remaining wind; smoke, firelight, and fallen enemies gradually disperse behind her.\nEnvironment: Dark cloud battlefield, broken ground, distant formation collapsing.\nCamera: Bust close-up to full-body freeze-frame, slow motion ending.\nConstraints: Female lead remains calm, elegant, and powerful, no shouting, no distorted expressions.\nNegative Prompts:\nSubtitles, text overlay, logo, watermark, modern city, modern weapons, firearms, gore, severed limbs, excessive horror, fan turning into sword, fan disappearing, female lead face change, hairstyle change, clothing change, finger fusion, extra fingers, extra limbs, body deformation, facial collapse, avatar turning into monster, flame dragons turning into real animals biting, enemy soldiers frozen, shockwaves unreadable, chaotic action, camera completely out of control, cheap game graphics, random text, garbled code.", "description": "", "author": "John", "authorUrl": "https://x.com/johnAGI168", "sourceUrl": "https://x.com/johnAGI168/status/2068230055566708835" }, { "id": "seedance-77", "title": "UFO Macro Photography of Tulips", "category": "nature-drone", "prompt": "A sleek, glowing metallic UFO hovers silently over a vibrant, colorful field of blooming tulips under a starry night sky. A bright beam of neon green light shoots down from the UFO, illuminating a single beautiful red tulip. From the beam of light, a small, futuristic robotic camera drone descends and hovers closely to the tulip, its lens clicking and flashing as it takes professional macro photos of the flower petals. The UFO then shoots back up into the night sky, leaving a trail of sparkling light.", "description": "", "author": "Ur Meer", "authorUrl": "https://x.com/UrMeer289", "sourceUrl": "https://x.com/UrMeer289/status/2068224189975367944" }, { "id": "seedance-78", "title": "Cyberpunk Standoff Action Scene", "category": "action", "prompt": "A 15-second hybrid live-action and 2D-animated action sequence shot on gritty 35mm film inside a dim industrial office with gray concrete weapon-rack walls, a steel desk, toppled office chairs, dust haze, and cold halo backlight; the protagonist is the exact young Southeast Asian man from reference, wearing the same black futuristic tactical suit with cyan glowing piping, triangular chest emblem, utility belt, thigh holster, gloves, and armored boots, calm and composed throughout. Open with a low-angle wide standoff as burly Asian men in leather jackets and tactical gear surround him and the camera slowly dollies in for 3 seconds; cut to a 4-second tight bullet-time close-up as a fired round slices past his face and he leans back in a Matrix-like dodge, hair lifting while rack focus shifts from bullet to his unshaken eyes; cut to a 3-second medium side-tracking fight beat as he whips a high kick into a thug’s chin and carries the momentum through the room; cut to a 2-second straight-down surveillance-camera overhead in grainy black-and-white as he drops multiple attackers with lightning-fast precision; finish with a 3-second slow push-in close-up as he walks toward camera adjusting his backpack, defeated thugs behind him, then turns with a cold confident smile.", "description": "", "author": "Zulkar Naim", "authorUrl": "https://x.com/zulkarnaimx", "sourceUrl": "https://x.com/zulkarnaimx/status/2068217163731923037" }, { "id": "seedance-79", "title": "Futuristic EV Manufacturing Video Prompt", "category": "cinematic", "prompt": "Animate the provided 3x4 storyboard into a sleek futuristic cinematic EV automotive video. Preserve exact shot order and continuity. Use slow glowing battery cell charge arc, robotic arm precision ballet, aluminum unibody press, and final EV silent launch", "description": "", "author": "𝐌", "authorUrl": "https://x.com/Strength04_X", "sourceUrl": "https://x.com/Strength04_X/status/2068214458128970165" }, { "id": "seedance-80", "title": "GTA 6 Vice City Football Match", "category": "cinematic", "prompt": "Use the reference storyboard to make a full cinematic video. The scene follows Lucia in a GTA 6 gameplay sequence — she arrives at a Vice City street football court, takes control of the match, dribbles past defenders, makes a quick pass to a teammate who scores, the team celebrates, and Lucia walks off the court into the Vice City streets. Audio: diegetic sound only — street ambience, ball kicks, crowd reactions, celebration. No text.", "description": "", "author": "Oogie", "authorUrl": "https://x.com/oggii_0", "sourceUrl": "https://x.com/oggii_0/status/2068191740780294183" }, { "id": "seedance-81", "title": "Samurai Castle Siege Action", "category": "talking-head", "prompt": "Reference Image:\n@image1\n[CONDITION DEFINITION]\nA cinematic and high-precision historical action short of approximately 15 seconds. Use the person in the reference image as the sole character anchor, maintaining gender, facial features, eye impression, hairstyle, hair color, sense of age, armor structure, color scheme, fabric decorations, and weapons to depict them as the same person. If the reference image is live-action, depict it as high-quality live-action; if it is an animation or illustration, depict it as high-quality animated footage preserving the original lines, coloring, and texture, without changing the art style mid-video. Do not inherit the solid background, standing posture, idle pose, or composition of the reference image.\n\nThe setting is a Japanese castle on the verge of falling just before dawn. From the burning castle gate, the mounted samurai from the reference image leads a small group of cavalry in a final charge. The protagonist is always the single reference character at the front. The small group of cavalry acts as a brief auxiliary presence behind or around them.\n\n[OPTIONAL PERFORMER LOOK]\nA warrior who is brave and noble, conveying a sense of resolve at the risk of their life. Do not obscure the face too much with smoke or hair, and ensure they are recognizable as the same person even while riding. Armor, fabric decorations, and weapons must not change mid-scene.\n\n[SHOT / FLOW]\n0.0–3.5s: Departure from the collapsing castle gate. Use a low wide shot to show the burning gate, crumbling wooden doors, smoke, sparks, and torn flags; the mounted warrior bursts out immediately after the wood collapses. Use short jump cuts to show the eyes, hair, hands gripping reins, weapon hilt, swaying armor/fabric, and hooves kicking the ground in succession.\n\n3.5–8.0s: Rapid acceleration and arrow volley. Follow the hooves and front legs from a very low rear diagonal angle at close range, showing heavy dust clouds. Zoom in on the face to show a sharp gaze forward even amidst intense vibration. Switch to high-speed side tracking, blurring the castle walls, flames, flags, and enemy soldiers. Arrows fall from above and in front; the warrior ducks low to evade. The camera swiftly orbits from front-diagonal to the side for a three-dimensional charge.\n\n8.0–12.5s: Impact and breakthrough at the enemy front line. A row of spears and shields looms ahead. From a low front position, the mounted warrior and horse rush toward the camera at high speed, breaking away to the side just before impact. The warrior does not stop, changing course to plunge into gaps between spears, striking an enemy spear hilt once with force, sending off short metallic sparks. Quickly cut between hooves, eyes, reins, weapon-to-spear contact, armor, horse shoulders, and dust clouds, breaking through the line while maintaining speed.\n\n12.5–15.0s: The aftermath without stopping. Emerging from the dust clouds into the battlefield illuminated by the morning sun. Behind them are the burning castle, collapsed gates, disordered enemy lines, and torn flags. Ahead is the golden sunrise. The warrior does not stop, briefly turning their face or continuing to stare straight ahead. Finally, the camera pulls up and back into an aerial view, capturing the lead reference figure, the small cavalry group, the burning castle, and the sunlit battlefield in the same frame. Do not conclude the outcome of victory or death, leaving a sense of bravery and pathos.\n\n[CAMERA / EDITING]\nA very dynamic 8–10 cut composition. Utilize low wide shots of the burning gate, close-ups of eyes, reins, and weapons, ultra-low hoof tracking, high-speed side tracking, rapid frontal approaches, diagonal-to-side orbits, high-speed push-ins at the enemy line, and an ascending aerial view after the breakthrough. Avoid long static shots of the horse from a distance or side. Use short cuts of hooves, legs, shoulders, face, torso, hands, armor, and weapons to express the weight and speed of the cavalry. Use 0.2–0.6s jump cuts for faces/feet, 0.8–1.5s for major actions, and 1.5–2s only for the final shot. Use blurred backgrounds, wind pressure, dust, sparks, hair, and fabric to enhance the sense of speed.\n\n[SOUND]\nDo not include BGM. No music, singing, or narration. Sound effects and ambient noise only. Emphasize heavy hoof beats, ground vibrations, the rattling of armor and metal decorations, reins, short metal-on-metal spear impacts, the whistling of arrows, flames, collapsing wood, flags, wind, dust, and distant shouts.\n\n[NEGATIVE]\nNo text, subtitles, logos, watermarks, real-world family crests, brands, UI, split screens, collages, or the reference image itself; no character sheets on solid backgrounds within the video. Do not increase the number of protagonists or change the lead. Do not change the reference character's gender, face, hair, age, armor, colors, weapons, or art style mid-way. Avoid weapon disappearance, transformation, or duplication. Avoid horse-rider merging, extra legs, or unnatural high jumps. Avoid long-distance static shots, simple lateral movement, long straight runs, silent departures, excessive slow motion, frozen poses, over-the-top fantasy, glowing weapons, mechanical armor, giant fire effects, overly dark screens, low contrast, or muddy smoke. Ensure the character is not buried in fire or smoke.", "description": "", "author": "AIライフハック", "authorUrl": "https://x.com/ai_lifehack55", "sourceUrl": "https://x.com/ai_lifehack55/status/2068173176442691629" }, { "id": "seedance-82", "title": "Origami Football Match Narrative", "category": "talking-head", "prompt": "PART 1 — “THE MORNING OF THE MATCH”\n\nCut A (0–5s): Jessy wakes up in her origami-paper bedroom as the alarm shows “MATCH DAY,” sunlight glowing through folded curtains, she smiles and says, “Today’s the day!”\n\nCut B (5–10s): Fast gear-up montage—she ties shoes, grabs her skateboard, wraps her scarf, and steps into the glowing paper city, saying, “Let’s go meet my hero!”\n\nCut C (10–15s): She skates through origami streets with speed-line motion blur, rushes through the city, and reaches the train just in time, breathing, “Made it… just in time!”\n\nPART 2 — “INTO THE STADIUM”\n\nCut D (0–5s): On the train, Jessy sees the glowing stadium in the distance, holding her skateboard tightly, whispering, “Almost there… I can’t believe it.”\n\nCut E (5–10s): Outside stadium plaza, crowds flood in as she checks her watch, panics, and runs through the crowd, “Come on—kickoff’s in ten minutes!”\n\nCut F (10–15s): At the security gate, a guard stops her, then softens and lets her through, saying, “Go on, kid—enjoy the match.”\n\nPART 3 — “THE GOAL & THE ADVICE”\n\nCut G (0–5s): Stadium explodes with energy as Jessy watches her hero score a stunning goal; she jumps up screaming, “YES—that’s my player!!”\n\nCut H (5–10s): After the match, the player walks to her, notices her skateboard, and says, “Dreams just need courage.” Jessy replies softly, “Then I’m chasing mine.”\n\nCut I (5–10s continuation feel): Emotional moment—he signs her jersey on the chest, she freezes in shock, then smiles as stadium lights glow behind them.", "description": "", "author": "Jessica Collins", "authorUrl": "https://x.com/AIwithJessica", "sourceUrl": "https://x.com/AIwithJessica/status/2068134755301052732" }, { "id": "seedance-83", "title": "Cinematic AI Swimwear Brand Advertisement", "category": "product-ad", "prompt": "FORMAT\n15-second video, 16:9\n\nREFERENCE ROLES\nImage 1 = the woman; stage every shot as her, full identity from this image.\nImage 2 = the swimsuit she wears; she wears exactly this piece throughout, print and cut and colorway from this image.\n\nCAMERA\nShots on an iPhone 14 Pro, imperfections are present.\n\nAMBIENCE\nA small deserted Puglia cove at golden first light. Lived-in, the locals' sea.\nAMBIENCE SOUNDS\nEnvironment sound only, no music.\n\nSHOTS\nSeveral shots showing the swimsuit on the woman, both close details and full looks.\nRare camera angles.", "description": "", "author": "Marco", "authorUrl": "https://x.com/MarcoBorinEdit", "sourceUrl": "https://x.com/MarcoBorinEdit/status/2068075513206174081" }, { "id": "seedance-84", "title": "Ancient Tree Guardian Transformation", "category": "nature-drone", "prompt": "15-second ultra-cinematic fantasy transformation sequence deep within an ancient primordial forest at dawn.\n\nA lone traveler stands in a sacred forest clearing surrounded by colossal trees older than kingdoms. Golden morning light filters through the canopy while mist drifts across the moss-covered ground.\n\nThe atmosphere is peaceful, ancient, and alive.\n\nThe camera slowly circles around the traveler as the forest begins responding to their presence. Leaves rustle despite the absence of wind. Birds fall silent. Tiny glowing spores drift through the air.\n\nRoots emerge gently from the earth around the traveler's feet.\n\nThe transformation begins.\n\nThin root structures spread across the skin like living veins. Moss and bark textures gradually appear along the arms and neck. Small leaves sprout from the shoulders and hair.\n\nThe camera pushes closer as the body becomes increasingly intertwined with nature. Fingers lengthen into branch-like structures. The skin develops intricate bark patterns while glowing sap-like energy flows beneath the surface.\n\nThe surrounding forest awakens. Flowers bloom instantly. Vines climb nearby trees. Ancient roots rise from the earth in response to the transformation.\n\nThe transformation accelerates.\n\nMassive branches grow from the back like a living crown. The body expands in size and strength. Moss, vines, leaves, and flowering plants spread naturally across the growing wooden form.\n\nBirds, butterflies, and forest creatures gather around the transforming figure as if witnessing the return of an ancient protector.\n\nAt the climax, the traveler becomes an Ancient Tree Guardian , a majestic humanoid giant composed of living wood, roots, bark, moss, flowers, and glowing emerald sap.\n\nThe forest itself appears connected to the guardian through an immense network of roots extending beneath the ground.\n\nFinal cinematic moment: the Ancient Tree Guardian places a giant hand against the earth. A wave of life spreads through the forest. Trees bloom, rivers sparkle, and sunlight floods the woodland as the camera pulls back to reveal the colossal guardian standing among the ancient giants.\n\nStyle: ultra cinematic fantasy realism, living forest transformation, realistic bark and root growth, moss and vegetation simulation, primordial forest atmosphere, volumetric dawn light, magical nature realism, majestic environmental storytelling, AAA fantasy film quality, no text, no overlays.\n\nAudio: epic nature-inspired orchestral score, forest ambience, creaking wood, growing roots, birdsong, flowing water, rustling leaves, deep natural resonance, atmospheric wonder and majesty.", "description": "", "author": "LudovicCreator", "authorUrl": "https://x.com/LudovicCreator", "sourceUrl": "https://x.com/LudovicCreator/status/2068031131396583916" }, { "id": "seedance-85", "title": "Cyborg Ronin Neon Alley Combat", "category": "action", "prompt": "<<>> follow this storyboard exactly. <<>> KAGE the cyborg ronin fights armored soldiers in a neon rainy alley: surrounded, draws his glowing blue energy katana, slashes through them with rapid strikes and blade trails, then lands in a victory", "description": "", "author": "Shara", "authorUrl": "https://x.com/itsshara_ai", "sourceUrl": "https://x.com/itsshara_ai/status/2068015841384554535" }, { "id": "seedance-86", "title": "Australian Football Fan Eating Hot Dog", "category": "cinematic", "prompt": "A cinematic, realistic live-action sports broadcast clip inside a packed international football stadium during a match between Australia (AUS) and United States (USA), score 0-0 displayed on the top-left scoreboard. The broadcast has a professional TV sports aesthetic with smooth camera work and shallow depth of field. The scene focuses on a beautiful young woman in her mid-20s with long straight jet-black hair, blunt straight bangs, fair skin, and striking dark eye makeup with winged eyeliner and glossy lips. She is wearing an official green and gold Australia football jersey with subtle national crest detailing. She is seated among energetic Australian fans dressed in green and gold jerseys, scarves, and bucket hats, waving flags and reacting to the match. She holds a large classic hot dog in a bun with visible ketchup and mustard using both hands. Camera movement (7 seconds total): The shot begins as a medium-wide broadcast angle showing her centered within the lively crowd. The camera slowly and smoothly zooms in toward a medium close-up, keeping her face and upper body in sharp focus while the crowd softly blurs in the background. Action sequence: At the start, she brings the hot dog to her mouth and takes a big bite, chewing naturally. She glances slightly to her left, then forward toward the pitch while continuing to eat. A small smear of yellow mustard appears at the corner of her lower lip. She lowers the hot dog slightly while still holding it, her expression neutral, slightly self-aware as she notices the crowd around her. Around her, Australian fans cheer and gesture toward the field. A middle-aged man in a green bucket hat watches the game intently on her left. Another fan in a yellow-green scarf on her right holds a drink and reacts to the match. Lighting is bright daytime stadium light with realistic skin tones and natural shadows. Highly detailed textures: jersey fabric, glossy bun surface, mustard and ketchup shine, hair strands, and subtle crowd motion. Broadcast overlay includes “SPORTS LIVE” in the top-right corner. Ultra-realistic 4K cinematic sports broadcast style.", "description": "", "author": "Aaliya", "authorUrl": "https://x.com/AIwithAliya", "sourceUrl": "https://x.com/AIwithAliya/status/2068010755178504414" }, { "id": "seedance-87", "title": "Golden Hour Cinematic Bicycle Ride", "category": "talking-head", "prompt": "Cinematic bicycle sequence on a sunny residential street during golden hour. Opening low-angle close-up of bicycle wheels rolling on clean pavement. Smooth side-tracking shot following the cyclist. Wide aerial drone shot revealing tree-lined streets and warm sunlight. Front-facing gimbal shot moving backward as the cyclist rides toward the camera. Dynamic side profile shot with natural motion blur. Handlebar POV shot showing the road ahead. Close-up portrait shot capturing a relaxed expression. Cinematic depth of field, realistic environment, warm natural lighting, subtle lens flares, smooth camera transitions, professional cinematography, ultra-realistic details, HDR, 4K, film-quality color grading, natural movement, clean background, wholesome outdoor atmosphere. Final crane shot rising above the street as the cyclist rides into the distance.\n\nNEGATIVE PROMPT.\n\ndialogue, speech, voice, singing, lyrics, microphone, crowd noise, shouting, crying, text overlays, captions, watermark, logo, low quality, blurry, distorted anatomy, flickering, jittery motion, extra limbs, deformed bicycle, unrealistic movement", "description": "", "author": "Jayden™", "authorUrl": "https://x.com/SirGlavan_", "sourceUrl": "https://x.com/SirGlavan_/status/2067992098549219634" }, { "id": "seedance-88", "title": "Epic Dragon Riding Knight Battlefield", "category": "action", "prompt": "A gigantic dragon-riding knight clad in black steel armor scarred by countless battles, crimson cape torn by war, face hidden beneath a horned helmet\n0–4s: rides an enormous dragon through a canyon as an enemy army marches below, camera flying alongside the dragon’s wings before diving toward the battlefield; \n4–10s: dragon unleashes torrents of fire across siege engines and infantry formations while the knight leaps from its back into the middle of enemy lines, cutting through soldiers with devastating two-handed strikes, sparks and blood flying through the air; \n10–15s: confronts the enemy king atop a burning siege tower, defeats him in a brutal duel, then the dragon crashes through the tower causing it to collapse entirely, ending with the knight standing atop the ruins as the enemy army breaks and flees + Hyper-realistic heroic fantasy, large-scale medieval battle, practical fire VFX, cinematic daylight destruction, brutal combat choreography.", "description": "", "author": "Pierrick Chevallier | IA", "authorUrl": "https://x.com/CharaspowerAI", "sourceUrl": "https://x.com/CharaspowerAI/status/2067985814261244148" }, { "id": "seedance-89", "title": "AI Video Motion Transfer for Character Identity", "category": "general", "prompt": "Match the reference @Video1 exactly (timing, moves ) while keeping the new character from @Image1 and @Image2 unchanged in appearance, outfit, and identity.", "description": "", "author": "realgenmotion", "authorUrl": "https://x.com/realgenmotion", "sourceUrl": "https://x.com/realgenmotion/status/2067978450544037968" }, { "id": "seedance-90", "title": "Extreme Off-Road Motorcycle Cinematic Stunt", "category": "nature-drone", "prompt": "Create a 15-second ultra-cinematic single-shot extreme off-road motorcycle video. Image hf_20260618_193451_5e17d142-cdf2-4356-80a5-7dc057741c77 is the reference for the character's image, clothing, and motorcycle. Facial reference: maintain her fair skin, black eyes, hair, body proportions, flowing skirt, and the same motorcycle. The scene is set on a sunny day on a dusty mountain road, surrounded by rocky hills, loose gravel, and cliffs, creating a raw off-road atmosphere. Use a continuous 15-second shot without any cuts, hidden cuts, transitions, or montages. The shot starts close to her upper body and face as she rides, then smoothly pans behind her and stays in that position until the end of the video. The camera stays close behind her back, seat, and rear wheel at a low height, making both her and the motorcycle occupy most of the frame. The entire shoot must not feel like following from a distance with dust kicking up. After moving behind her, she immediately performs an elegant and precise front-wheel lift in a smooth wheelie-like posture, with the camera focused on her posture and the motorcycle's balance. Then, she continues riding on the rugged road, using masterful technical moves and subtle body shifts to easily navigate bumps and gravel before accelerating towards a cliff edge. She leaps over a canyon gap in a long-distance jump. While airborne, time enters dramatic slow motion, but the motorcycle progresses toward the opposite ridge. The camera stays low and close behind the motorcycle. During the slow-motion flight, she performs a spectacular freestyle motocross stunt. She lifts her hips off the seat, pushing her body out and up in a bold acrobatic pose. Her torso opens outward as if briefly leaving the motorcycle behind. Visual focus is on the separation of her body from the motorcycle while maintaining connection through hands and control points. Her face remains visible with hair and skirt fluttering. After holding the pose, she pulls the motorcycle back, returns to the seat, and re-adjusts her center of gravity as slow motion ends. She lands cleanly on the opposite ridge with intense suspension compression, and the camera follows closely. After landing, she maintains control and continues for a short distance. No text, logos, or subtitles.", "description": "", "author": "John", "authorUrl": "https://x.com/john87445528", "sourceUrl": "https://x.com/john87445528/status/2067969933086957981" }, { "id": "seedance-91", "title": "Fashion Editorial Aesthetic Vlog", "category": "ugc", "prompt": "15 seconds, 16:9 vertical, quick stylish cuts between segments (4-5 short beats), glossy aesthetic-vlog pacing, smooth whip-pan or snap transitions between each.\nGlobal setup: High fashion aesthetic content-creator video. Soft glowing key light, shallow depth of field, slightly warm cinematic color grade. Subject: a confident young woman, stylish trendy outfit, changes look/setting slightly between beats (different lighting or background each cut, same general styling identity). Ambient sound: moody downtempo pop/R&B instrumental, subtle beat drops synced to cut transitions.\n[0:00–0:03] Close-up, soft warm light, she looks off to the side with a calm confident expression, then slowly turns to meet the camera. Slow push-in.\n[0:03–0:06] Cut to a different angle/setting, cooler blue-toned lighting, she runs a hand through her hair, subtle self-assured smile, gaze steady on camera.\n[0:06–0:09] Cut to outdoor golden-hour lighting, she walks slowly toward camera, wind gently moving her hair and clothing, confident relaxed stride.\n[0:09–0:12] Cut to close-up under neon-tinted lighting, she glances down then back up at camera with a slow deliberate look, beat-synced snap transition.\n[0:12–0:15] Final cut, soft studio lighting, she gives a small satisfied smile directly to camera, holds the moment, slow fade to black.\nStyle: glossy editorial color grade, soft cinematic lighting throughout, confident expressive body language, no text overlays, no distorted anatomy or facial features. Constraints: consistent styling identity across cuts (even as background/lighting changes), natural realistic movement, transitions synced to the beat of the music, believable naturalistic expressions throughout.", "description": "", "author": "BMX", "authorUrl": "https://x.com/bmx_ai13", "sourceUrl": "https://x.com/bmx_ai13/status/2072937132168274239" }, { "id": "seedance-92", "title": "Tokyo Documentary Camcorder Realism Video", "category": "ugc", "prompt": "Main subject: Young Japanese woman, mid-20s, natural everyday appearance, soft oversized white linen button-up shirt (sleeves rolled to elbows), high-waisted beige wide-leg trousers, simple white canvas sneakers, thin gold necklace, straight black shoulder-length hair with subtle curtain bangs and a small silver hairpin on one side. Realistic skin texture with light freckles, minimal natural makeup, calm and gentle personality. Maintain consistent identity, clothing, hairstyle, and appearance throughout the entire video.\nLocation: Quiet traditional Tokyo side street during golden hour in early evening. Narrow residential alley with wooden machiya houses, small potted bonsai and flowers, hanging noren curtains, bicycle parked against a wall, soft lantern light starting to glow, overhead power lines, peaceful neighborhood atmosphere. No crowds or heavy traffic.\nVisual Style: Ultra-realistic documentary realism. Genuine candid behavior. Natural body language. Unscripted slice-of-life feeling. Strong environmental authenticity. Rich real-world details and believable human motion.\nCamera Style: Early-2000s consumer DV camcorder aesthetic. Friend casually recording everyday moments. Heavy handheld shake, imperfect framing, frequent autofocus hunting, lens breathing, exposure pumping when moving between sunlight and shadow, occasional motion blur, subtle rolling shutter, mild digital compression artifacts, warm faded colors, soft contrast, slight sensor noise. No stabilization. No cinematic camera moves. No modern color grading.\n\n00:00–00:02\nShe sits on a small wooden bench outside a house, quietly reading a paperback book. A light breeze turns a page. She tucks hair behind her ear while smiling at the story. Camera sways gently as it focuses on her face.\n00:02–00:04\nShe closes the book, stands up, and begins walking slowly down the alley while holding the book against her chest. The camera follows with natural drift and slight shake.\n00:04–00:06\nShe stops at a small family-run vegetable stand, picks up a few fresh tomatoes, and chats briefly with the elderly shopkeeper. Handheld framing drifts off-center as she pays.\n00:06–00:08\nShe continues walking, now carrying a small paper bag of vegetables in one hand and the book in the other. Golden sunlight creates moving shadows across the alley walls.\n00:08–00:10\nOn a quiet corner, she pauses to admire blooming flowers near a wooden fence. She leans in slightly to smell them, then adjusts her shirt sleeve. Loose side-angle shot with camera breathing.\n00:10–00:12\nClose side profile. Someone off-camera greets her. She turns, smiles warmly, raises her hand slightly, and softly replies “Konbanwa.” The camera reacts a moment late.\n00:12–00:15\nShe walks away down the glowing alley, looking peaceful with her book and bag. Recording cuts abruptly to black mid-motion as if the camcorder was switched off.\n\nAudio: Natural ambient sound only — evening cicadas, distant bicycle bells", "description": "", "author": "Mr Das", "authorUrl": "https://x.com/MrDasOnX", "sourceUrl": "https://x.com/MrDasOnX/status/2072894471361225034" }, { "id": "seedance-93", "title": "Grotesque Monster Analog Horror", "category": "cinematic", "prompt": "A grotesque monster inspired by John Carpenter's the Thing. 80s style analog filmed. Cool color grade. Desaturated.", "description": "", "author": "Hero Syndicate", "authorUrl": "https://x.com/KimAkiyama81", "sourceUrl": "https://x.com/KimAkiyama81/status/2072828314759184862" }, { "id": "seedance-94", "title": "Ink-Brush Cinematic 3D Anime Action", "category": "animation", "prompt": "A mesmerizing display of @[character]'s masterful swordsmanship.\nHigh-end cinematic 3D realism fused with expressive ink-brush action. High-sakuga anime choreography, sweeping sumi-e brush strokes, flowing ink splashes, dynamic calligraphic energy and graphic black ink trails define every movement. Extreme perspective, dramatic foreshortening, cinematic tracking shots, volumetric lighting, heavy atmospheric haze and explosive ink bursts replace conventional visual effects, while realistic materials and feature-film rendering preserve depth, weight and scale.", "description": "", "author": "Kōda", "authorUrl": "https://x.com/aimikoda", "sourceUrl": "https://x.com/aimikoda/status/2072816831367176466" }, { "id": "seedance-95", "title": "Psychological Horror Baby Monitor Scene", "category": "nature-drone", "prompt": "15 seconds, 16:9 cinematic, single continuous handheld shot following the character, minimal cuts (one hard cut at the hook moment for shock value), unhurried until the final beat. Global setup: Prestige psychological horror aesthetic. Warm domestic lighting turning cold and blue as dread builds. Setting: a quiet suburban house at night, a baby monitor screen glowing on a kitchen counter, hallway leading to a nursery visible in the background. Subject: a young mother, tired but calm, doing a late night check before bed. Ambient sound: soft house hum, distant white noise machine from the monitor, low ambient drone rising gradually, single sharp static burst at the hook moment. [0:00–0:03] She stands in the kitchen, glances casually at the baby monitor screen on the counter on it, the nursery looks normal, crib visible, nothing unusual. She yawns, reaches for a glass of water. Static ambient hum. [0:03–0:06] She looks at the monitor screen again and on it, she sees herself already standing inside the nursery next to the crib, even though she's still standing in the kitchen. She freezes, eyes locking on the screen, confused rather than instantly terrified. [0:06–0:09] Hard cut: extreme close up on the monitor screen the \\\"her\\\" inside the nursery slowly turns to face the camera on the screen, tilts its head unnaturally slow. Sharp static burst sound. [0:09–0:12] Cut back to her in the kitchen, breathing faster now, she looks up from the monitor toward the dark hallway leading to the nursery, torn between checking and staying frozen in place. [0:12–0:15] She takes one slow step toward the hallway, camera pushing in tight on her face, hallway light flickers once she doesn't move again. Sound cuts to complete silence. Fade to black. Style: restrained psychological horror, no jump-scare overload, no gore, no visible monster dread built through wrongness and implication, believable naturalistic acting. Constraints: consistent character appearance and setting throughout, the \\\"double\\\" on the monitor stays ambiguous and unexplained, no distorted anatomy, no text overlays, tension escalates through pacing rather than shock.", "description": "", "author": "BMX", "authorUrl": "https://x.com/bmx_ai13", "sourceUrl": "https://x.com/bmx_ai13/status/2072809793429876745" }, { "id": "seedance-96", "title": "POV Suspense Anime Chase", "category": "talking-head", "prompt": "[Main Character] = Girl with black hair\n[Target/Subject] = White cat\n[Setting] = Inside a large, dark house with suspenseful elements\n\n[Video Style]\n15 seconds. Japanese full-color anime. High-density 2D animation with a 500 million yen budget feel. Fast cuts, strong low angles, rapid push-ins, lateral tracking, match cuts. No subtitles, no watermarks, with BGM. Sounds include footsteps, breathing, rustling clothes, ambient noise, and one short final phrase.\n\n[Visual Composition]\nSubjective POV camera of the [Target/Subject], being chased by the [Main Character]. Instead of a normal chase, the [Main Character] doesn't just run but gets ahead of the camera. An [Abnormal Gimmick] connects all shots, and finally, the [Main Character] wins quietly close to the lens.\n\n[Shot 1: 2-Second Hook]\nLow POV. Starts from the floor of the [Setting]. Only the feet of the [Main Character] enter the edge of the frame. An [Abnormal Gimmick] crosses the foreground for a moment.\n\n[Shot 2: Escape Starts]\n[Target/Subject] suddenly retreats to flee. The camera slides near the floor with slight handheld shakiness. Footsteps speed up.\n\n[Shot 3: Getting Ahead]\nAs soon as turning a corner, the [Main Character] is already standing in the middle of a distant hallway. The camera stops for a moment then escapes to the side.\n\n[Shot 4: Under Obstacles]\nPassing through low gaps like tables, sofas, or handrails. The [Abnormal Gimmick] glows deep in the gap, indicating the pursuit direction.\n\n[Shot 5: High Angle Bird's Eye]\nHigh-speed cut from directly above. Shows the escape route of the [Target/Subject].\n\n[Shot 6: Moment of Relief]\n[Target/Subject] hides behind an object. Sound cuts out. Camera is fixed, only the back of the screen quietly darkens.\n\n[Shot 7: Discovery]\nFocus shifts from foreground to background, where the [Main Character] is located. The [Main Character] doesn't move much, just looks here with their eyes.\n\n[Shot 8: Final Word]\nRapid close-up. The [Main Character] says 'Found you♪' in a short, cute voice very close to the lens. The final frame is a still image with a smile.", "description": "", "author": "妖精アーヤさん", "authorUrl": "https://x.com/aiehon_aya", "sourceUrl": "https://x.com/aiehon_aya/status/2072802497719328958" }, { "id": "seedance-97", "title": "Prestige Horror Hallway Cinematic Video", "category": "nature-drone", "prompt": "15 seconds, 16:9 cinematic, single continuous slow tracking shot down a hallway, deliberately unhurried, minimal camera movement, no cuts. Global setup: Prestige horror film aesthetic, inspired by slow burn atmospheric horror cinematography. Desaturated cold color grade, deep shadows, single flickering practical light source. Setting: a narrow old house hallway at night, peeling wallpaper, a single bare bulb flickering overhead, doors lining both sides one door at the far end slightly ajar. Subject: unseen presence implied through environmental cues rather than a visible monster. Ambient sound: low ambient drone, distant creaking floorboards, faint static like whisper just below intelligibility, single deep bass hit at the midpoint. [0:00–0:03] Camera drifts slowly forward down the hallway at eye level, bulb overhead flickers once, shadows shift subtly along the walls. Near-silence except low ambient drone. [0:03–0:06] Camera continues its slow push forward, the far door at the end of the hallway creaks open another few inches on its own, no visible cause. Floorboard creak sound, off screen. [0:06–0:09] Camera pauses briefly a faint, barely visible shadow-shape passes across the doorway at the end of the hall for less than a second, gone before it can be clearly seen. Sudden deep bass hit. [0:09–0:12] Camera resumes its slow advance, bulb flickers more rapidly now, temperature-shift visual cue (faint breath-like mist briefly visible in the cold air). Whisper-like static rises faintly under the drone. [0:12–0:15] Camera reaches the end of the hallway, the door slowly swings fully open on its own to reveal only darkness beyond no figure shown, just an oppressive void. Sound cuts to complete silence for the final beat. Fade to black. Style: restrained atmospheric horror, no jump-scare quick cuts, no gore, no explicit visible monster or figure dread built through suggestion, lighting, and sound design. Constraints: consistent environment and lighting logic throughout, physically plausible camera movement, no distorted anatomy or figures, no text overlays, tension built through pacing and sound rather than shock imagery.", "description": "", "author": "BMX", "authorUrl": "https://x.com/bmx_ai13", "sourceUrl": "https://x.com/bmx_ai13/status/2072784414539723200" }, { "id": "seedance-98", "title": "Ultra-Realistic Quebec City MiniDV Style Video", "category": "ugc", "prompt": "Woman in Quebec city! Ultra-realistic! Visual Style: Ultra-realistic documentary realism. Genuine candid behavior. Natural body language. Unscripted slice-of-life feeling. Strong environmental authenticity. Rich real-world stone, cobblestone, and wrought-iron detail with believable human motion. Camera Style: Early-2000s consumer DV camcorder aesthetic. Friend casually recording everyday moments. handheld shake, imperfect framing, exposure pumping when moving between sun and shade, mild digital compression artifacts, faded colors, soft contrast, slight sensor noise. No stabilization. No cinematic camera moves. No modern color grading.", "description": "", "author": "ằndre", "authorUrl": "https://x.com/andreInVan", "sourceUrl": "https://x.com/andreInVan/status/2072772381026721843" }, { "id": "seedance-99", "title": "Convenience Store Raccoon and Pug Comedy", "category": "talking-head", "prompt": "15-second ultra-realistic comedy short, photorealistic live-action style, harsh fluorescent store lighting with neon spill, high detail fur and whiskers, realistic physics, smooth motion, cinematic camera work, funny animal voices with expressive faces. Setting: a small 24-hour convenience store at night, fluorescent overhead lighting mixed with neon window signs glowing outside, cramped snack aisles, a humming drink fridge, a counter with a lottery display, light rain visible through the glass storefront. Dialogue (spoken naturally with funny voices): Ziggy (smooth con-man voice): \\\"Evening, officer. Lovely fluorescents tonight.\\\" Sarge (gravelly, suspicious): \\\"Paws where I can see 'em.\\\" Ziggy (offended): \\\"This? I'm just holding it.\\\" Sarge (barking into radio): \\\"10-31! DONUT DOWN!\\\" Deb (flat monotone): \\\"Not my problem.\\\" Shot-by-shot timing: [0-3s] Low tracking shot down a snack aisle: a plump grey raccoon with a black bandit mask marking, wearing a tiny open Hawaiian shirt, with remarkably dexterous little black hands, strolls casually while one hand — behind his back — juggles a glazed donut. He nods at the camera: \\\"Evening, officer. Lovely fluorescents tonight.\\\" [3-6s] Whip-pan to a stocky fawn-colored pug with a black wrinkled face, wearing a tiny navy-blue security vest with a gold \\\"SECURITY\\\" badge and a small utility belt with a mini flashlight, standing at the end of the aisle, flashlight beam hitting Ziggy's face like an interrogation lamp. Sarge growls: \\\"Paws where I can see 'em.\\\" [6-9s] Close-up: Ziggy slowly raises both empty hands — while his tail, curled behind him, is visibly holding the donut. He says, deeply offended: \\\"This? I'm just holding it.\\\" [9-12s] The donut slips off the tail, rolls down the aisle in a perfect line like a wheel, realistic wobble physics. Both animals watch it, frozen. Then Sarge scrambles after it, tiny legs sliding on polished floor, barking into a shoulder radio: \\\"10-31! DONUT DOWN!\\\" [12-14s] Quick cutaway: a scruffy grey Virginia opossum wearing a red employee vest with a crooked name tag reading \\\"DEB\\\" watches the donut roll past the counter, deadpan, and says: \\\"Not my problem.\\\" The donut rolls out the automatic door into the rain. [14-15s] Freeze-frame hero shot: Sarge and Ziggy side by side at the open door, both staring into the rain at the lost donut, equally devastated. Text overlay optional: \\\"Nobody won tonight.\\\" Global style: Extremely realistic fur, whisker, and skin details, harsh fluorescent store lighting with soft neon spill from window signs, realistic reflections on the polished floor and fridge glass, subtle dust particles in light beams, flawless physics for all objects, highly expressive animal faces, comedic timing, 4K photoreal quality, no deformities.", "description": "", "author": "Pan", "authorUrl": "https://x.com/sebatheepan", "sourceUrl": "https://x.com/sebatheepan/status/2072771850334073196" }, { "id": "seedance-100", "title": "Miniature Bakery Pancake Tower", "category": "product-ad", "prompt": "A cinematic 10-second macro video inside a miniature bakery world built around a towering stack of fluffy golden pancakes covered with flowing honey, fresh strawberries, blueberries, mint leaves and powdered sugar. Tiny chefs continuously work without stopping, each performing a unique task. The camera movement is one continuous shot with no jump cuts or abrupt transitions.\n\nThe video opens with a smooth cinematic push-in from a medium-wide macro view toward the pancake tower. As the camera approaches, warm honey slowly drips over the pancakes while one chef pours fresh honey from a tiny bucket. The camera continues its forward movement and naturally begins a gentle clockwise orbit around the stack.\n\nWithout cutting, the orbit becomes faster as the camera glides past a chef carefully placing blueberries onto the honey-covered pancakes. Continuing the same motion path, the camera swoops slightly downward and circles upward to reveal another chef arranging sliced strawberries and fresh mint leaves on the top pancake.\n\nThe camera flows seamlessly toward the opposite side of the stack, passing close beside dripping honey before revealing a chef sweeping spilled powdered sugar from the tabletop. Maintaining the same continuous movement, the camera performs a dramatic low FPV fly-through between scattered berries and miniature tools, passing a chef pushing a wooden cart loaded with fresh strawberries and blueberries.\n\nThe movement rises smoothly into a higher orbit, revealing another chef dusting powdered sugar from a ladder while honey glistens under warm golden light. The camera continues its uninterrupted circular flight, weaving naturally between ladders, scaffolding and workers, creating beautiful parallax while every chef remains busy with their own task.\n\nFor the final seconds the orbit widens into a spectacular cinematic 360-degree hero shot around the completed pancake tower. Honey cascades down every layer, berries shine with fresh moisture, powdered sugar floats through the air, all miniature chefs continue working simultaneously, warm bakery atmosphere, shallow depth of field, macro photography, volumetric lighting, smooth FPV drone movement, elegant speed ramps, cinematic motion blur, ultra-realistic textures, premium food commercial quality, seamless continuous camera movement, no cuts, no text, no logos, 9:16.", "description": "", "author": "Natai", "authorUrl": "https://x.com/masterai13", "sourceUrl": "https://x.com/masterai13/status/2072767858963099919" }, { "id": "seedance-101", "title": "Industrial Surrealism Dream Factory", "category": "nature-drone", "prompt": "A gigantic abandoned factory stretches into darkness, filled with conveyor belts, rusted machines, hanging cables, and thousands of glass jars containing glowing fragments of dreams. The lighting is industrial green and sickly amber, with steam leaking from old pipes.\n\nOpening frame: slow dolly through the factory floor. Machines are still moving even though no workers are present. Conveyor belts carry strange objects: a child’s red shoe, a miniature moon, a burning letter, a tiny sleeping city inside a jar.\n\nAt the 2-second mark, one glass jar cracks.\n\nA dream escapes.\n\nIt leaks into the air as glowing vapor, forming a floating doorway to an impossible childhood bedroom. Then more jars begin cracking across the factory. Dreams spill out everywhere ,oceans flooding metal floors, birds made of paper flying through sparks, giant hands pressing against the walls from the other side of sleep.\n\nThe camera follows the escaped dream vapor as it moves through the machinery. Every machine transforms what it touches: gears grind memories into dust, pistons compress nightmares into black cubes, conveyor belts stretch into infinite roads.\n\nVFX escalation: the entire factory begins producing dreams uncontrollably. Machines speed up, sparks become stars, smoke becomes human faces, and the ceiling opens into a vast sleeping sky.\n\nVelocity ramp: a glass jar explodes in slow motion, releasing a miniature storm containing a full city inside it.\n\nFinal moment: the camera reaches the central machine , a giant mechanical heart pumping blue light ,and all dreams collapse into it at once, causing the factory to blink like an eye.\n\nIndustrial surrealism, dream manufacturing, glowing vapor simulations, mechanical poetry, rust textures, cinematic darkness, 4K.", "description": "", "author": "LudovicCreator", "authorUrl": "https://x.com/LudovicCreator", "sourceUrl": "https://x.com/LudovicCreator/status/2072742121673494808" }, { "id": "seedance-102", "title": "Luxury Macro Transformation Sequence", "category": "product-ad", "prompt": "Use @ Image as storyboard reference for cinematic sequence. use as first shot 01\n\nA 15-second cinematic macro transformation sequence transitioning through all 9 storyboard panels in strict order. Visual style: luxury macro commercial,", "description": "", "author": "Viki", "authorUrl": "https://x.com/churvikv", "sourceUrl": "https://x.com/churvikv/status/2072736099026260351" }, { "id": "seedance-103", "title": "Stop-Motion Burlap Animation", "category": "animation", "prompt": "5 shots, 10 seconds, 16:9, 1080p. Handcrafted stop-motion animation style, everything made of burlap, felt, yarn and stitched fabric, visible textile weave and stitching, tactile miniature-set aesthetic, cinematic lighting, shallow depth of field, subtle film", "description": "", "author": "Magnific", "authorUrl": "https://x.com/magnific", "sourceUrl": "https://x.com/magnific/status/2072731418527170995" }, { "id": "seedance-104", "title": "1980s Tokyo Bubble Era VHS Video Prompt", "category": "talking-head", "prompt": "Main subject: a beautiful young Japanese woman, early 20s, delicate pretty features, sleek glossy black hair, long and smooth with soft side-swept bangs (NOT permed, NOT frizzy), tasteful natural makeup. 1980s Tokyo street fashion — a bright oversized blazer over a high-waisted skirt, gold hoop earrings, charming warm expression. Maintain the exact same identity, hairstyle, and outfit throughout.\n\nVisual Style: authentic 1980s VHS home-video look — heavy tape grain, visible scanlines, chromatic color bleeding, blooming highlights, warm faded nostalgic colors, a small on-screen date stamp in the corner, occasional soft tracking wobble. Strong retro-vintage feeling.\n\nCamera Style: 1980s camcorder held by a friend, MOSTLY STEADY with only a gentle natural float — light sway, no violent shaking, no fast whip movements. Slow casual reframing.\n\nFIRST HALF — DAYTIME (bustling bubble-era Tokyo streets):\n00:00–00:02 A busy 1980s Shibuya daytime street. She walks toward the camera through period pedestrians, boxy cars and hand-painted shop signs behind her, smiling. HARD CUT.\n00:02–00:04 Outside a record shop, she flips through vinyl records, then grabs a canned drink from a retro vending machine. HARD CUT.\n00:04–00:06 A quiet Showa backstreet with potted plants and a pay phone; she crouches to pet a stray cat. HARD CUT.\n00:06–00:08 A wide crosswalk under an elevated train line, city-pop energy, she waits and glances at the camera. HARD CUT.\n\nSECOND HALF — NIGHT (dazzling Shinjuku / Roppongi neon):\n00:08–00:10 A neon-drenched Shinjuku Kabukicho alley, glowing kanji signboards everywhere, she walks looking up at the bright lights. HARD CUT.\n00:10–00:12 A Roppongi crossing at night, dazzling neon, taxis passing, she laughs toward the camera as light reflections wash over her face. HARD CUT.\n00:12–00:13 Close shot under a huge glowing neon sign, colorful light on her face. HARD CUT.\n00:13–00:15 She walks away down a vibrant neon street, glances back with a small warm smile, then the recording cuts to VHS static and black.\n\nEnvironment details throughout: retro vending machines, glowing neon kanji signboards, pay phones, boxy 1980s taxis and kei cars, elevated trains, arcade lights, izakaya paper lanterns, dense overhead wires — nostalgic bubble-era Tokyo.\n\nAudio: natural ambient only — city crowd, passing trains, traffic, arcade beeps, faint 1980s city-pop drifting from a storefront, footsteps. No narration, no added soundtrack.\n\nGoal: a beautiful, nostalgic 1980s Tokyo day-to-night street video that feels like a treasured VHS home movie from Japan's bubble era.", "description": "", "author": "Yuhoo Gang🦭", "authorUrl": "https://x.com/YuhooGang_KR", "sourceUrl": "https://x.com/YuhooGang_KR/status/2072712424780956077" }, { "id": "seedance-105", "title": "Candid Cat Cafe Documentary", "category": "talking-head", "prompt": "@ Image 1 is the reference — keep her exact face, glasses, hair, white cable-knit sweater vest with navy V-trim, black leather mini skirt, shoulder bag and thigh-high boots throughout. Style & Mood: raw handheld documentary mood film inside a cozy cat cafe, warm afternoon window light, alive candid energy, real film grain, feels like a friend filming her across the table. Narrative Summary: a young woman drinks coffee in a cat cafe, laughing as cats wander around her. Dynamic Description: shaky handheld camera sits across the small wooden table as she wraps both hands around a latte cup and takes a sip, foam touching her lip so she giggles and wipes it; a fluffy tabby cat jumps onto the bench beside her and she bursts out laughing, petting its head between sips; another cat paws at her sleeve and she leans back laughing, holding the cup high out of reach. Static Description: cozy cat cafe interior with wooden tables, cat trees and shelves, sleeping cats on cushions, big sunny window, plants and warm bokeh. Camera: constant organic handheld shake and micro-jitters, imperfect reframing, slight focus hunting between her face, the cup and the cats, whip to the cat when it jumps up — no tripod stability anywhere. Audio: NO MUSIC — only cafe ambience, cup clinks on saucer, her genuine laughter and giggles, cat purring and soft meows, quiet chatter in the background. Continuous take feel, consistent character, natural spontaneous motion, cinematic quality.", "description": "", "author": "Generator", "authorUrl": "https://x.com/groovestreetgen", "sourceUrl": "https://x.com/groovestreetgen/status/2072697831467675784" }, { "id": "seedance-106", "title": "Epic Anime Dragon Rider Battle", "category": "nature-drone", "prompt": "A fearless dragon rider with piercing blue eyes, flowing red scarf and lightweight fantasy armor, mounted on a colossal sapphire dragon, rendered in ultra-premium Japanese anime rendering, MAPPA-inspired sakuga, sharp manga linework, vibrant cel shading, dynamic motion smears and cinematic anime lighting + \n- Dives through thunderclouds above a kingdom besieged by thousands of flying wyverns, camera racing alongside the dragon's wings while lightning illuminates the battlefield below; \n- Dragon tears through enemy creatures while the rider jumps between airborne monsters, dual blades flashing through the sky, impossible aerial combat unfolding through orbit shots and speed-line transitions; \n- Dragon and rider combine for a final spiral dive attack, creating a gigantic vortex shockwave that annihilates the entire invading swarm, ending with the kingdom saved beneath golden sunlight while the dragon roars victoriously above the clouds\nHeroic fantasy anime masterpiece, airborne sakuga combat, breathtaking final payoff.", "description": "", "author": "Pierrick Chevallier | IA", "authorUrl": "https://x.com/CharaspowerAI", "sourceUrl": "https://x.com/CharaspowerAI/status/2072696836033233178" }, { "id": "seedance-107", "title": "Retro VHS Elevator CCTV Style", "category": "product-ad", "prompt": "Generate a 9:16 vertical screen retro surveillance video, 15 seconds long (first-person handheld perspective from a mobile phone, mixed with VHS tape damage). The footage must look like a low-res video recorded on a handheld phone in a dim, old elevator, later copied to VHS and played repeatedly, causing heavy damage. No TV frames, no CRT borders, no filming a TV screen; only the full recording itself. The scene is a dim elevator lobby; the doors open, ad screens flicker, and fluorescent lights buzz. Handheld 1st person POV with natural jitter, seeing only my own feet, pants, and hands. Adult Asian female lead (alluring OL, wearing asset HL8o-CobkAAt5LL: alluring figure, tempting gaze, teasing smile, siren pose, slow hip sway) maintains a beautiful, ambiguous smile. Doors open, she pulls me: 'Come in...' I hesitate. A 2D secretary from the ad screen (asset cloudclone28_...) jumps out: 'Master, don't go in!' They argue and scuffle. Timeline: 0-4s wide shot of door opening, siren pose. 4-6s 2D secretary jumps out. 6-9s Lead turns furious, pulls out a chainsaw and a giant hammer to fight. 9-12s I rush in, elevator alarms for overweight. 12-15s Ending: Lead realizes her mistake, apologizes awkwardly; 2D secretary laughs: 'Fatty! I knew you were overweight!' I retreat sweating. Subtitle: 'They didn't want him to stay, the elevator just couldn't close.' Heavy screen tearing and noise. [Lighting] Flickering fluorescent mixed with ad screen light, overexposed character highlights. [Quality] Handheld jitter, focus hunting, low frame rate, VHS scan lines, snow, color crosstalk, analog instability. [Camera] No cinematic moves, only handheld shake and signal drift. [Sound] Muffled microphone audio, whispers, shouting, scuffling, alarm, heavy impacts, distorted like compressed surveillance audio. [Negative] No TV frame, no high def, no modern digital texture, no fish-eye, no realistic 2D character transformation.", "description": "", "author": "John", "authorUrl": "https://x.com/john87445528", "sourceUrl": "https://x.com/john87445528/status/2072687882536382778" }, { "id": "seedance-108", "title": "Indian Girl Rooftop Rain", "category": "cinematic", "prompt": "Generate a realistic 5-second cinematic video.\n\nUse the provided first frame reference image as the visual reference for the character, rooftop, outfit, clothesline, lighting, and overall scene.\n\nScene:\nAn Indian girl is on a rooftop during the rain, quickly picking up clothes that were left to dry on a wire. She looks slightly rushed because it is raining and she is trying to save the clothes from getting wetter. She reaches toward the clothesline, grabs one or two pieces of clothing, pulls them off the wire, gathers them in her arms, and looks focused while moving naturally.\n\nAction timing:\n0-1 second:\nShe stands near the clothesline on the rooftop in the rain, reaching toward the hanging clothes.\n1-3 seconds:\nShe quickly removes clothes from the wire, one after another, with natural hurried movements.\n3-5 seconds:\nShe gathers the clothes in her arms and continues pulling down the remaining item, looking mildly urgent because of the rain.\n\nCamera:\nSingle continuous shot. Medium-wide framing. Slightly cinematic and stable. No cuts.\n\nEnvironment:\nTypical Indian rooftop, cloudy sky, visible rainfall, damp concrete floor, nearby houses or buildings visible in the background, realistic wet atmosphere.\n\nPerformance:\nShe should feel natural, focused, and slightly hurried. Not overdramatic. Just a realistic reaction to unexpected rain while collecting drying clothes.\n\nStyle:\nRealistic, cinematic, natural daylight, believable rain, smooth body movement, authentic Indian setting.\n\nImportant constraints:\n- Keep the same girl identity and outfit as the reference image\n- Keep the same rooftop environment\n- Clothes should be hanging on a wire\n- It must be raining throughout the video\n- Her action should clearly be picking up clothes from the rooftop clothesline\n- No extra people\n- No subtitles\n- No text on screen\n- No distorted hands or limbs\n- No scene cuts", "description": "", "author": "An Nayal", "authorUrl": "https://x.com/consumerxai", "sourceUrl": "https://x.com/consumerxai/status/2072667049818521687" }, { "id": "seedance-109", "title": "Japanese Shitamachi Neighborhood Slice-of-Life", "category": "ugc", "prompt": "SUBJECT : Young Japanese woman, early 20s, natural refined everyday look. Oversized cream cardigan over a white tee, wide-leg light denim, plain leather loafers, hair in a low loose ponytail with a few soft strands framing her face. Minimal makeup, realistic skin, calm and warm reflective presence. Keep her identity, clothing, and hair consistent all the way through.\nSETTING: A quiet Japanese shitamachi neighborhood, soft overcast late afternoon. Narrow lanes\nbetween low houses, potted plants along the doorsteps, a small canal with a low\nfootbridge, power lines overhead, a parked mamachari, a quiet corner shrine, a red\nmailbox on the corner. Lived-in and peaceful — no stores, no crowds, no tourists.\nLOOK: Cinematic slice-of-life vlog. Composed, intentional framing, quiet and observational.\nSoft muted natural tones, cool and gentle, realistic skin. Shallow depth of field,\nfine film grain, soft natural light. Smooth cinematic camera movement throughout —\ncalm, unhurried, letting each moment breathe.\nSEQUENCE: [0–3s]\nShe rides a mamachari slowly down the quiet lane, cardigan and loose strands drifting\nin the breeze. The camera travels beside her, power lines sliding past overhead.\nsound: soft bicycle wheels / distant cicadas / gentle wind / faint neighborhood ambience\n[3–5s]\nShe stops at the low footbridge over the canal, rests her arms on the railing, and\ngazes down at the still water. The camera moves gently toward her and past her shoulder\nto the water.\nsound: quiet water / cicadas / a faraway train / soft wind\n[5–8s]\nShe sits on the shrine steps, opens a small notebook, and writes something slowly,\npausing to think. The camera moves evenly around her, focus soft on her hands then\nher face.\nsound: pen on paper / cicadas softening / wind through leaves / distant wind chime\n[8–11s]\nShe crouches by a doorway and gently lifts a red furin wind chime, watching it turn.\nThe camera rises slowly from the chime up to her face.\nsound: single clear furin chime / soft breeze / cicadas / faint chatter\n[11–13s]\nShe walks along the lane holding a cold canned tea, the red mailbox passing softly\nbehind her. The camera moves ahead of her at an even pace, keeping her centered.\nsound: unhurried footsteps / cicadas / distant bicycle bell / wind\n[13–15s]\nShe reaches a quiet stone stairway, climbs the first steps, and glances back over her\nshoulder with a small calm smile before continuing up into the softening light.\nsound: footsteps on stone / cicadas / soft wind / slow fade\nAUDIO: Natural ambient only — summer cicadas, quiet canal water, a distant train, wind through\nthe power lines, a single furin chime, unhurried footsteps, faint neighborhood ambience.\nFEEL: A serene, composed afternoon in a quiet Japanese neighborhood — smooth, warm in feeling\nbut cool in tone, an unhurried and beautiful slice of everyday life.", "description": "", "author": "DStudioproject", "authorUrl": "https://x.com/D_studioproject", "sourceUrl": "https://x.com/D_studioproject/status/2072630505439433179" }, { "id": "seedance-110", "title": "Argentina Fan World Cup Celebration", "category": "nature-drone", "prompt": "Reference Character: Use the exact woman from the reference image. Same face, same hairstyle, same Argentina #10 jersey, same earrings, same youthful appearance. Preserve identity consistency throughout the entire video. Scene: FIFA World Cup Final atmosphere. Night match. Fully packed stadium with 80,000+ Argentina fans. Giant flags waving everywhere. Stadium lights glowing. Blue-and-white confetti ready to explode. Ultra-cinematic realism. Audio Design: Authentic stadium ambience, crowd chants, football kicks, commentator voice, whistles, roaring fans, drums. \n\n0s–3s Extreme wide aerial stadium shot. Argentina attacks the penalty area. Crowd standing nervously. Camera flies through thousands of waving Argentina flags. Loud crowd chanting: \"Argentina! Argentina!\" Football passing sounds. Commentator: \"Argentina building up here...\" \n\n3s–6s Cut to medium close-up of the woman. She is sitting in the stands holding an Argentina flag. Beautiful nervous smile. Hair moving naturally in the stadium wind. Slow cinematic push-in. Crowd noise rising. Commentator: \"Messi... finds space...\" \n\n6s–9s POV angle from her eyes toward the pitch. Striker receives the ball. Loud football kick sound. Fast zoom toward goal. Crowd gasps. Commentator screaming: \"SHOOOTS!\" \n\n9s–12s Goal scored. Net ripples dramatically. Massive stadium eruption. Camera shake from crowd reaction. Fireworks begin. Commentator screaming: \"GOOOOOOOOOAAAAAL ARGENTINAAAAAA!\" Huge roar. \n\n12s–15s Close-up of her face. Her eyes widen. Instant pure joy. She jumps from her seat. Huge genuine smile. Hair flying. Flags waving around her. Slow motion mixed with real-time speed ramp. Confetti explodes behind her.\n\nPart 2 Prompt: \nContinue with the same woman and same stadium. Increase excitement level dramatically.\n\n15s–18s Low-angle hero shot. She raises both hands high. Argentina flags everywhere. Thousands of fans jumping. Camera rotates around her 360°. Crowd screaming. Drums beating. \n\n18s–21s Ultra close-up. Beautiful laughing smile. She shouts: \"Vamos Argentina!\" Face glowing under stadium lights. Confetti falling in foreground. Shallow depth of field. \n\n21s–24s Fast handheld fan-perspective shot. She hugs nearby supporters. Everyone celebrating wildly. Flags covering the frame. Commentator: \"What a moment for Argentina!\" Massive crowd roar. \n\n24s–27s Cinematic drone shot. Entire stadium illuminated. Blue-and-white fireworks. Camera rapidly dives from the sky toward her section. Fans bouncing in unison. Chants echoing throughout the arena. \n\n27s–30s Epic final sequence. Alternating shots every second: Front close-up smile Side profile cheering Flag waving overhead Laughing with crowd Looking toward the pitch Slow-motion victory moment Final frame: She raises the Argentina flag high above her head. Huge radiant smile. Confetti storm. Fireworks filling the sky. Commentator screaming: \"Argentina fans will remember this forever!\" Crowd chant fades out: \"Ole Ol\"", "description": "", "author": "auqib", "authorUrl": "https://x.com/auqibhabib", "sourceUrl": "https://x.com/auqibhabib/status/2072627734451507371" }, { "id": "seedance-111", "title": "Pixar Style Erling Haaland Animation", "category": "action", "prompt": "A detailed, 3D Pixar-style animation featuring an exaggerated, baby-faced caricature of football star Erling Haaland with a prominent blonde mullet and chubby, rosy cheeks. Wearing a bright red Norway national team jersey with white and blue trim, he confidently strides out of a dark stadium tunnel onto a vibrant, sunlit pitch. Surrounded by a roaring crowd and flashing cameras from press photographers, he looks directly into the lens, making comical, dramatic pouty faces and flashing a two-finger peace sign. The scene cuts to a high-energy match where he dynamically sprints down the field in shiny golden cleats, tightly controlling a star-patterned soccer ball while swiftly dodging defenders under bright stadium floodlights amidst falling confetti.", "description": "", "author": "Sairah", "authorUrl": "https://x.com/Sairah_0", "sourceUrl": "https://x.com/Sairah_0/status/2072626102263230494" }, { "id": "seedance-112", "title": "Surreal Mirror Lake Temporal Cinema", "category": "nature-drone", "prompt": "A vast mirror-like lake sits in the middle of a silent mountain valley at dawn. The water is perfectly reflective, showing not the sky above but alternate versions of the landscape: cities that do not exist, forests that have not grown yet, ruins from futures that may never happen.\n\nOpening frame: slow aerial descent toward the lake surface. Mist moves gently across the water. The real mountains above are cold and grey, but their reflection is filled with impossible golden architecture.\n\nAt the 2-second mark, the reflection moves before the real world does.\n\nA future version of a person appears under the water, walking upside down beneath the surface. Then dozens of future selves appear ,older, younger, wounded, joyful, faceless , all moving in different directions beneath the lake.\n\nThe camera descends through the water surface without a splash, entering the reflected world. Underwater, there is no water ,only an inverted valley where time flows in visible currents. Memories fall from the sky like leaves. Roads grow out of people’s shadows. Mountains slowly turn into buildings, then back into mountains.\n\nVFX escalation: the different futures begin colliding. A futuristic city rises through an ancient forest. A ruined bridge repairs itself while simultaneously collapsing. The lake surface above fractures like glass, revealing the real world watching from the other side.\n\nVelocity ramp: a future self reaches toward the camera ,time slows as their hand breaks into thousands of reflective shards, each shard showing a different life.\n\nFinal moment: the camera rises back above the lake. The surface is still again. Only one word appears as ripples across the water: CHOOSE.\n\nExperimental time-reflection cinema, mirror water physics, alternate futures, surreal temporal landscapes, dawn mist, cinematic poetry, 4K.", "description": "", "author": "LudovicCreator", "authorUrl": "https://x.com/LudovicCreator", "sourceUrl": "https://x.com/LudovicCreator/status/2072621333221986541" }, { "id": "seedance-113", "title": "Street Musician Magical Realism Film", "category": "talking-head", "prompt": "15 second cinematic video, 16:9 aspect ratio. Single continuous handheld POV shot with smooth dreamlike transitions and no hard cuts. A surreal magical realism street performance film set in a quiet cobblestone city square at dusk. Soft anamorphic lens, subtle lens flare, slow handheld drift, shallow depth of field, warm painterly color grade. String lights hang overhead, with a few scattered onlookers nearby. An older street musician in a weathered coat sits on a wooden crate, playing a violin. His appearance, clothing, hands, and violin remain consistent and realistic throughout. As he plays, the weather and light around him subtly respond to the music, impossible but treated as completely natural. Ambient sound: emotional live violin melody, distant city hum, gentle wind. 0:00–0:03 He draws the bow across the strings, eyes closed, fully absorbed. As the first note rings out, a single leaf detaches from a nearby tree and slowly drifts upward instead of down, catching the streetlight. The camera slowly pushes in toward his face. 0:03–0:06 The music quickens. Soft ripples of wind swirl around his feet, gently lifting loose papers and flower petals from a nearby cart into a slow spiral above the crowd. Onlookers watch with quiet delight, not fear. The camera smoothly pans across their faces. 0:06–0:09 He plays a soaring high note. The streetlights above dim and flicker, then bloom into a soft shower of glowing ember-like particles drifting like fireflies. A child reaches up to touch one, and it dissolves into light. The camera slowly dollies around the musician. 0:09–0:12 The melody slows. The petals and glowing embers gently settle. For a brief moment, light rain begins to fall upward, evaporating into mist just above head height and catching the last orange light of dusk. The camera pulls back into a wider view. 0:12–0:15 He finishes the final note and opens his eyes. Everything returns to stillness, becoming an ordinary square again. He smiles faintly, bows his head, and his open violin case rests at his feet for tips. Fade to black. Style notes: grounded human performance, subtle atmospheric magic, no CGI heavy spectacle, warm cinematic realism, physically plausible handheld camera movement, no distorted hands, no broken violin anatomy, no text overlays. Audio: soft emotional violin music, gentle city ambience, light wind. No vocals, no dialogue, no lyrics.", "description": "", "author": "BMX", "authorUrl": "https://x.com/bmx_ai13", "sourceUrl": "https://x.com/bmx_ai13/status/2072618029892977135" }, { "id": "seedance-114", "title": "Red Haired Surfer Commercial Shot", "category": "product-ad", "prompt": "Cinematic commercial wide shot, a determined young woman with vibrant red hair surfing on a powerful, perfectly barrel-shaped blue wave. She is riding a classic vintage-style longboard with bold orange and blue racing stripes. Photorealistic, 8k, professional color grading, GoPro-style dynamic tracking, crisp water spray, intense focus on the surfer's expression, highly detailed skin texture and hair motion, bright natural sunlit ocean background.", "description": "", "author": "zayan", "authorUrl": "https://x.com/HustleXR", "sourceUrl": "https://x.com/HustleXR/status/2072592785564189123" }, { "id": "seedance-115", "title": "Mall Cafe Panoramic Shot", "category": "general", "prompt": "A man in a brown t-shirt and glasses sitting at a mall café table with an iced coffee. The camera smoothly pans 360 degrees around the modern indoor mall background, showing shops and plants, before returning to him smiling.", "description": "", "author": "𝕏ake Peralta", "authorUrl": "https://x.com/suchatilter", "sourceUrl": "https://x.com/suchatilter/status/2072590687330000972" }, { "id": "seedance-116", "title": "Consistent Female Character Animation", "category": "general", "prompt": "Use the attached storyboard as the exact visual reference for every shot.\n\nMaintain the exact appearance of the same main character throughout the entire video.\n\nMAIN CHARACTER\n\nA beautiful Indonesian Gen Z girl, 20 years old.\n\nLong dark brown hair.\n\nNatural makeup.", "description": "", "author": "By", "authorUrl": "https://x.com/rhodezio_ai", "sourceUrl": "https://x.com/rhodezio_ai/status/2072578985159213361" }, { "id": "seedance-117", "title": "Surreal Apartment Forest Transformation", "category": "action", "prompt": "15 seconds 16:9 cinematic, single continuous handheld POV with slow dreamlike pacing, smooth transitions between segments, no hard cuts. Global setup: Surreal magical realism short film. Soft 35mm film lens with gentle grain, slow handheld drift, shallow depth of field. Muted dawn lighting that gradually shifts to golden and green as the scene progresses. Setting: a small minimalist apartment that is slowly, impossibly overtaken by an indoor forest moss creeping up walls, vines threading through bookshelves, shafts of forest light replacing lamp light. Subject: a woman in her 20s, oversized sweater, bare feet, calm and curious rather than afraid. Ambient sound: quiet room tone shifting into birdsong, wind through leaves, and a distant soft piano. [0:00–0:03] She wakes and sits up in bed, rubs her eyes behind her, the wall above the headboard is already faintly textured with creeping moss she hasn't noticed yet. Slow push-in. [0:03–0:06] She walks toward the kitchen; with each step, small ferns unfurl along the floorboards behind her, invisible to her but visible to camera. She reaches for a coffee cup, pauses, tilts her head as if she heard something. Smooth pan. [0:06–0:09] She turns toward the window sunlight pours through as thin birch trees now stand where the window frame used to be, leaves rustling gently indoors. She reaches out and touches a leaf, genuinely amazed. Slow dolly forward. [0:09–0:12] She walks further into her own living room, now half-transformed into a sunlit grove, bookshelves wrapped in vines, a small bird lands on the armrest of her couch. She smiles, unafraid, sits down among the roots growing through the floor. [0:12–0:15] Wide reveal: the entire apartment has become a quiet indoor forest bathed in golden light, she leans back, closes her eyes, breathes deeply, completely at peace. Slow fade to soft white light. Style: painterly realism, warm cinematic color grade, soft magical atmosphere, no horror tone, no jump scares, believable naturalistic acting. Constraints: consistent character appearance and outfit throughout, smooth continuous transformation of environment (no abrupt cuts), no distorted anatomy, no text overlays, gentle pacing throughout.", "description": "", "author": "BMX", "authorUrl": "https://x.com/bmx_ai13", "sourceUrl": "https://x.com/bmx_ai13/status/2072577512752771084" }, { "id": "seedance-118", "title": "Consistent Male Character Video", "category": "general", "prompt": "Use the attached storyboard as the visual reference. Keep the same young Indonesian man throughout the entire video. Around 20 years old, handsome, short black hair, warm tan skin, average athletic build, wearing an oversized white t-shirt, light blue jeans, white", "description": "", "author": "By", "authorUrl": "https://x.com/rhodezio_ai", "sourceUrl": "https://x.com/rhodezio_ai/status/2072566280930902394" }, { "id": "seedance-119", "title": "Retro Egyptian God Animation", "category": "talking-head", "prompt": "Hand-drawn detailed animation, retro 1980s OVA style. Ancient Egyptian royal palace interior, warm torchlight, carved stone pillars, gold ornaments, cinematic shadows. Dramatic 16:9 scene, expressive acting, smooth motion. No subtitles, no text, no logo, no watermark. English dialogue only. Deep powerful voices. Anubis: muscular jackal-headed god, arm rings, neck collar. Sobek: muscular crocodile-headed god with tail, arm rings. Pharaoh: human ruler, calm and commanding. Scene 1 — Strength Trial Inside the palace, Anubis and Sobek stand one meter apart, each holding a massive stone block overhead. Both strain with tense faces and shaking arms. The Pharaoh walks slowly in front of them, hands behind his back, observing. He says: “Only one of you may join me on the next mission. Only the strongest.” Scene 2 — Sobek’s Trick Sobek suddenly smirks. He glances sideways at Anubis while keeping his stone raised. His tail quietly stretches toward Anubis’s armpit. Anubis stays focused, staring forward. Scene 3 — Ticklish Close-Up Close-up of Sobek’s tail tip gently brushing Anubis’s armpit. Anubis tries to stay serious but begins suppressing deep laughter. Scene 4 — Anubis Breaks Close-up of Anubis struggling. His eyes squeeze shut, his grin grows wider, and his body trembles as Sobek keeps tickling him. He fights to keep the stone overhead. Scene 5 — Sobek Wins Anubis bursts into loud laughter, loses control, throws the stone behind him, hugs himself, and falls to the floor curled up laughing. Sobek stands proudly, still holding his stone overhead. Scene 6 — Final Judgment The Pharaoh nods to Sobek and says: “It seems you are the one.” Sobek stands victorious. Anubis remains on the floor, still giggling.", "description": "", "author": "Sam Aoteman", "authorUrl": "https://x.com/samaote", "sourceUrl": "https://x.com/samaote/status/2072561439173468501" }, { "id": "seedance-120", "title": "Realistic 2000s Chinese DV Vlog", "category": "product-ad", "prompt": "Main Character: A young Chinese woman, about 22 years old, with average but attractive looks and natural makeup (no influencer look). Wearing a faded charcoal sleeveless crop top, loose light blue high-waisted wash jeans, black canvas shoes, and a thin black rope necklace. Long black hair tied in a slightly messy low ponytail with natural wispy bangs. Realistic skin texture with a healthy summer tan, natural friendly smile, no posing. Maintain consistent character identity, clothing, hairstyle, and appearance throughout the video.\nLocation: A typical residential area in southern China (like old districts in Guangdong, Fujian, Jiangxi, or Zhejiang), 3-4 PM in summer. Narrow concrete alleys, 2-3 story self-built houses with signs of age, green security doors, old aluminum windows, anti-theft nets, air conditioning units, electric scooters, bicycles, bamboo drying racks, sun-dried sheets and clothes, plastic flower pots, greenery, utility poles with dense overhead wires, and large trees casting swaying shadows. No commercial streets, billboards, bubble tea shops, cafes, tourists, posing, or modern influencer elements.\nVisual Style: Hyper-realistic documentary authenticity. Like family DV recordings from 2002-2008. No plot, no acting, no deliberate camera angles. Real fragments of life. Natural, random human movements. Abundant real-world details. Like an old DV tape rediscovered from childhood.\nPhotography Style: Early 2000s consumer DV camera quality. Intense handheld shakiness. Constant auto-exposure adjustments. Frequent autofocus hunting. Slight motion blur. Rolling shutter. CCD digital camera colors. Slight software compression artifacts. Slightly warm white balance. Light noise. Low dynamic range. Occasional slight overexposure. No stabilizers. No cinematic camera work. No drone shots. No modern HDR. No film grading. No film filters.\n00:00–00:02\nIn front of a typical Chinese residential building. She sits on low concrete steps, raising both hands to adjust her ponytail. A summer breeze blows a few hairs. The lens automatically finds focus, recovering after a brief blur.\n00:02–00:04\nShe walks slowly along a narrow residential alley. Potted plants and electric scooters line the road. A stray orange cat emerges from a corner. She squats down smiling. The camera composition is slightly off due to tracking.\n00:04–00:06\nShe gently pets the stray cat and places some cat food on the ground. Autofocus constantly switches between the person and the cat. Sunlight flickers through the leaves, creating changing light spots.\n00:06–00:08\nA small courtyard in front of the building. She stands in front of a bamboo rack hanging clothes. Sheets and clothes sway gently in the breeze. A cloud passes by, briefly lowering the exposure.\n00:08–00:10\nShe sits in her own small courtyard, holding a white ceramic teacup, quietly watching the neighborhood, occasionally tucking hair behind her ear. The lens drifts slightly.\n00:10–00:12\nClose-up side profile. A distant neighbor calls out: \"Back already?\" She turns and waves, answering naturally: \"Yeah, just got back.\" The camera follows a beat late.\n00:12–00:15\nShe walks slowly on a tree-shaded path with her teacup. Noticing the lens, she gives a shy little smile, then continues forward. The recording ends abruptly to black, like a DV camera shutting off.\nAudio: Only real ambient sounds: summer cicadas, distant electric scooters, occasional dog barks, rustling leaves, residents chatting, clinking of kitchenware, cat meows, footsteps on concrete, sound of wind blowing through laundry. No background music. No sound design. No voiceover.\nGoal: Present a segment of life recorded by a typical Chinese family DV camera from 2003-2008. Authentic, natural, imperfect, no acting traces, no influencer feel, no cinematic feel, no AI feel—making the audience mistake it at first glance for a rediscovered old family tape.", "description": "", "author": "鸽子TechLife", "authorUrl": "https://x.com/lishuangtong", "sourceUrl": "https://x.com/lishuangtong/status/2072539977007989045" }, { "id": "seedance-121", "title": "Intimate Emotional Drama Scene", "category": "talking-head", "prompt": "15 seconds, 16:9 cinematic, single continuous handheld close up shot, slow subtle push-in, no cuts. Global setup: Intimate emotional drama scene, soft natural lighting from a nearby window, slightly desaturated color grade, shallow depth of field with soft background blur. Setting: a quiet living room at dusk, muted blue grey light mixing with a single warm lamp. Subject: a woman in her late 20s, simple clothing, seated on the edge of a couch, holding something small in her hands (an old photograph). Ambient sound: quiet room tone, her breathing, soft distant rain against a window, faint melancholic piano underneath. [0:00–0:03] She sits still, looking down at the photograph in her hands, eyes glistening, jaw tightening as she tries to hold composure. Slow push-in on her face. [0:03–0:06] Her breath catches, a single tear falls, voice trembling, she says quietly, \"I just... I wasn't ready to say goodbye.\" She wipes her cheek quickly, almost embarrassed by the tear. [0:06–0:09] She looks up briefly, eyes red, voice breaking further, \"Everyone keeps saying it gets easier. It doesn't feel like that yet.\" A shaky exhale, she presses her lips together. [0:09–0:12] She looks back down at the photo, thumb gently tracing its edge, whispers, \"I just miss you. That's all.\" Her shoulders drop slightly, a quiet release of tension rather than a breakdown. [0:12–0:15] She closes her eyes, takes a slow breath, holds the photograph to her chest, a faint sad smile forming despite the tears. Soft fade to black. Style: naturalistic acting, realistic tears and skin tone, restrained emotional performance (not exaggerated), cinematic but grounded, no over stylized filters. Constraints: consistent character appearance and lighting throughout, natural lip sync to dialogue, no distorted facial features, no text overlays, subtle and believable emotional pacing throughout", "description": "", "author": "BMX", "authorUrl": "https://x.com/bmx_ai13", "sourceUrl": "https://x.com/bmx_ai13/status/2072537247337824487" }, { "id": "seedance-122", "title": "UGC Style Hair Care Video Ad", "category": "product-ad", "prompt": "15-second vertical UGC-style hair care ad. Casual handheld footage. Scene 1 (0-3s): Young woman at bathroom mirror, frizzy messy hair, frustrated expression, holds up a hair care bottle. Scene 2 (3-7s): Close-up of dry, damaged hair, finger running through tangles. Scene 3 (7-12s): Applying creamy hair product, hands working through hair, smooth texture, warm lighting. Scene 4 (12-15s): Confident woman smiling, hair now glossy and healthy, points at product bottle. Natural lighting throughout, authentic feel, no professional studio look. make this video", "description": "", "author": "Rajesh Kumar", "authorUrl": "https://x.com/therjrajesh", "sourceUrl": "https://x.com/therjrajesh/status/2072534569912619378" }, { "id": "seedance-123", "title": "Rural African Village Life Documentary", "category": "action", "prompt": "Main Subject:\n\nYoung African woman, early 20s, native to the region. Warm brown skin with realistic skin texture, minimal to no makeup. She has dark hair tied in a simple low ponytail with a few loose strands. She wears a faded sleeveless light-colored blouse, a simple long wrap skirt with a faded colorful pattern, and worn sandals. Small beaded bracelet on one wrist. Warm, approachable, and grounded personality. Maintain consistent identity, clothing, hairstyle, and appearance throughout the entire video.\nLocation:\nAuthentic rural African village during a calm late morning. Dirt paths, simple mud-brick and concrete block houses with corrugated metal or thatched roofs, scattered trees and vegetation, chickens roaming freely, low stick fences, laundry hanging on lines, plastic basins, simple wooden benches, and water containers. Quiet village atmosphere with natural daily life. No modern buildings or urban elements.\nVisual Style:\nUltra-realistic documentary realism. Genuine candid behavior. Natural body language. Unscripted slice-of-life feeling. Strong environmental authenticity. Rich real-world details and believable human motion.\nCamera Style:\nEarly-2000s consumer DV camcorder aesthetic. Friend casually recording everyday moments. Heavy handheld shake, imperfect framing, frequent autofocus hunting, lens breathing, exposure pumping when moving between sun and shade, occasional motion blur, subtle rolling shutter, mild digital compression artifacts, faded colors, soft contrast, slight sensor noise. No stabilization. No cinematic camera moves. No modern color grading.\n\nTIMED SCENES (00:00–00:15)\n00:00–00:02Outside a small village house. She sits on a low wooden bench adjusting her ponytail with both hands. A light breeze moves loose strands of hair. She smiles naturally while the camera struggles to hold focus.\n00:02–00:04The camera follows her as she walks along a dirt path through the village. She notices a chicken running freely nearby and slows down to watch it. Framing drifts slightly as the operator tries to keep up.\n00:04–00:06She crouches and tries to catch the chicken, moving carefully with her hands outstretched. The chicken flutters and runs a short distance. Autofocus repeatedly shifts between her face and the chicken. Morning sunlight filters through tree leaves overhead.\n00:06–00:08In the small dirt yard beside her house. She picks up a broom made of sticks and begins sweeping the ground in steady motions. Dust rises lightly as she sweeps. Exposure changes slightly as clouds pass overhead.\n00:08–00:10She sits on a low wooden bench near the house, resting after sweeping. She wipes sweat from her forehead with the back of her hand and looks around the quiet village. Loose handheld side angle with natural camera drift.\n00:10–00:12Close side profile. Someone off-camera greets her warmly. She turns toward the voice, raises her hand, smiles genuinely, and replies with", "description": "", "author": "MrDejie", "authorUrl": "https://x.com/mrdejie", "sourceUrl": "https://x.com/mrdejie/status/2072526041005048113" }, { "id": "seedance-124", "title": "1980s Takeshi's Castle Game Show", "category": "nature-drone", "prompt": "Authentic 1980s Japanese television game show broadcast footage, realistic recreation of original Takeshi's Castle ENG camera footage, natural handheld camera with subtle shake and tracking, broadcast video noise, analog grain, limited dynamic range and color saturation of the era, slight color bleeding on highlights, chaotic energetic atmosphere of the original show.\n\nNo reference images provided. Generate the entire scene from the text description.\n\n0-3s: [Wide handheld tracking shot from the side] A determined young Japanese male contestant in his mid-20s, short black hair, wearing a bright orange tracksuit with white stripes, white sneakers and a white headband, sprints confidently from the wooden starting platform onto the first of several large spinning cylindrical logs floating over a murky pond. He runs with pumping arms and focused expression as the log begins to rotate slowly beneath his feet, causing his body to wobble slightly. Water ripples and splashes lightly around the base of the logs.\n\n3-6s: [Dynamic medium tracking shot moving alongside] He leaps to the second spinning log at a slightly higher level, landing with bent knees to absorb the impact. The faster-rotating drum spins his feet out from under him; he flails his arms dramatically to regain balance, torso leaning left then right, face shifting from concentration to surprise. The log's wet surface glistens as he struggles to stay upright.\n\n6-9s: [Closer side profile action shot with motion blur] Pushing forward to the third log, his right foot slips on the spinning wet wood. He lurches forward violently, arms windmilling, body twisting as he tries to recover by crouching low. His left leg dips into the water creating a splash, but he pulls it out and continues with desperate momentum, the rotating cylinder throwing off his rhythm.\n\n9-12s: [Dynamic tracking shot from a three-quarter angle] He attempts a running jump to the next log but the combined spin and his forward speed causes him to lose all balance. His body tilts backward sharply, legs kicking in the air, arms reaching out for nothing as he begins to fall off the side of the log.\n\n12-15s: [Impact focused shot with water dynamics] The contestant falls backward off the spinning log into the pond with a huge explosive splash, water shooting up around his body. He submerges briefly, then resurfaces gasping and flailing, completely soaked, as the logs continue their relentless spinning in the background. His expression is one of shocked defeat mixed with the show's signature comedic failure.\n\nHigh fidelity recreation of 1980s analog broadcast video, visible natural grain and broadcast noise, realistic motion characteristics of old ENG cameras, coherent but slightly imperfect physics and movement as seen in original Takeshi's Castle episodes, era-accurate color response and limited dynamic range, stable character with the natural imperfections of analog footage", "description": "", "author": "TechHalla", "authorUrl": "https://x.com/techhalla", "sourceUrl": "https://x.com/techhalla/status/2072524413061439981" }, { "id": "seedance-125", "title": "Multi-Panel Shutter MV Anime", "category": "animation", "prompt": "A Japanese full-color anime with no captions, no background music, rapid-fire editing, a high frame count, and 24 FPS.\n\nUse @imageA as the start frame and master layout reference.\nUse @imageA only for the opening composition, the four-panel vertical split layout, and the final poster-like arrangement.\nUse @imageB as the first panel content reference.\nUse @imageC as the second panel content reference.\nUse @imageD as the third panel content reference.\nUse @imageE as the fourth panel content reference.\nPreserve the original face structure, eye shape, hair silhouette, line quality, manga texture, collage texture, and graphic sliced-panel feeling of each image.\n\nGoal:\nCreate a 10-second 480p anime-style motion graphic video in 16:9.\nThe video begins from @imageA as the opening frame.\nThe screen layout is a four-column vertical panel composition.\nAfter starting from @imageA, the panels are reintroduced one by one from left to right with a crisp shutter-card insertion effect.\nThe panel content order must be strictly:\nleft panel = @imageB with orange color grading\nsecond panel = @imageC with yellow color grading\nthird panel = @imageD with blue color grading\nright panel = @imageE with green color grading\n\n0-0.8s:\nStart directly from @imageA full screen.\nThe first frame should clearly resemble @imageA.\nShow the four tall vertical panel layout already arranged in 16:9.\nAdd a subtle push-in, faint glow, light grain, and slight scanline texture.\nNo text, no subtitles, no logos.\n\n0.8-1.3s:\nA sharp shutter blink passes across the frame.\nThe panel contents reset into dark or neutral placeholder slots while the four-column layout remains visible.\nKeep the overall split-screen structure from @imageA intact.\n\n1.3-3.0s:\nThe far-left panel activates first.\n@imageB slides in from the left edge and locks into the far-left column.\nApply strong orange color grading.\nThe motion should feel like a graphic card being inserted into place, not a fade.\nUse a subtle push-in toward the eyes.\n\n3.0-4.7s:\nThe second panel activates.\n@imageC slides in from the left and locks into the second column.\nApply vivid yellow color grading.\nKeep the fragmented face-panel feeling.\nAdd a slight layered parallax effect and a tiny downward drift.\n\n4.7-6.5s:\nThe third panel activates.\n@imageD slides in from the left and locks into the third column.\nApply deep blue color grading.\nPreserve the monochrome manga texture and paper grain.\nUse a slow dolly-in and keep the abstract collage feeling.\n\n6.5-8.2s:\nThe fourth panel activates.\n@imageE slides in from the left and locks into the far-right column.\nApply rich green color grading.\nPreserve the pose, peace sign, bob haircut, soft expression, rough ink texture, and geometric collage background.", "description": "", "author": "Toshi@ニャルオAI", "authorUrl": "https://x.com/Toshi_nyaruo_AI", "sourceUrl": "https://x.com/Toshi_nyaruo_AI/status/2072516592337117286" }, { "id": "seedance-126", "title": "Alternative Football Reality Penalty Goal", "category": "action", "prompt": "PART 1 – THE REALITY (15s) 15s • 16:9 • Ultra-photorealistic • Broadcast football cinematography • World Cup stadium at night Shot 1 (0–3s) – The Pressure Extreme close-up of WOLTEMADE's face under intense pressure. Stadium lights reflect in his eyes as the crowd falls silent. Shot 2 (3–7s) – The Penalty Wide broadcast angle. WOLTEMADE takes his run-up and strikes the ball. The goalkeeper dives as the shot bends toward the corner. Shot 3 (7–11s) – The Miss The ball smashes against the post instead of going in. The stadium freezes. The goalkeeper looks back in relief. Shot 4 (11–15s) – Heartbreak WOLTEMADE stands frozen in disbelief. Teammates collapse, fans react with shock and tears. End on a tight close-up of his face as a subtle broadcast glitch flickers across the screen. PART 2 – THE ALTERNATIVE REALITY (15s) 15s • 16:9 • Ultra-photorealistic • Broadcast football cinematography • Same stadium, same player, same framing Shot 1 (15–18s) – The Glitch The broadcast glitches and resets. The same close-up returns, but WOLTEMADE looks calmer. Reality has changed. Shot 2 (18–22s) – The Perfect Strike Same run-up, same camera angle. He connects perfectly, sending the ball low toward the bottom-left corner. Shot 3 (22–27s) – The Goal The ball slams into the net. Realistic net physics. The goalkeeper misses by inches as the stadium erupts and fans explode with celebration. Shot 4 (27–30s) – The Chosen Reality WOLTEMADE celebrates, then suddenly stops and looks directly into the camera. Hard cut to black with the text: \"The ball went in.\" \"Somewhere, it always did.\" Silence.", "description": "", "author": "Shami", "authorUrl": "https://x.com/ShamiWeb3", "sourceUrl": "https://x.com/ShamiWeb3/status/2072509269073871154" }, { "id": "seedance-127", "title": "Nostalgic Early 2000s DV Style Korean Vlog", "category": "talking-head", "prompt": "**Main subject**: A young Korean woman in her early 20s, naturally dressed in a faded charcoal sleeveless crop top and loose high-waisted light-wash jeans, paired with black canvas sneakers and a black string necklace. Her black wavy hair is tied in a messy side ponytail with light bangs. Realistic skin texture, light makeup, warm and approachable personality. Maintain high consistency of identity, clothing, hairstyle, and appearance throughout the video.\n\n**Location**: Morning time, a quiet and authentic Korean residential neighborhood. Narrow concrete alleys, low-rise residences, small terraces, potted plants, clotheslines, bicycles, utility poles, crisscrossing wires in mid-air, dense trees casting mottled swaying shadows, full of a quiet residential atmosphere. No shops, advertisements, cafes, crowds, or commercial activities.\n\n**Visual Style**: Ultra-realistic documentary style. Authentic, unpretentious candid behavior. Natural body language. Unscripted daily life fragment feel. Strong sense of environmental reality. Contains rich real-world details and naturally realistic human dynamics.\n\n**Camera Style**: Aesthetics of early 2000s consumer DV cameras. Creates the feeling of a friend casually recording daily moments. Strong handheld camera shake, imperfect composition, frequent autofocus hunting (breathing effect), exposure fluctuations when moving between sunlight and shadows (flickering), occasional motion blur, slight rolling shutter effect, minor digital compression artifacts, aged/faded colors, soft contrast, with slight sensor noise. No stabilization. No cinematic camera movements. No modern color grading.\n\n**00:00–00:02**: Outside the entrance of a small house. She sits on a low concrete wall, raising her hands to tidy her ponytail. A breeze blows through stray strands of hair. She smiles naturally while the camera struggles to focus.\n\n**00:02–00:04**: The camera follows her into a narrow alley lined with potted plants and concrete walls. She notices a stray cat approaching and squats down. The composition shifts off-center as the operator tries to keep up with her movement.\n\n**00:04–00:06**: She gently strokes and feeds the cat. The camera's autofocus switches repeatedly between her face and the cat. Morning sunlight flickers mottled through the leaves overhead.\n\n**00:06–00:08**: In a small front yard next to her house. She is hanging clothes on a clothesline, the fabric swaying in the breeze. As clouds pass briefly overhead, the exposure changes accordingly.\n\n**00:08–00:10**: On a quiet terrace, holding a ceramic coffee cup. She sits comfortably, observing the surrounding neighborhood, occasionally tucking her hair behind her ear. A casual, loose side handheld perspective with natural camera drift.\n\n**00:10–00:12**: Side close-up. Someone off-camera greets her. She turns her head, raises her hand, smiles warmly, and says casually: \"Annyeong (Hello)\". The camera's reaction is half a beat slow.\n\n**00:12–00:15**: She holds the coffee cup and walks slowly along a tree-lined residential path. She notices the camera, gives a small and sincere smile, then looks away and continues walking. The video cuts off suddenly to a black screen mid-action, as if the camera were abruptly turned off.\n\n**Audio**: Keep only natural ambient sounds—morning birdsong, distant motorcycle sounds, breeze, rustling leaves, faint neighborhood chatter, cat meows, footsteps on concrete, fabric moving on the clothesline, and subtle residential atmosphere. No music. No sound design. No narration.\n\n**Goal**: Capture authentic Korean neighborhood life, making it look like a forgotten early 2000s home video—candid, imperfect, realistic, warm, and highly convincing.", "description": "", "author": "Zero Lu", "authorUrl": "https://x.com/zerolu_eth", "sourceUrl": "https://x.com/zerolu_eth/status/2072495845489185102" }, { "id": "seedance-128", "title": "Cinematic 4K Bridal Video", "category": "product-ad", "prompt": "Create a 15-second cinematic bridal video designed to showcase stunning 4K beauty, elegant motion, and luxurious detail. The bride is young, graceful, and exceptionally beautiful, with a clear, luminous, translucent presence. She has soft radiant skin, delicate natural makeup, bright clear eyes, and an elegant gentle smile. Her overall feeling is fresh, pure, refined, romantic, and dreamlike. The video is a collection of beautiful fleeting moments, each shot feeling delicate, emotional, and visually rich. 0–3s Open with a luminous close-up of the bride’s face in soft natural light. Show her youthful beauty and translucent glow in crisp 4K detail: smooth radiant skin, soft eyelashes, glossy lips, and bright expressive eyes. A gentle breeze moves a few strands of hair and the edge of her veil. 3–6s Cut to graceful detail shots: her slender fingers touching the lace of her dress, the sparkle of a ring, delicate embroidery, pearls, and the airy soft texture of the veil. The details feel pure, elegant, and luxurious, with beautiful light gently reflecting across the fabric. 6–9s Show the bride walking slowly through a bright, dreamy setting while holding a beautiful bouquet. Her veil flows lightly behind her, and the dress moves softly with each step. Emphasize her youthful elegance, soft posture, and the romantic shimmer of the gown. 9–12s Cut to an emotional medium shot as she turns slightly toward the camera. Her smile is soft, innocent, and radiant. The light wraps around her beautifully, enhancing her clear and delicate presence. The veil and dress move gracefully, creating a timeless romantic feeling. 12–15s End with the most breathtaking moment: a beautiful full shot of the bride surrounded by luminous light, bouquet in hand, veil floating elegantly. She pauses in a poised, unforgettable pose, looking like the final frame of a luxury wedding film. Her beauty feels youthful, pure, transparent, and deeply enchanting. Style and visual direction Ultra-beautiful bridal cinematography, youthful elegance, translucent beauty, emotionally rich, soft, romantic, luxurious, delicate, refined, visually poetic, high-detail 4K imagery, natural light, dreamy glow, premium wedding film feeling, graceful camera movement, strong shot variety, consistent bride appearance, every moment polished and beautiful.", "description": "", "author": "meropan", "authorUrl": "https://x.com/renataro9", "sourceUrl": "https://x.com/renataro9/status/2072489031485833660" }, { "id": "seedance-129", "title": "Vespira the Pestilent Empress Cinematic Sequence", "category": "cinematic", "prompt": "VESPIRA — THE PESTILENT EMPRESS [@1000019684]\n\"THE BLOOM OF RUIN\"\nDuration: 15 Seconds\nUse the storyboard [@1000019685] as reference only.\nConvert the storyboard into a single seamless cinematic sequence.\nDo not render storyboard panels.\nDo not render", "description": "", "author": "PixieVerse", "authorUrl": "https://x.com/itsPixieVerse", "sourceUrl": "https://x.com/itsPixieVerse/status/2072463413486436563" }, { "id": "seedance-130", "title": "Cinematic Coastal Aerial Drone Shot", "category": "nature-drone", "prompt": "15 seconds, 16:9 cinematic, single continuous aerial drone shot, smooth uninterrupted flight path, no cuts. Global setup: Epic cinematic drone footage, ultra smooth gimbal stabilization, wide angle aerial lens with subtle motion blur on fast movements. Golden late afternoon light, long soft shadows. Setting: a dramatic coastline where cliffs meet turquoise ocean, a winding coastal road, small whitewashed village clinging to the hillside, scattered sailboats on the water. Ambient sound: wind rush, distant waves, soft orchestral/ambient score building gradually. [0:00–0:03] Drone starts low and close, skimming just above rolling ocean waves, spray faintly visible below, camera angled slightly downward. Speed picks up as it glides forward. [0:03–0:06] Drone rises smoothly and banks left, revealing towering cliffs ahead bathed in golden light, a narrow coastal road cut into the rock face with a single car driving along it. Altitude continues climbing. [0:06–0:09] Drone crests over the cliff edge, revealing the whitewashed village spilling down the hillside, terracotta rooftops catching the light, narrow streets, a small plaza with a fountain. Camera pulls back and up. [0:09–0:12] Drone continues rising and rotating slowly, full coastline now visible village, cliffs, road, and open ocean dotted with sailboats, long shadows stretching across the land. Sweeping wide reveal. [0:12–0:15] Drone ascends further into a final wide aerial shot, sun beginning to touch the horizon, entire landscape glowing in warm gold and deep blue, camera slows to a graceful stop. Fade to black. Style: hyper-realistic cinematic color grade, rich golden hour tones, epic scale, no CGI artifacts, natural atmospheric haze in distance. Constraints: smooth continuous drone motion with no jitter, consistent lighting and shadow direction throughout, physically plausible flight path, no text overlays, no sudden altitude jumps.", "description": "", "author": "BMX", "authorUrl": "https://x.com/bmx_ai13", "sourceUrl": "https://x.com/bmx_ai13/status/2072448412147122330" }, { "id": "seedance-131", "title": "Emotional Kitchen Scene with Dialogue", "category": "talking-head", "prompt": "A dimly lit kitchen late at night. A woman sits across the table from her estranged brother; her voice trembles as she says, 'You left when we needed you the most.' Her face moves through hurt, flashing anger, then a bittersweet half-smile as tears fall. Audio: trembling emotional dialogue, a quiet sob, a heavy tense silence, the low hum of a refrigerator, and soft rain tapping the window.", "description": "", "author": "Serena Pei", "authorUrl": "https://x.com/spei04", "sourceUrl": "https://x.com/spei04/status/2072441161298616340" }, { "id": "seedance-132", "title": "Biomechanical Angel Space Cathedral Transformation", "category": "action", "prompt": "15-second ultra-cinematic sci-fi fantasy transformation sequence inside a colossal abandoned celestial cathedral floating in deep space.\n\nA lone human stands beneath enormous mechanical arches surrounded by ancient celestial machinery. Gigantic rotating rings, broken stained-glass windows, and forgotten angelic statues drift silently in zero gravity while distant stars illuminate the cathedral.\n\nThe atmosphere is sacred, mysterious, and awe-inspiring.\n\nThe camera slowly circles around the human as dormant celestial machines begin awakening. Soft white light pulses through the cathedral. Massive mechanical gears rotate for the first time in centuries.\n\nTiny streams of liquid silver nanometal emerge from the cathedral floor and flow toward the human.\n\nThe transformation begins.\n\nThe liquid metal climbs across the body like living mercury, weaving seamlessly beneath the skin. Luminous white circuits spread through the arms, chest, and face like sacred veins.\n\nThe camera pushes closer as elegant biomechanical structures form naturally around the skeleton. Carbon-fiber muscles, titanium tendons, and glowing energy cores replace organic anatomy while preserving graceful human proportions.\n\nThe transformation accelerates.\n\nIntricate mechanical feathers emerge from the shoulder blades one by one. Thousands of articulated white-metal feathers unfold with perfect precision, each feather glowing softly with celestial energy.\n\nGolden halos composed of rotating mechanical rings materialize behind the head. Floating fragments of ancient technology orbit around the transforming figure.\n\nThe cathedral responds. Gigantic celestial engines ignite. Beams of divine light pierce through shattered stained glass while floating debris begins orbiting the awakened being.\n\nAt the climax, the human becomes a magnificent Biomechanical Angel , a perfect fusion of organic life, sacred technology, and divine engineering. Brilliant white wings span across the cathedral while luminous blue-white energy flows through every mechanical feather.\n\nFinal cinematic moment: the Biomechanical Angel slowly opens both wings. Countless mechanical feathers release into space as radiant particles. The cathedral comes fully alive while the angel ascends through a colossal opening toward the stars, leaving glowing trails of celestial light behind.\n\nStyle: ultra-cinematic sci-fi fantasy, biomechanical realism, celestial technology, photoreal nanometal transformation, articulated mechanical wings, divine architecture, volumetric god rays, white and gold aesthetic, premium cinematic VFX, AAA film quality, no text, no overlays.\n\nAudio: epic celestial orchestral score, angelic choir, deep mechanical resonance, servo movements, metallic feather articulation, divine energy hums, cathedral ambience, cosmic atmosphere, transcendent cinematic crescendo.", "description": "", "author": "LudovicCreator", "authorUrl": "https://x.com/LudovicCreator", "sourceUrl": "https://x.com/LudovicCreator/status/2072409994486530462" }, { "id": "seedance-133", "title": "Alien Space Photographer Quest", "category": "nature-drone", "prompt": "0–3 sec \nA sleek UFO races through colorful nebulae. Inside, an alien photographer checks a holographic mission: \"Find the Last Flower.\"\n\n3–6 sec\nThe alien explores breathtaking planets with crystal forests, floating mountains, and glowing oceans, snapping photos but finding nothing.\n\n6–10 sec\nOn a mysterious mist-covered world, the alien discovers a single radiant flower hidden among ancient ruins. Golden light pulses from its petals.\n\n10–13 sec\nThe alien takes a photo. A brilliant flash erupts from the camera and races across space.\n\n13–15 sec\nFlowers instantly bloom across countless planets. The alien smiles as the galaxy transforms into a sea of color, holding the legendary photo in its hands.", "description": "", "author": "auqib", "authorUrl": "https://x.com/auqibhabib", "sourceUrl": "https://x.com/auqibhabib/status/2072366637731451006" }, { "id": "seedance-134", "title": "Smartphone Style K-Pop Residential Vlog", "category": "product-ad", "prompt": "15 seconds, 16:9. Main subject from @ Image1 — lock her completely. Face, skin tone, body, hairstyle, and outfit must remain perfectly identical throughout the entire video. She wears a sleeveless green-and-white striped ribbed knit mock-neck top with a red-and-white striped collar, medium-wash loose straight-leg high-waisted blue jeans, and simple white low-top sneakers. No bag, no shoulder strap, no accessories except subtle natural makeup. Long straight dark brown hair with a center part, softly moving in the breeze. Korean woman with a modern, natural K-pop visual. The entire video takes place in an authentic hillside residential neighborhood in South Korea, similar to the old residential districts of Seoul, Busan, or Incheon. The streets are narrow and steep with frequent concrete stairways and sloping roads connecting different elevations. Small detached homes and low-rise villas are tightly packed together along the hillside. Exterior walls are painted white, beige, faded pastel, or exposed concrete, with stainless steel railings, rooftop water tanks, satellite dishes, air-conditioning units, security bars on windows, narrow alleys, retaining walls, utility poles, dense overhead power lines, small community mirrors at corners, and modest front gates. Flower pots, drying laundry, and neatly arranged plants sit outside many homes. The neighborhood feels distinctly Korean, quiet, lived-in, and residential, with layered houses climbing the hillside. No shops, advertisements, or commercial districts. Camera treatment is the whole point. This needs to look like a friend casually filming on a modern smartphone with no preparation. Natural handheld movement with subtle shake, spontaneous reframing, occasional focus breathing from continuous autofocus, realistic exposure adjustments, slight rolling shutter during faster movements, and imperfect framing where the subject occasionally drifts toward the edge of the frame. Crisp modern smartphone image quality with realistic HDR, accurate colors, natural contrast, and clean detail. No vintage look, no DV camcorder artifacts, no VHS texture, no retro grading, no film emulation. She starts sitting on a low concrete curb casually brushing her hair back with both hands, smiling naturally as the morning breeze moves her hair. The camera slowly steps closer while struggling briefly to keep focus. Then the camera follows her into a narrow residential alley where she crouches down and gently feeds a friendly stray cat that walks right up to her. After that she's in the front yard hanging freshly washed clothes on a clothesline while the breeze softly moves the laundry and her hair. Midway she's relaxing on the front terrace holding a coffee cup, quietly watching the neighborhood with a peaceful expression as the camera drifts casually from the side. Then a right-side close-up catches her slightly late as she raises one hand, waves warmly toward som", "description": "", "author": "TSUBAKI", "authorUrl": "https://x.com/AI__TSUBAKI", "sourceUrl": "https://x.com/AI__TSUBAKI/status/2072361031670915365" }, { "id": "seedance-135", "title": "Cinematic Snowboarding Action Video", "category": "cinematic", "prompt": "Create a hyper-cinematic 15-second continuous single-take extreme snowboarding video.\n\nREFERENCE USAGE:\nImage 1 = strict identity, outfit, and snowboard reference. Preserve her exact face, pale skin, blue eyes, long straight black hair, body", "description": "", "author": "Mr Das", "authorUrl": "https://x.com/MrDasOnX", "sourceUrl": "https://x.com/MrDasOnX/status/2072361024754450769" }, { "id": "seedance-136", "title": "Water Droplet Impact Macro", "category": "nature-drone", "prompt": "a droplet sliding down glass, breaking apart on impact, every bit of refraction in full 4K", "description": "", "author": "TechieSA", "authorUrl": "https://x.com/TechieBySA", "sourceUrl": "https://x.com/TechieBySA/status/2072355292549894307" }, { "id": "seedance-137", "title": "Cinematic Action Hero Combat Sequence", "category": "action", "prompt": "Use the uploaded image as the exact face reference. Keep the same facial features, hairstyle, beard, jawline, expression, skin tone, sunglasses on head, black shirt, white t-shirt, necklace and overall appearance throughout the video. He is the fearless lead hero. He walks through a burning abandoned city as explosions erupt behind him. Suddenly dozens of masked mercenaries surround him. He instantly launches into an ultra-fast hand-to-hand and sword combat sequence, dodging bullets, sliding under attacks, wall-running, spinning kicks, powerful punches, cinematic slow motion finishers, dramatic speed ramps, dynamic tracking shots, handheld action camera, flying debris, sparks, smoke, volumetric lighting, realistic physics, blockbuster Hollywood action film, hyper realistic, 8K, no text, no watermark, maintain identical face in every shot.", "description": "", "author": "Snow", "authorUrl": "https://x.com/iamrealsnow", "sourceUrl": "https://x.com/iamrealsnow/status/2072338733291262111" }, { "id": "seedance-138", "title": "Sunday Market Memories Flip Camera", "category": "action", "prompt": "Late-2000s flip camera aesthetic. Raw handheld realism.\n.00:00–00:02 Selfie shot entering a lively local market.\n.00:02–00:04 Picking up handmade bracelets from a small stall.\n.00:04–00:06 Buying iced tea and chatting casually with the vendor.\n.00:06–00:08 Walking past colorful umbrellas and fruit stands.\n.00:08–00:10 Sitting near a fountain writing in a notebook.\n.00:10–00:12 Watching children play nearby.\n.00:12–00:15 Smiling tord the camera, giving a tiny wave, abrupt ending.", "description": "", "author": "𝗦𝗮𝗻𝗶𝗮", "authorUrl": "https://x.com/saniaspeaks_", "sourceUrl": "https://x.com/saniaspeaks_/status/2072337654281326632" }, { "id": "seedance-139", "title": "Football Trailer Cinematic Transitions", "category": "cinematic", "prompt": "Move from the giant trophy pressure into solemn upward close-ups. No.9 captain striker appears first with captain weight and calm pressure. No.7 right winger follows with sharper youthful focus. No.10 midfield driver becomes the central hero", "description": "", "author": "insMind", "authorUrl": "https://x.com/insmind_com", "sourceUrl": "https://x.com/insmind_com/status/2072326344348741989" }, { "id": "seedance-140", "title": "Cinematic Travel Blog Montage", "category": "ugc", "prompt": "In 2026, create a 15-second cinematic travel video featuring characters who travel to 30 world-famous locations. The frame rate is synchronized with the rhythm every 0.5 seconds. Portable camera on a selfie stick, wide-angle lens, clear selfie framing, energetic travel video blogger style, bright cinematic colors, realistic lighting, dynamic motion blur, natural crowd and clear landmarks in each shot. a cheerful face changes, gender changes, hairstyle changes, wristwatch changes, or clothing changes. Venues: Eiffel Tower in Paris, Shibuya in Tokyo, Times Square in New York, Colosseum in Rome, Pyramids in Egypt, Cathedral of Christ the Savior in Rio de Janeiro, Big Ben in London, Sydney Opera House, Grand Palace in Bangkok, Taj Mahal in India, The Great Wall of China in China, Burj Khalifa in Dubai, St.Sophia Cathedral in Istanbul, Grand Canal in Venice, Machu Picchu in Peru, Acropolis of Athens, Sagrada Familia Cathedral in Barcelona, Amsterdam Windmills, Gyeongbokgung Strict identity in all scenes: the same face, the same age, the same hairstyle, the same body proportions, the same palace in Seoul, Marina Bay Sands in Singapore, Santorini in Greece, Petra in Jordan, Neuschwanstein Castle in Germany, the Golden Gate Bridge in San FranciscoSan Francisco, Niagara Falls in Canada, Mount Fuji in Japan, Angkor Wat in Cambodia, the Swiss Alps in Switzerland, Turkish Cappadocia and the Maldives.Each place features a unique stylish outfit that matches the local atmosphere, and funny expressive poses such as waving arms, peace signs, namaste, finger hearts, laughter, pointing out landmarks, thumbs up, surprised reactions, dancing or playful gestures while sightseeing.", "description": "", "author": "simeon-sanai", "authorUrl": "https://x.com/Naiknelofar788", "sourceUrl": "https://x.com/Naiknelofar788/status/2072313649222517140" }, { "id": "seedance-141", "title": "Fantasy Warrior Transformation Sequence", "category": "nature-drone", "prompt": "A continuous cinematic fantasy action sequence of a young East Asian warrior woman. She is crawling on a cracked icy battlefield, desperately holding up a glowing teardrop-shaped red crystal amulet set in a gold crescent. Suddenly, a massive surge of fiery energy explodes from the crystal, instantly shattering the ice and turning the entire landscape into a volcanic crater filled with flowing magma and ruined stone pillars. The woman levitates high into the air as intense, swirling vortices of fire wrap around her body. In mid-air, the flames materialize into a highly detailed crimson and gold fantasy dress with metallic arm guards and a flowing cape. A blazing crown of pure fire forms on her forehead, and her eyes snap open, glowing with intense, fiery heart-shaped patterns. She raises her hand to summon an intricate, giant golden magical circle in front of her, unleashing a catastrophic, blinding explosion of fire that obliterates everything in sight. 8K ultra-realism, high-fidelity VFX, dynamic camera angles, cinematic lighting, and epic scale.", "description": "", "author": "Zyrella", "authorUrl": "https://x.com/Zyrellix", "sourceUrl": "https://x.com/Zyrellix/status/2072306140638310446" }, { "id": "seedance-142", "title": "Anime Coming-of-Age Skateboarding Sequence", "category": "action", "prompt": "A 15-second anime semi-realistic coming-of-age skate sequence following Zulkar Naim exactly as designed—16, lean athletic build, bright blue eyes, tousled black curls, oversized mustard-yellow T-shirt, navy cargo shorts, white scrunched socks, white skate sneakers, black digital watch, and the same skateboard with worn black grip tape and bold red “ZULKAR NAIM” underside graphic—opening on a warm amber sunrise in his bedroom as he sits on the bed tying his sneakers beside the board, venetian-blind shadows and posters framing the moment; cut to a low-angle dolly in as he walks out through a quiet neighborhood with the skateboard under one arm, rim-lit by early sun, determined and calm; cut to a near-ground tracking close-up of his first push, one foot planting and driving off smooth pavement as the red board graphic flashes sharp against motion-blurred city streets; cut wide into an arcing shot as he launches a kickflip through a modern urban corridor with mural walls and glass towers glowing in golden light, shirt and hair moving in the wind; finish with a slow push-in close-up on the rooftop at orange-violet sunset, skyline behind him, sweat and breeze catching the light as the adrenaline settles into quiet resolve and hopeful ambition.", "description": "", "author": "Zulkar Naim", "authorUrl": "https://x.com/zulkarnaimx", "sourceUrl": "https://x.com/zulkarnaimx/status/2072302007210463387" }, { "id": "seedance-143", "title": "Alien Ambush in Jungle Army Base", "category": "general", "prompt": "A jungle army base at night, deep in thick wet rainforest. Tents, sandbags, floodlights, an open dirt yard, and a low concrete ammo bunker stacked with shells. A giant alien — brownish-black, slimy, with long whipping tentacles — has torn open the ammo bunker and is dragging a soldier across the ground toward the stacked shells. On the watchtower, a gunner loads a mounted gun. Sound: tearing concrete, wet tentacles slapping, shouting men, the alien's low roar, radio voices.\n\nShot 1 (0–3s) — THE HOOK: Low shot across the floodlit yard. The giant alien rips the steel door off the ammo bunker with one set of tentacles while another wraps a soldier's legs, dragging him backward across the mud toward the open bunker full of shells. He claws at the ground. Men scatter between the tents. One shouts into his radio: \"IT'S DRAGGING HIM TO THE SHELLS!\"\n\nShot 2 (3–6s): Up on the watchtower. The gunner swings his mounted gun toward the alien, but holds his fire — the soldier still in the tentacles, the bunker right there. He calls down on the radio: \"Break loose! Run clear!\"\n\nShot 3 (6–9s): At the soldier. He pulls a knife and slashes the slimy tentacle around his legs, breaks free, and runs clear of the bunker across the open yard. The alien, now empty-handed, slides forward out of the bunker into the open middle of the yard, rearing up tall and clear in the floodlights, the stacked shells behind it.\n\nShot 4 (9–13s) — BIG SLOW-MOTION MOMENT: The alien is out in the open now, the ammo bunker right behind it. The gunner fires. Bullet time — a stream of heavy rounds flies across the yard in slow motion, smoke and shell cases hanging in the air, smashing into the alien and ripping into the bunker behind it. The shells catch — a huge fireball blooming around the alien.\n\nShot 5 (13–15s): Time snaps back. The whole bunker goes up in one massive rolling fireball, shells cooking off in bursts, fire and slime shooting into the night sky. Soldiers dive into the mud as the rescued man scrambles clear of the blast. Cut.", "description": "", "author": "Rahul Nanda", "authorUrl": "https://x.com/rahulnanda86", "sourceUrl": "https://x.com/rahulnanda86/status/2072297418490859872" }, { "id": "seedance-144", "title": "Desert Base Alien Attack Cinematic Script", "category": "action", "prompt": "An army desert base in bright harsh daylight, sand dunes all around, tents and watchtowers, a big radar truck with a spinning dish parked in the open. A giant alien — brownish-black, slimy, with long whipping tentacles — has wrapped its tentacles around the radar truck and is dragging it across the sand toward the dunes, the operator trapped inside the cabin. On the watchtower, a soldier loads a rocket launcher. Sound: groaning metal, wet tentacles slapping, shouting men, the alien's low roar, radio voices.\n\nShot 1 (0–3s) — THE HOOK: Low shot across the sand. The giant alien wraps its slimy tentacles around the radar truck and hauls it backward across the desert toward the dunes, the wheels carving deep tracks in the sand, the dish bending and sparking. Inside the cabin, the operator bangs on the glass and shouts into his radio: \"IT'S DRAGGING ME TO THE DUNES!\"\n\nShot 2 (3–6s): Up on the watchtower. A soldier lifts a rocket launcher onto his shoulder and aims out at the truck — but holds his fire, the alien wrapped on the cabin with the operator still inside. He calls on the radio: \"Get out! Jump clear!\"\n\nShot 3 (6–9s): At the radar truck. The operator kicks his door open, cuts through a strap holding him in, and jumps out into the sand, rolling clear and running. The alien, still wrapped around the empty truck, drags it around and then slides off onto the open sand flat, rearing up tall and clear, tentacles spread wide.\n\nShot 4 (9–13s) — BIG SLOW-MOTION MOMENT: The alien is out in the open on the sand now. The soldier fires from the tower. Bullet time — the rocket streaks across the desert in slow motion, smoke trailing behind it, straight into the alien. The hit throws its slimy body up off the sand, tentacles flinging outward, dust and sand hanging in the air.\n\nShot 5 (13–15s): Time snaps back. A big burst of fire and slime rolls across the sand flat as the alien drops and lies still. The operator runs clear across the dunes as soldiers come out of the tents. Smoke drifts over the desert base. Cut.", "description": "", "author": "Rahul Nanda", "authorUrl": "https://x.com/rahulnanda86", "sourceUrl": "https://x.com/rahulnanda86/status/2072296875198456304" }, { "id": "seedance-145", "title": "Alien Tractor Ambush at Tea Estate", "category": "general", "prompt": "A green hill tea estate in bright daylight, rows of tea bushes covering the slopes, tall trees along the top ridge. A tractor pulling a loaded trailer drives along a track between the bushes. A giant alien — brownish-black, slimy, with long whipping tentacles — has wrapped its tentacles around the trailer and is dragging the whole tractor backward toward the trees, the driver trapped in the seat. On the ridge above, a soldier loads a rocket launcher. Sound: roaring tractor engine, groaning metal, wet tentacles slapping, the alien's low roar, radio voices.\n\nShot 1 (0–3s) — THE HOOK: Low rear shot across the slope. The giant alien wraps its slimy tentacles around the loaded trailer and hauls it backward up the hill toward the trees, the tractor's wheels spinning and tearing through the tea bushes. The driver wrestles the wheel and shouts into his radio: \"IT'S DRAGGING ME TO THE TREES!\"\n\nShot 2 (3–6s): On the ridge above. A soldier drops to one knee and lifts a rocket launcher onto his shoulder, aiming down the slope — but holds his fire, the alien wrapped on the trailer with the driver right there. He calls on the radio: \"Cut the trailer! Break free!\"\n\nShot 3 (6–9s): At the tractor. The driver pulls the trailer release pin, and the tractor lurches forward, suddenly free, bouncing down through the bushes. The alien, still wrapped around the loose trailer, is left behind and spills out onto the open hill slope, rearing up tall and clear, tentacles spread wide.\n\nShot 4 (9–13s) — BIG SLOW-MOTION MOMENT: The alien is out in the open on the slope now. The soldier fires from the ridge. Bullet time — the rocket streaks down the hill in slow motion, smoke trailing behind it, straight into the alien. The hit throws its slimy body up off the slope, tentacles flinging outward, torn tea leaves hanging in the air.\n\nShot 5 (13–15s): Time snaps back. A big burst of fire and slime rolls across the hillside as the alien drops and lies still in the bushes. The tractor bounces to a stop further down the slope, the driver looking back up the hill. Smoke drifts over the tea estate. Cut.", "description": "", "author": "Rahul Nanda", "authorUrl": "https://x.com/rahulnanda86", "sourceUrl": "https://x.com/rahulnanda86/status/2072296654087299454" }, { "id": "seedance-146", "title": "Futuristic Sky Garden Dome Chase", "category": "product-ad", "prompt": "Hyper-realistic cinematic action sequence, 15 seconds Night. Inside a futuristic rooftop glass dome high above a neon city, two agents, one man and one woman, sprint through a luxury sky garden while a security team chases from behind and pursuit drones close in overhead. No hoods, no helmets, no masks. \\nDark fitted tactical clothing, visible hair, no celebrity resemblance. The glass dome is unstable. Alarms flash red. Rain pounds the curved glass. Metal support ribs shake. The floor is wet and reflective. The space is filled with plants, glass walkways, shallow pools, and narrow paths. \\n\\nWide opening shot: the two agents burst through the rooftop garden at full speed. Security rushes in behind them while two drones sweep overhead. Red alarm light flickers across the dome. \\n\\nFast tracking shot: the agents sprint along a narrow wet path between plants and reflecting pools. The drones dive lower and force them to change direction. Cracks spread across the glass dome overhead. Small shards begin falling around them. \\n\\nThe agents duck, swerve, and keep moving while the security team gains behind. Side shot: the dome starts breaking in a chain reaction. Large glass panels begin dropping behind and around them. One drone clips a support beam and sparks burst. \\nWater splashes from broken pools, shattered glass litters the path, and the agents are trapped between the collapsing dome, the closing security team, and the drones above. \\n\\nFinal 5 seconds: make this part extreme. The normal exit doors are no longer a safe escape. Ahead, a side section of the dome wall and floor has broken open, revealing a narrow exterior maintenance ledge lower down outside the building. The agents accelerate into a final desperate sprint. One nearly slips on the shattered wet floor, the other catches them without stopping. \\n\\nThey duck under a falling support beam, leap over a broken walkway section, reach the broken edge, and jump downward out of the dome to the lower ledge outside the skyscraper. \\nThey land hard on the narrow ledge and drop low for balance as glass crashes down behind them and drones sweep past above. \\n\\nFinal moment: the two agents cling to the narrow exterior ledge outside the dome, high above the city, while the shattered glass dome collapses behind them. \\n\\nStyle: hyper-realistic, cinematic, fast-paced, intense, stressful, urgent, clear readable action, strong sense of danger and height, collapsing glass dome, pursuit drones, red alarms, rain, wet reflections, falling debris, dynamic camera movement, no text, no logos, no cartoon style, no slow motion. Keep proportions. Keep style and features.", "description": "", "author": "DeCat", "authorUrl": "https://x.com/DeCat2025", "sourceUrl": "https://x.com/DeCat2025/status/2072294991095845092" }, { "id": "seedance-147", "title": "Lakeside Sunrise Lifestyle Vlog", "category": "talking-head", "prompt": "Create a 15-second hyper-realistic cinematic lifestyle vlog featuring a confident 23-year-old female content creator enjoying her peaceful sunrise walk along a scenic lakeside park surrounded by lush trees, blooming flowers, and soft morning mist. She wears a cream athletic T-shirt, sage-green running shorts, white sneakers, and a minimalist smartwatch. The atmosphere feels calm yet energetic, with premium influencer aesthetics inspired by high-end Instagram Reels and TikTok lifestyle videos.\n\nUse ultra-smooth gimbal tracking, cinematic handheld movement, dynamic whip transitions, speed ramps, shallow depth of field, natural lens flares, soft golden sunrise lighting, crisp ambient nature audio, and realistic facial expressions with accurate lip sync. No text overlays, logos, or watermarks.\n\nScene 1 (0–2 sec)\n\nClose-up sequence of her putting on wireless earbuds, tightening her smartwatch strap, picking up a stainless-steel water bottle, and stepping onto the walking trail.\n\nDialogue:\n“A fresh morning starts right here.”\n\n⸻\n\nScene 2 (2–5 sec)\n\nFront-facing selfie shot as she walks confidently with warm sunrise light filtering through the trees behind her. Gentle breeze moves her hair naturally.\n\nDialogue:\n“The best part of the day is before the world wakes up.”\n\n⸻\n\nScene 3 (5–8 sec)\n\nQuick cinematic montage:\n\nshoes landing softly on the path\nsmartwatch counting steps\nsunlight shining through leaves\nbirds taking flight\ndew sparkling on grass\nclose-up of her relaxed smile\n\nDialogue:\n“Even a short walk makes everything feel lighter.”\n\n⸻\n\nScene 4 (8–12 sec)\n\nElegant slow-motion shots of her stretching beside the lake, taking a deep breath, laughing naturally, and enjoying the warm morning glow.\n\nDialogue:\n“A little movement… a lot more peace.”\n\n⸻\n\nScene 5 (12–15 sec)\n\nShe looks back toward the camera with a bright smile, gives a friendly wave, and continues walking toward the sunrise as the camera slowly pulls away.\n\nDialogue:\n“Same time tomorrow?”", "description": "", "author": "Weinberg", "authorUrl": "https://x.com/weiinberg", "sourceUrl": "https://x.com/weiinberg/status/2072265325513703806" }, { "id": "seedance-148", "title": "Cinematic NYC Hyperlapse Walking Story", "category": "nature-drone", "prompt": "Generate a video: A young female Oval heart-shaped face, clean bright fair porcelain skin with natural pores and subtle micro imperfections (no over-smoothing), soft almond eyes, refined nose, polished natural makeup with soft highlights, face must remain clearly visible, sharp, and consistently recognizable across all shots (FACE LOCK, no distortion, no blur on face during motion), expression calm, confident, slightly observant urban vibe.\n\nHair natural loose, slight movement from wind, never covering the face.\n\nOUTFIT:\nStreetwear casual — oversized hoodie / tee, relaxed pants, **Nike Air Jordan sneakers**, subtle accessories, realistic fabric movement.\n\nENVIRONMENT:\nNew York City streets — skyscrapers, crosswalks, traffic, crowds, subway entrances, storefront reflections \n**Time progression: morning → afternoon → golden hour → night (hyperlapse feel)**\n\nSTYLE CORE:\nCinematic urban walking sequence \nMacro cut + motion camera + hyperlapse transitions \nFocus: **movement + environment + face tracking**\n\nCAMERA SYSTEM (MULTI MOTION + FACE TRACK):\n- Front tracking cam (primary face lock)\n- Side tracking cam (walking profile)\n- Wide cinematic cam (city scale)\n- Macro cut cam (feet, hands, environment detail)\n- Overhead drone (brief city reveal)\n- Push-in / pull-out cam\n- Whip pan transitions between angles \n**Face always re-acquired after every cut**\n\nAUDIO:\nAmbient city sound + light cinematic beat \nFootsteps, traffic, distant voices, wind\n\nTIMELINE (10s CINEMATIC WALK + HYPERLAPSE):\n\n0.0–1.5s (MORNING START) \nWide NYC street → subject walking into frame \n→ front tracking cam → soft morning light \n→ face calm, natural\n\n1.5–3.0s \n**Macro cut sequence**: \n→ close-up sneakers stepping (Nike Jordan detail) \n→ hand brushing jacket \n→ quick whip to face close-up \n→ side tracking resumes\n\n3.0–4.5s (MIDDAY SHIFT) \nCrowd increases → faster movement \n→ side cam + wide cam alternating \n→ subtle hyperlapse effect in background (people blur) \n→ face still sharp\n\n4.5–6.0s \nCrosswalk moment → overhead + push-in combo \n→ macro: traffic light change → cut to face \n→ sunlight stronger (afternoon)\n\n6.0–7.5s (GOLDEN HOUR) \nWarm light hits face \n→ orbit side-front cam \n→ reflections on glass buildings \n→ calm confident expression\n\n7.5–9.0s (TRANSITION TO NIGHT) \nHyperlapse shift → lights turn on, sky darkens \n→ whip pan transitions \n→ macro: neon sign → cut to face \n→ faster walking energy\n\n9.0–10.0s (NIGHT FINAL) \nCity fully lit → neon + headlights \n→ front tracking close-up \n→ slight slow-down step \n→ **FULL FACE LOCK CLOSE-UP**, confident urban expression\n\nPHYSICS & EFFECTS:\nHyperlapse background motion, realistic footstep impact, cloth movement, light reflections, motion blur on environment only (NOT face)\n\nLOOK & COLOR:\nUltra cinematic, NYC tone, high contrast, morning soft light → golden hour warm → neon night glow", "description": "", "author": "Harboris", "authorUrl": "https://x.com/harboriis", "sourceUrl": "https://x.com/harboriis/status/2072244931452891196" }, { "id": "seedance-149", "title": "Luxury Fashion Poolside Commercial", "category": "product-ad", "prompt": "“PINKY RARE\n10s | 9:16 Vertical | Luxury Fashion Commercial\n\n1. 0:00–0:01 — WIDE ESTABLISHING SHOT\nCamera: 28mm locked, slow dolly forward\nNotes: Pool water ripples gently, palm leaves sway naturally.\n\n2. 0:01–0:02 — SIDE POOL VIEW\nCamera: 35mm, slow left-to-right slide\nNotes: Realistic parallax, sparkling turquoise water and striped umbrellas.\n\n3. 0:02–0:03 — MACRO POOL WATER\nCamera: Macro, tilt downward\nNotes: Tilt naturally until shimmering reflections fill the frame.\n\n4. 0:03–0:04 — FEET WALKING\nCamera: Low angle-level tracking, 85mm\nNotes: Follow her bare feet walking beside the pool. Sunglasses hang naturally from her hand.\n\n5. 0:04–0:05 — SUN KISS PORTRAIT\nCamera: Low-angle, tilt up\nNotes: She raises her hand to shield the sun. Warm lens flare between her fingers.\n\n6. 0:05–0:06 — BEAUTY CLOSE-UP\nCamera: 85mm, slow push-in\nNotes: She lowers her hand, gently adjusts her sunglasses and smiles confidently.\n\n7. 0:06–0:07 — OVER-SHOULDER PORTRAIT\nCamera: 50mm, slow arc\nNotes: Camera arcs around her shoulder as she turns back toward the pool with relaxed elegance.\n\n8. 0:07–0:08 — SWIMSUIT MACRO\nCamera: 100mm macro, slow push-in\nNotes: Reveal realistic stitching, folds, woven texture and sparkling water droplets.\n\n9. 0:08–0:10 — FINAL HERO SHOT\nCamera: Extreme macro, slow push\nNotes: Hold on final frame. Logo remains clean and static. Tiny water droplets shimmer in the sunlight.\n\nAudio Direction:\nDreamy luxury summer music, subtle pool ambience, gentle breeze, soft footsteps, elegant fashion commercial sound design.\n\nNotes:\n\nSmooth cinematic transitions.\nConsistent lighting, color grading and environment.\nNo extra people, no outfit changes, no AI morphing.”", "description": "", "author": "Isabella", "authorUrl": "https://x.com/IsabellaHan_", "sourceUrl": "https://x.com/IsabellaHan_/status/2072217972525973866" }, { "id": "seedance-150", "title": "Humanoid Bat Creature on Mumbai Street Light", "category": "ugc", "prompt": "Video edit, ultra-realistic. Handheld camera slowly zooming in on the tall L-shaped street light pole on a rainy Mumbai evening. From the top arm of the pole, a realistic humanoid creature (Image attached) is hanging upside down like a bat — muscular bat-like body with leathery wings folded, human-like face, wet fur and skin texture, claws gripping the pole.\nThe camera pushes in closer. At the very end, the humanoid bat’s eyes suddenly snap open, glowing faintly, and it stares directly at the camera with an intense look. Moody blue-orange street light glow, rain falling, atmospheric and creepy.", "description": "", "author": "Rahul Nanda", "authorUrl": "https://x.com/rahulnanda86", "sourceUrl": "https://x.com/rahulnanda86/status/2072206113173569693" }, { "id": "seedance-151", "title": "One-Shot Multiverse Room Transition", "category": "product-ad", "prompt": "One continuous shot, camera smoothly follows a person in a black coat (refer to @Image1) walking from left to right through six connected rooms with different tones and atmospheres. Each room has the same structure: white walls, light-colored wood herringbone floors, French double floor-to-ceiling windows, and white curtains (refer to @Image2), but the scenery outside the window and the indoor atmosphere are completely different. The protagonist walks at a steady speed throughout, passing through every open door in the walls. 0-5s: first room, American comic fight theme, protagonist enters and fights character @Image3, character loses; 5-10s: second room, theme of warmth, felt style, sunflower field outside @Image4, warm orange soft indoor lighting, a painter painting sunflowers @Image5. Protagonist turns into felt style upon entry; 10-15s: third room, theme of sadness, black and white comic stop-motion style, rainy outside, cold grey dim indoor light, a person sitting alone hugging knees in the center of the room, an unanswered phone glowing nearby. Protagonist turns off lights, immediately turns them on, room becomes colorful and filled with flowers; 15-20s: fourth room, theme of joy, room submerged in the sea (refer to @Image6), protagonist swims in with beautiful coral reefs and fish; 20-25s: fifth room, theme of surprise, night sky with fireworks outside (refer to @Image7), flickering colored indoor lighting, protagonist caught in celebratory atmosphere; 25-30s: final room, a blank room, protagonist stands in center and snaps fingers (with snap sound effect), screen goes black with the word 'seedance' appearing in the center (refer to @Image8). Overall cinematic feel, high-end fashion commercial style, lighting entirely determined by the outdoor scenery creating strong emotional contrast, no text on screen.", "description": "", "author": "John", "authorUrl": "https://x.com/johnAGI168", "sourceUrl": "https://x.com/johnAGI168/status/2072200991152255188" }, { "id": "seedance-152", "title": "Pharaoh EDM Live Performance", "category": "general", "prompt": "Have the Pharaoh walk across the scene, moving from the center to the left side of the screen. He should act as if he is enraged, then seamlessly transition to the right side of the screen. Ensure the movement is fluid and continuous. Use energetic EDM music. The audience should be visibly interacting—jumping, dancing, cheering, and recording the performance with their smartphones.", "description": "", "author": "Bobby bangsawan", "authorUrl": "https://x.com/Bou_bee", "sourceUrl": "https://x.com/Bou_bee/status/2072188119961751806" }, { "id": "seedance-153", "title": "Cinematic Tokyo Travel Vlog Montage", "category": "product-ad", "prompt": "Create a 10-second cinematic travel vlog montage. Use the uploaded woman’s face consistently throughout every shot. She is a stunning young female travel creator with long dark wavy hair with curly bangs,wearing fashionable oversized Japanese streetwear (burgundy long leather jacket,shoulder bag), natural makeup, cheerful personality.\n\nThe entire video should feel like real smartphone footage, with handheld camera movement, imperfect framing, accidental lens flare, slight motion blur, rolling shutter, high ISO noise at night, autofocus hunting, overexposed highlights, slight barrel distortion from a phone wide-angle lens, tiny lens smudges, and natural camera shake. No polished commercial look.\n\nStory Flow (10s)\n\n0.0–0.8s\nLow-angle selfie in front of Tokyo Tower.\nShe smiles naturally while adjusting the phone.\nSlightly tilted horizon.\nBright overexposed cloudy sky.\nTiny fingerprint on lens.\n\n0.8–1.6s\nWalking through Shibuya Crossing at night.\nLooks back at camera while walking.\nNeon reflections on wet road.\nStrong motion blur.\nQuick whip-pan transition.\n\n1.6–2.4s\nInside a Japanese convenience store.\nHolding an onigiri close to camera.\nPlayful eyebrow raise cutely .\nHarsh fluorescent lighting.\nBackground shelves softly blurred.\n\n2.4–3.2s\nSitting alone in Yoyogi Park.\nQuiet candid moment.\nLooking away from camera.\nSoft sunlight filtering through trees.\nSlight focus miss.\n\n3.2–4.0s\nEating freshly made takoyaki.\nInstant reaction after first bite.\nWarm lantern lighting.\nFace slightly blurred from movement.\nLaughing naturally.\n\n4.0–4.8s\nStanding in front of a glowing vending machine.\nBlue and pink lighting on face.\nPressing drink button casually.\nVisible night grain.\n\n4.8–5.6s\nReflection in Tokyo tram window.\nLayered city lights reflected on glass.\nShe looks outside thoughtfully.\nTrain moving creates light streaks.\n\n5.6–6.4s\nWalking beneath a Torii gate.\nLow-angle tracking shot from behind.\nTurns her head briefly.\nMotion blur.\nBright halo from sky.\n\n6.4–7.2s\nImmersive digital art exhibition.\nBlue, purple and gold lights moving across face.\nLooking upward in amazement.\nNatural low-light noise.\n\n7.2–8.0s\nWide-angle low-angle shot beside the giant silver bullet sculpture.\nShe appears small beneath the sculpture.\nPhone lens distortion.\nSky slightly blown out.\n\n8.0–8.8s\nWalking through a lantern-lit alley.\nCamera follows behind.\nShe turns around with a smile.\nWarm lantern glow.\nNatural night grain.\n\n8.8–10.0s\nRooftop selfie overlooking Tokyo skyline.\nWind blows hair across camera lens.\nSlightly tilted horizon.\nOverexposed city lights.\nShe laughs naturally while extending one arm toward the skyline.\n\nEditing Style\n\n* Fast whip-pan transitions\n* Speed ramps\n* Match cuts\n* Natural jump cuts\n* Handheld camera movement\n* Slight rolling shutter\n* Smartphone HDR exposure\n* Real travel vlog energy\n* No slow motion\n* No cinematic movie grading\n* Authentic TikTok creator aesthetic\n* Warm", "description": "", "author": "Oogie", "authorUrl": "https://x.com/oggii_0", "sourceUrl": "https://x.com/oggii_0/status/2072187582176440669" }, { "id": "seedance-154", "title": "Seedance 2.0 Cinematic POV Delivery Prompt", "category": "talking-head", "prompt": "Style: 8K cinematic texture. Real photography—not 3D rendering, not a game engine, no game cinematic feel. Photography: Master-level naturalistic photography. Lighting: Natural light only—backlit rim light, camera on the shadow side, thin fog in the air. Key light only from skylight and window light. Color: 60:30:10—Primary/Secondary/Accent. Lens: Physical cinematic lens. 180-degree shutter motion blur. Skin: Pore-level realism—fine hairs, asymmetric moles, capillary redness, pore shadows matching the scene lighting. Performance: Top-tier cinematic—micro-pauses before reactions, precise gaze, moist and bright eyes with catchlights, visible breathing and chest rise. Physics: Obey gravity and inertia—mass has real weight, contact shadows are correct, no floating props. Composition: Rule of thirds + golden ratio. Everyone is moving from the first frame. Consistency: Character, props, and environment completely consistent across every shot, no identity drift. Technical: 24fps smooth motion. 8K detail. No jitter. Audio: Ambient sound effects only. No music. No subtitles. SUBJECT: The delivery person is the individual from the uploaded first frame: high bun hairstyle, yellow and black color-blocked jacket with a light khaki vest and gray sweatpants, holding a black insulated delivery box in the right hand. The video continues the action directly from this first frame, with appearance, clothing, hairstyle, and box consistent throughout. WB 5200K. MULTISHOT—greeting at the door, entering the house, putting down the delivery, and leaving with a shy, playful backward glance. Chinese dialogue, mouth-sync enabled. LOCATION: Modern apartment elevator hallway with beige marble and warm lights, transitioning inward to a tidy entryway. The video naturally extends from the hallway space in the first frame into the interior. ACTION: POV first-person: The camera is 'you' (the customer) opening the door and watching her enter. The video begins moving from the first frame (her standing in the hallway looking at the camera). SHOT 1 (0:00–0:05): Continues from the first frame: The delivery person looks up directly at the camera with a warm slight smile, box in right hand. She says: 'Hello, your delivery is here.' Off-screen male voice (customer/camera) responds: 'Okay, help me bring it in.' Hard cut. SHOT 2 (0:05–0:10): Camera pulls back slightly as she enters, crossing the threshold into the entryway. She bends over to place the box by the cabinet, takes out the meal containers and arranges them neatly, then stands up and straightens the jacket hem. Off-screen voice: 'Thank you.' She bows her head slightly, cheeks blushing, a shy pause, then says: 'You're welcome, enjoy your meal.' Hard cut. SHOT 3 (0:10–0:15): She turns to leave, then stops, looks back over her shoulder at the camera, eyes crinkling, fingers lightly plucking the backpack strap. A playful micro-pause, then she says: 'Would you like me to stay and eat with you?' Freezes on her over-the-shoulder smile, softened by warm light. CAMERA: SHOT 1: POV eye-level, locked position at the door, 35mm feel, slight handheld breathing; Motive—initial encounter. SHOT 2: POV chest-high slow pull-back following her inside, 28mm, fine handheld shake; Motive—making space for her entry. SHOT 3: POV push-in to 50mm mid-close-up on her face as she turns; Motive—playful hook. STYLE: Primary warm beige marble/hallway tungsten light 60% / Secondary cold gray pants and black box 30% / Accent yellow jacket 10%. WB 5200K. Main light from hallway ceiling and off-screen interior lights, light fog. CONSTRAINTS: 9:16 vertical screen. No slow motion, natural 24fps throughout. Video strictly follows the uploaded first frame without altering character appearance or composition. POV remains first-person; camera does not show customer's body (implied hands at most). Delivery person's identity, clothes, bun, and box are identical across three shots. Natural and appropriate framing. Three Chinese lines with clean mouth-sync. No glowing eyes, no burnt-in subtitles.", "description": "", "author": "John", "authorUrl": "https://x.com/johnAGI168", "sourceUrl": "https://x.com/johnAGI168/status/2072176352304746727" }, { "id": "seedance-155", "title": "Crane Cabin Lockdown Action Sequence", "category": "action", "prompt": "A hyper-real cinematic action sequence set in an active construction site at dusk. Exposed rebar, scaffolding, unfinished concrete floors, and a tall tower crane dominate the scene. Dust hangs in the air. Sound design: heavy breathing, metallic clanks, distant machinery, and guttural alien screeches.\nThe video starts mid-chase.\n\nsprints across a half-built floor, leaping over gaps and dodging debris. Behind her, three alien —slick, elongated, with pale skin and wet, sinewy movement—pursue aggressively, closing in.\n\nShe spots a tower crane ladder and veers hard toward it, grabbing on and climbing fast. The camera stays tight, tracking her ascent as the creatures scale the structure with unnatural speed.\n\nOne creature lunges upward and grabs her ankle. She kicks violently, freeing herself, scraping against metal. No pause—she climbs the last few rungs and pulls herself onto the crane cabin platform.\n\nShe yanks the cabin door open, dives inside, and slams it shut.\nImmediate silence shift—muffled exterior sounds.\nShe stumbles back, breathing hard.\nSeconds later, the creatures reach the cabin. Slimy hands and distorted faces press against the glass, leaving streaks. The cabin rattles under their weight.\nShe watches, frozen, as they claw and slide across the windows.\n\nClose on her face—panic, controlled breathing.\nExterior noise builds.\nNo hard cut.", "description": "", "author": "Rahul Nanda", "authorUrl": "https://x.com/rahulnanda86", "sourceUrl": "https://x.com/rahulnanda86/status/2072155317623034196" }, { "id": "seedance-156", "title": "Pixar Style Robot Inventor Animation", "category": "action", "prompt": "Style: High-quality, vibrant 3D animated cartoon (Pixar/Illumination style). Frantic pace, squash-and-stretch physics, exaggerated expressions, dynamic lighting, and detailed textures. Characters: Gears, a small, overly enthusiastic, bright blue inventor’s robot with tread-wheels, multiple springy arms, and big, expressive digital eyes. He is constantly moving and beep-booping excitedly. Duration: 15 Seconds Setting: A colorful, chaotic, Rube Goldberg-esque inventor's workshop, filled with giant gears, conveyor belts, tubes, levers, and sparking gadgets. 15-Second Animation Breakdown: (0-3 seconds: The Start): The camera starts with a rapid zoom following Gears as he races through the workshop on his treads. He’s bouncing off cushions, weaving through moving mechanical legs, and juggling three shiny silver cogs. His arms are a blur of motion. He narrowly dodges a swinging giant pendulum with a comical \"whoosh\" sound effect. (3-7 seconds: The Chain Reaction): Gears accidentally bumps into a large, messy workbench, tripping a large red lever. This triggers a chaotic chain reaction.A boxing glove pops out, punching a ball down a spiral ramp.The ball triggers a fan that blows colorful feathers everywhere.A tube starts rapidly firing brightly colored ping-pong balls. Gears is in the middle of this chaos, wide-eyed and sputtering, frantically ducking the boxing glove, batting away feathers, and comically trying to catch the ping-pong balls, spinning around wildly on his treads. (7-11 seconds: Escalation): A conveyor belt speeds up fast, loaded with wobbly, jelly-like robotic parts. Gears tries to sort them but they bounce everywhere. He grabs a spring that stretches ridiculously far, launching him across the room. He lands on another conveyor belt, which quickly pulls him towards a large, goofy mechanical claw. (11-14 seconds: Maximum Chaos): The mechanical claw grabs Gears and a wobbly, half-assembled robot toy he was holding. It spins them both in a dizzying circle high above the workshop chaos. The workshop background is a blur of motion, flying parts, sparks, and steam. Gears has a look of comical terror, but is also trying to fix the toy while spinning. (14-15 seconds: The Punchline): The claw abruptly stops. The workshop goes instantly quiet, but everything is messy and askew. Gears is hanging upside down from the claw, dizzy, eyes swirly. He finally places the last cog on the wobbly robot toy. The toy instantly springs to life, makes a cheerful beep-boop sound, and wiggles its arms. Gears gives a dizzy grin and a \"thumbs-up\" to the camera as the scene fades. Camera: Constantly moving, dynamic, tracking Gears closely, utilizing xxxx pans and zooms to match the frantic pacing. Audio: Fast-paced, cartoon music, lots of vibrant sound effects (boings, whizzes, clangs, beeps).", "description": "", "author": "Iqra Saifi", "authorUrl": "https://x.com/IqrasaifiAI", "sourceUrl": "https://x.com/IqrasaifiAI/status/2072151958706921956" }, { "id": "seedance-157", "title": "Kawaii Hyper-Pop Anime MV", "category": "action", "prompt": "Use the uploaded images as character and style references.\n\n15-second kawaii hyper-pop music video at BPM 174.\n\nNo lip-sync. No singing focus.\n\nCreate a fast, chaotic, cute visual sequence with rapid character switching among all uploaded reference characters.\n\nStyle:\n\nPastel neon anime, pink, cyan, yellow, mint, lavender, bold outlines, flat shading, stickers, flowers, bows, spirals, halftone dots, manga panels, candy glitch accents.\n\nMain motion:\n\nFast BPM174 rhythm, rapid cuts every 0.1–0.4 seconds, cute dance bursts, sudden poses, bouncing, spinning, mob-dance energy, exaggerated reactions, clone echoes, split panels, and visual overload.\n\nLens effects:\n\nUse strong fisheye and ultra-wide distortion.\n\nMake the center bulge forward.\n\nStretch and curve the edges clearly.\n\nUse obvious barrel distortion, warped perspective, tunnel zooms, crash zooms, rotating camera, dutch angles, whip pans, and sudden push-ins.\n\nVariation:\n\nDo not repeat similar shots.\n\nEach section should introduce a different effect:\n\nfisheye close-up,\n\nspinning camera,\n\nsplit-panel shatter,\n\nclone multiplication,\n\nkaleidoscope mirror,\n\nmob-dance burst,\n\nsticker tunnel,\n\nwide-angle distortion,\n\nradial explosion,\n\nmulti-character chaos.\n\nTimeline:\n\n0–3s: extreme fisheye close-ups, fast character switching, sticker bursts.\n\n3–6s: rotating camera, panel splits, shattered manga frames.\n\n6–9s: clone multiplication, mob-dance bouncing, wide-lens warping.\n\n9–12s: kaleidoscope mirrors, tunnel zooms, crash zoom reactions.\n\n12–15s: maximum chaos, rapid effect relay, all characters in fast succession, final distorted cute impact frame.\n\nImportant:\n\nMake the fisheye distortion visually obvious, especially at the edges.\n\nKeep faces cute and readable.\n\nUse many different visual tricks, not one repeated effect.\n\nNegative prompt:\n\nweak fisheye, only round frame, static camera, repetitive shots, slow motion, lip-sync, realistic style, horror, grotesque face, broken anatomy, extra limbs, muddy colors, low energy", "description": "", "author": "Toshi@ニャルオAI", "authorUrl": "https://x.com/Toshi_nyaruo_AI", "sourceUrl": "https://x.com/Toshi_nyaruo_AI/status/2072150952107516338" }, { "id": "seedance-158", "title": "Futuristic Crane Chase Action Sequence", "category": "action", "prompt": "Hyper-realistic cinematic action sequence, 15 seconds, aspect ratio 16:9. \n\nNight. High above a futuristic city during a violent storm, two agents, one man and one woman, run across the long horizontal arm of a giant construction crane connecting one skyscraper to another unfinished tower. Both wear dark fitted tactical clothing with no hoods, no helmets, and no masks. \nTheir hair is visible and moves in the wind. No celebrity resemblance and no famous actor look. Heavy rain lashes the metal surface, wind shakes the crane, warning lights blink red, and the glowing city stretches far below through mist. \n\nWide opening shot: the two agents sprint along the crane arm high above the city while several chasers follow behind from the rooftop access point. Rain, wind, and height create immediate danger. \n\nTracking shot: the agents continue running along the narrow crane arm. The crane sways in the storm, loose tools and metal parts slide past them, and the surface becomes slick with rain. They keep low for balance while the chasers gain behind. \n\nSide exterior shot: a powerful gust makes the crane swing harder. One section rattles violently, a hanging cable whips across the frame, and debris flies away into the night. The agents keep moving toward the unfinished tower ahead. \n\nFinal 5 seconds: the sequence becomes more intense. The crane arm tilts and shakes. One agent nearly loses footing but the other grabs and steadies them without stopping. They reach the far end of the crane and make a fast desperate jump from the crane arm onto the unfinished floor of the next skyscraper. They land hard, roll across the wet concrete, and regain balance as the crane continues swaying behind them. \n\nFinal moment: the two agents rise on the unfinished tower floor, storm raging around them, while the giant crane swings behind against the glowing city skyline. \n\nStyle: hyper-realistic, cinematic, fast-paced, suspenseful, clear and readable action, strong sense of height and danger, storm, rain, wind, blinking warning lights, metal structure, dynamic but readable camera movement, visible hair, no hoods, no helmets, no masks, no celebrity resemblance, no text, no logos, no cartoon style, no slow motion. Keep proportions. Keep style and features. Aspect ratio 16:9.", "description": "", "author": "DeCat", "authorUrl": "https://x.com/DeCat2025", "sourceUrl": "https://x.com/DeCat2025/status/2072116580046282974" }, { "id": "seedance-159", "title": "Tokyo Summer Travel Vlog Montage", "category": "animation", "prompt": "Use the reference grid image as the source of the same girl and her 10 summer travel scenes in Tokyo.\nCreate a single 15-second feel-good travel-vlog montage, 16:9 horizontal, flowing through all 10 scenes\nin order as quick handheld phone shots, about 1.5 seconds each, snappy cuts on the beat.\nThe same girl in every shot with consistent face and hairstyle; in each shot her outfit matches that scene in the reference.\nThroughout, she radiates excitement and joy — bright eyes, easy smiles, playful energy — and each shot shows off\nwhat makes that spot special. Authentic smartphone look, natural ambient light, subtle grain, light handheld motion.\nBright, joyful sightseeing music that conveys the fun of travel, around 125 bpm.\n\nShot 1 — Inokashira pond swan boat: she laughs with delight and rocks the pedal boat, sparkling water and a swan boat gliding behind, warm sun flare.\nShot 2 — cafe matcha kakigori: eyes lighting up, she lifts a spoonful of fluffy shaved ice toward the camera and beams, the towering dessert in frame.\nShot 3 — Harmonica Yokocho alley at night: she strolls through the glowing red-lantern alley, glances back with an excited grin, lively izakaya signs around her.\nShot 4 — hotel mirror selfie: a happy, relaxed mirror selfie, she tilts her head and smiles softly, calm window light, cozy room mood.\nShot 5 — summer festival night: she bites a bright candy apple and bursts into a giggle, swaying paper lanterns and a buzzing crowd behind her.\nShot 6 — golden-hour window selfie: an arm's-length selfie bathed in warm sunset light, soft hair movement, a contented joyful smile.\nShot 7 — ivy-covered Ghibli-style museum: she gazes up in wonder, spinning slightly to take it all in as the camera tilts up the lush green facade.\nShot 8 — Inokashira park path: she crouches with a delighted laugh and points as a small squirrel scampers by, dappled sunlight, playful energy.\nShot 9 — Harajuku shop window with bubble tea: she sips happily through a straw, her reflection shimmering in the glass, the bustling colorful street behind.\nShot 10 — on the train home: a calm, satisfied selfie, hand on her cheek, city skyline streaking past the window, a soft fulfilled smile.\n\nSmooth energetic flow from shot to shot, consistent color and grain throughout, upbeat happy travel-diary mood.", "description": "", "author": "タナベ | 動画・音声生成AI解説", "authorUrl": "https://x.com/tanabe_fragm", "sourceUrl": "https://x.com/tanabe_fragm/status/2072069592902734158" }, { "id": "seedance-160", "title": "Ancient Oak Tree Seasonal Orbit Time-Lapse", "category": "nature-drone", "prompt": "A single uninterrupted cinematic shot begins at sunrise in the middle of a vast peaceful meadow. At the center stands one enormous ancient oak tree with a wide trunk, sprawling branches, and deeply textured bark. The surrounding landscape is calm, covered in fresh green grass with distant mountains beneath a soft golden sky. Gentle birdsong fills the air as the camera slowly begins orbiting the tree in a perfectly smooth circular motion. The tree remains at the exact center of the frame throughout the entire film. As the camera completes the first quarter of its orbit, spring awakens instantly around the tree. Tiny buds emerge along every branch. Fresh green leaves unfurl in beautiful synchronized motion. Wildflowers bloom across the meadow in waves of color. Butterflies flutter through the warm air while birds begin building nests among the branches. Soft morning mist lifts from the grass as sunlight grows brighter. Without stopping, the camera continues its orbit. The landscape gradually transforms into vibrant summer. The tree's canopy becomes dense and full. Long grass sways gently in the warm breeze. Bees collect pollen from blooming flowers. A nearby stream sparkles under intense sunlight. Children briefly appear beneath the tree enjoying a picnic before naturally fading as time continues moving forward. Everything feels alive with warmth and abundance. The camera never cuts. As it reaches the opposite side of the tree, summer slowly gives way to autumn. The sunlight becomes warmer and lower in the sky. Leaves transition through brilliant shades of emerald, yellow, orange, crimson, and deep red. Gentle wind carries thousands of leaves into elegant swirling patterns around the camera. The meadow changes into rich golden tones while migrating birds cross the distant horizon. Time accelerates. The final leaves drift gracefully to the ground. The orbit continues. A quiet snowfall begins. Within moments the landscape transforms into winter. Snow blankets every branch with delicate crystalline detail. Frost slowly spreads across the bark. The nearby stream freezes into clear ice. The sky becomes pale blue while soft snowflakes fall silently through the air. The entire world feels peaceful and still. The camera completes one full orbit. Instead of stopping, it continues circling faster. Each complete revolution now represents decades instead of seasons. Spring, summer, autumn, and winter flow continuously around the tree in increasingly rapid succession. Blossoms bloom and disappear. Leaves grow, change color, and fall. Snow arrives and melts.", "description": "", "author": "Yazdan", "authorUrl": "https://x.com/AIwithYazdan", "sourceUrl": "https://x.com/AIwithYazdan/status/2072052841729151111" }, { "id": "seedance-161", "title": "Realistic DV Camcorder Slice-of-Life", "category": "talking-head", "prompt": "Main subject: young Korean woman, early 20s, natural everyday appearance, faded charcoal-grey sleeveless crop top, loose high-waisted light-wash jeans, black canvas sneakers, black cord necklace, black wavy hair in a messy side ponytail with wispy bangs. Realistic skin texture, minimal makeup, warm and approachable personality. Maintain consistent identity, clothing, hairstyle, and appearance throughout the entire video.\nLocation: Authentic Korean residential neighborhood during a calm late morning. Narrow concrete alleys, low-rise homes, small terraces, potted plants, laundry lines, bicycles, utility poles, overhead wires, mature trees casting moving shadows, quiet residential atmosphere. No stores, advertisements, cafés, crowds, or commercial activity.\nVisual Style: Ultra-realistic documentary realism. Genuine candid behavior. Natural body language. Unscripted slice-of-life feeling. Strong environmental authenticity. Rich real-world details and believable human motion.\nCamera Style: Early-2000s consumer DV camcorder aesthetic. Friend casually recording everyday moments. Heavy handheld shake, imperfect framing, frequent autofocus hunting, lens breathing, exposure pumping when moving between sun and shade, occasional motion blur, subtle rolling shutter, mild digital compression artifacts, faded colors, soft contrast, slight sensor noise. No stabilization. No cinematic camera moves. No modern color grading.\n00:00–00:02\nOutside a small house entrance. She sits on a low concrete wall adjusting her ponytail with both hands raised. A light breeze moves loose strands of hair. She smiles naturally while the camera struggles to hold focus.\n00:02–00:04\nThe camera follows her into a narrow alley lined with potted plants and concrete walls. She notices a stray cat approaching and crouches down. Framing drifts off-center as the operator tries to keep up.\n00:04–00:06\nShe gently pets and feeds the cat. Autofocus repeatedly shifts between her face and the animal. Morning sunlight flickers through leaves overhead.\n00:06–00:08\nSmall front yard beside her house. She hangs laundry on a clothesline while fabrics sway in the breeze. Exposure changes as clouds briefly pass overhead.\n00:08–00:10\nOn a quiet terrace with a ceramic coffee cup. She sits comfortably watching the neighborhood, occasionally brushing hair behind her ear. Loose handheld side angle with natural camera drift.\n00:10–00:12\nClose side profile. Someone off-camera greets her. She turns, raises her hand, smiles warmly, and casually says, “Annyeong.” The camera catches the moment slightly late.\n00:12–00:15\nWalking slowly down a tree-lined residential lane holding her coffee cup. She notices the camera, gives a small genuine smile, then looks away and continues walking. Recording cuts abruptly to black mid-motion as if the camcorder was switched off.\n\nAudio: Natural ambient sound only — morning birds, distant motorcycles, light wind, leaves rustling, faint neighborhood", "description": "", "author": "Johnn", "authorUrl": "https://x.com/john_my07", "sourceUrl": "https://x.com/john_my07/status/2071977017474789557" }, { "id": "seedance-162", "title": "2D Animation Youth Racing Narrative", "category": "talking-head", "prompt": "30-second cinematic youth racing story short film, 2D animation style. The protagonist is a young motorcycle racer participating in a high-stakes competition. The overall style is passionate, youthful, emotionally intense, and cinematic, with a complete narrative structure and a clear emotional arc. The entire film uses only two types of camera work: high-speed tracking shots and slow-motion wrap-around shots. Dialogue is minimal, appearing naturally like memory fragments, with a sincere, gentle, and restrained tone. No slogans, no excessive emotional indulgence. No disaster elements, negative expressions, or exaggerated sci-fi. Focus on highlighting love, support, counterattack, and growth in youth racing. 0s-5s: Sunset track, intense high-speed racing opening. The camera is close to the ground, tracking the young racer's bike at high speed. Tires skim the track boundary, engines roar, wind sounds are sharp, the atmosphere is tense and hot. The boy is fully focused, the sunset casting sharp highlights on the metal casing of the bike. 5s-9s: After entering a critical curve, the boy is suddenly overtaken by an opponent. High-speed tracking continues, depicting a sense of pressure from falling behind and a disrupted rhythm. A close-up inside the helmet shows a brief loss of focus, tightened breathing, and slight hesitation. He whispers, \"Can I still catch up...\" 9s-14s: Falling behind, breathing heavy, he hits an emotional low. The race continues, the bike still moving at high speed. Warm memory fragments start flashing during the high-speed ride: someone holding him from behind when learning to ride as a child; his father quietly and meticulously adjusting his helmet; a gentle smile watching him before the finish line; a silhouette walking side-by-side on a sunset slope. These memories are presented with golden backlighting, soft slow motion, and fragmented sensations. 14s-18s: The music shifts from oppressive to uplifting. A restrained and gentle voice comes from memory: \"Don't be afraid - I'm always here. Stay steady. And look forward.\" The boy's eyes refocus, his breathing stabilizes, and his emotion shifts from wavering to firm. 18s-23s: Regaining faith, he speeds up fully with a precise line for a counter-attack. High-speed tracking shows the power and control of the bike leaning into and exiting the curves, closing in on the bike ahead. He says in a low, firm voice: \"I won't stop here.\" 23s-27s: An upward track appears ahead, and he sprints at full speed toward the sunset. The screen retains only breathing, engine sounds, and rising music, with no extra dialogue. The bike leaps into the air due to inertia, entering an impressive slow motion. A final gentle, smiling voice comes from deep in memory: \"Go on.\" 27s-30s: The camera performs a slow-motion wrap-around close-up of the bike in mid-air. Pushing emotions of passion, gentleness, freedom, and upward leaping to a climax. A flower effect blooms behind him, followed by the appearance of 'seedance', reference @Image1", "description": "", "author": "John", "authorUrl": "https://x.com/johnAGI168", "sourceUrl": "https://x.com/johnAGI168/status/2071973758294749672" }, { "id": "seedance-163", "title": "Multilingual Global Flower Passing Transition", "category": "talking-head", "prompt": "Realistic live-action style, fast-paced editing, cinematic feel, 4K, 24fps, warm natural lighting, authentic performances, natural lip-sync, no subtitles. A single flower serves as the core visual thread, passing quickly from one country to the next, connecting different regions and people globally. In each scene, a person receives the flower, smiles sincerely, and says 'Thank you' in their local language. The overall rhythm is brisk and smooth, with dynamic camera work emphasizing authentic street/daily life atmosphere, cross-cultural connections, and the passing of kindness. Transitions: The flower is passed out of frame by one person and caught by another in a new scene, using whip pans, motion blur, or foreground blocking for seamless transitions, creating a 'one-shot around the world' feel. Camera style: Handheld tracking, slight camera shake, quick zooms, a mix of close-ups and medium shots, ambient environmental sound, and cinematic street photography quality. Warm, upbeat background music with a world-travel feel, fading out gently at the end. [Scenario 1 @Image 1] Inside a Chinese flower shop, authentic lifestyle scene. A girl takes a rose, smiles at the camera, and naturally says 'Xiexie!' [Scenario 2 @Image 2] English street, cool weather, natural cityscape. A man takes a carnation, nods and smiles, saying 'Thank you!' [Scenario 3 @Image 3] Mexican market, colorful and bustling. An auntie takes a bouquet of marigolds, puts her hands together, and warmly says '¡Gracias!' [Scenario 4 @Image 4] Indonesian countryside, natural sunlight. A child takes a frangipani flower, smiles happily, bows slightly, and says 'Terima kasih!' [Scenario 5 @Image 5] Thailand street, lively market. A vendor takes a jasmine garland, puts hands together, and kindly says 'Khob khun kha!' [Scenario 6 @Image 6] Arabian courtyard, soft lighting, elegant setting. A lady takes a desert rose, smiles with a hand on her chest, saying 'Shukran!' [Scenario 7 @Image 7] Brazilian community, vibrant and passionate. A boy takes a gerbera, very happy, says 'Obrigado!' [Scenario 8 @Image 8] Japanese street, an office worker receives a small flower on a bento, bows politely, and says 'Arigatou!' [Scenario 9 @Image 9] Korean street, modern urban feel. A young woman takes an azalea, naturally clasping her hands and smiling, says 'Gamsahamnida!' The camera lingers briefly on her smile before fading out softly.", "description": "", "author": "John", "authorUrl": "https://x.com/johnAGI168", "sourceUrl": "https://x.com/johnAGI168/status/2071957758467801512" }, { "id": "seedance-164", "title": "Samurai Duel on Dark Lake", "category": "action", "prompt": "Two elite swordsmen face each other on a vast dark lake under storm clouds. The lake surface is calm like black glass, reflecting faint moonlight.\n\nIMPORTANT: Each character performs individually before any combat begins.\n\nSCENE 1 (0–4s): Introduction Performance — Sakura Warrior\nThe female Sakura swordswoman (Image1) stands gracefully on a floating wooden platform. She slowly steps forward, showing calm mastery. She performs a controlled sword demonstration: slow elegant katana movements in the air, precise and fluid, with sakura petals forming around her blade. The camera focuses on her elegance, balance, and breathing control. No opponent interaction yet.\n\nSCENE 2 (4–8s): Introduction Performance — Three-Blade Warrior\nThe male Three-Blade swordsman (Image2) stands on a separate floating platform across the lake. He performs his own combat demonstration: controlled dual stance transitions, shifting weight, and rapid footwork visualization without advancing. His swords are revealed one by one in a disciplined sequence. Green wind energy subtly flows around his movements. Camera focuses on strength, discipline, and precision.\n\nSCENE 3 (8–12s): Mutual Awareness\nBoth characters stop their demonstrations and lock eyes across the lake. The atmosphere becomes tense. Wind intensifies. Water begins to ripple between them. Camera slowly zooms out to reveal distance and scale of the battlefield.\n\nSCENE 4 (12–16s): Water Run Engagement\nBoth warriors simultaneously step onto the water surface, running across it with controlled speed. Each character creates independent ripples and splash trails. No shared motion path. Camera tracking shot follows their separate trajectories as they close distance.\n\nSCENE 5 (16–20s): First Clash\nThey meet mid-air above the lake. A powerful collision of sakura-pink energy and green wind force explodes outward, distorting the water surface below like shattered glass. Camera performs slow 360 orbit around impact point.\n\nSCENE 6 (20–24s): Aftermath\nBoth land on opposite sides of the lake, standing still. Mist slowly rises. The lake returns to silence. Final slow pull-back reveals the vast dark battlefield.\n\nLighting: cinematic moonlight, volumetric fog, storm atmosphere, high contrast reflections. \nStyle: cinematic wuxia realism, grounded physics, epic samurai duel tone. \nAudio: wind pressure, katana movement, water footsteps, distant thunder, impact shockwave.\n\n4K Ultra HD, rich details, sharp clarity, cinematic texture, stable picture. Maintain face and clothing consistency, no distortion, high detail. Generate video without subtitles.", "description": "", "author": "CUPANG", "authorUrl": "https://x.com/Cupang1997", "sourceUrl": "https://x.com/Cupang1997/status/2071848498430112010" }, { "id": "seedance-165", "title": "Seedance 2.0 JSON Prompt Workflow", "category": "asmr", "prompt": "{\n\"scene\": \"vast sky realm with floating stone islands and waterfalls pouring into clouds below\",\n\"subject\": \"lone hooded figure in weathered cloak and armor, standing on a cliff edge\",\n\"action\": \"raises both arms to open a glowing circular portal etched with ancient symbols\",\n\"camera_movement\": \"slow push in, low angle tilting up toward the portal\",\n\"duration\": \"6s\",\n\"motion_intensity\": \"medium\",\n\"environment\": \"floating islands suspended in golden haze, twin waterfalls cascading into a sea of clouds\",\n\"lighting\": \"warm backlit sun, golden hour haze, glowing rim light on the figure\",\n\"effects\": \"swirling energy ring, light particles streaming upward, faint lens flare\",\n\"color_palette\": \"teal sky, amber light, desaturated stone tones\",\n\"mood\": \"epic, mystical, ancient power awakening\"\n}", "description": "", "author": "Zentrix⌚️", "authorUrl": "https://x.com/ZentrixHQ", "sourceUrl": "https://x.com/ZentrixHQ/status/2071843334960599135" }, { "id": "seedance-166", "title": "Anime Storyboard and Character Design", "category": "product-ad", "prompt": "- Create a single vertical anime animation development board for an original emotional short film titled \"The Girl and the Lighthouse\". The output must be ONE combined image containing an anime character design sheet and a cinematic storyboard page.\n\nIMPORTANT:\n→ Create fully original anime characters\n→ Do not imitate any existing anime studio style directly\n→ Do not resemble any copyrighted anime characters\n→ Keep designs unique, soft, nostalgic, and emotionally warm\n\nSTYLE:\n→ Premium anime pre-production board\n→ Mix loose hand-drawn storyboard sketches with semi-rendered anime keyframes\n→ Use soft watercolor-style lighting, cool sea blue and warm lighthouse gold colors, gentle shadows, red storyboard borders, blue motion arrows, handwritten production notes, timing notes, and lens notes\n\nLAYOUT:\nClean vertical composition with 2 sections.\n\nSECTION A — CHARACTER DESIGN SHEET\n\nGirl:\n→ A gentle anime girl with long windswept dark hair, soft blue-grey eyes, and a quietly waiting expression\n→ She wears: a soft cream knit sweater, a faded blue skirt, worn white canvas shoes, and a small green scarf\n→ She should feel: patient, quietly hopeful, emotionally deep, nostalgically waiting\n→ Show: front view, side profile, back view, 3/4 angle\n→ Expressions: patient, soft smile, quietly hopeful, calm and waiting\n→ Pose standing at the cliff edge watching the lighthouse\n→ Pose sitting on cliff rocks with knees drawn up\n→ Pose holding her scarf as the sea wind blows\n\nLighthouse:\n→ An old weathered lighthouse on a rocky seaside cliff — tall, worn stone, warm rotating golden light at the top\n→ It should feel: steady, faithful, warm, a symbol of patient waiting and guidance\n→ Show: wide view from cliff, close-up of rotating light, reflection on sea water\n\nAdd tiny handwritten notes and soft pastel anime color swatches.\n\nSECTION B — STORYBOARD\nCreate 8 cinematic anime storyboard panels in a neat grid. Each panel should include handwritten camera notes, blue motion arrows, timing notes, and lens notes.\n\nStory Beats:\n→ Wide shot of an old anime seaside village at dusk — calm sea, rocky cliffs, warm lighthouse light beginning to glow\n→ The girl walks alone along the cliff path toward the lighthouse as the sun sets\n→ She sits down on the cliff rocks and looks out at the sea, quiet and waiting\n→ Close-up of her face — patient, softly hopeful, emotionally still\n→ The lighthouse light begins its slow rotation, sending warm golden light across the sea\n→ She watches the light sweep across the water — each rotation steady and faithful\n→ Wide shot — girl on the cliff, lighthouse above, the vast calm sea below, warm dusk light\n→ Emotional ending — the lighthouse light sweeps across her face one more time, warm and gentle, the whole sea glowing behind her\n\nEnvironment:\nOld anime seaside village at dusk. Rocky cliffs, calm sea, old stone lighthouse. Warm golden dusk light on the water. Sea wind, distant waves, peaceful nostalgic coastal atmosphere.", "description": "", "author": "𝐌", "authorUrl": "https://x.com/Strength04_X", "sourceUrl": "https://x.com/Strength04_X/status/2071781376064659825" }, { "id": "seedance-167", "title": "3D Octopus Master Chef", "category": "action", "prompt": "Style Directives: 3D animated cartoon, Pixar/Illumination style, hyper-vibrant colors, exaggerated squash-and-stretch physics, dynamic camera movements, high-contrast volumetric lighting, motion blur on fast actions. \n\n[0:00 - 0:03] The Setup Camera starts on an extreme, fast-paced dolly-in. We are inside a bustling, neon-lit underwater kitchen made of coral. A frantic, bright purple Octopus Chef wearing a towering white toque is cooking at warp speed. Four tentacles are chopping glowing neon-green kelp into a blur, two tentacles are tossing a giant, glowing jellyfish-dough into the air, and one is furiously whisking a bowl of bioluminescent blue soup.\n[0:03 - 0:06] The Catalyst A giant clam-shell oven in the background violently bursts open! A dozen flaming, red-hot pearl \"meatballs\" shoot out like cannonballs. The camera does a lightning-fast matrix-style 360-degree pan around the Octopus as its eyes bug out in comical shock.\n[0:06 - 0:10] The Mid-Air Catch The Octopus stretches its tentacles like rubber bands across the screen. We see extreme close-ups of suction cups perfectly catching the flaming pearls in mid-air using frying pans and spatulas. Just as he catches the last one, an electric eel zips through the frame and crashes into a spice rack.\n[0:10 - 0:13] The Climax Boom! A massive, slow-motion explosion of glittering, rainbow-colored spice dust fills the screen. The Octopus spins wildly like a purple tornado, using centrifugal force to combine the kelp, the jellyfish dough, and the flaming pearls right in the middle of the glittering dust cloud. The camera rapidly zooms out to show the tornado pulling all the loose pots and pans into its orbit.\n[0:13 - 0:15] The Resolution The tornado abruptly stops with a loud POP. The dust clears instantly. The Octopus is breathing heavily, charred black with soot, but holding a flawlessly plated, towering, glowing masterpiece of a dish on a single tentacle. The dish instantly zips down a coral slide out of frame. Cut to black.", "description": "", "author": "Iqra Saifi", "authorUrl": "https://x.com/IqraSaifiii", "sourceUrl": "https://x.com/IqraSaifiii/status/2071732696401826104" }, { "id": "seedance-168", "title": "Cyberpunk Tokyo Alley Fight Sequence", "category": "action", "prompt": "STYLE BRIEF: Ultra realistic cinematic cyberpunk. Nighttime Tokyo alley. Heavy rain. The camera doesn't watch the fight it survives it. Handheld, urgent, imperfect. Neon bleeds through rain like open wounds in the dark. Every frame feels stolen.\n\nCHARACTER & ENVIRONMENT CONTINUITY: Both fighters maintain dark tactical hoods and black protective face masks throughout all four shots no exceptions, including during impact. The alley, rainfall intensity, and neon color palette remain locked across the entire sequence.\n\n[00:00–00:04] SHOT 1 | THE CIRCLING\nCAMERA: Extreme low-angle handheld nearly flush with the wet asphalt. The lens skims just above the surface of a shimmering puddle. The camera pushes forward slowly, predatorially, between two sets of boots.\nACTION: The two fighters circle one another in tight, measured steps. No wasted movement. No aggression yet only the terrible patience of two people who already know how this ends. Water ripples outward from each footfall like a heartbeat. Then one fighter's weight shifts. A half-second of stillness. Then a savage forward lunge, the first punch thrown like a decision that cannot be undone.\nEFFECTS: Rain hammers the pavement in continuous sheets. Each footstep detonates a small explosion of water. Neon reflections red, blue, violet fracture and reassemble across the surface of every puddle. The lens catches a scatter of rain droplets mid-air, backlit against a glowing ramen sign.\n\n[00:04–00:08] — SHOT 2 | THE EXCHANGE\nCAMERA: Aggressive shoulder-level handheld, orbiting the fighters in a tight, broken arc the camera operator in the fight, not beside it. The frame cuts and tilts with each impact. Nothing is clean. Everything is alive.\nACTION: The exchange erupts. Fast hands, faster counters. Defensive slips, sharp body strikes, the ugly geometry of two trained fighters in a space too small for comfort. The camera stays inside the action close enough that fighters occasionally eclipse the frame entirely. The fight is not choreographed for the lens. The lens chases it.\nEFFECTS: Every footstep detonates water. Rain streaks horizontally across the lens in blurred silver lines. Neon light catches the wet surface of tactical jackets and turns them into mirrors red on black, blue on black. The air is thick with mist and motion.\n\n[00:08–00:12] SHOT 3 | THE MOMENT\nCAMERA: Time fractures. The camera swings wide around the attacking fighter in a smooth, almost tender arc and then the world stops. Ultra slow motion descends like a held breath. The camera completes its orbit at eye level, holding on the moment of impact.\n\nACTION: A single punch. Thrown with everything. It connects and in slow motion, the consequence is enormous. The opponent's head snaps sideways. The hood shifts but holds. The black mask stays sealed to the face unmoved, unbroken even as the skull beneath it absorbs something catastrophic.", "description": "", "author": "BMX", "authorUrl": "https://x.com/bmx_ai13", "sourceUrl": "https://x.com/bmx_ai13/status/2071727153138512156" }, { "id": "seedance-169", "title": "Tragic Drama Japanese Animation Prompt", "category": "nature-drone", "prompt": "@image1 is the first keyframe and style reference. High-cinematic-quality tragic drama animation. Dark, moody, high-contrast desaturated color palette with a cold green-tinted shadow grading. A warm, flickering key light illuminates her face, casting dramatic shadows. Dimly lit traditional Japanese room with soft volumetric dust particles floating in the air. \n\n0–3s: CLOSE-UP from @image1. Her eyes are tightly shut, trembling with intense grief. A thick glinting tear tracks slowly down her cheek, refracting the warm key light. Her chin quivers slightly in a micro-expression of profound sorrow. Camera executes an ultra-slow dolly zoom.\n\n3–6s: EXTREME CLOSE-UP on her lips. Her mouth is slightly agape as a silent, shaky sob escapes. A tear drops from her chin and splashes onto the red collar of her kimono, creating a realistic damp darkening spot on the intricate silk fabric.\n\n6–9s: SLOW PROFILE PAN. She slowly bows her head. Strands of her dark hair fall loose across her face, swaying softly with her shallow, heavy breathing. The collarbone and chest muscles tense up naturally under the weight of her grief.\n\n9–12s: MEDIUM SHOT. She slowly opens her glassy, red-rimmed eyes, looking down in despair. A shaft of cold moonlight pierces the sliding paper screens (shoji) in the background, cutting through the volumetric dust. She clutches her red collar with a trembling, pale hand.\n12–15s: MACRO SHOT OF HER EYES. Looking slightly off-camera, her glossy eyes reflect a flickering candle flame. The camera slowly pulls back as she lets out a final, shaky exhale, her facial muscles softening into a hollow, numb expression.\n\nTragic cinematic realism matching the style and face of @image1. High-fidelity tear rendering, volumetric dust, ultra-realistic skin and cloth physics, shallow depth of field. 2.35:1, 24fps.\nTotal: 15s / Multi-shot / 16:9", "description": "", "author": "Cia0", "authorUrl": "https://x.com/Cia0_exe", "sourceUrl": "https://x.com/Cia0_exe/status/2071692288145969662" }, { "id": "seedance-170", "title": "Alien Army Base Ambush", "category": "general", "prompt": "A jungle base at night, deep in thick wet rainforest. Tents, sandbags, floodlights, a fenced yard with a big diesel generator and fuel drums, and a tall watchtower. A giant alien — brownish-black, slimy, with long whipping tentacles — has attacked the base, wrapped its tentacles around the big generator, and is dragging a soldier across the yard toward it. On the watchtower, a gunner stands at a mounted gun. Sound: humming generator, wet tentacles slapping, shouting men, the alien's low roar, radio voices.\n\nShot 1 (0–3s) — THE HOOK: Low shot across the floodlit yard. The giant alien crushes the diesel generator in one set of tentacles while another drags a soldier across the mud by his legs. He claws at the ground. Men run between the tents. One shouts into his radio: \"IT'S DRAGGING HIM TO THE GENERATOR!\"\n\nShot 2 (3–6s): Up on the watchtower. The gunner swings his mounted gun toward the alien, but holds his fire — the soldier still in the tentacles, fuel drums everywhere. He calls down on the radio: \"Break loose! Roll clear!\"\n\nShot 3 (6–9s): At the soldier. He pulls a knife and slashes the slimy tentacle around his legs, breaks free, and rolls clear across the yard. The alien, now empty-handed, lets go of the generator and slides forward into the open middle of the floodlit yard, rearing up tall and clear in the mud.\n\nShot 4 (9–13s) — BIG SLOW-MOTION MOMENT: The alien is out in the open now, the fuel drums right behind it. The gunner fires. Bullet time — a stream of heavy rounds flies across the yard in slow motion, smoke and shell cases hanging in the air, smashing into the alien and tearing into the fuel drums behind it. The drums burst — a huge fireball blooming around the alien.\n\nShot 5 (13–15s): Time snaps back. The whole yard lights up as the fuel drums and the alien go up in one rolling fireball, fire and slime shooting into the night sky. Soldiers shield their faces in the mud as the rescued man scrambles clear.", "description": "", "author": "Rahul Nanda", "authorUrl": "https://x.com/rahulnanda86", "sourceUrl": "https://x.com/rahulnanda86/status/2071686446843597158" }, { "id": "seedance-171", "title": "Tron-Inspired Speed Chase", "category": "action", "prompt": "Create a 15-second 16:9 ultra-cinematic Tron-inspired speed chase.\n\nSubject: A futuristic rider on a sleek black light bike with glowing electric blue energy lines. The rider wears a minimalist high-tech racing suit with illuminated accents. Keep the motorcycle design, rider identity, suit, colors, and glowing patterns perfectly consistent throughout.\n\nAction: The light bike accelerates through an endless neon megacity at impossible speed. Bright energy trails paint the air behind the vehicle. The rider performs precision turns through glowing corridors, narrowly avoids oncoming light barriers, drifts around impossible corners, and races toward a gigantic digital gateway. The final moment shows the bike blasting through the portal in a burst of light.\n\nScene: Futuristic digital world, endless neon highways suspended in darkness, luminous skyscrapers, holographic structures, glowing grids, reflective black surfaces, electric particles floating in the air.\n\nCamera: Begin with an extreme close-up of the glowing wheel. Transition into a low-angle side tracking shot at extreme speed. Follow with a rear chase camera showing the endless light trail. Dynamic orbit shot during a high-speed drift. Finish with a dramatic wide shot as the rider enters the giant portal. Ultra-smooth camera movement, cinematic speed ramps, controlled motion blur, sharp focus on the bike.\n\nLighting & Style: Deep black environment contrasted with intense cyan, blue, and white neon lighting. Ultra-clean futuristic visuals, glossy reflections, high contrast, premium sci-fi blockbuster aesthetic, epic digital atmosphere.\n\nAudio: Powerful electronic synthwave soundtrack, futuristic engine hum, energy surges, digital impacts, bass drops synchronized with acceleration, immersive sci-fi ambience.\n\nMood: Adrenaline, speed, futuristic power, epic digital journey.\n\nAvoid random text, logos, distorted bike geometry, changing rider appearance, flickering lights, unstable camera, extra vehicles appearing unexpectedly, warped anatomy, excessive glow bloom, low-detail backgrounds, unrealistic physics, blurry action, duplicated objects.", "description": "", "author": "LudovicCreator", "authorUrl": "https://x.com/LudovicCreator", "sourceUrl": "https://x.com/LudovicCreator/status/2071685208068309392" }, { "id": "seedance-172", "title": "Epic Anime Dungeon Raid Battle", "category": "nature-drone", "prompt": "A young hunter wearing futuristic armor, glowing emerald visor and twin energy blades, rendered in ultra-premium Japanese anime rendering, Solo Leveling-inspired visual style, high-contrast cel shading, dramatic anime lighting, glowing VFX\n- 0–4s: enters a colossal dungeon beneath a ruined city where giant crystal beasts emerge from the darkness; \n- 4–10s: sprints across collapsing platforms, cutting through monsters while crystal explosions illuminate the cavern, camera performing rapid anime-style orbit shots around every attack; \n- 10–15s: reaches the dungeon boss, a mountain-sized crystal dragon, and pierces its core with a blinding energy strike, ending with the dragon shattering into millions of glowing fragments while the hunter stands at the center of the collapse\nEpic dungeon raid anime, massive boss battle, premium sakuga spectacle.", "description": "", "author": "Pierrick Chevallier | IA", "authorUrl": "https://x.com/CharaspowerAI", "sourceUrl": "https://x.com/CharaspowerAI/status/2071654977303347513" }, { "id": "seedance-173", "title": "Cinematic Transition and Jellyfish Sequence", "category": "product-ad", "prompt": "Use Image1 as the opening frame. The camera has a subtle handheld shake and slowly pushes forward. Outside the window, the shadows of trees race backward, gradually accelerating until they become a rapid blur.\n\nSuddenly, cut to Image2. The pace shifts dramatically, slowing to a peaceful glide. The camera gently moves forward along a quiet stream, creating a serene atmosphere filled with birdsong and the feeling of fragrant blossoms in the air.\n\nThe camera tilts downward and slowly submerges beneath the water. Soft underwater bubble sound effects accompany the transition. In Image3 and Image4, a graceful school of glowing orange jellyfish drifts elegantly across the camera's view.\n\nThe camera slowly pulls back. A small school of fish swims past the lens before entering a window from underwater. Inside, the young girl looks around from side to side, quietly admiring the tiny fish surrounding her.\n\nThe camera continues to pull back. The image briefly falls out of focus, then gradually snaps back into sharp clarity. From this point, the scenes transition rhythmically in sync with the music.\n\nA rapid montage follows:\n\n- A Chinese garden moon gate window\n- The circular light from Image5 rotating gracefully\n- A church stained-glass window\n- An airplane window\n- An arched skylight\n- A black maple-leaf patterned window\n- Window blinds\n- A European-style roof window\n- A door peephole\n- A camera viewfinder\n- A bird's eye\n- An extreme close-up of a human eye\n\nThe camera lingers on the close-up of the human eye. The eye slowly closes, and the screen fades to black.\n\nAfter a brief pause, the eye suddenly opens. In the center of the iris, the word \"seedance\" appears with a strong, dramatic emphasis, serving as the final brand reveal.", "description": "", "author": "Oogie", "authorUrl": "https://x.com/oggii_0", "sourceUrl": "https://x.com/oggii_0/status/2071623503099703574" }, { "id": "seedance-174", "title": "Epic Manga Battle Sakuga", "category": "animation", "prompt": "A deadly manga heroine with long silver hair, piercing crimson eyes, athletic silhouette, black battle kimono flowing in the wind, rendered in ultra-premium Japanese anime rendering, manga-style visual language, epic anime-inspired sakuga animation, sharp anime linework, high-contrast cel shading, hand-drawn speed lines, explosive impact frames, dynamic motion smears, dramatic facial close-ups, cinematic anime lighting\n- Stands alone on a shattered temple staircase as dozens of demon warriors charge uphill toward her, camera slowly circling her calm expression before a sudden crash zoom into her eyes; \n- Explodes forward with impossible speed, slicing through enemies in a blur of steel, bodies launched through pillars, stone stairs shattering beneath each step, epic anime-style impact frames punctuating every strike; \n- Reaches the giant demon general at the summit and defeats him with a single devastating slash that splits the temple gate behind him, ending with the heroine standing amid falling debris while the remaining demons retreat in terror\nEpic fantasy anime battle, brutal sword choreography, heroic final payoff.", "description": "", "author": "Pierrick Chevallier | IA", "authorUrl": "https://x.com/CharaspowerAI", "sourceUrl": "https://x.com/CharaspowerAI/status/2071609756502872372" }, { "id": "seedance-175", "title": "Space to Beach Seamless One-Shot", "category": "cinematic", "prompt": "Scene:\nA seamless one-cut video starting from deep space, rapidly descending to the coast of the Japanese archipelago, and ending with a shot of a woman eating a large portion of cup yakisoba on a midsummer beach. Scale down instantly from a space-scale perspective to a close-up shot of a human.\n\nFinal Subject:\nThe final cut is based on . A Japanese seaside in summer, clear skies, perfect beach weather. A young woman holds a large white container of cup yakisoba and eats it deliciously while lifting the noodles with chopsticks. The background shows the blue sea, sandy beach, swimmers, beach umbrellas, and beach huts. The final frame prioritizes matching the composition, expression, yakisoba, and seaside background of .\n\nTimeline 15 seconds:\n0–4s: Wide-angle shot of Earth from deep space. The camera smoothly accelerates forward, and Earth rapidly grows larger. Dark space, starlight, and the blue rim of Earth's atmosphere.\n4–8s: The camera enters the atmosphere. It bursts through clouds and descends over East Asia with a strong sense of speed and motion blur. The Japanese archipelago begins to appear.\n8–11s: Lock onto the coastline of Japan and dive rapidly. The blue sea, white waves, sand, beach buildings, umbrellas, and swimmers approach all at once. Heading toward a summer beach, not a city.\n11–12s: Enter low altitude from above the beach and smoothly decelerate toward where is. Focus narrows on the woman and the yakisoba while keeping the surrounding bustle.\n12–15s: Land in a medium close-up near . A natural moment of the woman lifting noodles with chopsticks and eating happily. The background sea, beach, and swimmers are slightly softly blurred. Finally, the woman's expression, yakisoba, and blue sea become the main focus.\n\nCamera:\nContinuous shot without cuts. Wide-angle in space. High-speed forward from atmospheric entry to the coast. Rapid deceleration after approaching the beach, changing to a natural cinematic photo-style lens feel in the final cut. Finally, a stable close-up shot.\n\nStyle:\nPhotorealistic, cinematic, strong natural midsummer light, vibrant blue sky and sea, healthy skin texture, appetizing yakisoba texture. Cool tones during space and descent, transitioning to bright and warm summer colors after approaching the ground.\n\nImportant:\nThe final cut must be based on . The destination is the coast of the Japanese archipelago. Make the woman, yakisoba, and seaside background the final main subjects. Maintain the continuous feel of a one-cut shot.", "description": "", "author": "いにしえ@AI Director & Creator｜Will Oldgram", "authorUrl": "https://x.com/old_pgmrs_will", "sourceUrl": "https://x.com/old_pgmrs_will/status/2071598123693273284" }, { "id": "seedance-176", "title": "Handheld Indonesian Summer Vlog", "category": "ugc", "prompt": "@ image1 = Main Subject\nPreserve exact face, identity, hairstyle, skin tone, and proportions from @image1. Same outfit throughout.\nAuthentic Indonesian woman. Late-2000s flip-phone camcorder aesthetic. Raw handheld footage, shaky framing, focus hunting, slight grain, faded warm tones, accidental crops, nostalgic home-video imperfections.\n00:00–00:02\nSelfie shot riding slowly on the back of a bicycle through a quiet coastal village, laughing as wind blows loose strands of hair.\n00:02–00:04\nStopping at a tiny fruit stand, choosing fresh mangoes while chatting casually with the vendor.\n00:04–00:06\nWalking through a narrow alley lined with colorful doors, reaching out to touch hanging flowers.\n00:06–00:08\nSitting on harbor steps eating sliced fruit from a paper bag while watching boats move in the distance.\n00:08–00:10\nBrowsing old postcards and handwritten notes at a small roadside stall.\n00:10–00:12\nStanding under swaying palm trees, looking up as sunlight flickers through the leaves.\n00:12–00:15\nMessy selfie framing, smiling naturally, saying a few casual words, then the recording ends abruptly mid-laugh.\nAudio: waves, bicycle sounds, birds, market chatter, footsteps, breeze, distant engines.\nNo posing, no cinematic glamour, no stabilization, no music.", "description": "", "author": "𝗦𝗮𝗻𝗶𝗮", "authorUrl": "https://x.com/saniaspeaks_", "sourceUrl": "https://x.com/saniaspeaks_/status/2071590901009518963" }, { "id": "seedance-177", "title": "Sci-Fi Character and Storyboard Adherence Prompt", "category": "general", "prompt": "Reference Image 1 (Highest Priority): SF-01 Character Sheet — lock character identity, proportions, costume, helmet, orange visor, armor textures, football, boots, materials, and silhouette.\n\nReference Image 2: Episode 01 Storyboard — follow all 9", "description": "", "author": "Shams", "authorUrl": "https://x.com/ShamsAmin56", "sourceUrl": "https://x.com/ShamsAmin56/status/2071590443494814140" }, { "id": "seedance-178", "title": "Audience POV Cinema Video", "category": "ugc", "prompt": "Hyper-realistic handheld smartphone footage filmed by an audience member inside a packed 4DX premium cinema in Japan, shot from the left-side seats in one continuous unbroken take with no cuts. Raw documentary “phone-in-the-theatre” aesthetic: slight overexposure", "description": "", "author": "Kiki", "authorUrl": "https://x.com/Mayz1169", "sourceUrl": "https://x.com/Mayz1169/status/2071582132292759774" }, { "id": "seedance-179", "title": "Cinematic Anime Storyboard Video Prompt", "category": "animation", "prompt": "Use the uploaded storyboard as the full visual reference. Follow panels left to right, top to bottom. Generate one continuous 15-second cinematic anime video. Match the storyboard’s character design, clothing, framing, lighting, emotion, and scene order.", "description": "", "author": "Abhishek", "authorUrl": "https://x.com/HeyAbhishek", "sourceUrl": "https://x.com/HeyAbhishek/status/2071567246963646544" }, { "id": "seedance-180", "title": "High Budget Cel-Shaded Anime MV", "category": "animation", "prompt": "# Use only GPT Image2 and Seedance2.0.\n# Show me 2D, Cel-shaded 600 million dollar high budget feature film anime style. extreme beauty.\n# Japanese. Japanese full-color anime. Dynamic camerawork. Emotional direction. Frequent cuts. Rich collage-style presentation.\n# Each cut duration is maximum 4 seconds. If it exceeds 4 seconds, a cut must be made.\n# For shots without intense camerawork, elements of rapid change such as color or lighting changes, or lyric motion, must be included.\n# Always include the sentence \"Smooth lines and coloring\" in the prompt.\n# Shots of characters just singing must be kept within 2 seconds.\n# The character style must strictly follow the attached image.\n# Shots showing a character singing must always include dramatic camerawork.", "description": "", "author": "FinishFish | AI Anime", "authorUrl": "https://x.com/finishfish_ai", "sourceUrl": "https://x.com/finishfish_ai/status/2071564336439418954" }, { "id": "seedance-181", "title": "Arctic Canyon Aurora FPV Dive", "category": "nature-drone", "prompt": "First-person FPV drone shot diving into a frozen arctic canyon during a violent aurora storm. The drone rockets over cracked ice sheets, slips through glowing blue glacier tunnels, and banks between towering ice spires as green and violet aurora light ripples across every surface. The flight accelerates toward a colossal frozen waterfall suspended in midair. At the final moment, the waterfall shatters upward into millions of luminous ice fragments, revealing a hidden alien ocean beneath the glacier. The drone plunges through the floating ice debris and bursts underwater into a glowing bioluminescent abyss filled with giant drifting light forms. Seamless one-take, extreme FPV speed, realistic inertia, aggressive banking, cinematic motion blur, high-end VFX finale, volumetric mist, refractive ice, surreal scale, ultra-photorealistic, blockbuster ending, no cuts.", "description": "", "author": "LudovicCreator", "authorUrl": "https://x.com/LudovicCreator", "sourceUrl": "https://x.com/LudovicCreator/status/2071534166613672369" }, { "id": "seedance-182", "title": "3D Chinese Animation Anubis Comedy", "category": "talking-head", "prompt": "Modern 3D Chinese animation style. Scene 1: In the center of an Egyptian palace, the majestic jackal god Anubis sits leisurely on his throne, legs stretched out, while his human advisor takes notes on paper. A human inventor approaches Anubis with a small mecha robot. Anubis looks at them nonchalantly and says with a hint of impatience, \"Speak, servant.\" The inventor bows with an eager and respectful attitude and says, \"My master, I present to you my latest invention.\" Anubis looks at the mecha curiously but with some confusion. Scene 2: The inventor takes out a remote control and presses a button. Immediately, two mechanical arms with white gloves extend from the mecha toward Anubis. Anubis just watches them, slightly confused and annoyed but not resisting. Scene 3: The first mechanical arm grabs his wrist and gently lifts his arms over his head. Anubis feels confused and a little uneasy but does not resist. The second mechanical arm reaches for the armpit of Anubis's raised arm and gently tickles his armpit with its fingers, the movement soft and smooth. Anubis's expression instantly brightens, and he closes his eyes, trying to suppress a laugh. But just a second later, Anubis giggles with his eyes closed as the gloved hand tickles his armpit with gentle, fluid finger movements, while the human inventor watches from the side. Scene 4: The second mechanical arm continues to tickle Anubis's armpit, while the first mechanical arm holds Anubis's arm over his head, leaving the armpit exposed. Anubis laughs uncontrollably, his upper body twisting slightly from the laughter, but the first mechanical arm still holds his arm firmly in place. Anubis says through his laughter, \"Oh, stop tickling!\" and continues to laugh heartily. Scene 5: The inventor presses another button on the remote control. The gloved mechanical hand immediately stops tickling, and the other gloved mechanical hand releases Anubis's wrist. Both mechanical arms move away from him. Anubis, looking somewhat exhausted from laughing, slumps back on his throne, limbs relaxed, letting out a few long, soft chuckles. Regaining his seriousness, he looks at the inventor with annoyance and says, \"This is truly ridiculous.\" Anubis is a muscular, well-built jackal god wearing rings on his arms and neck. His voice is deep and powerful, befitting his status as a deity. Audio is in English.", "description": "", "author": "migrok", "authorUrl": "https://x.com/migrok293703", "sourceUrl": "https://x.com/migrok293703/status/2071528174152806586" }, { "id": "seedance-183", "title": "Pixar Style Child and Kitten Animation", "category": "animation", "prompt": "A heartwarming Pixar-style 3D animated cinematic scene of a young child gently cuddling a tiny orange kitten in bed before bedtime. The child smiles softly while lovingly holding the kitten close to their face as warm golden sunset light streams through the window,", "description": "", "author": "GPTProto Official", "authorUrl": "https://x.com/gptproto", "sourceUrl": "https://x.com/gptproto/status/2071520756866121808" }, { "id": "seedance-184", "title": "Extreme Snowboarder FPV Avalanche Chase", "category": "nature-drone", "prompt": "text[Subject: Solo snowboarder in matte black tactical winter gear] :: [Kinetics: Extreme downhill velocity, triggering a massive powder avalanche behind him] :: [Environment: Alpine peak, sheer cliff face, airborne ice crystals] :: [Lighting Rig: Harsh midday alpine sunlight, blinding snow reflection, high-contrast shadows] :: [Camera Optics: 14mm Ultra-Wide, infinite focus, f/8] :: [Camera Support: FPV Drone tracking from behind, aggressive banking, violent camera shake on impact] :: [Seedance Parameters: --ar 16:9 --motion-blur heavy --shutter-angle 90 --temporal-lock 10]", "description": "", "author": "Saul Goodman", "authorUrl": "https://x.com/Goodmanprotocol", "sourceUrl": "https://x.com/Goodmanprotocol/status/2071518100890202436" }, { "id": "seedance-185", "title": "K-Pop Idol Selfie Vlog Simulation", "category": "talking-head", "prompt": "15 seconds, 16:9. Main subject from @ Image1 — lock her completely. Face, skin tone, body, hairstyle, and outfit must remain perfectly identical throughout the entire video. She wears a sleeveless green-and-white striped ribbed knit mock-neck top with a red-and-white striped collar, medium-wash loose straight-leg high-waisted blue jeans, and simple white low-top sneakers. No bag. Long straight dark brown hair with a center part. Korean woman, 20 years old, naturally beautiful with the effortless charm of a modern K-pop idol.\n\nThe entire video is filmed exclusively as a handheld front-facing smartphone selfie vlog. The phone is always in her own hand. There are absolutely no third-person shots, no external camera, no tripod, no cinematic coverage, and no impossible viewing angles. Every shot is from the perspective of her personally recording herself during a relaxing day off.\n\nModern Seoul residential neighborhood. Quiet apartment complexes, tree-lined sidewalks, small neighborhood park, convenience store, peaceful alleys, warm summer morning light. Everything feels authentic and lived-in.\n\nNatural smartphone selfie camera language only. Slight arm movement, subtle handheld shake, natural walking bounce, occasional autofocus adjustment, realistic exposure adaptation, small framing imperfections, slight rolling shutter while walking, natural lens distortion from the front camera, occasional brief glances at the screen to check framing. Crisp modern smartphone image quality with realistic HDR and natural colors. No cinematic grading. No vintage effects.\n\nScene 1: She leaves her apartment building while holding the phone at arm's length. She smiles naturally into the selfie camera and says,\n\n\"It's my day off, so I just came out for a walk.\"\n\nScene 2: Still filming herself, she enters a convenience store, opens the refrigerator with one hand while holding the phone with the other, picks up an iced coffee, smiles at the camera and says,\n\n\"I'm going to try this.\"\n\nScene 3: Holding the phone herself, she walks slowly through a quiet neighborhood park while sipping her coffee. She looks up at the trees, smiles, then back into the camera.\n\n\"The weather is so nice today.\"\n\nScene 4: She notices a friendly stray cat beside the sidewalk. Still filming herself, she lowers the phone slightly so both she and the cat remain in frame, crouches down and smiles.\n\n\"Hi~ You're so cute.\"\n\nScene 5: Continuing her walk, she talks casually to the selfie camera while brushing her hair behind one ear.\n\n\"I think ordinary days like this make me the happiest.\"\n\nFinal scene: While continuing to walk, she smiles directly into the front camera, waves with her free hand and says,\n\n\"See you in the next vlog. Bye!\"\n\nShe laughs naturally, lowers", "description": "", "author": "TSUBAKI", "authorUrl": "https://x.com/AI__TSUBAKI", "sourceUrl": "https://x.com/AI__TSUBAKI/status/2071515346633425326" }, { "id": "seedance-186", "title": "Cinematic East Asian Woman Selfie Video", "category": "ugc", "prompt": "Completely preserve the exact face, facial features, hairstyle, body proportions, and temperament from the reference image. The subject is a realistic adult East Asian woman, wearing a beige camisole bodycon dress strictly based on the reference image, with light, thin fabric that fits the body and slightly glowing skin. Realistic natural indoor lighting with cinematic quality, slight natural handheld phone selfie jitter, natural re-framing, subtle shaking, and clear, delicate skin textures.\n\n00:00-00:02 Maintain a squatting selfie angle; she first places her index finger gently on her lips in a 'shush' gesture, looks playfully at the camera with a slight smirk and a mischievous smile; the handheld lens has natural slight jitter.\n00:02-00:05 Naturally turns her head to look down the hallway behind her as if checking for someone; the movement is light and natural, her long hair swings with it, and the handheld lens follows the turn with natural movement.\n00:05-00:10 Quickly turns back to face the camera, with a more pronounced mischievous smile. The hand not holding the phone gently pulls the edge of the clothing on her chest in an ambiguous pulling motion (ensuring no exposure); her eyes are provocative with a smirk. The action lasts for 2-3 seconds before slowly releasing the clothes, ending with a playful wink and a smile, with the handheld lens naturally finishing with a slight jitter.\n\nNatural ambient sound: slight echoes of footsteps in a quiet indoor hallway, breathing, slight friction of clothing, distant low hum of an air conditioner; overall quiet and ambiguous atmosphere, no music.", "description": "", "author": "月无关 | 0xKyne", "authorUrl": "https://x.com/0xkyne", "sourceUrl": "https://x.com/0xkyne/status/2071512086073708894" }, { "id": "seedance-187", "title": "Cyberpunk Wireless Earbuds Commercial", "category": "product-ad", "prompt": "A hyper-visual, 16:9 fast-paced 10-second cinematic AI product commercial for premium matte black wireless earbuds, structured with four high-energy, seamless match-cuts.\n\n[0-2s] Lifestyle: A low-angle, tracking shot of a sharp, stylish young man walking through a moody, rainy cyberpunk city at night; vibrant neon signs create an ultra-blurred background bokeh while he glances down at a glowing smartphone screen, wearing a sleek earbud.\n\n[2-5s] Size & Portability: A top-down, geometric overhead flat-lay on a dark, wet obsidian stone texture. A seamless hard-cut reveals the earbuds precisely arranged alongside a modern smartphone, minimalist carbon-fiber wallet, and a luxury key fob, hit by a dramatic side-shadow.\n\n[5-8s] Packaging: An explosive, fast macro-zoom onto a floating, deep-black holographic retail box. The premium packaging performs a rapid 360-degree spin against an abstract, smoky dark background with glowing edge highlights.\n\n[8-10s] CTA: A perfectly symmetrical, ultra-close-up hero shot. The dual earbuds float and rotate in mid-air just above their open charging case, illuminated by a brilliant anamorphic lens flare and moody studio rim-lighting.\n\nAesthetic: High-end tech commercial, 8k resolution, photorealistic textures, crisp anamorphic lighting, and snappy, seamless jump-cut transitions.", "description": "", "author": "Caden Flux", "authorUrl": "https://x.com/Caden_Flux", "sourceUrl": "https://x.com/Caden_Flux/status/2071509622511513651" }, { "id": "seedance-188", "title": "Pixar Style Milkshake Storyboard Animation", "category": "animation", "prompt": "Create a crisp, clean infographic storyboard poster for THE MILKSHAKE MAKER. Wide 16:9 layout, white background, black borders, bold black typography, premium Pixar 3D stylized rendering, bright vivid colors — creamy vanilla white, vivid red cherry, pure white", "description": "", "author": "GPTProto Official", "authorUrl": "https://x.com/gptproto", "sourceUrl": "https://x.com/gptproto/status/2071501518679998922" }, { "id": "seedance-189", "title": "Cinematic Assassin Pursuit Sequence", "category": "nature-drone", "prompt": "SECTION 1 (0–15s) — The Hunt\nA moonlit forest covered in mist. A skilled female assassin, Rin, sprints through the trees with incredible speed while armed soldiers chase her. The camera switches between close-ups of her determined eyes, her boots hitting the ground, and the pursuers crashing through branches.\nEnemy: \"There she is! Don't let her escape!\"\nCommander (radio): \"Cut her off! She can't get far!\"\nEarpiece: \"Rin, they're surrounding you. Head for the cliff!\"\nRin (calmly): \"I'm counting on it.\"\nShe accelerates deeper into the forest.\nSECTION 2 (15–30s) — The Fight\nTwo enemies suddenly block her path. She stops instantly. The forest falls silent for a moment.\nEnemy: \"It's over. Drop your weapon.\"\nRin gives a faint smile.\nRin: \"You should've stayed out of my way.\"\nAn intense fight erupts. She dodges a knife, disarms one attacker, throws him into a tree, spins behind the second, and knocks him unconscious with a precise strike. More enemies rush in from every direction.\nCommander: \"Move! She's heading for the cliff!\"\nRin glances ahead and starts running again\nSECTION 3 (30–45s) — The Final Leap\nRin reaches the edge of a towering cliff overlooking a violent ocean. Dozens of armed soldiers surround her with rifles aimed.\nCommander: \"You're out of options. Surrender.\"\nRin slowly turns to face them, completely fearless.\nRin: \"You think this is the end...\"\nShe steps backward toward the edge.\nRin: \"...this is only the beginning.\"\nShe leaps off the cliff in slow motion. The soldiers rush to the edge and look down.\nA huge splash echoes through the night.\nThe water below slowly turns crimson red, spreading across the waves.\nThe commander whispers,\nCommander: \"...What have we done?\"\nCut to black.", "description": "", "author": "Soulful Ai", "authorUrl": "https://x.com/soulful__ai", "sourceUrl": "https://x.com/soulful__ai/status/2071496220246519904" }, { "id": "seedance-190", "title": "1980s Retro Japanese Game Show Challenge", "category": "action", "prompt": "Generate a vertical 9:16 short video, approximately 15 seconds long. Realistically recreate the recording style of a 1980s Japanese variety game show, similar to the live shooting texture of early Japanese absurd obstacle shows. The footage should look as if intercepted from an old television videotape: natural handheld ENG camera tracking, slight jitters, occasional focus hesitation, simulated broadcast recording noise, obvious simulated grain, low dynamic range, low saturation, slight color bleeding at highlight edges, with a sense of magnetic tape and temporal blur. The overall atmosphere is lively, chaotic, absurd, and noisy, carrying the strong presence of an 80s Japanese variety game show. No reference images; generate the entire scene based on the text. The protagonist is a young female contestant who enters full of fighting spirit and confidence, which gradually turns from serious and confident to nervous, panicked, and desperate for self-rescue as the challenge progresses, finally falling into the water in complete disarray. Maintain the same character, clothing, hairstyle, face shape, and body proportions throughout, with no face-swapping, outfit changes, or character drift. The game is the 'Rotating Mushroom Jumping Obstacle.' In the center of a murky pool float a series of giant, colorful dome-shaped mushroom pedestals, each mounted on a rotating base. The contestant must start from a wooden platform and jump consecutively onto these round, slippery, constantly rotating mushroom tops toward the finish line. The first few mushrooms rotate slowly, allowing her a thrilling pass; the further she goes, the faster they rotate, the distances increase, and height changes become more pronounced, eventually causing her to lose balance and fall. The background features exaggerated colorful 80s Japanese variety-style sets, poolside staff, live audience, colorful flags, and simple but lively show decorations. The audience continuously cheers, screams, and laughs. 0–3s: [Side wide-angle handheld tracking] The camera starts tracking from the side of the wooden starting platform. The female contestant makes a face saying 'this is nothing for me,' takes a deep breath, and lunges from the start. She jumps onto the first giant colorful mushroom pedestal. The mushroom begins to rotate slowly; her body wobbles, but she quickly bends her knees to stabilize. She spreads her arms for balance, a smug smile on her face as if she's mastered the rhythm. She doesn't fail but smoothly jumps from the first to the second mushroom. The water ripples slightly, and the audience gives the first wave of cheers. 3–6s: [Medium dynamic side tracking] She lands on the second mushroom pedestal. This one rotates faster than the first, her steps are thrown off, her body shakes noticeably, and her arms wave exaggeratedly. But she regains her rhythm with quick small steps, doing a funny half-turn in place without falling off. Her confidence turns into surprise, then immediately back to a 'I can still do it' expression of stubbornness. She catches the moment the mushroom turns and lunges for the third mushroom, successfully continuing despite a clumsy move. The focus here is: she looks like she's about to fail, but makes it through by sheer luck. 6–9s: [Closer side action shot, slight motion blur] She lands on the third mushroom. This one is wet and slippery; as soon as she steps on it, her right foot slips, she lunges forward, and her arms swing like a windmill. Her left foot slips to the edge of the mushroom, and the toe of her shoe briefly touches the water, splashing a bit, but she doesn't actually fall. She snaps her foot back, lowers her center of gravity, and rotates almost in a squatting position around the mushroom surface. The audience thinks she's going down, but she miraculously saves herself with a clumsy posture, then staggers toward the fourth mushroom when the rotation aligns. This must show the comedic tension of being 'one centimeter from failure but surviving.' 9–12s: [Three-quarter angle dynamic tracking] She staggers to the last two rotating mushroom pedestals, her stamina clearly flagging, breathing heavily, and her expression shifting from stubborn to complete panic. As she jumps onto the penultimate mushroom, it suddenly accelerates its rotation, throwing her body to the side, arms flailing wildly, almost falling into the water. She lets out a scream, her body almost hugging the mushroom surface for a partial turn, knees bent nearly into a squat, holding on with a clumsy and funny posture. The audience lets out a collective gasp of 'Ah—!!!'. She catches a brief gap in the mushroom's rotation, grits her teeth, and sprints for the last mushroom and the finish platform. 12–15s: [Close-up of the finish line action, with strong comedic effect] As she lands on the last mushroom pedestal, her feet slip, and she almost lunges face-first. In that split second, the white sneaker on her right foot is flung off, falling directly into the pool with a splash. She is suddenly in a comical state of having one shoe on and one foot in just a sock, but her survival instinct kicks in. Ignoring the shoe, she reaches her hands forward, twisting her body toward the finish line. She almost half-jumps, half-falls onto the finish platform, hands hitting the wood first, then rolling clumsily onto it, making it by the skin of her teeth. She lies on the finish platform panting heavily, looks back to see her shoe floating in the water, showing a complex expression of shock, relief, grievance, and amusement. The audience and staff erupt in giant cheers and laughter, the scene ending in a classic 'lost a shoe but made it across' comedic success. The rotating mushrooms behind her continue to turn heartlessly, reinforcing the absurd and hot-blooded effect of an old Japanese obstacle variety show.", "description": "", "author": "John", "authorUrl": "https://x.com/john87445528", "sourceUrl": "https://x.com/john87445528/status/2073603610760397284" }, { "id": "seedance-191", "title": "Anime Dissolve and Re-formation Sequence", "category": "talking-head", "prompt": "[Main Character] = Black-haired girl\n[Opponent/Target] = White cat\n[Setting] = Old house\n[Anomaly Gimmick] = White thread\n\n[Video Style]\n15 seconds. Japanese full-color anime. High-density 2D animation with a 500 million yen budget feel. Fast cuts, floor-level low angles, macro close-ups, rapid horizontal tracking, ending with a fixed medium shot. No subtitles, no watermarks, no BGM. Sounds of subtle floor friction, breathing, and short ambient noises.\n\n[Visual Composition]\nThe [Main Character] does not run. They dissolve into the [Anomaly Gimmick], travel along the walls and floors of the [Setting], and re-form at the destination ahead of the [Opponent/Target].\n\n[Shot 1: Dissolve Start]\nThe [Main Character] is stationary at the back of the [Setting]. Only the feet transform into the [Anomaly Gimmick] and start flowing onto the floor.\n\n[Shot 2: Close-up]\nThe [Anomaly Gimmick] travels through floor scratches, tile joints, raindrops, and gaps in tatami mats. Macro lens close-up.\n\n[Shot 3: Target's Flight]\nThe [Opponent/Target] flees toward the camera. The camera pans horizontally in parallel, while the [Anomaly Gimmick] chases from the corners of the background.\n\n[Shot 4: Wall Movement]\nThe [Anomaly Gimmick] climbs the wall, moving around fluorescent lights and window frames. Shown with gravity-defying movement.\n\n[Shot 5: Splitting]\nThe [Anomaly Gimmick] splits into multiple thin streams, blocking the [Opponent/Target]'s path in advance. Bird's-eye view shot showing the route.\n\n[Shot 6: Re-formation]\nJust before the [Opponent/Target] stops, the [Anomaly Gimmick] gathers in the darkness behind them, forming the outline of the [Main Character].\n\n[Shot 7: Completion]\nThe [Main Character] completely returns to their original form. Hair and clothing take shape with a slight delay. The camera slowly pushes in.\n\n[Shot 8: Dialogue]\nThe [Main Character] stands right behind the [Opponent/Target] and says in a calm voice, \"I was already here.\" The final frame ends without showing the target's reaction.", "description": "", "author": "妖精アーヤさん", "authorUrl": "https://x.com/aiehon_aya", "sourceUrl": "https://x.com/aiehon_aya/status/2073527270971408485" }, { "id": "seedance-192", "title": "Cinematic Anime Cat Girl Parkour", "category": "action", "prompt": "15-second cinematic parkour action video, 16:9, 1080p, 8 hard cuts. The protagonist is the 2D anime cat-girl character from image_1 — short lime-green hair with cat ears and a teal-green headband, bright blue eyes, delta-shaped hollow triangle tie with yellow outline, light blue sleeveless dress with zigzag yellow hem, white long-sleeve undershirt, light blue thigh-high stockings with mechanical robotic knee pads bearing triangle markings, pink ankle boots with zigzag triangle sole markings, pink randoseru backpack with yellow pencil holder sticking out the top, a robotic segmented cat tail with a gold triangle tip, and small delta-symbol earrings. Her face, hairstyle, costume, and all character features must be preserved exactly in every cut. The 2D anime-style character coexists naturally within a live-action photorealistic real-world modern Japanese urban environment. Setting: real contemporary Japanese city streets — concrete buildings, narrow urban alleyways, rooftop ledges, exterior staircases, metal railings, concrete walls, urban barriers, overhead signage, and dense city architecture typical of modern Tokyo, Shibuya, Yokohama, or Yokosuka. Natural daylight or golden-hour city lighting.\n\nShot 1 [00:00–00:01.20]: Low rear 3/4 tracking shot, ground-level camera nearly scraping the pavement of a narrow urban alley. Protagonist crouches then explodes into a sprint toward a low concrete wall. Camera follows close behind.\n\nShot 2 [00:01.20–00:03.60]: Front 3/4 low-angle follow shot. Protagonist launches into a forward flip over the first concrete wall. At peak, full body clears the obstacle. Cinematic framing against urban buildings. Shallow depth of field.\n\nShot 3 [00:03.60–00:04.93]: True side close shot near ground. Landing flows seamlessly into a running forward roll — shoulder-to-back weight transfer, rises immediately. Full body in frame.\n\nShot 4 [00:04.93–00:07.33]: Opposite low side angle on rooftop. Protagonist accelerates and launches a large forward flip over a rooftop parapet. Ledge in foreground, protagonist soars against open city skyline.\n\nShot 5 [00:07.33–00:08.67]: Near-overhead bird's-eye shot. Protagonist lands and rolls along the urban path. City architecture visible around her. Body stays on surface.\n\nShot 6 [00:08.67–00:11.07]: Retreating front-facing follow camera. Protagonist charges a staircase railing or concrete barrier, forward flip captured from the front. Camera retreats with slight handheld shake.\n\nShot 7 [00:11.07–00:12.40]: Rear diagonal close tracking. Quick forward roll then sprint toward final obstacle. Low camera, handheld feel, protagonist fully in frame.\n\nShot 8 [00:12.40–00:15.00]: Hero climax shot. Maximum-height forward flip over a large concrete ledge against the Japanese city skyline. Camera arcs from front 3/4 to opposite side during rotation. Protagonist lands and runs powerfully out of frame.", "description": "", "author": "アユネオ", "authorUrl": "https://x.com/Ayu_AI_0912", "sourceUrl": "https://x.com/Ayu_AI_0912/status/2073513681502306517" }, { "id": "seedance-193", "title": "Viral Smartphone Zoo Rescue Scene", "category": "talking-head", "prompt": "A hyper-realistic, real-time viral rescue captured on an ordinary audience member's smartphone. Vertical 9:16, handheld phone camera from the edge of a crowded zoo enclosure overlooking a large dry crocodile pit. The pit contains dozens of enormous crocodiles resting on cracked earth with only a few muddy puddles. A young child accidentally slips over the low barrier and falls several meters into the enclosure. The surrounding crowd immediately gasps in shock, people scream, some begin recording, others shout for help. The crocodiles suddenly become alert and start moving rapidly toward the child.\n\nWithin seconds, an ordinary bystander throws his phone aside, climbs over the safety barrier, and jumps into the enclosure without hesitation. The audience erupts in panic, yelling \"Run!\" and \"Hurry!\" The rescuer sprints across the dusty ground, reaches the terrified child just as the nearest crocodiles close in, lifts the child into his arms, and races back toward the wall. Staff and spectators lean over the barrier, extending their arms to pull them both to safety at the very last moment as one crocodile lunges just behind them.\n\nThe camera operator reacts naturally throughout the incident: heavy handheld shake while running toward the railing, sudden zoom attempts, imperfect framing, autofocus hunting between the crowd and the rescue, rapid exposure adjustments in bright sunlight, realistic motion blur during fast movement, occasional partial obstruction by people pushing forward, genuine smartphone dynamic range, compressed mobile video quality, authentic phone microphone audio with screaming spectators, children crying, frantic shouting, echoing footsteps, crocodile growls, dust rising from the ground, and no background music or narration.\n\nThe entire sequence unfolds continuously in real time with no cuts, no slow motion, no cinematic camera movements, no visual effects, no staged acting, no superhero abilities, and no impossible physics. The bystander appears like a normal person making a split-second courageous decision. The final result should feel indistinguishable from an actual viral rescue video uploaded by a witness moments after the incident, with maximum documentary realism.", "description": "", "author": "Yazdan", "authorUrl": "https://x.com/AIwithYazdan", "sourceUrl": "https://x.com/AIwithYazdan/status/2073452544538599501" }, { "id": "seedance-194", "title": "East Asian Woman Rap Scene", "category": "ugc", "prompt": "Main Character: A young East Asian woman with light brownish-gray long straight hair and air bangs, fresh no-makeup makeup look, wearing a loose white long-sleeved shirt with a slightly open collar. Her skin is delicate and translucent, with a cool, relaxed, and casual tension. Maintain consistent identity, clothing, hairstyle, and appearance throughout the video.\n\nLocation: By an indoor window with ample afternoon sunlight, white blinds, and off-white walls. Sunlight filters through the blinds, casting parallel stripes of light and shadow. The space is clean, minimalist, with a lazy and quiet home atmosphere, free of clutter.\n\nVisual Style: Fresh Japanese realistic texture. Rap movements are relaxed and on-beat without appearing forced. Body movements and facial expressions match the rhythm. Strong play of light and shadow, translucent glowing skin, and soft, clean overall tones.\n\nCamera Style: Lightweight handheld camera texture with subtle natural breathing jitter. Small-scale tracking shots following the rap rhythm. Real light and dark layers under natural light, soft focus, preserving original light and shadow texture without over-grading or excessive skin smoothing.\n\n00:00–00:02\nStanding against the wall by the blinds, she lightly pinches her shirt collar, head tilted back slightly, looking lazily at the camera, nodding to the rap intro beat. Striped light shadows move slowly across her face, creating a soft and quiet scene.\n\n00:02–00:04\nMedium shot at eye level, her body sways gently to the beat, one hand naturally raised, fingers tapping the air. Her mouth opens slightly to follow the rhythm, shirt hem swaying with movement, light flowing slowly over her shoulders.\n\n00:04–00:06\nClose-up shot pushing in, she tilts her head slightly to the beat, making natural rap hand gestures. Her eyes have a relaxed 'cool' look, lips sync with lyrics. Light and shadow from the blinds alternate on her neck, full of atmosphere.\n\n00:06–00:09\nSlightly wider shot, her body pops gently on heavy beats, one hand resting at her side, the other waving with the rhythm. Movements are sharp but not stiff. Sunlight prints clear stripes on her white shirt.\n\n00:09–00:11\nProfile close-up, she turns toward the blinds and sings softly. The jawline is sharp under the light, hair brushing against her cheek. The camera has a natural slight breathing jitter.\n\n00:11–00:13\nSwitching back to a front close-up, she tilts an eyebrow at the camera, fingers sliding down the shirt collar, precisely hitting a rap pause. Her gaze is lazy yet powerful, light and shadow intersecting at the collarbone.\n\n00:13–00:15\nEnding still, she returns to leaning against the wall with a faint smile. As the final heavy beat drops, she looks up at the camera. Blind shadows rest quietly on her body as the screen fades out slowly.\n\nAudio: Natural sound field rap track—clear close-up rap vocals, crisp and fast drum beats, paired with faint ambient white noise and slight wind sounds outside. No heavy reverb, overall relaxed yet rhythmic.\n\nGoal: Create a lazy and relaxed window-side impromptu rap clip, using blind shadows to set the mood. Movements are natural and perfectly timed, clean, healing, yet possessing a cool tension, like a casual daily recording.", "description": "", "author": "AYi", "authorUrl": "https://x.com/AYi_AInotes", "sourceUrl": "https://x.com/AYi_AInotes/status/2073445302871478571" }, { "id": "seedance-195", "title": "Monochrome Ocean Dive", "category": "nature-drone", "prompt": "Black and white cinematic slow-motion sequence, a lean athletic male figure suspended mid-air over a vast dark ocean, shot in high-contrast monochrome with a soft grainy film texture. Endless flat sea meets a dramatic sky of soft voluminous clouds, horizon centered low in frame. \n\n0:00-0:03 Wide static drone shot, figure captured mid leap in a horizontal diving pose, arms extended forward, body fully stretched, one leg bent naturally at the knee, silhouetted against bright cloud backdrop, slow motion 120fps look, subtle film grain, no visible splash or water contact.\n\n0:03-0:07 Slow orbiting drone shot circling the falling figure, body rotating gracefully through the air in a controlled twist, anatomically correct proportions maintained throughout rotation, five fingers per hand, natural joint bends, muscles softly defined by directional light, clouds drifting slowly in background.\n\n0:07-0:12 Low angle GoPro style shot from just above the water surface looking up, figure now in a clenched mid-fall pose, knees tucked, fist raised, dramatic upward perspective emphasizing scale against the sky, shallow depth of field, subtle lens distortion for handheld authenticity.\n\n0:12-0:16 Wide static shot from behind, figure now standing at the edge of an invisible platform facing the open sea, back to camera, shoulders relaxed, wind subtly moving hair, stillness contrasting the previous motion, soft ambient light, no harsh shadows.\n\n0:16-0:22 Extreme wide aerial drone pull back, the figure now a small distant silhouette floating on the water's surface, arms gently spread, calm stillness after motion, vast negative space of sky and sea, slow fade of grain intensity, cinematic contrast, quiet resolution.\n\nConsistent style throughout: monochrome black and white grade, soft matte contrast, cinematic drone and handheld camera variety, anatomically correct human proportions and natural movement in every frame, no distorted limbs, no extra fingers, no floating objects, ambient minimal sound design, moodboard quality aesthetic, 4K cinematic clarity, continuous single shot feel across transitions.", "description": "", "author": "BMX", "authorUrl": "https://x.com/bmx_ai13", "sourceUrl": "https://x.com/bmx_ai13/status/2073438687355162867" }, { "id": "seedance-196", "title": "Japanese Influencer Kitchen Vlog", "category": "talking-head", "prompt": "Create a photorealistic, cinematic lifestyle vlog featuring a 22-year-old Japanese female influencer in a bright, modern apartment kitchen during golden morning light. The video should feel like it was casually filmed on a high-end smartphone with natural handheld camera movement, subtle autofocus shifts, realistic lighting, authentic kitchen sounds, and believable facial expressions. Maintain the same character throughout the entire sequence.\nScene 1 (0–3s):\nShe walks into the kitchen wearing a stylish black and white top with shorts, smiling at the camera while opening the refrigerator. She grabs a fresh burger bun, a seasoned beef patty, lettuce, tomatoes, cheese, onions, and coffee beans.\nDialogue:\n\"Come make breakfast with me... I'm starving.\"\nScene 2 (3–6s):\nClose-up of butter sizzling in a pan as she places the burger patty down. It sears beautifully with a loud sizzle as steam and aroma rise naturally.\nDialogue:\n\"Burgers for breakfast are non-negotiable today.\"\nScene 3 (6–9s):\nShe flips the juicy burger patty in the hot pan with one smooth motion using a spatula, then laughs after catching it perfectly.\nDialogue:\n\"Okay... that flip was actually kind of impressive.\"\nScene 4 (9–12s):\nShe assembles the burger with the toasted bun, thick melted cheese, crunchy lettuce, fresh tomatoes, and onions. Quick macro shots capture the rich textures, dripping juices, and movement.\nDialogue:\n\"This might be my favorite part.\"\nScene 5 (12–15s):\nShe pours a fresh cup of coffee, carries everything to a sunny dining table, sits down, takes a big, satisfying bite of the burger, then a sip of coffee while smiling at the camera.\nDialogue:\n\"Breakfast is served. Hope you have the best day.\"\nStyle Notes: Ultra-realistic, premium lifestyle vlog aesthetic, natural skin texture and realistic Japanese features, soft morning sunlight through windows, cozy neutral kitchen, realistic food textures, shallow depth of field, smooth handheld camera, subtle cinematic motion blur, authentic ambient sounds (sizzling pan, searing meat, coffee pouring, utensils, birds outside), warm color grading, 4K quality, highly detailed, TikTok/Instagram Reel lifestyle vlog, seamless continuity, no jumpy character changes, natural lip-sync matching dialogue.", "description": "", "author": "Al-Shamus", "authorUrl": "https://x.com/im_shahid7", "sourceUrl": "https://x.com/im_shahid7/status/2073428350111031678" }, { "id": "seedance-197", "title": "Urban Documentary Subway Commute", "category": "talking-head", "prompt": "Main Subject:\nYoung Korean woman, early 20s, business-casual blouse with a cardigan, hair neatly tied back, tote bag, tired but composed expression.\nLocation : Quiet suburban subway platform, early evening. Overhead signs, yellow safety line, empty benches, tiled walls, distant tunnel lights. No crowds, no advertisements visible.\nVisual Style : Realistic urban documentary tone, calm end-of-day atmosphere, soft fluorescent lighting.\nCamera Style : Late 2000s digital camcorder, static tripod mixed with slight handheld movement, mild autofocus hunting under platform lights, subtle noise. No stabilization.\nTimeline (15 sec, each slot = 2 compressed beats):\n00:00–00:03 → She stands near the yellow line, then checks the arrival board above.\n00:03–00:06 → She sighs softly, then says to the camera \"I'm really tired today\".\n00:06–00:09 → She shifts her bag on her shoulder, then glances down the tunnel for the train.\n00:09–00:12 → A gentle breeze signals the train coming, then she straightens up.\n00:12–00:15 → She looks at the camera saying \"I'm heading off first, bye!\", then steps forward as the tape cuts.\nAudio : Distant train rumble, platform announcement chime (muffled), footsteps echoing. Her dialogue as noted above. No music.\nGoal : A quiet end-of-workday commute tired, real, relatable.", "description": "", "author": "𝐌", "authorUrl": "https://x.com/Strength04_X", "sourceUrl": "https://x.com/Strength04_X/status/2073428020912951685" }, { "id": "seedance-198", "title": "Anime Pepsi Football Ad", "category": "product-ad", "prompt": "A fearless football superstar with electric-blue eyes and unstoppable confidence, rendered in ultra-premium Japanese anime rendering, manga-style visual language, MAPPA-level sakuga, vibrant cel shading, dynamic perspective distortion, glowing aura VFX\n0–4s: enters a giant World Cup stadium while rival players from multiple nations emerge from opposite tunnels like anime bosses; \n4–10s: an insane sequence of dribbles, bicycle kicks, tackles and impossible saves unfolds, camera whipping between players with explosive anime transitions and impact frames; \n10–13s: the hero launches a gigantic energy shot toward the goal, the ball transforming into a blue comet crossing the entire stadium; \n13–15s: the explosion from the goal morphs into a massive wave of blue energy revealing a giant Pepsi can, ending with the PEPSI logo floating above the crowd as the stadium explodes with celebration\nWorld Cup 2026 anime spectacle, dynamic sports action, blockbuster commercial energy.", "description": "", "author": "Pierrick Chevallier | IA", "authorUrl": "https://x.com/CharaspowerAI", "sourceUrl": "https://x.com/CharaspowerAI/status/2073421594949480561" }, { "id": "seedance-199", "title": "Celestial Warrior Cinematic Transformation", "category": "action", "prompt": "Duration: 10 seconds\nStyle: Ultra-cinematic, photorealistic IMAX realism, continuous single shot, no cuts.\n---\n\nCharacter & Setup\n\nUse @Image1 as the identity reference. Preserve the exact facial identity, facial structure, hairstyle, skin tone, and proportions throughout the entire sequence. His face is bruised with a small streak of blood at the corner of his mouth. He looks exhausted after battle. During the transformation, he shows restrained pain with only a slight frown—no exaggerated screaming.\n\nArmor design is inspired by @Image2. His clothing is battle-damaged, torn, dusty, and partially burned. In his right hand he tightly grips a glowing Holy Ring Crystal Core radiating intense white-blue divine energy.\n\nEnvironment\n\nApocalyptic Jakarta under a dark overcast sky. Ruined skyscrapers, burning buildings, drifting ash, smoke, flying debris, distant fires, and flaming meteors crossing the sky. Cold grey-blue cinematic color palette with dramatic atmosphere.\n\nVisual Style\n\nPhotorealistic cinematic realism, IMAX-quality visuals, 35mm Panavision lens, handheld camera with subtle breathing movement, compressed shadows, highly detailed textures, slight edge softness, natural film grain, grounded realism. Thousands of glowing feathers physically assemble the armor with a powerful divine aura, combining biological pain with advanced alien technology.\n\n---\n\n0–2.5s — Fall\n\nThe hero crashes violently into broken concrete and rubble, creating a powerful dust explosion. The handheld camera shakes from the impact. He slowly rises to one knee, breathing heavily while staring at the glowing Holy Ring Crystal Core in his right hand.\n\n2.5–5s — Awakening\n\nHe quietly whispers, \"Berubah!\", then crushes the crystal. A blinding white-blue beam erupts into the sky. Thousands of glowing feathers materialize and spiral around him. They wrap around his arm, chest, and entire body. His eyes become pure white as a faint golden halo symbol briefly appears behind him.\n\n5–7.5s — Transformation\n\nSacred energy explodes outward. White smoke, golden sparks, and streams of blue energy surround him. Feather light solidifies into mechanical armor components that rapidly lock onto his torso, arms, legs, and shoulders with satisfying metallic clicks. The camera circles smoothly around him during the transformation.\n\n7.5–10s — Completion\n\nThe transformation completes into magnificent white-platinum armor with pearl-like metallic surfaces, elegant golden engravings, and glowing blue energy flowing through every armor seam. Massive mechanical angel wings unfold dramatically, scattering thousands of glowing feathers. A radiant halo appears behind him while a transparent energy helmet forms over his face. Two blazing holy energy blades materialize in hi", "description": "", "author": "Zar⭕on", "authorUrl": "https://x.com/Xaroon_x", "sourceUrl": "https://x.com/Xaroon_x/status/2073417859640791043" }, { "id": "seedance-200", "title": "High Voltage Cinematic Lightning Strike", "category": "action", "prompt": "High-end cinematic 3D realism fused with hyper-energized electrical phenomena. Every movement generates branching plasma arcs, snapping lightning filaments, electromagnetic distortion, ionized air ripples and cascading sparks that dance across surfaces instead of conventional energy effects. Electric currents crawl over characters, weapons and environments with rhythmic pulse patterns, while shockwaves illuminate drifting particles, vapor and debris in synchronized flashes. Aggressive camera movement, dramatic perspective, volumetric light shafts, dynamic exposure shifts and dense atmospheric haze amplify every discharge, creating a world where electricity constantly reshapes the surrounding space. Feature-film rendering, physically believable materials and realistic electrical interactions preserve scale, weight and cinematic realism.\n\n@[character re] lowers into a sprint as brilliant blue-white electricity condenses around one outstretched hand, crackling with violent intensity. Every accelerating step tears glowing fractures through puddles, while branching lightning lashes across the ground and nearby structures. The air warps with electromagnetic distortion as the fighter bursts forward in a blinding dash, piercing through the opponent's guard with a single lightning-charged palm strike. The impact erupts into an explosive sphere of plasma arcs and cascading sparks, briefly freezing the battlefield in white-blue light before the electrical current dissipates into the storm-filled sky.", "description": "", "author": "Kōda", "authorUrl": "https://x.com/aimikoda", "sourceUrl": "https://x.com/aimikoda/status/2073402270629106015" }, { "id": "seedance-201", "title": "Korean Neighborhood Golden Hour Walk", "category": "product-ad", "prompt": "Preserve the image’s exact face, hairstyle, skin tone, body proportions, black wavy hair with side-swept bangs, and messy ponytail throughout the entire sequence. Outfit remains consistent: cream oversized knit sweater with sleeves slightly rolled up, light blue high-waisted jeans, white canvas sneakers, black cord necklace.\n\nYoung Korean woman, authentic early-2000s MiniDV camcorder aesthetic. Raw handheld realism with subtle micro-shakes, imperfect framing, occasional off-center composition, autofocus breathing, slight exposure flicker, soft desaturated colors, visible grain, compression artifacts, and natural motion blur. No stabilization, no cinematic grading, no glamour shots, no posing, no background music. Ambient sound only.\n\nLocation: Quiet Korean neighborhood at golden hour. Narrow residential streets with brick houses, low walls, flower pots, bicycles, utility poles, overhead cables, small gardens, and a peaceful evening atmosphere. No commercial buildings or crowds.\n\nTimeline (15 seconds):\n\n0–3s: She slowly opens a small garden gate, notices the camera, gives a surprised smile, and softly laughs.\n\n3–6s: Walking along the narrow street while gently brushing her fingertips across flowers growing beside a wall, briefly looking toward the sky.\n\n6–9s: Stops beside an old bicycle, adjusts her ponytail with one hand, then looks into the camera with a warm, natural smile.\n\n9–12s: Sits on a low concrete step, opens a small notebook, casually sketches for a moment, then glances back at the camera.\n\n12–15s: Continues walking away down the quiet alley, turns back over her shoulder with a bright smile, gives a small wave, morning breeze moves her hair naturally, fade to black.\n\nAmbient audio only: Birds singing, distant conversations, light breeze through trees, soft bicycle bell in the distance, footsteps on pavement, rustling leaves, occasional passing scooter far away", "description": "", "author": "Snow", "authorUrl": "https://x.com/iamrealsnow", "sourceUrl": "https://x.com/iamrealsnow/status/2073392401645994415" }, { "id": "seedance-202", "title": "Anime Impact Punch with Extreme Slow Motion", "category": "product-ad", "prompt": "【Video Content】A super close-up of (Character to use. Hereafter ○○)'s face. Angle from the front.\n\n【Location】Under a riverbank overpass, daytime, in the shade.\n\n【Impact Hit and Punch Scene Rolling on the Ground with a Time Lag】\nShot 1 (cut1) — 5.0 seconds\nPurpose: To capture the direct hit of the hook and the distortion of the face in a front close-up.\nContent: Anime style. The camera captures a super close-up of ○○'s face being punched directly from the front. The next moment, a powerful hook coming from the side out of frame with a sharp trajectory strikes ○○'s left cheek violently from the side.\nFrom the moment of the direct hit, the footage switches to extreme slow motion. Toward the camera in front, the tremendous impact energy of the punch causes the skin and muscles of ○○'s cheek to distort painfully and clearly like ripples on a water surface.\n○○'s eyes are wide with shock and fear, pupils dilating gradually. A few drops of saliva and sweat flying from the mouth remain in mid-air, but trace outwards at an extremely slow speed.\n\nCharacter/Product: ○○ being punched (front close-up), hook fist striking the face from the side, slowly floating droplets of saliva\n\nSound Effects: A heavy bass impact sound 'Dogooon!' at the moment of the punch. Immediately after, a high-pitched tinnitus-like sound 'Kiiiin' echoes as if time is being stretched, completely cutting out surrounding sounds. Furthermore, the heartbeat echoes heavily 'Dokun... Dokun...' at an eerily slow tempo.\n\nShout (a deep-echoed, unnaturally low and stretched-out scream of agony): 'U, uoooo... oh... oh...!! (Resonance: oh... oh... oh...)'\n\nShot 2 (cut2) — 4.5 seconds\nPurpose: To switch the angle suddenly and follow the character being blown away and rolling on the ground with intense camera work.\nContent: Anime style. At the start of the cut, the angle switches abruptly to a medium shot from the side. The extreme slow motion that had been stretched until then suddenly accelerates to a 'super high speed' beyond normal. The tremendous power stored in the hook fist is released all at once, and ○○'s entire body is blown back at a terrific speed. The camera follows by moving horizontally at a matching intense speed (parallel camera work). ○○ hits the ground violently from their back and, unable to stop, rolls intensely 'Zusasasasa!' many times. The camera keeps ○○'s rolling and bouncing figure in the center of the frame, capturing the violently rising dust and dirt, and the intense motion blur in real-time with a great sense of presence.\n\nCharacter/Product: ○○ (being blown away, rolling violently), parallel/tracking camera work, rising dust clouds\n\nSound Effects: The low-frequency echo that was resonating until then cuts out abruptly, and the stored energy explodes with a massive destruction sound 'Bakiiiin!!'. Followed by a heavy impact sound 'Dogashaaaan!' hitting the ground and a continuous intense friction sound 'Zusasasasasasasasa!' as the camera captures it while moving along.\n\nShout (a short scream at normal speed at the start of the cut transition): 'Guha--!!'\n\nEnvironmental Sounds: After the rolling stops and the camera movement ceases, the sound of heavy breathing 'ha-ha' and the sound of dust blowing in the wind 'sara-sara' flows.", "description": "", "author": "EGGMAYA/エッグマヤ", "authorUrl": "https://x.com/eggmaya_AI", "sourceUrl": "https://x.com/eggmaya_AI/status/2073376218960011410" }, { "id": "seedance-203", "title": "Smartphone Vlog Aesthetic Idol Video", "category": "talking-head", "prompt": "Style: Photorealistic behind-the-scenes smartphone vlog footage. Faux vertical smartphone footage naturally cropped into 16:9. Authentic handheld phone aesthetic. No cinematic color grading, no HDR look, no 3D render, no game engine, no beauty filters. Feels like genuine behind-the-scenes content uploaded by a Korean idol. Lighting: Bright summer afternoon sunlight through large apartment windows gradually transitions into warm evening apartment lighting. Natural exposure fluctuations and auto white balance typical of smartphone cameras. Color: Neutral consumer smartphone color science with slightly soft contrast, mild highlight clipping near windows and natural indoor color shifts. Camera: Simulated smartphone camera filmed by another female idol member. Gentle handheld movement, natural walking motion, subtle autofocus breathing, slight rolling shutter during quick pans, occasional imperfect framing, brief focus hunting and realistic phone compression. Camera behaves like a friend casually filming, never professionally stabilized. Skin: Extremely realistic skin texture with visible pores and natural imperfections. Light everyday makeup. No skin smoothing. Acting: Gentle, elegant and soft-spoken. She smiles modestly, speaks calmly, occasionally becomes slightly shy after noticing the camera, and naturally thanks the person filming. Her personality is graceful, feminine, polite and slightly reserved. She rarely laughs loudly, instead showing warm smiles, subtle amusement and delicate facial expressions. Every movement feels refined, relaxed and effortless. Physics: Hair, clothing, towels, food, steam, water droplets and household objects all move naturally with realistic weight and momentum. Composition: Casual smartphone framing with occasional imperfect composition and spontaneous reframing. Feels like authentic dorm footage rather than planned content. Continuity: Maintain the exact same face, platinum blonde long straight hair with bangs, body proportions and identity from the reference image throughout every scene. No identity drift. Technical: Authentic 24–30fps smartphone video look with subtle compression artifacts. Final output 16:9. Audio: Natural apartment ambience only. Air conditioner humming, distant Seoul traffic, birds outside the window, cooking sounds, boiling water, frying food, dishes, footsteps, running water, toothbrush brushing, hair dryer, refrigerator hum and soft room ambience. No background music. No subtitles. Overall Mood: Warm, peaceful, elegant and comforting. Similar to a quiet behind-the-scenes dorm vlog uploaded by a Korean idol. Everything feels sincere, calming and intimate without trying to be entertaining. Character: A fictional Korean female idol in her early 20s. Long platinum blonde hair with straight bangs. Fair skin. Soft cat-like eyes. Slim figure. Graceful and feminine. She is known for her gentle personality, polite manners and calm speaking voice. She has just returned to the dorm after school and a schedule and quietly spends the rest of her summer evening. Wardrobe Continuity: CUT 1 She arrives wearing the exact sailor-style school uniform from the reference image, including the cream knit vest, blue sailor collar, blue pleated skirt, white socks and black loafers. CUT 2 She changes into an oversized white graphic T-shirt and loose black athletic shorts while cooking. CUT 3 She now wears a soft pastel blue sleeveless lounge top with white lounge shorts while eating dinner. CUT 4 The same lounge outfit while brushing her teeth. CUT 5 After washing her face she changes into luxurious white silk short pajamas featuring elegant gold piping along the collar, cuffs, chest pocket and shorts hem. The pajama set consists of a relaxed short-sleeve button-up shirt with matching silk shorts. Her hair is loosely tied back while doing skincare. CUT 6 Fresh after showering, still wearing the same white silk pajamas with gold piping. Her hair is slightly damp with a white towel resting around her neck while drying it. CUT 7 Relaxing on the sofa wearing the elegant white silk pajamas while hugging a plush toy and drinking iced tea. CUT 8 Before bed she lets her hair down naturally, waves softly toward the camera while wearing the elegant white silk pajamas, turns off the bedroom light and closes the door. Scene: A beautiful modern luxury Korean idol dorm apartment during a peaceful summer afternoon and evening. Cozy, bright and elegant interior with tasteful furniture, skincare products, plush toys, snacks, fresh flowers, books and neatly organized living spaces. CUT 1 — Coming Home Continuous handheld shot. She unlocks the front door, quietly enters the dorm wearing the school uniform from the reference image, removes her loafers neatly, places her school bag beside the entrance, smiles softly toward the camera and bows her head slightly. Dialogue: \"I'm home.\" CUT 2 — Cooking The camera follows her into the kitchen. She washes vegetables, prepares simple Korean home cooking, fries eggs, boils ramen, tastes the soup with a spoon and smiles gently. Dialogue: \"I'm really hungry today.\" A female member is heard faintly from another room. Female Voice: \"Unnie~\" She smiles softly. \"What is it?\" CUT 3 — Dinner She sits quietly at the dining table. Before eating, she gently places her hands together. Dialogue: \"I will eat well.\" She enjoys the meal peacefully while occasionally smiling toward the camera. CUT 4 — Brushing Teeth Bathroom mirror shot. She brushes her teeth slowly before smiling shyly after making accidental eye contact with the camera. Dialogue: \"Now I should brush my teeth.\" CUT 5 — Skincare Now wearing elegant white silk pajamas with gold piping. She carefully applies toner, serum and moisturizer while calmly speaking to the camera. Dialogue: \"I think my skin looks a bit good today.\" CUT 6 — After Shower She walks out of the bathroom with slightly damp hair and a towel resting around her neck. She quietly dries her hair while looking out the apartment window at the summer sunset. Dialogue: \"I feel so refreshed after showering.\" CUT 7 — Relaxing She sits comfortably on the sofa hugging a plush toy while sipping iced tea and slowly scrolling through her phone. A female member speaks softly from another room. Female Voice: \"Want to watch a movie?\" She smiles warmly. \"Sure.\" CUT 8 — Good Night Late evening. She walks into her bedroom carrying her phone charger and plush toy. She turns around one last time, smiles gently at the camera and gives a small wave. Dialogue: \"Thank you so much for being with me today. Have sweet dreams.\" She switches off the bedroom light. The bedroom door slowly closes while the handheld camera quietly remains outside for another second before the recording naturally ends.", "description": "", "author": "TSUBAKI", "authorUrl": "https://x.com/AI__TSUBAKI", "sourceUrl": "https://x.com/AI__TSUBAKI/status/2073362472933990477" }, { "id": "seedance-204", "title": "Japanese Alley Golden Hour Walk", "category": "talking-head", "prompt": "Create a 15-second realistic cinematic slice-of-life video in 16:9, 24fps. Visual-only video, no dialogue, no voice, no music, no sound effects, no subtitles, no text on screen. Warm golden-hour sunlight, soft handheld camera, muted film color grade, slight grain, natural shadows, peaceful nostalgic mood. Fully realistic live-action style, not game-like, not animated.\nMain character: a young Japanese woman in her early 20s with soft natural features, dark hair tied in a loose low bun with a small traditional hairpin. She wears elegant traditional Japanese attire: a simple cream-and-muted-blue yukata/kimono-style outfit with a subtle floral pattern, tied with a soft obi belt, light tabi-style sandals. Keep her calm, gentle, warm expression consistent in every shot.\nLocation: a long narrow real-life residential alley with a Japanese touch. Tall tan stone and concrete walls, sandy dusty ground, warm sunlight glowing on one side, soft tree shadows across the path, palm trees and green leaves above the walls, small Japanese details like a wooden gate, paper lantern near a doorway, simple noren curtain, potted bonsai-style plants, and a blue painted wall far ahead. One bicycle leans near the end of the alley. Quiet empty neighborhood feeling.\n0:00–0:02:\nRear tracking shot. The Japanese woman walks slowly through the narrow alley from behind. Her yukata fabric moves gently as she walks. Golden sunlight stretches across the tan walls. Camera follows with natural handheld motion.\n0:02–0:04:\nWide alley shot. A small gray-brown tabby cat appears from a low gap near the left side wall and steps into the alley. The woman notices it, slows down, and turns slightly toward it.\n0:04–0:06:\nMedium side shot. The cat walks near her feet and looks up. She smiles softly, bends down slowly, and extends one hand in a gentle careful way.\n0:06–0:08:\nLow close-up. The cat sniffs her fingers, then rubs its head against her hand. She gently pets the cat’s head and back. Show realistic fur texture, tiny whisker movement, and natural cat behavior.\n0:08–0:10:\nEmotional close-up. The woman smiles warmly while petting the cat. Sunlight flickers through tree leaves across her face, hairpin, shoulders, and kimono fabric.\n0:10–0:12:\nMedium-wide shot. The cat walks ahead a few steps, then looks back at her. She stands slowly and follows it with a peaceful curious smile. The Japanese alley details remain subtle and realistic.\n0:12–0:14:\nFront tracking shot. She walks toward camera with the cat beside her near the wall. She looks down at the cat and smiles. The long alley, tan walls, Japanese details, blue wall, bicycle, and trees remain visible in the background.\n0:14–0:15: Final close shot. The cat brushes against her leg. She looks toward the camera with a soft peaceful smile, then looks down at the cat again. Hold the warm golden Japanese alley atmosphere for a gentle cinematic ending.", "description": "", "author": "Abhishek", "authorUrl": "https://x.com/HeyAbhishek", "sourceUrl": "https://x.com/HeyAbhishek/status/2073354004613243179" }, { "id": "seedance-205", "title": "Miniature Skateboarder Bedroom Chase", "category": "action", "prompt": "Use the uploaded photo as a STRICT identity reference. The miniature skateboarder must be the exact same real adult woman from the uploaded photo. Exact face. Exact eyeglasses. Exact hairstyle. Exact skin tone. Exact smile. Real human. Live-action. Photorealistic. Do not change the face. Not cartoon. Not anime. Not Pixar. Not Disney. Not CGI. Not doll. Not toy. I remain the only miniature human, still riding a tiny skateboard. I occupy only a tiny part of the frame. The floorboards look enormous. Ahead of me is a giant toy dump truck blocking part of the path. A normal-sized baby is crawling behind the truck, reaching toward it. The baby is much larger than everything around me. Same outfit, same camera angle, same giant bedroom, ultra-realistic cinematic style. The tiny skateboarder rides forward at high speed. The normal-sized baby crawls after her and accidentally knocks over a stack of giant toy blocks. The blocks fall beside her. She quickly swerves around them without slowing down.", "description": "", "author": "Hania Ai", "authorUrl": "https://x.com/HaniaAi12", "sourceUrl": "https://x.com/HaniaAi12/status/2073348598650322947" }, { "id": "seedance-206", "title": "Luxury Beauty Salon Success Story", "category": "product-ad", "prompt": "Duration: 15 Seconds\nStyle: Emotional Luxury Cinema • Feminine Success Story • Viral High-End Beauty Commercial\nFormat: Vertical 16:9 • 720P\n\nA hyper-realistic cinematic short film about two women building their dream beauty brand from the ground up. Inspired by luxury fashion campaigns, emotional Netflix-style storytelling, and viral “soft life” entrepreneur aesthetics. Elegant beauty salon with glowing LED mirrors, glossy cream marble floors, gold-accent décor, aesthetic makeup stations, luxury product shelves, soft sunlight rays, cinematic reflections, floating dust particles, dreamy lens flares, realistic beauty textures, smooth handheld IMAX camera movement, and ultra-premium fashion-commercial visuals.\n\nThe atmosphere feels emotional, feminine, rich, inspirational, and deeply cinematic—a story about friendship, ambition, sacrifice, and success.\n\nMAIN CHARACTERS:\nTwo stylish young women with graceful confidence and powerful chemistry. Elegant luxury salon outfits in black, beige, and gold tones.\n\n0–2 SEC:\nBlack screen. Soft rain ambience. One light slowly turns on inside a dark luxury salon. Then another. Wide shot reveals the empty salon before sunrise as one woman wipes the mirror while the other arranges beauty tools.\n\n2–5 SEC:\nFast beauty montage. Makeup powder floating through sunlight, curling hair, glossy lips, polished nails, jewelry sparkle, heels walking across marble floors, coffee cups beside appointment books, tired hands still working late.\n\n5–8 SEC:\nThe salon becomes busy with happy clients. One woman styles glossy hair while the other creates flawless makeup looks. Clients smile, record mirror selfies, and admire their transformations.\n\n8–11 SEC:\nBoth women pause during the rush and exchange proud smiles through the mirror reflection. Warm golden sunlight fills the salon.\n\n11–13 SEC:\nLuxury makeover reveal. A beautiful client stands speechless after her transformation while golden reflections fill the room.\n\n13–15 SEC:\nCamera slowly pulls outside the salon into rainy streets. The glowing salon sign reflects on wet pavement while both women proudly stand together inside surrounded by happy clients. Cinematic fade out.", "description": "", "author": "Sadia", "authorUrl": "https://x.com/SadiaMalik182", "sourceUrl": "https://x.com/SadiaMalik182/status/2073341753776894254" }, { "id": "seedance-207", "title": "Neon Night Portrait Animation", "category": "cinematic", "prompt": "The man from the image stands on a dark city street at night, light rain falling. Blue neon light from a sign reflects on his black jacket and the wet pavement. Rain drops glisten on the fabric. He slowly raises his head and looks at the camera, calm expression. Slow gentle camera push-in, shallow depth of field, realistic skin and fabric, moody cinematic lighting, vertical 9:16", "description": "", "author": "KyzoroX", "authorUrl": "https://x.com/kyzoroX", "sourceUrl": "https://x.com/kyzoroX/status/2073341535991529536" }, { "id": "seedance-208", "title": "Rural Kerala Monsoon Journey", "category": "nature-drone", "prompt": "Main subject: young Indian man, early 20s, lean athletic build, natural everyday appearance, faded forest-green oversized t-shirt, dark charcoal cargo pants, worn trekking shoes, rugged canvas backpack, simple analog wristwatch, Realistic skin texture, no stylized features, calm introspective personality. Accompanied by his loyal medium-sized dog with short golden-brown fur, alert ears, expressive eyes, and a worn dark collar. Maintain consistent identity, clothing, dog appearance, gear, and physical characteristics throughout the entire video. \n\nLocation: Authentic rural Kerala during monsoon season. Journey begins in a small roadside town market with old buses, rain-soaked roads, vegetable stalls, umbrellas, puddles, hanging signboards, motorcycles, and local commuters. The journey transitions into beautiful Kerala jungle roads with dense tropical vegetation, mountain roads, waterfalls along roadside cliffs, mist-covered valleys, heavy greenery, moss-covered rocks, and rolling clouds. Final location is a high mountain ridge surrounded by deep forest and expansive cloud-filled valleys.\n\nVisual Style: Ultra-realistic documentary realism. Genuine candid behavior. Natural body language. Unscripted slice-of-life feeling. Strong environmental authenticity. Rich real-world details and believable human and animal motion. \n\nCamera Style: Early-2000s consumer DV camcorder aesthetic. Friend casually recording everyday moments. Heavy handheld shake, imperfect framing, frequent autofocus hunting, lens breathing, exposure pumping when moving between sun and shade, occasional motion blur, subtle rolling shutter, mild digital compression artifacts, faded colors, soft contrast, slight sensor noise. No stabilization. No cinematic camera moves. No modern color grading. \n\n00:00–00:02 Inside an old public bus leaving a rainy roadside market. He sits on the window seat with his dog beside him, front paws resting near the window. Rain droplets streak across the glass. He quietly looks outside while blurred market activity passes by. The camera struggles to hold focus as the bus shakes over uneven roads. \n\n00:02–00:04 The bus moves deeper into winding jungle roads lined with dense tropical greenery. The dog curiously watches outside with twitching ears. Framing drifts slightly off-center as the camera operator tries to capture both the scenery and their reactions. \n\n00:04–00:06 Through the bus window, mist covered hills, waterfalls, and wet mountain roads pass by. Autofocus repeatedly shifts between raindrops on the glass and his thoughtful face.\n\n00:06–00:08 The bus stops near a remote roadside trail. Light monsoon rain continues. He steps down carrying his backpack while the dog jumps out excitedly beside him. \n\n00:08–00:10 They trek uphill through dense forest. Wet leaves brush against his clothes and shoes sink slightly into soft muddy ground. The dog runs ahead, occasionally turning back toward him. \n\n00:10–00:12 At the m", "description": "", "author": "ᴍᴜʀᴘʜʏ", "authorUrl": "https://x.com/Diplomeme", "sourceUrl": "https://x.com/Diplomeme/status/2073338358206705883" }, { "id": "seedance-209", "title": "America 250th Anniversary Celebration Drone Show", "category": "nature-drone", "prompt": "[STYLE] Celebration showcase film, photorealistic live-action cinematography, epic aerial visuals, 8K ultra HD, DaVinci professional color grading, high-contrast night lighting\\n[DURATION] 15 seconds\\n[SETTING] Statue of Liberty in New York Harbor at night → Las Vegas Sphere → city night sky drone light show, three locations connected by montage\\n\\n[00:00-00:05] Shot 1: Fireworks Opening (Aerial Orbit + Fireworks)\\nAerial orbit: the camera dives down from the night sky and circles halfway around the Statue of Liberty. The verdigris copper statue is lit by golden floodlights from below, the torch glowing bright at the top.\\nVFX: massive realistic pyrotechnics burst in continuous succession in the night sky behind the statue — red, white, and blue sparks bloom in spherical bursts, ember trails drift slowly downward, smoke dispersed by the night wind.\\nSound: whistling of fireworks launching + triple low-frequency explosion rumble.\\n\\n[00:05-00:10] Shot 2: The Sphere Lights Up (Sphere Light Show + Match Cut)\\nHard match cut: the firework sparks instantly transform into LED light dots on the surface of the Las Vegas Sphere.\\nMedium-wide low-angle shot: waves of red, white, and blue light roll across the giant sphere's surface, converging into a massive golden number \\\"250\\\" with flowing particle texture on its surface; the sphere bathes the surrounding streets in warm golden light.\\nSlow push-in: the number \\\"250\\\" gradually fills the frame.\\nSound: low-frequency electronic swell building up, distant crowd cheering (off-screen).\\n\\n[00:10-00:15] Shot 3: Drone Swarm Finale\\nWide low-angle shot: thousands of drone lights converge from all directions in the city night sky, first forming a star pattern, then flowing and morphing into glowing text \\\"1776 → 2026\\\".\\nVFX: a final row of fireworks launches simultaneously from the horizon and bursts, golden ember rain filling the lower edge of the frame as the drone text freezes amid the firelight.\\n[ON-SCREEN TEXT] Golden serif title fades in at center frame: \\\"250 YEARS\\\", softly glowing, holds for 1 second to close.\\nSound: orchestral score peaks then cuts abruptly, leaving only the echo of fireworks.", "description": "", "author": "John", "authorUrl": "https://x.com/johnAGI168", "sourceUrl": "https://x.com/johnAGI168/status/2073331535952973844" }, { "id": "seedance-210", "title": "Nostalgic Japanese Summer Path", "category": "nature-drone", "prompt": "NOSTALGIC SUMMER JOURNEY — 15 SEC AMBIENT CUT\n\nSubject: Young Asian woman, short bob haircut, wearing a simple flowing white summer dress.\nAesthetic & Camera: Cinematic Japanese summer countryside, f/1.8, 85mm and 35mm lenses, shallow depth of field, soft pastel natural light, 8k resolution, raw photography style.\n\n(0:00–0:03) — Rustling Leaves\nWide shot. Wind gently blowing through lush green summer foliage and bamboo trees. Sunbeams filtering through the leaves. Volumetric lighting.\nTransition: Soft cut\n\n(0:04–0:06) — The Path\nGround-level tracking shot. A flowing white dress and light summer sandals walking slowly down a sun-dappled, slightly worn rural asphalt road. Soft shadows and bright highlights.\nTransition: Cut on movement\n\n(0:07–0:09) — Skyward Gaze\n85mm close-up profile. The young woman looks up toward the sky. Wind softly catches her bob haircut and the fabric of her dress. Natural cinematic rim lighting isolating her silhouette.\nTransition: Crossfade\n\n(0:10–0:12) — The Vending Machine\nMedium wide shot. She stands quietly next to a glowing, retro Japanese vending machine on an empty countryside road, gazing out over a distant green valley. Nostalgic, soft daylight lighting.\nTransition: Slow cut\n\n(0:13–0:15) — Contemplation\nExtreme close-up portrait. Looking directly into the lens with a calm, gentle smile. f/1.8 shallow depth of field blurring the background into soft green bokeh. Highly detailed facial features and realistic skin texture.\nTransition: soft cut", "description": "", "author": "Harboris", "authorUrl": "https://x.com/harboriis", "sourceUrl": "https://x.com/harboriis/status/2073327203761139780" }, { "id": "seedance-211", "title": "Cinematic Bungee Jump Sea Monster Attack", "category": "nature-drone", "prompt": "Photorealistic, cinematic action sequence. A young woman with short light-blue hair wearing a school uniform and a full-body harness prepares for a bungee jump on a high steel bridge. Crew members in dark uniforms check her gear. She dives forward. The camera tracks her top-down descent toward the deep blue ocean. As she nears the surface, a colossal, terrifying prehistoric sea monster breaches with jaws wide open to swallow her. At the last second, the bungee cord yanks her safely upward into a seated position. The monster crashes back into the sea, creating a massive, chaotic splash with realistic water dynamics. 8k, hyper-realistic, dramatic lighting, high-end Hollywood VFX.", "description": "", "author": "K", "authorUrl": "https://x.com/ChillaiKalan__", "sourceUrl": "https://x.com/ChillaiKalan__/status/2073325858908172426" }, { "id": "seedance-212", "title": "Cinematic Miniature Cat Chase", "category": "nature-drone", "prompt": "A 15-second cinematic miniature chase across a warm afternoon living-room floor, ONE CONTINUOUS SHOT, NO CUTS. The entire video is one forward escape along the same wooden floor path. Every danger is a connected chain reaction on that path — not separate scenes.\n\nCamera: Very low floor-level chase cam at the girl's shoulder height, tightly behind or slightly beside her. The camera never resets position, never jumps to a new angle, never teleports. It accelerates with her sprint, leans into her turns, dips when she slides, and shakes on near-misses. One continuous physical camera move from start to finish. Extremely shallow macro depth of field — she stays sharp, the giant world blurs in and out as it passes.\n\nChain of events: The camera starts low behind the tiny girl sprinting away from the desk area (Episode 1 landing point) across sunlit floorboards, dust motes drifting at her knee height like snowfall. — A shadow slides over her from behind: the cat has spotted her. Its paw-steps land as deep thuds. — She cuts hard around a fallen pencil; the cat's first paw slap lands inches behind her, flipping the pencil into a spin — she jumps the spinning pencil without breaking stride. — The pencil rolls into a stack of magazines, sliding the top one across the floor like a glacier into her path — she drops into a slide under its lifting edge, board-slide posture, and keeps running. — The magazine knocks a ball of yarn loose; it unspools rolling beside her, the thread whipping past her face — she vaults over the crossing thread. — The cat overtakes from the side in full \"우다다\" zoomies mode, cuts ahead, and crouches into pounce position directly on her path, hind legs wiggling — at the last second she veers into the dark gap under the sofa, sliding on her knees as the cat's paw sweeps the entrance behind her, claws retracted, batting at darkness. — Inside the dim under-sofa tunnel she keeps moving; behind her in the bright entrance slit, the cat's face drops sideways into view, one huge amber eye peering in, tail flicking. She backs away deeper into the dark, breathing hard — and the eye blinks slowly. Not menace — curiosity. The video ends on that suspended standoff, a split second of \"safe... for now.\"\n\nCat behavior: playful hunting instinct, not evil — claws never extended, movements are classic house-cat play (slap, pounce-wiggle, zoomies, slow blink). The cat stays physically consistent — it moves through the room continuously, never teleports.\n\nAudio: no background music for the first 3 seconds — only her sprinting footsteps (tiny, fast) and giant paw thuds (slow, deep, getting closer): the rhythm contrast IS the tension. Then urgent strings enter low. Realistic scale sounds: pencil clatter like a falling log, magazine sliding like an avalanche, yarn thread whipping, the cat's purr-chirp echoing huge, her breathing close to camera. At the sofa-gap escape all music cuts to silence — under the sofa: muffl", "description": "", "author": "Aijaz", "authorUrl": "https://x.com/iamsofiaijaz", "sourceUrl": "https://x.com/iamsofiaijaz/status/2073325060589510901" }, { "id": "seedance-213", "title": "Pixar Style Haaland Animation", "category": "nature-drone", "prompt": "A high-end 3D Pixar-style digital animation. The subject is a cute, chubby toddler caricature of professional footballer Erling Haaland standing on a vibrant green grass pitch inside a massive, packed football stadium at night.\nThe toddler has oversized features, including a round face, an exaggerated pouty and grumpy expression, and his signature long blonde hair tied neatly into a top-knot bun with shaved sides. He is wearing a detailed light blue Manchester City FC home kit, complete with matching shorts and golden football boots. He stands confidently with his arms tightly crossed over his chest, rocking slightly back and forth to the rhythm of music, giving a playful and defiant attitude. One foot is planted firmly on top of a classic star-patterned UEFA Champions League football.\nThe camera angle is a dynamic, low-angle full-body shot that makes the character look heroic yet adorable. The background is softly blurred with bokeh, showing a massive crowd under intense, bright stadium floodlights that cast crisp highlights on his hair and clothes. Cinematic lighting, rich colors, ultra-detailed textures on the fabric, hair strands, and grass blades, rendering in smooth 4K resolution.", "description": "", "author": "Sairah", "authorUrl": "https://x.com/Sairah_0", "sourceUrl": "https://x.com/Sairah_0/status/2073322997079773624" }, { "id": "seedance-214", "title": "Gen Z Fashion Reel Outfit Transition", "category": "talking-head", "prompt": "Create a trendy, ultra-realistic Instagram fashion reel featuring a stylish Gen Z female influencer showing 10 ways to style the same oversized pastel yellow button-up shirt. No dialogue, only upbeat viral pop music with clean animated text labels for each look. Vertical 9:16.\n\nOpen with the influencer holding the shirt on a hanger in a bright, minimalist apartment. She smiles at the camera and tosses the shirt forward as the text \"1 Shirt 🤍 10 Ways to Style\" appears.\n\nFast-paced fashion montage with smooth whip pans, spin transitions, jump cuts, and snap transitions.\n\nShow these looks:\n\n1. Casual Chic – open over a white crop top with wide-leg jeans.\n2. Front Knot – tied at the waist with denim.\n3. Off Shoulder – relaxed styling with sunglasses.\n4. Tucked In – tucked into tailored white trousers with a belt.\n5. Open with Denim Shorts – casual summer look with an iced coffee.\n6. Belted Chic – fully buttoned with a slim belt and black tailored trousers.\n7. Layered Dress – worn open over a fitted white midi dress.\n8. French Tuck – half-buttoned with rolled sleeves and relaxed jeans.\n9. Effortless Layers – draped over the shoulders with white linen trousers and a black tank.\n10. Monochrome Minimal – buttoned with cream wide-leg trousers for a clean luxury look.\n\nThroughout the video, show the influencer confidently walking, posing, spinning, adjusting the collar and sleeves, fixing sunglasses, holding a coffee, checking herself in a mirror, and smiling naturally. Mix full-body shots, medium shots, close-ups of fabric, accessories, and outfit details.\n\nBright natural daylight, warm minimalist interiors, luxury Pinterest aesthetic, cinematic handheld camera movement, shallow depth of field, realistic fabric physics, premium editorial fashion photography, smooth transitions, ultra-realistic 4K HDR.\n\nEnd with a quick collage of all 10 looks surrounding the final outfit and the text: \"10 Looks. 1 Shirt. 🤍 Which one's your favorite?\"", "description": "", "author": "Maria", "authorUrl": "https://x.com/thisismariaa25", "sourceUrl": "https://x.com/thisismariaa25/status/2073318471849640082" }, { "id": "seedance-215", "title": "Cinematic Astronaut Space Leap", "category": "cinematic", "prompt": "A cinematic 10-second sequence of a lone astronaut standing at the open airlock of a massive space station, taking one final look at Earth before fearlessly leaping into space, free-falling toward the planet as the camera follows from multiple epic angles, with realistic zero-gravity physics, breathtaking views of Earth, dramatic sunlight, and the astronaut igniting into a blazing trail upon entering the atmosphere, rendered in ultra-realistic IMAX quality with cinematic lighting and seamless motion.", "description": "", "author": "Abkr Sadiq", "authorUrl": "https://x.com/abs_uiux", "sourceUrl": "https://x.com/abs_uiux/status/2073316565559210321" }, { "id": "seedance-216", "title": "Cinematic New York City Action Battle", "category": "action", "prompt": "Cinematic action scene on a busy New York City street during the day, surrounded by yellow taxis and tall buildings. Two athletic men wearing black leather jackets are fighting. The man on the left strikes the man on the right in the chest with an open palm. Upon impact, a massive burst of glowing yellow-orange energy and lightning erupts from his chest. The struck man is blasted backward through the air in extreme slow-motion. As he flies backward, a trail of glowing, ethereal golden afterimages of his body follows his trajectory. The camera pans dynamically to follow his flight. He crashes violently into the asphalt street, creating a deep crater with flying debris. Hyper-realistic, high-end Hollywood VFX, dramatic lighting, 8k resolution, photorealistic.", "description": "", "author": "Kashberg", "authorUrl": "https://x.com/Kashberg_0", "sourceUrl": "https://x.com/Kashberg_0/status/2073308288603852942" }, { "id": "seedance-217", "title": "Early 2000s Korean DV Camcorder Vlog", "category": "talking-head", "prompt": "Seedance 2.0, 15 seconds, 16:9.\nMain subject from @image1 — lock her identity completely. Keep her face, skin tone, body shape, outfit, hairstyle, and every unique feature perfectly identical throughout the entire video. She is wearing a faded grey sleeveless crop top, loose high-waisted light blue jeans, black canvas sneakers, a black cord necklace, and has black wavy hair tied in a messy side-swept ponytail with bangs. Korean woman with an authentic early-2000s vibe.\nThe entire video takes place in a quiet Korean residential neighborhood with narrow concrete alleys, low-rise houses featuring small terraces, a front yard with a clothesline, potted plants, parked bicycles and motorcycles, large trees, and overhead utility cables everywhere. There are no shops, vendors, or commercial elements—only a natural, everyday residential environment.\nThe camera treatment is the defining element. The footage must feel as if a friend casually picked up a DV camcorder and started recording without any planning or setup. Use heavy handheld shake, constant reframing, the subject naturally drifting toward the edges of the frame, autofocus hunting, visible lens breathing, and exposure pumping. The image should appear faded, low-contrast, slightly washed out, with authentic early-2000s digital noise and compression artifacts. No stabilization, no cinematic movement, and no modern color grading. This camcorder aesthetic is absolutely non-negotiable.\nShe begins sitting on a concrete sidewalk while fixing her ponytail with both arms raised, smiling naturally as the wind gently catches her hair while the camera struggles to maintain focus. The camera then follows her into a narrow alley where she crouches down and feeds a friendly stray cat that walks right up to her. Next, she is in her front yard hanging laundry on a clothesline as the morning breeze softly moves the clothes, while the camera continues swaying and searching for focus. Midway through, she sits quietly on the front terrace holding a coffee cup, calmly looking toward the street as the camera drifts loosely from the side. Then, in a close shot from her right side, she raises her arm, warmly waves to someone off-camera, and says, \"Annyeong,\" with the camera catching the moment a beat late. The final shot follows her in a slow tracking walk down the street with the coffee cup still in hand. She notices the camera, turns slightly, gives a soft, genuine smile, and the recording abruptly cuts to black mid-motion as if the camcorder was simply switched off.\nAudio must remain entirely natural. Include only morning birds, a gentle breeze, distant motorcycle sounds, faint neighborhood chatter, the stray cat, coffee cup handling, footsteps on concrete, and rustling leaves. No music, no sound design, and no added audio effects.", "description": "", "author": "Mahnoor Fatima", "authorUrl": "https://x.com/MahnoorAi12", "sourceUrl": "https://x.com/MahnoorAi12/status/2073302067691565423" }, { "id": "seedance-218", "title": "The Falling City Surreal Short Film", "category": "action", "prompt": "THE FALLING CITY 15 second premium cinematic surreal short film, vertical 9:16 format, 8 scenes, one calm man standing still while the entire city slowly falls upward around him. Shot on ARRI Alexa 35, Panavision anamorphic lens, natural film grain, subtle lens flares, moody blue-hour color grade with warm window light accents, photorealistic, not CGI. No text no words no letters anywhere on screen. SCENE 1 (0-2s): Close-up, a young man in a long dark coat stands on a city street at blue hour, eyes closed, completely calm, a single leaf beside his shoulder beginning to drift upward instead of falling. Camera: locked close-up. Motion speed: near still, only the leaf rising. SCENE 2 (2-4s): Around him, loose papers, umbrellas and street dust begin floating gently upward into the vertical sky, pedestrians' scarves lifting. Camera: slow tilt up following the rising objects through the tall frame. Motion speed: dreamlike slow motion. SCENE 3 (4-6s): A parked car slowly lifts off the asphalt, rotating gently as it rises past glowing apartment windows, water dripping upward from its body. Camera: vertical crane following the car up the face of the building. Motion speed: majestic slow motion. SCENE 4 (6-8s): Wide vertical shot, entire streetlights, benches and kiosks peeling off the ground and ascending in a slow procession up the canyon of skyscrapers, warm windows glowing as they pass. Camera: locked low angle looking up, the full vertical frame filled with rising city. Motion speed: serene and hypnotic. SCENE 5 (8-10s): The man opens his eyes, still standing firmly on the ground, his coat rippling upward, he looks up calmly at the ascending world. Camera: slow push-in on his face from below, rising debris drifting past the lens. Motion speed: real time face, slow motion surroundings. SCENE 6 (10-12s): Above him, cars and streetlamps drift among low clouds like a slow constellation, catching the last golden light, birds flying between the floating objects. Camera: tilt up from his shoulders to the sky-city above. Motion speed: weightless slow drift. SCENE 7 (12-13.5s): He takes one step forward, and with that single step everything pauses mid-air for a breath, the whole ascending city frozen in the vertical frame. Camera: locked wide vertical. Motion speed: complete suspended stillness, only his step in real time. SCENE 8 (13.5-15s): He continues walking calmly down the street as the frozen floating city hangs above him like chandeliers, one leaf drifting back down and landing on his shoulder. Camera: slow backward tracking in front of him, low angle keeping the floating city in the top of the frame. Motion speed: calm real time walk, loop-friendly ending. Movement: the world rising in continuous graceful slow motion while the man remains grounded and calm, fabric and hair gently lifting, objects rotating slowly as they ascend, one suspended pause as the emotional beat, his movements minimal and confident", "description": "", "author": "Shara", "authorUrl": "https://x.com/itsshara_ai", "sourceUrl": "https://x.com/itsshara_ai/status/2073298416332112074" }, { "id": "seedance-219", "title": "Mixed Reality Cartoon Sticker Vlog", "category": "animation", "prompt": "[Style] Live-Action + Flat 2D Sticker Composite funny short video, First-person vanity POV (POV Vanity Vlog), strong contrast mashup of realistic makeup textures and flat cartoon sticker style, 8K Ultra HD, slight handheld shaking (Handheld Micro-shake), vertical screen.\n[Duration] 10 seconds\n[Scene] Real vanity table in first-person perspective: The desktop has an open eyeshadow palette, powder jar, a twisted-open bright red lipstick, and a vanity mirror with light bulbs. A pink hairdryer is on the right. Warm white light, the mirror only shows the reflected edge of the desktop, not a full reflection.\n[Character] Chibi-style anime sticker character (flat 2D sticker texture, cartoon outlines, paper-like): Long blonde hair with bangs, large purple round eyes, pink blush, white sailor-style school uniform, blue hair clip. Standing next to the eyeshadow palette, about twice the height of a lipstick. Maintains a pure 2D flat texture throughout, not relit by real lighting. A real person's hand (realistic, pores visible) enters the frame from the right side.\n\n[00:00-00:03] Shot 1: Lipstick Vandal Opening\nFirst-person top-down POV: The real hand is using a brush to pick up eyeshadow. The sticker character is holding a real lipstick taller than itself like a paintbrush, squinting with a mischievous grin, boldly drawing a crooked red smiley face on the back of the real hand—the real lipstick paste leaves oily red marks on the skin. It even signs it with a satisfied paw print.\nSound FX: The sticky sound of lipstick crossing skin + cartoon humming of triumph.\n\n[00:03-00:05] Shot 2: Powder Puff Combo\nThe real hand grabs a powder puff and slaps the character's face three times in quick succession—each slap puffs out a small cloud of real dust. Its face is thrown left and right, its two spots of blush are powdered into a full face of white, leaving it waving its hands while coughing.\nSound FX: Powder puff slapping \"poof poof poof\" + rustling dust sounds + cartoon coughing.\n\n[00:05-00:08] Shot 3: Makeup Meltdown\nIts eyes turn into swirls (Swirl Eyes) as it opens its mouth and bawls, blue cartoon tears splashing out to the sides like a fountain (Fountain Tears)—the tears wash two vertical stripes through the white powder on its face, mixing with the previous lipstick marks, creating a messy cartoon face.\nSound FX: Exaggerated cartoon crying sounds + dripping water sounds.\n\n[00:08-00:10] Shot 4: Blow-Dry K.O. Ending\nThe real hand picks up the hairdryer and aims it at the character, pressing the switch—the strong wind instantly makes the paper body shake wildly. It desperately clings to the edge of the eyeshadow palette, its hair and skirt blowing into a straight line. After half a second its hands slip, and the entire sticker is blown out of the frame with a \"whoosh,\" leaving only a blue hair clip spinning onto the tabletop. The real hand calmly turns off the hairdryer and continues applying makeup. The scene freezes on the hair clip.\nSound FX: Hairdryer roar + paper rustling and shaking + \"whoosh\" flying away + hair clip hitting the table with a final \"ding.\"", "description": "", "author": "John", "authorUrl": "https://x.com/johnAGI168", "sourceUrl": "https://x.com/johnAGI168/status/2073280272540299465" }, { "id": "seedance-220", "title": "Korean Fashion GRWM Vlog", "category": "product-ad", "prompt": "Create a realistic fashion GRWM featuring a trendy Korean woman wearing a black fitted crop top, relaxed blue jeans, white sneakers, and a small crossbody bag. The video opens with her waving at the camera while sitting at her vanity. She does her makeup, curls her hair, picks her outfit from the wardrobe, wears sunglasses, packs essentials into her handbag, takes a mirror selfie, and leaves for a luxury shopping district filled with boutiques and cafés. Premium lifestyle commercial, cinematic camera movement, soft daylight, photorealistic, 4K.", "description": "", "author": "Smiling Khan", "authorUrl": "https://x.com/AIwithkhan", "sourceUrl": "https://x.com/AIwithkhan/status/2073280146732458361" }, { "id": "seedance-221", "title": "Japanese Beef Bowl Cooking Storyboard", "category": "product-ad", "prompt": "Create a professional production storyboard sheet for a cinematic Japanese cooking video.\n\nFormat:\nA wide horizontal storyboard layout, 16:9 aspect ratio, arranged in a clean 3x3 grid with 9 panels total. Thin black borders separating each frame. Warm parchment/off-white background like a printed production board. At the top center, add the title:\n\nJAPANESE BEEF BOWL — Production Storyboard\n\nEach panel should have a small white label box in the top-left corner with the panel number in brackets: [1], [2], [3], etc. Under each panel, add a short italic serif caption starting with a two-digit number and an em dash.\n\nVisual style:\nHigh-end cinematic food photography, warm rustic Japanese kitchen, moody amber lighting, shallow depth of field, steam, dark wooden table, handmade ceramic bowls, old kitchen tools in the background, realistic textures, glossy sauce, appetizing food details, premium commercial cooking video look.\n\nStoryboard panels:\n\n[1] Close-up of hands slicing raw beef into thick bite-sized pieces on a worn wooden cutting board with a large chef's knife.\nCaption: 01 — Slice beef into bite-sized pieces.\n\n[2] Close-up of beef pieces searing in a black cast-iron pan, caramelized golden-brown edges, sizzling oil, steam rising, chopsticks turning one piece.\nCaption: 02 — Sear beef until browned.\n\n[3] Close-up of soy sauce being poured from a small ceramic cup into the hot pan, dark sauce bubbling around the beef, steam filling the frame.\nCaption: 03 — Add soy sauce to the pan.\n\n[4] Beef pieces simmering in a thick glossy sauce, chopsticks lifting a glazed piece, sauce bubbling heavily in the pan.\nCaption: 04 — Simmer beef in the sauce.\n\n[5] A wooden rice paddle scooping freshly steamed white rice into a large handmade ceramic bowl.\nCaption: 05 — Scoop steamed rice into bowl.\n\n[6] Thick Japanese-style savory sauce being poured over the mound of white rice in the ceramic bowl, glossy dark sauce spreading over the rice.\nCaption: 06 — Drizzle sauce over rice.\n\n[7] Glazed beef slices being placed carefully over the rice with chopsticks, close-up, rich caramelized shine.\nCaption: 07 — Arrange glazed beef over rice.\n\n[8] Finished bowl being assembled with green onions, soft-boiled egg halves, pickled ginger, sesame seeds, and fresh vegetables around the beef.\nCaption: 08 — Add vegetables, egg, and garnish.\n\n[9] Final hero shot of the completed Japanese beef bowl on a rustic wooden table, glossy beef, golden egg yolks, steam rising, hands resting near the bowl, cinematic food commercial look.\nCaption: 09 — Completed beef bowl, hero shot.\n\nMake the entire storyboard feel like a polished production planning sheet for a premium Japanese beef bowl commercial. Keep every panel realistic, cinematic, warm, detailed, and consistent in lighting, color palette, kitchen environment, and bowl design.\n\nVideo Prompt:\n\nCRITICAL INSTRUCTION: The reference image contains a 9-step chronological cooking storyboard for a Japanese Beef Bowl. Animate the chef seamlessly through these exact 9 steps in order. Start at Step 1 (Slice raw beef into bite-sized pieces), flow into Step 2 (Sear beef until browned), then Step 3 (Add soy sauce to the pan). Continue through Step 4 (Simmer beef in the sauce), Step 5 (Scoop steamed rice into bowl), Step 6 (Drizzle sauce over rice), Step 7 (Arrange glazed beef over rice), Step 8 (Add vegetables, egg, and garnish), finishing on Step 9 (Completed beef bowl hero shot). Prioritize the strict sequence of actions.\n\nNo music. No subtitles.\n\nLocation: Traditional Japanese kitchen.\n\n15 seconds, 16:9, realistic, cinematic, appetizing, natural camera movement. Warm moody lighting, shallow depth of field, rich steam, glossy sauce, premium food commercial quality.", "description": "", "author": "Zara", "authorUrl": "https://x.com/ZaraIrahh", "sourceUrl": "https://x.com/ZaraIrahh/status/2073255130443735422" }, { "id": "seedance-222", "title": "Soldier Micro-Expressions Animation", "category": "general", "prompt": "I often find it rather plain, straight forward to be boring, so I try to put micro expressions into characters. A soldier far left rubs his nose, a little proud he just took down a bunch of zombies together is better then they all reload.", "description": "", "author": "Sparkful", "authorUrl": "https://x.com/SparkfulArt", "sourceUrl": "https://x.com/SparkfulArt/status/2073241933976400162" }, { "id": "seedance-223", "title": "Raw Found Footage Superhuman Duel", "category": "action", "prompt": "[IMAGE REFERENCES]\nNo external references. Maintain perfect visual consistency for both fighters' exact appearance, hair, body type, clothing and proportions throughout the entire 15-second continuous clip.\n\n[TIMELINE SECOND BY SECOND]\n0-3s: [Continuous Shaky Handheld] The shaky phone captures a bald fighter with a third eye on his forehead, white headband and green gi facing a tall athletic woman with long black hair in a high ponytail and red battle armor. They circle each other. The woman dashes in with fast kicks. The bald fighter blocks and counters with precise palm strikes. The camera shakes with every exchange.\n3-6s: The bald fighter fires a bright triangular energy blast from his forehead. The woman dodges at the last second and the blast explodes against the ground. She immediately counters with a spinning kick to his side. The handheld footage shakes hard from the explosion and the operator moves quickly to stay with the action.\n6-9s: The woman grabs the bald fighter's arm and throws him over her shoulder. He flips and lands on his feet, then fires a rapid volley of energy blasts from both hands. The woman weaves between them with incredible agility. The camera pans and tilts constantly with heavy natural shake and motion blur.\n9-12s: The bald fighter charges and they clash in close combat again. The woman lands a powerful knee to his stomach and follows with an elbow to the back of his head. The shaky camera moves in closer, the operator clearly excited and breathing hard.\n12-15s: The bald fighter staggers but recovers and fires one final powerful blast. The woman crosses her arms and blocks it, the energy pushing her back several meters and kicking up dust. The continuous footage keeps rolling as the dust settles and both fighters catch their breath, the camera still shaking naturally.\n\n[STYLE & QUALITY BOOSTERS]\nRaw consumer found footage aesthetic, heavy handheld instability and micro-shakes, natural motion blur from camera movement, realistic lens flare and slight overexposure on energy flashes, coherent superhuman physics and impacts visible through dust and debris, amateur recording feel with no stabilization, no text, no overlays, no watermarks, continuous single shot, documentary raw video style.", "description": "", "author": "Kashberg", "authorUrl": "https://x.com/Kashberg_0", "sourceUrl": "https://x.com/Kashberg_0/status/2073234641545507141" }, { "id": "seedance-224", "title": "Fantasy Comedy Magical Painting Scene", "category": "talking-head", "prompt": "[Style] Live-Action Fantasy Comedy, realistic slice-of-life texture, Photorealistic VFX, 8K Ultra HD, vertical 9:16, 2 people. [Duration] 15 seconds. [Scene] Scene A: Home corridor with a traditional Chinese scroll painting of the female lead in a classical style; Scene B: Modern living room + open kitchen. [Characters] Male lead, Female lead. [00:00-00:06] Shot 1: The Slap Hook. Handheld camera, medium close-up: Male lead admires the painting and kisses the woman's cheek. Suddenly, the woman's arm reaches out from the painting with realistic skin texture and slaps him before retracting. Male lead is shocked then delighted. [Dialogue] Male lead: \"Wow, that works too?\" [00:06-00:11] Shot 2: Pull Her Out. Male lead reaches into the scroll and pulls the woman out; she transforms into a real person with 3D volume and realistic clothing while parts still in the painting remain flat. She lands on her feet, annoyed. [Dialogue] Female lead: \"Let go of me, you pervert!\" [00:11-00:15] Shot 3: Lazy Ending. Cut to modern living room: Male lead eats chips on the sofa, laughing. Female lead is in the background kitchen cooking. Sound effects: laughter and frying sounds.", "description": "", "author": "allen 艾伦", "authorUrl": "https://x.com/lanaiweb1688", "sourceUrl": "https://x.com/lanaiweb1688/status/2073203257661587461" }, { "id": "seedance-225", "title": "Chibi Angel Milestone Celebration", "category": "nature-drone", "prompt": "Use the chibi angel from the reference image as is. Do not change the face, hairstyle, wings, clothing, body type, color, or proportions at all. Maintain the same character. Cinematic fantasy space.\n\nAt the beginning of the video, the chibi angel is standing in the center of the screen with their back turned. Only the small back and wings are visible, and the face is not visible at all. The angel quietly lifts their head and looks up at a giant glowing number \"5400\" floating high in the background.\n\nThe camera slowly moves forward from behind the angel. Suddenly, the number \"5400\" begins an Orbit Motion (3D rotation like a revolution) while emitting a mysterious light. The entire number rotates three-dimensionally 360 degrees, leaving a rainbow-colored trail of light. The rotation speed gradually accelerates, taking on strong energy. The moment the rotation reaches top speed, the number \"5400\" instantly collapses and turns into 5400 colorful glass marbles.\n\nInnumerable transparent marbles of red, blue, green, yellow, purple, orange, light blue, etc., scatter in all directions and then converge toward the chibi angel all at once. The marbles form a huge stream in the air, showing movement like a beautiful fluid simulation. Like a sparkling Milky Way, they become a river leading to the angel's feet.\n\nThe chibi angel jumps lightly in surprise and hops onto that river of marbles. The marbles become a smooth flow, tracing a trajectory like a transparent water slide and moving at high speed. The chibi angel rides that flow of marbles and begins to slide happily. They spread their wings and slide with a smile while maintaining balance.\n\nThe marbles collide with each other while sparkling, creating strong reflections and refractions. A large amount of light particles and rainbow-colored bokeh dance, creating a fantastical image.\n\nThe camera follows the slide like a drone, switching dynamically from front, side, and diagonally above. It rushes through the river of marbles while emphasizing the sense of speed. The entire video is of high-end CG movie quality.\n\nUltra cinematic, fantasy, magical atmosphere, volumetric lighting, god rays, HDR, ray tracing, physically based rendering, colorful transparent glass marbles, fluid simulation, sparkling particles, rainbow reflections, dynamic camera movement, motion blur, depth of field, masterpiece, ultra detailed, smooth animation, joyful adventure, magical energy, highly dynamic, breathtaking visual spectacle.", "description": "", "author": "なお", "authorUrl": "https://x.com/Naonekozamurai", "sourceUrl": "https://x.com/Naonekozamurai/status/2073178027371172048" }, { "id": "seedance-226", "title": "Fantasy Portal Escape Sequence", "category": "action", "prompt": "Hyper realistic cinematic fantasy action sequence, 15 seconds, 16:9. \n\nA lone hero is trapped on the edge of a massive cliff at dusk, high above a bottomless canyon filled with fog and storm wind. Behind them, a pack of monstrous creatures closes in fast across broken rock and jagged ruins. \n\nThere is no way out except a magical portal that flashes open for only a brief instant on the far side of the canyon, then disappears again. The hero must time the jump perfectly or fall forever into the abyss. The atmosphere is breathless, desperate, and intense. Start with a wide cinematic shot showing the cliff edge, the endless canyon, violent wind, and the monsters spreading out behind the hero. \n\nA glowing portal flickers open across the gap for one second, then vanishes. Cut to a tight tracking shot as the hero backs toward the edge, breathing hard, watching the portal’s pattern while the monsters rush closer. Dust and loose stones fall into the abyss beneath their boots. Cut to a dramatic side angle as one monster lunges and the hero dodges at the last second, nearly slipping off the cliff. \n\nThe portal flashes open again across the canyon, unstable and pulsing with energy. The hero sprints along the cliff edge, leaps over broken stone, then turns sharply toward the jump point as more creatures close in from behind. \n\nFor the final seconds, the hero commits to the jump exactly as the portal opens again in midair alignment across the canyon. In slow motion, they launch off the cliff while a monster’s claws miss by inches. The hero flies across the void toward the glowing portal as wind tears at their clothes and rocks tumble into the abyss below. \n\nThe portal begins flickering and shrinking just before impact. Final shot shows the hero diving through the portal at the last possible moment as it snaps shut behind them, leaving the monsters stranded on the cliff edge, roaring into the canyon. \n\nEpic fantasy, huge scale, clear cause and effect, dramatic lighting, intense motion, no text, no logos, no modern objects, no comedy, no famous actors’ faces, no recognizable celebrity faces.", "description": "", "author": "DeCat", "authorUrl": "https://x.com/DeCat2025", "sourceUrl": "https://x.com/DeCat2025/status/2073170332525945035" }, { "id": "seedance-227", "title": "Hallstatt Alpine Village Travel Vlog", "category": "nature-drone", "prompt": "Main subject from image1 lock her completely. Face, hairstyle, body proportions, skin tone, outfit, accessories, and overall appearance must remain perfectly identical throughout the entire video.\nShe is a beautiful European woman, about 24 years old, with fair Caucasian skin and Western European facial features, wearing minimal makeup. Around her neck hangs a classic 35mm analog film camera.\nTheme:\n\"A Day With My Camera\"\nA relaxing weekend in 2026, following a girl who loves documenting beautiful places with her analog camera in Hallstatt, Austria. The video should feel authentic, nostalgic, and effortlessly beautiful.\nEverything takes place around Hallstatt in 2026:\na calm alpine lake, centuries-old wooden houses with flower boxes, narrow cobblestone lanes, a lakeside promenade, a small souvenir shop, an outdoor lakeside cafe, and green mountain trails above the old town.\nThe entire video must look like it was filmed naturally by her best friend using a modern mirrorless camera. Absolutely no posing, no influencer behavior, no scripted acting. Every smile, glance, and movement feels spontaneous and real.\nCamera language is the highest priority.\nEach scene plays as one single continuous handheld take with no cuts inside the scene.\nNatural handheld movement.\nGentle camera sway.\nOccasional focus breathing.\nReal autofocus adjustments.\nSlight framing imperfections.\nNatural motion blur.\nDocumentary-style tracking shots.\nSoft depth of field.\nAuthentic available sunlight.\nPremium lifestyle vlog aesthetic.\nSequence:\nIn one continuous shot, she walks along the lakeside promenade in the soft morning light, old wooden houses behind her, adjusting the analog camera around her neck and smiling at the calm lake.\nShe stands at the water's edge, wind moving her hair, and photographs swans gliding across the lake with misty mountains rising behind them.\nFilmed from behind in a steady tracking shot, she wanders slowly through a narrow cobblestone lane between centuries-old alpine houses, looking up at the flower boxes and wooden balconies.\nShe crouches down low to photograph flowers spilling from an old doorway, fully absorbed in the moment. The filming camera drops to a low ground-level angle, looking slightly up at her from near the flowers, capturing her quiet concentration in a candid handheld vlog style.\nShe browses inside a small souvenir shop, gently picking up a handmade wooden ornament and a postcard of the town, smiling as she chooses one to buy.\nShe sits at an outdoor lakeside cafe table, takes a slow sip of a latte, and reviews her newly taken photos on the back of her camera, smiling quietly to herself.\nGolden hour arrives. She climbs a small trail above the town and holds her analog camera up to her eye. The filming camera peeks over her shoulder for a m", "description": "", "author": "Mark H", "authorUrl": "https://x.com/markh_app", "sourceUrl": "https://x.com/markh_app/status/2073164832250138954" }, { "id": "seedance-228", "title": "Beach Dance Zombie Chase", "category": "nature-drone", "prompt": "Photorealistic grounded cinematic video, 12s, ARRI Alexa 35 + natural handheld with tiny breathing imperfections, Cooke Panchro lens, organic HDR, fine grain. Beautiful tropical Pantai Meroko beach, bright sunny day, golden sand, turquoise waves, palm trees. Vibrant yet natural satisfying color palette — warm golden sand & skin tones, cool ocean, harmonious tropical feel with skin priority (alive, three-dimensional Southeast Asian skin).\nFit 30yo Southeast Asian man, short black hair, reggae tank top & board shorts, barefoot, joyfully dancing reggae [0-3s]: rhythmic body sway, shoulders rolling, arms swinging fluidly, big genuine smile, head bobbing, pure fun energy, camera motivated tracking around him, natural non-stiff performance.\nSuddenly [3-6s]: 5 aggressive fast zombies (decayed skin, tattered bloody clothes) burst from palm trees and sprint at him with intense aggression. Man shocked, turns and runs hard along shoreline, sand kicking, camera kinetic handheld tracking beside/behind him, natural panic, zombies gaining aggressively.\n[6-9s]: Chase continues, man glances back in fear then suddenly stops, turns determined, pulls grenade from pocket, pulls pin and throws with full body weight & commitment toward the zombies. Grenade arcs clearly through air.\n[9-12s]: Massive mega explosion erupts among zombies — huge realistic fireball, powerful shockwave blasting sand & water, zombies violently thrown & destroyed with clear physical consequence & weight, debris flying, big smoke plume. Camera shakes realistically from blast impact and pulls back slightly to show scale while staying immersive. Every action has visible cause and physical consequence. Grounded physics, satisfying fiery explosion colors with perfect contrast & filmic roll-off. No AI artifacts, no floaty movement, natural micro-expressions, consistent geography & color grading.\nNegative: no slow zombies, no cartoon explosion, no bad skin on man, no oversaturated/muddy colors, no robotic camera, no unexplained events, natural real-world physics & blast consequence.", "description": "", "author": "Apil", "authorUrl": "https://x.com/apilpirman", "sourceUrl": "https://x.com/apilpirman/status/2073137705085706470" }, { "id": "seedance-229", "title": "Frostbound Blade Bearer Fantasy Cinematic", "category": "nature-drone", "prompt": "[GLOBAL SETUP] Style: cinematic CG fantasy, hyper detailed anime realism hybrid, epic game cinematic lighting, volumetric snow and mist, cool blue gold color grade, shallow depth of field, 4K render quality, 16:9 aspect ratio\nCharacter: young female warrior, long flowing silver white hair, glowing cyan eyes, ornate dark armor with white fur trim and pale gold filigree, holding a glowing blue energy blade\nEnvironment: windswept snowy mountain peak, jagged icy cliffs, soft falling snow, faint aurora like light in the sky, dramatic backlight\n\n[00:00-00:04] Camera starts low, slowly rising in a smooth arc around the warrior as she stands still, cloak and hair whipping in the wind, snow swirling around her boots, cyan eyes glowing faintly, first light of dawn breaking behind her on the mountain ridge.\n\n[00:04-00:09] The warrior raises her glowing blue blade slowly, energy particles trailing off the edge, wind intensifying, snow gusting past camera in the foreground, camera pushes in tighter on her determined expression, fabric and fur rippling dramatically.\n\n[00:09-00:13] She plants the blade into the ice with a burst of frost energy radiating outward in a circular shockwave, cracks of light spreading across the ground, camera shakes subtly with the impact, snow particles scatter upward in slow motion.\n\n[00:13-00:15] Camera pulls back and up into a wide cinematic aerial shot, revealing the full mountain vista with the warrior standing amid the glowing frost shockwave, aurora light shifting overhead, final beat holds on the epic wide shot.\n\n[NEGATIVE PROMPT] no blurry motion artifacts, no extra limbs, no warped hands, no text overlays, no watermark, no low resolution textures, no flat lighting, no character face distortion, no inconsistent armor details, no color banding", "description": "", "author": "BMX", "authorUrl": "https://x.com/bmx_ai13", "sourceUrl": "https://x.com/bmx_ai13/status/2073121597821436099" }, { "id": "seedance-230", "title": "Futuristic Racing Finale Scene", "category": "nature-drone", "prompt": "Create a 15-second 16:9 ultra-cinematic futuristic racing finale.\n\nSubject: A futuristic hypercar with an aggressive aerodynamic body, illuminated cyan and orange energy lines, active rear aero, glowing wheels, and a transparent cockpit. Keep the vehicle's design, colors, proportions, and lighting perfectly consistent throughout.\n\nAction: The hypercar enters the final lap of the world's fastest futuristic race. The speed increases relentlessly as the driver overtakes the last rival through a razor-thin gap. The car executes a perfect high-speed drift around a massive banked corner, activates an energy boost, and launches down the final straight. The finish line explodes with holographic lights as the car crosses first, surrounded by shockwaves of energy and cheering crowds.\n\nScene: A colossal futuristic megacity circuit suspended above the clouds. Giant illuminated skyscrapers, holographic billboards, magnetic guardrails, floating drones, glowing checkpoints, reflective asphalt, and endless neon lights create a breathtaking sci-fi racing arena.\n\nCamera: Open with an ultra-low shot inches above the asphalt, sparks flying beneath the car. Cut to an aggressive side tracking shot at full speed. Transition into a cockpit view as the driver overtakes the final opponent. Orbit around the car during the drift, then switch to a rear chase camera showing blue energy trails stretching for kilometers. Finish with a dramatic aerial shot as the hypercar crosses the finish line beneath exploding holographic fireworks. Smooth gimbal movement, cinematic speed ramps, anamorphic lens flares, realistic motion blur, razor-sharp focus.\n\nLighting & Style: Electric blue, orange, and white neon illumination. High contrast, glossy reflections, premium sci-fi blockbuster visuals, ultra-clean rendering, cinematic lens flares, volumetric lighting, atmospheric particles, epic futuristic aesthetic.\n\nAudio: High-performance electric engine scream, turbo energy boost, tire grip, aerodynamic wind, deep cinematic bass, hybrid orchestra with powerful electronic synthwave, massive crowd roar, digital finish-line explosion.\n\nMood: Victory, adrenaline, determination, ultimate speed, futuristic championship, legendary final race.\n\nAvoid random text, logos, distorted vehicle geometry, changing car design, flickering lights, duplicated cars, unstable camera, unrealistic wheel deformation, warped track, excessive bloom, blurry action, cartoon style, floating objects, impossible physics, low-detail environments.\n\nMade in @runwayml", "description": "", "author": "LudovicCreator", "authorUrl": "https://x.com/LudovicCreator", "sourceUrl": "https://x.com/LudovicCreator/status/2073104529269088721" }, { "id": "seedance-231", "title": "Emergency Stairwell Action Chase", "category": "action", "prompt": "Night. Inside the emergency stairwell of a very tall modern skyscraper, two agents, one man and one woman, race downward while a security team follows above them. The stairwell is concrete and metal, with red emergency lights, smoke haze, flashing alarms, exposed pipes, steel railings, and city lights visible through narrow windows. Both agents wear dark fitted tactical clothing, no hoods, no helmets, no masks, visible hair, no celebrity resemblance.\n\nWide opening shot: the agents rush down the stairwell, taking the steps fast, using the railings for balance. Security appears several floors above, closing in.\n\nFast tracking shot: the stairwell shakes. Cracks spread across a landing below them. Dust falls from the ceiling. The agents react quickly and keep moving downward as the metal railings rattle.\n\nSide shot: a landing section suddenly breaks loose below them, creating a gap between stair sections. The agents do not stop. They grab the railing, swing around the broken area, and drop down to the next stable landing.\n\nFinal 5 seconds: the action becomes more intense. More stair sections crack below them. The agents sprint down another flight as a metal support beam bends and a lower landing collapses away. One agent slips on dust, the other catches them, and both make a fast controlled drop to a lower stair section, landing hard and continuing downward.\n\nFinal moment: the agents reach a lower emergency door and push through it as the stairwell behind them shakes, dust and red alarm light filling the frame.\n\nStyle: hyper-realistic, cinematic, fast-paced, tense, urgent, clean and readable action, strong vertical danger, collapsing stairwell, red emergency lights, smoke haze, dust, metal railings, dynamic but clear camera movement, no text, no logos, no cartoon style, no slow motion. Keep proportions. Keep style and features. Aspect ratio 16:9.", "description": "", "author": "DeCat", "authorUrl": "https://x.com/DeCat2025", "sourceUrl": "https://x.com/DeCat2025/status/2073104076804391186" }, { "id": "seedance-232", "title": "F1 Grand Prix Grandstand Dance Video", "category": "action", "prompt": "Main Character: Young East Asian woman, high messy bun, black sunglasses on head, small gold earrings, black halter deep-V jumpsuit, healthy skin texture, vivid makeup, relaxed and infectious expression. Maintain consistent identity/clothing/hair throughout. Location: Day at F1 Grand Prix front-row grandstand, orange/blue barriers extending away, crowded stands with orange flags, high-speed cars on track, bright sunlight, lively atmosphere. Visual Style: Documentary-style realism, natural and spontaneous dancing, sexy and relaxed vibe, rich environmental details. Camera Style: Handheld audience perspective, slight natural shake, tracking the dance moves, realistic lighting and shadow, occasional foreground rails or people in shot, no over-grading. [Timeline] 00:00–00:02: Sitting by the rail, smiles, stands up using rails, sways to the rhythm, cars blur in background. 00:02–00:04: Standing in the aisle, twisting hips and waist, one hand moving to the beat, hair sways, slight camera tracking. 00:04–00:06: Side close-up, flips hair, smooth hip movements, sunlight highlights on neck/shoulders. 00:06–00:08: Semi-wide shot, dancing in limited space, arms stretching, crowds and flags blending in. 00:08–00:10: Front close-up特写, smiles at camera, smooth body waves, sunglasses slip slightly, she adjusts them without stopping. 00:10–00:12: Back perspective, turns away, sharp hip movements, wide-leg pants swaying, car zooms past. 00:12–00:15: Back to front mid-shot, finishing move, fixes hair, light panting with a smile, looks at track, crowd cheers, slow fade out. Audio: Real race track sounds—engine roars, cheering, ambient music, wind from flags, no voiceover or BGM. Goal: Capture a spontaneous dancing moment at F1, blending speed and heat.", "description": "", "author": "AYi", "authorUrl": "https://x.com/AYi_AInotes", "sourceUrl": "https://x.com/AYi_AInotes/status/2073104072555561118" }, { "id": "seedance-233", "title": "Empire State Building Proposal Drone", "category": "nature-drone", "prompt": "Ultra-photorealistic cinematic drone footage. A lone couple stands on the Empire State Building observation deck at golden hour with the Manhattan skyline stretching endlessly behind them. The woman wears the same outfit and styling as the viral Russian proposal video: a fitted black sleeveless mini dress, sheer black tights, black high heels, long straight dark hair flowing naturally in the wind. The man wears the same look as the viral video: a tailored black suit, crisp white dress shirt, black dress shoes, clean, elegant styling. Their wardrobe is minimalist, sophisticated, and identical in overall aesthetic to the viral proposal.\n\nThe drone begins hundreds of feet away, revealing the full scale of the skyscraper and New York City, then slowly glides toward the couple in one continuous, buttery-smooth cinematic movement. As the drone approaches, the man gently takes her hand, slowly drops to one knee, and opens a small velvet ring box. The woman stands frozen in shock, placing both hands over her mouth before becoming visibly emotional. She does not kiss him. The entire sequence is a silent, intimate proposal with only the couple present. No tourists, no crowd, no photographers, no security, no banners, and no distractions.\n\nThe drone continues into a slow, majestic 360-degree orbit around the couple, revealing the glowing Manhattan skyline, dramatic sunset reflections on the surrounding skyscrapers, atmospheric haze, and immense sense of height. Natural wind moves their clothing and hair realistically. Authentic body language, subtle facial micro-expressions, lifelike movement, true aerial perspective, stabilized cinematic drone cinematography, Hollywood documentary style, HDR, volumetric golden-hour lighting, ultra-detailed textures, realistic physics, 8K, epic scale, emotionally powerful, indistinguishable from real drone footage.", "description": "", "author": "Saul Goodman", "authorUrl": "https://x.com/Goodmanprotocol", "sourceUrl": "https://x.com/Goodmanprotocol/status/2073096935746245058" }, { "id": "seedance-234", "title": "Football Stadium Fan Celebration Sequence", "category": "ugc", "prompt": "Main character: Young East Asian woman, deep black wavy long curly hair, natural and delicate light makeup, burgundy satin deep-V lace-up cropped long-sleeved top, off-white high-waisted bottoms, gold teardrop earrings, gold small disc necklace, a red and white team badge sticker on her left cheek, realistic skin texture, lively and infectious emotions. Maintain consistent identity, clothing, hairstyle, and appearance throughout the video.\nLocation: Professional football stadium home stand during the day, packed crowd, numerous red and white flags waving, green turf and distant stands visible in the background, intense atmosphere, natural sunlight evenly distributed.\nVisual style: Stadium documentary realism, natural emotional expression and body movements, no staged feel, rich details of the crowd and environment, immersive atmosphere, character actions consistent with real viewing logic.\nCamera style: Handheld fan perspective, slight natural shaking, casual camera movement following character emotions, POV shifting through the crowd, realistic exposure under natural light, occasional foreground flag blurring, authentic lighting and shadows, no excessive color grading or cinematic camera movements.\n00:00–00:02\nIn the middle of the crowd, she looks up and cheers with her mouth open, long hair rising slightly with the movement, surrounding fans vigorously waving red and white flags, a flag passing the foreground causing slight blur, handheld camera shaking slightly, capturing her burst of excitement.\n00:02–00:04\nZooming in slightly, she smiles while staring at the field, raising her hand to brush away hair blown by the wind, the badge sticker on her cheek clearly visible, fans behind her rising to shout, background crowd naturally blurred.\n00:04–00:06\nSide-view eye-level shot, she claps along with the fans, her body swaying slightly with the atmosphere, a smile on her face, sunlight hitting the satin top with a soft sheen, a large flag waved by a nearby fan briefly crossing the edge of the frame.\n00:06–00:08\nZooming out slightly, she raises her fist to celebrate, the crowd rising to cheer simultaneously, numerous flags surging around, the camera slightly bobbing with the crowd's movement, fully immersed in the boiling atmosphere.\n00:08–00:10\nClose-up of her face, she is locked onto the field, breathing slightly, expression shifting from excitement to focused tension, a few strands of hair on her neck, background cheering fading into blurred atmosphere.\n00:10–00:12\nShe suddenly smiles again, turning naturally to high-five a nearby fan, movements casual and unstaged, the camera slightly lagging to capture this moment, the shoulder of a nearby fan briefly entering the edge of the frame, full of authentic presence.\n00:12–00:15\nShe turns back toward the field...", "description": "", "author": "AYi", "authorUrl": "https://x.com/AYi_AInotes", "sourceUrl": "https://x.com/AYi_AInotes/status/2073090800636899348" }, { "id": "seedance-235", "title": "Underwater Submarine Disaster Scene", "category": "nature-drone", "prompt": "Hyper-realistic cinematic underwater disaster sequence, 10-second blockbuster action reel set deep beneath the ocean surface during daytime. Massive underwater cliffs, drifting particles, shafts of sunlight penetrating the water, schools of fish scattering, and immense ocean scale create an immersive deep-sea atmosphere. The scene begins with two colossal octopus creatures swimming rapidly through the dark blue depths toward a military submarine cruising between underwater rock formations. Their enormous tentacles move through the water with realistic fluid motion while the submarine's lights illuminate their giant forms emerging from the darkness. In the next instant, both creatures latch onto the submarine from opposite sides, wrapping their tentacles around the hull and pulling downward toward the abyss. The camera cuts inside the submarine where warning alarms sound and red emergency lights flash. Officers struggle to maintain control as the metal walls creak and sections of the interior visibly flex under the immense external pressure created by the creatures squeezing the vessel. The crew quickly deploys a small unmanned attack craft armed with rockets. The vessel exits a launch bay and fires toward one of the giant octopuses, creating a bright underwater explosion that briefly illuminates the deep ocean. The impact causes both creatures to become even more aggressive, tightening their grip and accelerating their movements around the submarine. The captain orders maximum speed and the submarine dives sharply toward a field of massive underwater rock formations. The vessel races between cliffs and canyons while the creatures continue pursuing and holding onto the hull. In a final desperate maneuver, the submarine launches a powerful underwater warhead toward the rock formations ahead and continues directly into the expanding shockwave while both giant octopuses remain attached. A blinding underwater explosion erupts, lighting the depths with an enormous burst of energy, bubbles, debris, and turbulent currents. Inside the submarine, the officers close their eyes and brace themselves as the interior shakes violently. The camera instantly transitions to an aerial shot high above the ocean surface where an enormous column of water erupts skyward from the underwater blast, sending waves and mist across the sea for miles around. Ultra-realistic underwater physics, cinematic submarine interiors, realistic creature animation, immersive sound design, photorealistic water simulation, dramatic lighting, blockbuster disaster visuals, epic ocean scale, high-speed action cinematography, Hollywood-level VFX.", "description": "", "author": "Ranveer Singh Sisodia", "authorUrl": "https://x.com/sphereofai", "sourceUrl": "https://x.com/sphereofai/status/2073083355160318422" }, { "id": "seedance-236", "title": "K-pop Music Video Performance", "category": "product-ad", "prompt": "Style: High budget Kpop music video, glossy commercial lighting, vibrant color grading (magenta/cyan/electric blue), 4K cinematic quality, sharp focus, dynamic camera movement, idol-group choreography, fashion forward streetwear meets futuristic outfits, confident charismatic energy, beat synced cuts\\nSubject: One female idol performer, toned dance-ready physique, glossy makeup, holographic/metallic outfit accents\\nNegative prompt: no blurry motion, no distorted hands, no extra limbs, no text artifacts, no watermark, no low resolution, no static camera\\n\\n[0:00-0:03] Close up shot, performer's eyes snap open on the beat drop, quick zoom out reveal to full body pose under strobing neon backlight, hair flip, confident smirk, camera whip pans left.\\n\\n[0:03-0:07] Wide shot, sharp synchronized choreography (point formation), sharp isolations on snare hits, camera does a low-angle orbit around the performer, neon light trails following hand movements, fog machine haze in background.\\n\\n[0:07-0:11] Medium shot, performer lip-syncs main hook line with emotive expression, hand near face/mic gesture, quick cut to a rooftop-city backdrop with lens flare, wind machine blowing hair.\\n\\n[0:11-0:15] Fast triple cut montage (0.5s each) of three different power poses, final freeze frame on a hero pose with sparkler/confetti burst, camera punches in, fade to logo card.", "description": "", "author": "BMX", "authorUrl": "https://x.com/bmx_ai13", "sourceUrl": "https://x.com/bmx_ai13/status/2073081080970698759" }, { "id": "seedance-237", "title": "Tactile Paper-Cut Product Reveal", "category": "product-ad", "prompt": "Use @image1 as the exact final hero-frame composition. Use @image2 as the strict product identity lock.\nAnimate like a premium tactile editorial paper-cut product reveal: layered cardstock pieces slide, fold, pop up, and settle with tiny stop-motion overshoot. Mostly locked camera, subtle tabletop parallax only. Physical paper shadows under every layer.\nPRODUCT LOCK: preserve the perfume bottle silhouette, white geometric lattice, aqua-blue inner body, square cap, central RAYHAAN plaque, front-facing readability, and luxury material finish from @image2.\nSHOT 1, 16:9, 6 seconds:\n0-1.2s: The Dubai paper city comes to life. Skyscrapers lift in staggered layers, small clouds slide, and aqua paper water waves shimmer forward.\n1.2-2.6s: The product folds into place. White panels flip inward, the aqua inner body slides behind the lattice, the cap drops on, and the bottle settles cleanly on the plinth.\n2.6-4.2s: Ingredients animate once around the product. Bergamot and lemon slices rotate gently, grapefruit blossoms open, Calone waves ripple, and sandalwood strips slide into a neat base.\n4.2-6s: The note cards fold in top-to-bottom: TOP “Bergamot, Lemon”, MIDDLE “Grapefruit blossom”, BASE “Calone, Sandalwood”. Preserve exact readable text. End fully settled on @image1.\nSound design: crisp paper slides, dry cardstock flicks, soft paper taps, tiny adhesive-peel folds, subtle paper-water shimmer. No music, no voiceover, no extra captions.\nConstraints: no new text, no misspellings, no duplicated labels, no warped product, no melting or liquid morphing, no CGI camera flythrough, no hands, no people, no watermark.", "description": "", "author": "Safwaan Mujawar", "authorUrl": "https://x.com/thesocialalpha_", "sourceUrl": "https://x.com/thesocialalpha_/status/2073075642996777159" }, { "id": "seedance-238", "title": "Joseon Dynasty Historical Documentary", "category": "talking-head", "prompt": "Ultra-realistic historical documentary, photorealistic Joseon Dynasty Korea, museum-quality reconstruction, Kodak Portra 400, 85mm prime lens, subtle handheld documentary camera, warm natural daylight, soft cinematic film grain, natural acting and expressions, family-friendly.\n\nMAIN CHARACTER (IDENTITY LOCK)\nOne young Korean woman (early 20s). Long straight black hair, natural makeup, white cropped cardigan, long black pleated skirt below knees, white sneakers, small cream shoulder bag, natural smile. She is the only modern person. Keep identical face, hairstyle, outfit, accessories, and body proportions throughout every shot.\n\nLOCATION\nAuthentic Joseon royal palace inspired by Gyeongbokgung: wooden palace buildings, painted pillars, stone courtyards, throne hall, traditional gardens. No modern structures.\n\nBACKGROUND\nEveryone except the main character wears historically accurate Joseon clothing. King in Gonryongpo, Queen in Jeokui, court ladies in hanbok, guards in Joseon military uniforms, officials in robes with black gat hats, traditional musicians. Authentic palace etiquette throughout.\n\nAUDIO\nNatural palace ambience, footsteps on stone, wind, birds, quiet Korean conversations, distant traditional court instruments. No background music.\n\nRULES\nThe main character respectfully explores the palace without explaining why she is there. All dialogue is spoken only in Korean. Show subtitles only during dialogue:\nLine 1: English\nLine 2: Bahasa Indonesia\nWhite modern sans-serif font with thin black outline.\n\nSHOTS\n1 (0–2s): Wide. Woman enters palace. Guards on both sides. Officials continue daily activities. She looks around curiously. No dialogue.\n\n2 (2–4s): Medium close-up. She admires the throne hall and says:\n\"와... 정말 아름답다.\"\nEN: \"Wow... it's so beautiful.\"\nID: \"Wow... indah sekali.\"\n\n3 (4–6s): Wide. Audience hall. King on throne, Queen beside him, officials bow. Woman quietly watches from a distance. No dialogue.\n\n4 (6–8s): Medium. Palace ladies in elegant hanbok walk gracefully through the corridor. Breeze moves their clothing. Woman smiles while admiring them. No dialogue.\n\n5 (8–10s): Medium two-shot. Palace lady asks:\n\"손님이십니까?\"\nEN: \"Are you our guest?\"\nID: \"Apakah Anda tamu kami?\"\nWoman replies:\n\"네.\"\nEN: \"Yes.\"\nID: \"Iya.\"\n\n6 (10–12s): Wide. Traditional musicians perform while court dancers present an elegant royal dance. People quietly watch. Woman enjoys the performance. No dialogue.\n\n7 (12–14s): Close-up. Warm sunlight fills the wooden corridor. She softly says:\n\"마치 꿈같아.\"\nEN: \"It feels like a dream.\"\nID: \"Rasanya seperti mimpi.\"\n\n8 (14–15s): Wide pull-back. Woman walks across the courtyard. King continues the ceremony, Queen remains beside him, ladies and guards continue naturally. Camera slowly pulls back. Fade out.\n\nNEGATIVE\nAnime, CGI, fantasy, portals, magic, supernatural effects, modern buildings, cars, motorcycles, plastic, electricity, smartphones, watches, modern objects except the main charact", "description": "", "author": "simeon-sanai", "authorUrl": "https://x.com/Naiknelofar788", "sourceUrl": "https://x.com/Naiknelofar788/status/2073070982974386638" }, { "id": "seedance-239", "title": "Korean Woman DV Camcorder Aesthetic", "category": "product-ad", "prompt": "Main subject: young Korean woman, early 20s, natural everyday appearance, soft faded beige short-sleeve knit top, loose dark indigo high-waisted jeans, worn white canvas sneakers, thin silver necklace, black wavy hair tied in a loose low ponytail with messy face-framing strands and wispy bangs. Realistic skin texture, minimal makeup, warm and approachable personality. Maintain consistent identity, clothing, hairstyle, and appearance throughout the entire video.\n\nLocation: Authentic Korean hillside residential neighborhood during a calm late morning after light rain. Narrow slightly damp concrete alleys, low-rise brick and plaster homes, small metal gates, tiled steps, potted plants, wet leaves, laundry lines, parked bicycles, utility poles, overhead wires, mature trees casting soft broken shadows, quiet residential atmosphere. No stores, advertisements, cafés, crowds, or commercial activity.\n\nLighting: Soft late-morning sunlight after rain. Gentle reflections on damp concrete, muted warm highlights on walls, soft shadows from trees, occasional brightness shifts when clouds pass over the sun. Natural, imperfect, real-world lighting only.\n\nVisual Style: Ultra-realistic documentary realism. Genuine candid behavior. Natural body language. Unscripted slice-of-life feeling. Strong environmental authenticity. Rich real-world details and believable human motion.\n\nCamera Style: Early-2000s consumer DV camcorder aesthetic. Friend casually recording everyday moments. Heavy handheld shake, imperfect framing, frequent autofocus hunting, lens breathing, exposure pumping when moving between sun and shade, occasional motion blur, subtle rolling shutter, mild digital compression artifacts, faded colors, soft contrast, slight sensor noise. No stabilization. No cinematic camera moves. No modern color grading.\n\n00:00–00:02\nOutside a small hillside home entrance. She wipes rainwater from a low metal railing with an old cloth, then glances up and smiles naturally. A light breeze moves loose hair around her face. The camera briefly slips out of focus before catching her again.\n\n00:02–00:04\nShe walks down a narrow damp alley lined with potted plants and small tiled steps. A stray cat appears from behind a bicycle near a blue metal gate. She notices it and slows down, smiling softly as the handheld framing drifts off-center.\n\n00:04–00:06\nShe crouches and gently offers the cat a small piece of food from her hand. The cat sniffs carefully before eating. Autofocus repeatedly jumps between her face, her hand, and the cat. Wet leaves shimmer slightly in the soft sunlight.\n\n00:06–00:08\nBeside her house, she lifts a few damp clothes from a plastic basket and clips them onto a clothesline. The fabric moves in the breeze. Exposure shifts naturally as clouds pass, making the scene brighten and dim slightly.\n\n00:08–00:10\nShe sits on a small tiled step near the entrance holding a plain ceramic cup.", "description": "", "author": "Abdul Șhakoor", "authorUrl": "https://x.com/abxxai", "sourceUrl": "https://x.com/abxxai/status/2073068185981714828" }, { "id": "seedance-240", "title": "Luxury Private Jet Drama Cinematic Short", "category": "product-ad", "prompt": "45-second vertical short drama, 9:16 aspect ratio, cinematic feel, luxury aircraft first-class cabin, premium texture, movie-grade lighting.\n\nScene: Luxury private jet first-class cabin, spacious and comfortable leather chairs, soft lighting, premium wood and metal decor, blue sky and white clouds outside the window.\n\nCharacters:\nDomineering CEO <<>>: Around 25 years old, tall and handsome, confident and proud, wearing a dark shirt.\nFemale Secretary: Around 28 years old, wearing silver-rimmed glasses, slightly plump with a rounded figure, faint freckles on her face, sparse and thin eyebrows, wearing a conservative and simple gray professional suit (long-sleeved shirt + knee-length skirt).\nFlight Attendant <<>>: Cold and arrogant, hot and tall figure, sharp and high eyebrows, obvious fake eyelashes, exquisite makeup, wearing a tight pink flight attendant uniform and a pink pillbox hat.\n\nStyle: Movie-grade lighting, shallow depth of field, high-end luxury texture, cinematic color grading, extreme details.\n\nPart 1 (0-15s):\n0-3s: Inside the first-class cabin, the CEO sits in the aisle seat, the secretary sits in the window seat.\n3-6s: The cold flight attendant pushes a dining cart from across, bowing and smiling only at the CEO in the aisle, completely ignoring the secretary by the window.\n6-9s: The flight attendant asks softly and flirtatiously: \"Sir, what would you like to eat today? Or... would you like something more exciting?\"\n9-12s: The flight attendant looks at the CEO with seductive eyes.\n12-15s: The secretary watches this scene from the window, her expression becoming increasingly sour.\n\nPart 2 (15-30s):\n15-18s: The flight attendant giggles and leans closer to the CEO, whispering: \"I rarely meet such a charming passenger...\"\n18-21s: The flight attendant hands over a napkin and a pen, acting coyly: \"Can I have your number? I'd like to... serve you privately later.\"\n21-24s: The CEO smirks and writes a number on the napkin, handing it back.\n24-27s: The flight attendant and the CEO exchange flirtatious glances, the atmosphere is very intimate.\n27-30s: The secretary is dumbfounded throughout, her face turning green, clenching her fists.\n\nPart 3 (30-45s):\n30-33s: The secretary suddenly stands up and rushes towards the flight attendant.\n33-36s: The secretary forcefully pins the flight attendant to a seat on the other side of the aisle.\n36-39s: The secretary grabs a bottle of orange juice from the cart and pours it directly over the flight attendant's head.\n39-42s: The flight attendant is drenched, terrified, and breaks into tears on the spot.\n42-45s: The secretary stands with her hands on her hips, full of momentum, saying: \"Trying to hit on my boyfriend? Let's see if you dare again!\" (In the background, the CEO leans back in his seat, a smug and playful smile on his face, watching the scene with great interest).", "description": "", "author": "The Anxious Mind", "authorUrl": "https://x.com/drjoetw", "sourceUrl": "https://x.com/drjoetw/status/2073066082995474761" }, { "id": "seedance-241", "title": "Cinematic Apocalypse Meteor Shower", "category": "cinematic", "prompt": "Dark cinematic apocalypse scene set above a vast dystopian city at night. A lone man stands on a rocky cliff, watching the city below as meteors begin raining from the sky. The city glows with orange fire, smoke columns rise, and shockwaves ripple through the skyline.\n\nAt first, the man is silent and still. As the meteor storm becomes heavier, he slowly tilts his head back and laughs with disturbing joy, almost euphoric, while the city burns in front of him. The atmosphere feels psychological, eerie, and unsettling.\n\nAs the destruction escalates, the ground trembles, ash and sparks drift past him, and his laughter suddenly breaks. He clutches his head or chest, staggers backward, then collapses unconscious on the rocky cliff. No blood, no gore, no visible injury.\n\nStyle: photorealistic dark apocalypse, psychological thriller, cinematic dystopian city, meteor rain, burning skyline, volumetric smoke, teal-blue shadows mixed with orange firelight, Arri Alexa 65, 35mm anamorphic, movie trailer quality, intense but non-graphic, no text, no subtitles, no watermark.", "description": "", "author": "Kent Dhani", "authorUrl": "https://x.com/kentdhani", "sourceUrl": "https://x.com/kentdhani/status/2073063319368564842" }, { "id": "seedance-242", "title": "Necromancer Queen Siege Warfare", "category": "cinematic", "prompt": "A terrifying necromancer queen with pale skin, black crown forged from twisted metal, dark silk robes flowing in the wind, glowing crimson eyes filled with hatred \n- Stands before the gates of a fortified kingdom while defenders prepare for siege, camera slowly rising behind her to reveal a massive undead army stretching to the horizon; \n- Raises both hands as thousands of skeletal warriors and undead giants charge the walls, siege towers collapsing gates, defenders overwhelmed in brutal close combat, arrows and fire raining across the battlefield; \n- The kingdom's final tower collapses and the gates are breached completely, ending with the necromancer entering the ruined city while her undead army floods every street behind her\nUltra-realistic dark fantasy, practical undead VFX, large-scale siege warfare, dramatic daylight, apocalyptic medieval atmosphere", "description": "", "author": "Pierrick Chevallier | IA", "authorUrl": "https://x.com/CharaspowerAI", "sourceUrl": "https://x.com/CharaspowerAI/status/2073059305557729692" }, { "id": "seedance-243", "title": "Korean Beach Bonfire VHS Memory", "category": "talking-head", "prompt": "Main Subject :\nYoung Korean woman, early 20s, oversized knit sweater over shorts, hair loose and wind-tossed, relaxed joyful expression, firelight glow on her face.\nLocation : Quiet Korean beach during dusk, small bonfire setup. Driftwood logs as seats, dim string lights, waves faintly visible in background, sand dunes. No crowds, no commercial beach setup.\nVisual Style : Warm nostalgic realistic documentary tone, cozy firelit atmosphere, soft dusky lighting.\nCamera Style : 1990s VHS camcorder, handheld with warm firelight flicker affecting exposure, soft grain, muffled ambient mic. No stabilization.\nTimeline (15 sec, each slot = 2 compressed beats):\n00:00–00:03 → She sits by the fire, then pokes it gently with a stick.\n00:03–00:06 → She looks up at the camera saying \"The fire is really warm\", smiling.\n00:06–00:09 → She hugs her knees, then watches sparks rise into the dark sky.\n00:09–00:12 → She laughs at something off-camera, then says \"Come sit here too\".\n00:12–00:15 → She smiles warmly at the camera, then looks back at the fire as it fades to black.\nAudio : Crackling fire, waves in distance, wind, faint laughter. Her dialogue as noted above. No music.\nGoal : A cozy, warm beach evening memory intimate, joyful, real.", "description": "", "author": "𝐌", "authorUrl": "https://x.com/Strength04_X", "sourceUrl": "https://x.com/Strength04_X/status/2073059103023550487" }, { "id": "seedance-244", "title": "GoPro POV Mountain Bike Sunset Descent", "category": "nature-drone", "prompt": "[GLOBAL] style: photorealistic, GoPro POV action-cam footage, chest/helmet mounted rig\nsubject: mountain bike descent through a Mediterranean hillside town.\nlighting: golden hour, warm low sun, long shadows, natural lens flare.\ncolor grade: warm highlights, natural saturation, light motion blur on impacts.\naspect ratio: 9:16 vertical\ncamera: fixed to rider's body, rhythmic bounce on impacts, no cuts.\nnegative: no visible rider face, no text overlays, no logos, no unnatural motion smoothing, no shaky/glitchy artifacts\n\n[00:00-00:04] POV descending a curved paved road beside a stone retaining wall, front bike wheel visible at bottom of frame, terracotta walls and warm sunlight ahead, rider leaning into a downhill bend.\n\n[00:04-00:09] Bike drops onto a narrow stepped ramp between two high plaster walls, another rider ahead in a light-blue shirt standing on pedals, palm tree and distant skyline at the top, speed increasing, camera bouncing with each step.\n\n[00:09-00:13] Transition onto a long stone staircase along a dirt embankment lined with trees, lead rider navigating steps ahead, graffiti marked wall on the right, rhythmic impact bounce intensifying as descent speeds up.\n\n[00:13-00:15] Path levels out onto a dirt trail in a sunlit park, a dark coated dog sprints diagonally into frame from the right, camera motion smooths out as the ride settles.", "description": "", "author": "BMX", "authorUrl": "https://x.com/bmx_ai13", "sourceUrl": "https://x.com/bmx_ai13/status/2073049372745486414" }, { "id": "seedance-245", "title": "Contemporary Japanese Beach Vacation Vlog", "category": "product-ad", "prompt": "Main Subject:\nYoung Japanese woman, early 20s, effortless natural beauty, warm genuine smile, sun-kissed realistic skin texture, minimal makeup, relaxed and friendly personality. Wearing a washed sand-beige oversized linen shirt worn open over a muted seafoam ribbed tank top, loose ivory drawstring linen pants with rolled cuffs, cream canvas sneakers carried in one hand while walking barefoot on the sand, delicate gold necklace, small silver hoop earrings, black straight hair tied in a loose low ponytail with soft face-framing strands. Maintain identical identity, clothing, hairstyle, facial features, and appearance consistently throughout the entire video.\n\nLocation:\nQuiet Japanese coastline during a peaceful late afternoon in summer. Wide sandy beach, gentle Pacific waves, weathered concrete seawall, driftwood scattered naturally, distant fishing boats, rocky shoreline, native coastal grasses moving in the wind, a small lifeguard tower in the distance, clear horizon, soft sea breeze. No crowds, no beach bars, no umbrellas, no advertisements, no commercial activity, no staged scenery. Authentic local atmosphere.\n\nVisual Style:\nUltra-realistic observational documentary. Genuine slice-of-life moments. Completely candid behavior. Natural body language. Rich environmental details. Everyday realism. Warm emotional authenticity. Contemporary 2026 color science with soft natural contrast, realistic skin tones, gentle highlight roll-off, subtle pastel coastal palette, slightly airy exposure, faithful HDR lighting, no stylized filters.\n\nCamera Style:\nModern compact mirrorless camera recording handheld by a close friend. Natural handheld movement with slight micro-shake. Occasional focus breathing. Face detection occasionally misses focus. Small framing imperfections. Gentle rolling shutter during quick movement. Realistic autofocus transitions. Natural lens characteristics. No cinematic gimbal shots. No dramatic drone footage. No excessive slow motion. No artificial camera moves. Feels like an authentic personal vacation recording from 2026.\n\n---\n\n00:00–00:02\n\nShe walks barefoot near the shoreline carrying her sneakers, letting small waves wash over her feet. Wind gently lifts loose strands of hair. She laughs quietly while looking toward the ocean as autofocus briefly searches.\n\n00:02–00:04\n\nShe notices several small seashells and crouches to examine them. The camera arrives slightly late and reframes awkwardly while trying to keep her centered. Gentle surf fills the background.\n\n00:04–00:06\n\nShe picks up an interesting shell, smiles naturally, then places it back into the sand. A stronger breeze moves her oversized shirt. Sunlight sparkles across the water behind her.\n\n00:06–00:08\n\nShe walks along the seawall sipping iced tea from a clear reusable bottle. A cy", "description": "", "author": "Aijaz", "authorUrl": "https://x.com/iamsofiaijaz", "sourceUrl": "https://x.com/iamsofiaijaz/status/2073034303622320498" }, { "id": "seedance-246", "title": "Astral Surge Visual Preset", "category": "animation", "prompt": "High-end cinematic 3D realism fused with celestial arcane spectacle. High-sakuga anime choreography, radiant astral currents, luminous sigils, flowing cosmic energy ribbons and cascading stardust define every movement. Impossible cinematic camera language with seamless hyperspeed transitions, gravity-defying fly-throughs, extreme perspective shifts, orbital tracking, rapid push-ins and impossible continuous shots turns every spell into a breathtaking visual journey. Volumetric god rays, ethereal atmospheric haze, refracted light and expanding celestial shockwaves replace conventional visual effects, while realistic materials and feature-film rendering preserve depth, weight and epic scale.", "description": "", "author": "Kōda", "authorUrl": "https://x.com/aimikoda", "sourceUrl": "https://x.com/aimikoda/status/2073034214295945233" }, { "id": "seedance-247", "title": "Cinematic Golden Hour Portrait", "category": "cinematic", "prompt": "[GLOBAL SETUP] Style: cinematic beauty portrait, soft glamour photography, warm golden-hour color grade, shallow depth of field, dreamy bokeh background Subject: young woman with voluminous dark hair, wearing a red/rose-toned satin outfit, soft glam makeup, subtle jewelry Setting: elegant indoor space with warm ambient lights, out-of-focus golden bokeh lights in background Camera: 16:9 aspect ratio, static tripod base with slow, subtle push-in, shallow depth of field, 50mm lens look Lighting: warm key light from front-left, soft rim light on hair, golden ambient glow, floating light particles/sparkle dust drifting through frame Mood: elegant, romantic, dreamy, luxurious [00:00-00:04] Woman gazes softly off-camera, slow subtle head tilt, hair strands gently lifting as if caught by a light breeze, sparkle particles drifting slowly across foreground, camera holds steady with barely perceptible push-in [00:04-00:09] She slowly turns her head toward camera, a faint smile forming, eyelashes catching the light, bokeh lights in background softly pulse and shimmer, hair continues to sway gently [00:09-00:15] Close-up settles as she meets the camera's gaze directly, soft blink, light particles swirl gently past her face, warm glow intensifies slightly, camera completes its slow push-in ending on a serene, elegant close-up [NEGATIVE PROMPT] no fast motion, no camera shake, no distorted face, no extra fingers, no text overlay, no watermark, no harsh shadows, no color banding, no warping, no morphing background, no lip sync artifacts", "description": "", "author": "BMX", "authorUrl": "https://x.com/bmx_ai13", "sourceUrl": "https://x.com/bmx_ai13/status/2073022192926023907" }, { "id": "seedance-248", "title": "Yogyakarta Indonesia Street Food Vlog", "category": "talking-head", "prompt": "Create a realistic cinematic 15-second vertical travel vlog video in 9:16 format. A beautiful Western woman tourist is walking through the lively streets of Yogyakarta, Indonesia, while recording herself with a smartphone in selfie vlog style. She looks cheerful, curious, and friendly. The background shows an authentic Jogja street atmosphere with local food stalls, motorcycles passing slowly, pedestrians, Indonesian street signs, warm afternoon sunlight, and a cozy street food vibe. Scene breakdown: 0–3 seconds: The woman walks along a lively street in Yogyakarta while holding her phone camera. She smiles at the camera and speaks naturally in English: “Hey guys, I’m here in Yogyakarta, Indonesia, and today I’m trying some local street food!” Audio: natural street ambience, soft motorcycle sounds, people chatting in the background, street food sizzling faintly. 3–6 seconds: She approaches a small street food stall selling bakso bakar. The vendor grills meatball skewers over charcoal. Smoke rises beautifully, and the sauce is brushed onto the bakso. The woman looks excited and points the camera toward the food. She says: “Look at this! Grilled bakso… it smells amazing!” Audio: sizzling grill sound, light charcoal crackle, vendor activity, street ambience. 6–10 seconds: Close-up shot of the woman holding a skewer of bakso bakar. She blows on it gently, takes a bite, then pauses for a moment. Her eyes widen, she smiles happily, and gives a delicious-food expression. She reacts: “Mmm! Wow… that is so good!” Expression: happy surprise, eyes slightly widened, smiling while chewing naturally, enjoying the taste. Audio: soft bite sound, subtle “mmm” reaction, background grill sizzling. 10–15 seconds: She faces the camera while holding the bakso bakar close to the lens. She reviews the taste enthusiastically but naturally. She says: “It’s smoky, sweet, spicy, and super savory. This is seriously delicious. You have to try this in Jogja!” Final shot: she smiles warmly, gives a thumbs up, and the bakso bakar stall remains visible in the background. Visual style: ultra realistic, cinematic travel vlog, natural handheld camera movement, slight vlog-style shake, warm natural lighting, vibrant but realistic colors, authentic Indonesian street food atmosphere, shallow depth of field, detailed face, realistic body movement, natural facial expressions, 4K quality. Character details: beautiful Western woman, around 25 years old, casual summer outfit, natural makeup, friendly travel vlogger personality, expressive and confident. Audio style: realistic English female voice, cheerful travel vlog tone, natural street ambience, grill sizzling, light traffic, people talking softly in the background, no music overpowering the voice. Negative prompt: blurry face, distorted hands, extra fingers, unnatural mouth movement, robotic voice, bad lip sync, fake expression, overacting, low quality, incorrect Indonesian setting, empty street, unrealis", "description": "", "author": "CUPANG", "authorUrl": "https://x.com/Cupang1997", "sourceUrl": "https://x.com/Cupang1997/status/2073017803582624237" }, { "id": "seedance-249", "title": "Winter Snow Walk VHS Style", "category": "asmr", "prompt": "Young Korean woman, early 20s, puffy white winter coat, red knit scarf, beanie over dark hair, rosy cheeks from cold, playful expression.\n\nLocation : Quiet snowy Korean neighborhood street, early morning after fresh snowfall. Snow-covered rooftops, bare trees, footprints in snow, parked bicycles dusted white. No traffic, no people in background.\n\nVisual Style : Bright realistic winter documentary tone, crisp cold atmosphere, natural soft light.\n\nCamera Style : Late 1990s VHS handycam, visible tracking lines, slight color bleed on bright snow, muffled cold-weather mic sound, occasional lens fog from breath. No stabilization.\n\nTimeline :\n\n00:00–00:03 → She crunches through fresh snow, leaving footprints behind.\n\n00:03–00:06 → She bends down, scoops snow, forming a small snowball.\n\n00:06–00:09 → She playfully tosses it toward the camera, laughing.\n\n00:09–00:12 → She brushes snow off a bench and sits, breath visible in cold air.\n\n00:12–00:15 → She looks up at falling snowflakes, smiling softly before the tape cuts.\n\nAudio : Crunching snow, wind gusts, distant dog bark, faint breathing sounds. No music.\n\nGoal: A playful, crisp winter morning memory joyful and nostalgic.", "description": "", "author": "𝐌", "authorUrl": "https://x.com/Strength04_X", "sourceUrl": "https://x.com/Strength04_X/status/2073015889461657848" }, { "id": "seedance-250", "title": "Street Prank Comedy Video Script", "category": "talking-head", "prompt": "Act 1: [Video Prompt] Generate a 9:16 vertical short video, duration about 11-12 seconds. Real mobile phone handheld shooting style, like a street prank video temporarily captured at the entrance of a high-end hotel or office building at night. First-person perspective of the photographer, the photographer does not appear, only the male voice off-screen is heard. The lens is always aimed at the girl, close-up half-body composition, slight hand shakiness, occasional small-scale approach and tracking, automatic exposure jumping slightly with the phone's fill light and glass reflections, automatic focus having brief hesitations. Do not use surveillance perspective, do not have a cinematic feel, do not use stabilizers. The scene is outside the entrance of a high-end hotel or office building at night, with warm yellow indoor lights, glass doors, reflective walls, green plants, and dark street scenes behind. The light comes from the phone's fill light, the warm light in the lobby, glass reflections, and distant street lights. The girl's face is lit by the phone's fill light, skin is partially bright, the background warm light is slightly overexposed, and there is mobile night noise and compression artifacts in the dark areas. There are slight reflections on the glass, and the overall picture looks like video directly from an ordinary mobile phone. The character is an adult young East Asian woman (facial reference, clothing reference Image_20260701185043_335_19), exquisite makeup, body and hairstyle reference Image_20260701185042_334_19. She starts facing the camera with a puzzled and serious expression; after hearing the amount, there is a twist, she first refuses the kiss, then actively proposes that she can be paid to slap the photographer, the photographer chases her for money, and the girl finally makes an awkward excuse to leave. Natural and life-like performance, with a bit of the humorous feel of a street interview skit, but do not have exaggerated stage performances. Chinese subtitles are displayed centered at the bottom, white subtitles with black borders; a yellow large-text question card may appear at the beginning. Subtitles must be consistent with the dialogue, do not add extra lines. [Timeline] 0:00-0:02 The camera is aimed at the half-body of the girl walking up close. Yellow large text appears: \"Can I kiss you for 100,000 yuan?\" The girl looks at the camera, and the male voiceover says: \"Can I give you 100,000 yuan to kiss you?\" 0:02-0:04 The girl immediately refuses, her expression serious and a bit disgusted, saying: \"No.\" The male says: \"What about one million?\" The phone shakes slightly, and the background glass reflection flashes. 0:04-0:06 The girl reacts more strongly and says to the camera: \"I'll give you one million to slap you.\" She looks at the camera, her tone sounding like she is confirming the conditions. 0:06-0:07.5 The male suddenly agrees, smiling and saying: \"Okay, okay.\" She turns her body slightly to the side, and the shoulder bag chain shakes slightly. 0:07.5-0:08.5 The girl adds another complaint: \"You are a psycho.\" Half-smiling and half-disgusted expression, the phone focus recovers after a short hesitation. 0:08.5-0:10 The girl turns and walks away, the male follows and asks urgently: \"Give it to me, give it to me now.\" The camera follows her profile and back, handheld shaking is more obvious. 0:10-0:12 The girl covers her mouth with her hand while walking, making an excuse: \"My husband is coming to pick me up.\" The screen stops at the awkward and funny moment of her leaving sideways. [Image Quality and Device Failure Feel] Ordinary mobile phone vertical recording, slight compression feel, night scene dark noise, phone fill light causing partial brightness on the face, background warm light partially overexposed. Automatic exposure jumps slightly, white balance drifts between phone cool white fill light and lobby warm yellow light. Imperfect composition, occasionally cutting to shoulders, bag straps, or background glass. [Sound] No background music. Only keep real scene sounds: male voiceover, female dialogue, night street environmental sounds, slight reverb in the lobby, distant vehicle sounds, footsteps, clothing and bag strap friction sounds, mobile phone microphone compression feel. Dialogue is clear but not movie-level sound collection. [Negative Prompts] No surveillance perspective, no fixed high-angle overhead shots, no cinematic feel, no advertisement quality, no stabilizers, no professional camera movement, no high-end color grading, no studio shooting, no fill light arrays, no perfect composition, no excessive skin smoothing, no anime, no CG feel, no complex editing, no random text, no changed dialogue, no missing subtitles, no extra lines, no multi-person confusion, no facial deformation, no finger deformation, no bag strap changes, no sudden background changes.\n\nAct 2: Generate a 9:16 vertical short video, duration about 15 seconds. Real mobile phone handheld shooting style, continuing the quality of the previous street interview prank video captured at a high-end hotel or office building entrance. First-person perspective, photographer off-camera, only male voiceover heard. At the end of the previous segment, the girl says \"My husband is coming to pick me up\" and leaves sideways. This segment continues from right after she says this. Do not repeat the previous dialogue, do not restart the conversation, do not change the previous plot. Scene remains the entrance of a high-end hotel/office building at night... Light from phone fill light, warm lobby light, glass reflections, and distant street lights. Overall picture like ordinary iPhone footage... Auto focus fluctuates between the girl's profile, her back, Fat Brother, the shared bike, and the male photographer chasing. Characters: Same young East Asian woman (facial reference hf_20260702_144205_fb001d72-a786-4cca-bcb6-f3a94335c3e3). She was making an awkward excuse to escape, but in this segment, it turns out someone really is picking her up; expression turns from guilty/awkward to relieved/smirking. New character: A slovenly obese man, adult male, rounded body, short messy hair, stubble, wrinkled white long-sleeved shirt, dark printed shorts, protruding belly. He arrives at the hotel/office on a shared bike. Relaxed, honest, confident, comedic temperament. He is the \"husband.\" No anime/cartoon/CG; this segment introduces Fat Brother and the contrast hook. [Timeline 0:00-0:15 details dialogue where male asks for the money, girl says husband is arriving, shared bike rings, Fat Brother appears, girl calls him husband, male is shocked that he's on a shared bike, Fat Brother says it's \"environmental\" and \"saves parking fees.\"] [Sound & Negative Prompts same as Act 1 with additions to not repeat Act 1 plot or kissing bridge.]\n\nAct 3: Generate a 9:16 vertical short video, duration about 15 seconds. Real iPhone handheld style... Auto focus searches between girl, Fat Brother, bike, phone, and a 2D cartoon girl... Characters: Same girl and Fat Brother. New 2D cartoon girl (reference pengfeng8025...) emerges from Fat Brother's phone. She is over 22, cheerful, light movements, stands on the ground. Action is exaggerated absurd comedy counterattack, no real injury. [Timeline 0:00-0:15 Fat Brother takes out phone, says \"I have someone in my phone,\" 2D girl jumps out, asks \"Who are you laughing at?\", performs a flying kick at the camera. 1st person perspective is kicked into the air, spinning 360 degrees showing night sky and city lights, then falling to the ground. 2D girl approaches camera and says \"Don't chase girls next time,\" girl says \"Especially don't laugh at my husband,\" Fat Brother rings bike bell.] [Sound & Negative Prompts same as Act 1/2 with additions to not make the cartoon girl a real person, no blood, no real violent injury feel.]", "description": "", "author": "John", "authorUrl": "https://x.com/john87445528", "sourceUrl": "https://x.com/john87445528/status/2073008723073564761" }, { "id": "seedance-251", "title": "Skyscraper Antenna Marriage Proposal", "category": "talking-head", "prompt": "Ultra-realistic live-action, 15 seconds, vertical 9:16, 8K HDR, indistinguishable from real documentary footage, captured on an ARRI ALEXA 65 with anamorphic lenses, natural handheld stabilization, authentic atmospheric perspective, physically accurate lighting, subtle film grain, cinematic dynamic range, realistic skin pores, fabric texture, hair movement, and wind physics.\n\nA daring young couple stands on the narrow steel spire of a majestic Art Deco skyscraper towering above a vast New York-inspired skyline during golden hour. The man has short dark hair, light stubble, athletic build, wearing a black technical climbing jacket, dark cargo pants, lightweight climbing shoes, and a compact black backpack with visible safety straps. The woman has long blonde hair tied in a ponytail, athletic build, wearing a white fitted long-sleeve performance top beneath a light beige windbreaker, black climbing leggings, lightweight hiking shoes, and a small gray backpack. Their clothing ripples naturally in the powerful wind.\n\n0–3 seconds: A cinematic FPV drone circles around the couple hundreds of meters above the city. The skyline stretches endlessly with realistic glass reflections, distant traffic, moving clouds, rooftop details, antennas, water towers, and atmospheric haze. Strong wind creates natural jacket movement and loose hair strands.\n\n3–7 seconds: The camera slowly pushes closer from behind as the man turns toward the woman. She smiles nervously while gripping the steel beam for balance. Their breathing is visible through subtle chest movement. Tiny vibrations from the wind make every movement feel authentic.\n\n7–11 seconds: The man carefully lowers onto one knee on the narrow steel platform while maintaining balance. He slowly opens a small matte black velvet ring box revealing a brilliant diamond catching warm sunset light with physically accurate reflections. The woman's eyes widen, she instinctively covers her mouth, tears form naturally, and her hair blows dramatically across her face.\n\n11–15 seconds: She nods emotionally, extends her hand, and he gently places the ring on her finger. They embrace carefully while maintaining balance on the spire. The camera smoothly pulls back into a breathtaking aerial reveal of the immense skyscraper rising above the glowing city as the sunset paints warm orange and golden highlights across every building. Natural wind ambience only. No dialogue. No subtitles. No logos. No watermarks. No CGI appearance. Maximum photorealism, authentic documentary realism, Oscar-level cinematography.", "description": "", "author": "Al-Shamus", "authorUrl": "https://x.com/im_shahid7", "sourceUrl": "https://x.com/im_shahid7/status/2073007207986483307" }, { "id": "seedance-252", "title": "Sci-Fi Anime Exosuit Flight", "category": "action", "prompt": "An ultra-dynamic sci-fi anime cinematic zero-gravity exosuit flight video featuring Elara Quinn. Preserve her exact face, glowing sapphire cybernetic eyes, long braided white hair floating weightlessly, sleek white-and-gold EVA combat exosuit with pulsing blue plasma thrusters, heavy magnetic boots, and a fully transparent bubble-visor. Keep perfect character consistency the whole time. Never change her outfit, hair, or face. STYLE: ultra-premium anime feature-film quality, high-energy mecha/space anime cinematography, aggressive dynamic zero-G animation, realistic orbital physics in a stylized anime aesthetic, dramatic harsh solar lighting contrasted with deep space shadows, detailed plasma exhaust and debris simulation, lively expressive facial acting. Absolutely no slow motion at any point. Constant high speed and momentum. SETTING: high-speed flight through a massive shattered orbital ring-station floating above a glowing blue earth-like planet, fast-rushing metallic debris, distant silent explosions, brilliant lens flares from the raw sun, vivid deep-space sci-fi atmosphere. FORMAT: one continuous single-take shot, no cuts, no transitions, no montage, one uninterrupted aggressive camera move. HOOK (first 2 seconds): open EXTREMELY close on Elara’s face mid-freefall through space, looking straight into the lens with a fearless, breathless smile, white braided hair floating elegantly in zero-G, visor fully transparent. She taps her temple comms-link. Instant speed and kinetic energy from frame one. CAMERA: the camera rips backward off her face and whips into a fast 360-degree orbit around her floating body. In one unbroken motion, it dynamically flips upside down relative to her, revealing the massive glowing planet below, then tracks closely alongside her. It chases tightly, snapping between front, side, and over-the-shoulder angles, always fast, always handheld-energetic, never static. ACTION FLOW: Elara commands her suit, and four back-mounted thrusters fire open with a blinding blue burst. She slices through the vacuum, accelerating hard as jagged metal space-debris blasts past. She rolls into a tight corkscrew spin, weaving dangerously close through the hollow center of a destroyed solar array, her body angling dynamically to avoid colliding. She flashes a cheeky thumbs-up at the camera mid-roll. Then, with a sudden powerful burst from her hand-thrusters, she changes trajectory 90 degrees instantly, snapping her body sideways into a hard, punchy slingshot maneuver around a massive asteroid (fast and forceful, NOT slow). The plasma trails whip around, her suit mechanisms tense, and the camera shakes violently with the G-force impact of the turn. FINAL MOMENT: now dropping cleanly onto the hull of an intact command ship, her magnetic boots lock onto the metal with a heavy impact. The camera swings around to her front. The suit purges steam, the brilliant blue planet glowing behind her. She stands up tall,", "description": "", "author": "Iqra Saifi", "authorUrl": "https://x.com/IqrasaifiAI", "sourceUrl": "https://x.com/IqrasaifiAI/status/2073005160658620495" }, { "id": "seedance-253", "title": "Clay Render Astronaut and Alien", "category": "animation", "prompt": "A cute clay-render astronaut with a round helmet, tiny body, expressive eyes and a slightly nervous smile\nFloats gently across a miniature clay moon, bouncing in slow motion before meeting a friendly alien made of colorful blobs\nDreamy outer-space scene with pastel planets, tiny stars, soft craters and toy-like rockets\n3D clay render, Pixar-like emotional storytelling, soft plasticine surfaces, handmade imperfections, rounded silhouettes, slow orbit camera, warm rim light, playful magical atmosphere, ending with both characters waving at Earth together.", "description": "", "author": "Pierrick Chevallier | IA", "authorUrl": "https://x.com/CharaspowerAI", "sourceUrl": "https://x.com/CharaspowerAI/status/2072998884872266132" }, { "id": "seedance-254", "title": "Cinematic European Street Video", "category": "cinematic", "prompt": "1. Basic Settings\n10-second 16:9 cinematic video. Photorealistic live-action footage. No BGM. No on-screen text.\n\n2. Reference Specification\nUse 'CharacterSheet' as the sole person reference for the protagonist. Maintain face, hairstyle, body type, clothing, headphones, sunglasses, and shoes in all cuts.\n\n3. Setting\nDaytime European-style cobblestone street. Old stone walls, small flower shop, buckets of flowers, warm natural light. White and pale pink petals dancing in the wind.\n\n4. Constraints\nDo not change the face. Do not change the clothing. Do not show text. Do not show logos. Do not make the face look 'AI-like'.", "description": "", "author": "Asei Ikarashi | AI開発 × デザイナー", "authorUrl": "https://x.com/asei_ikarashi", "sourceUrl": "https://x.com/asei_ikarashi/status/2072994017693036835" }, { "id": "seedance-255", "title": "Tropical Beach Travel Vlog", "category": "nature-drone", "prompt": "ARRIVAL AT THE BEACH\\nDuration: 10 Seconds\\nAspect Ratio: 4:3 Vertical\\nStyle: NALDI style cinematic beach vlog, ultra photorealistic, movie realism, cinematic handheld camera movement, realistic lighting, bright tropical Indonesian morning atmosphere, natural skin texture, subtle lens flare, shallow depth of field, premium travel documentary aesthetics, smooth motion blur, dynamic vlog energy.\\nCharacter Reference: Use @ image1 as the only character throughout the sequence. Preserve the exact face, hairstyle, identity, facial features, skin tone, and body proportions from @ image1.\\nEnvironment: Beautiful tropical Indonesian beach at 08:00 AM, blue sky, soft clouds, sparkling sea reflections, white sand, distant fishing boats, palm trees swaying in the wind.\\nScene 1 (0 to 2.5s): Wide FPV drone reveal approaching the beach shoreline from above while the woman walks barefoot along the sand looking toward the ocean. Bright sunlight reflects naturally across the water.\\nScene 2 (2.5 to 5s): Low angle tracking shot following beside her feet as gentle waves wash onto the shore. Sand scatters naturally with every step.\\nScene 3 (5 to 7.5s): Handheld close up vlog shot as she smiles toward the camera. A gentle sea breeze moves her hair naturally while the ocean fills the background.\\nScene 4 (7.5 to 10s): Smooth 360 degree orbit around her as she opens her arms toward the sea. Finish with a soft cinematic lens flare transition.\\nAudio: Relaxing tropical house music blended with soft ocean waves and morning breeze.", "description": "", "author": "Shore Lyn", "authorUrl": "https://x.com/Shorelyn_", "sourceUrl": "https://x.com/Shorelyn_/status/2072987983322710062" }, { "id": "seedance-256", "title": "Ghost Protocol Savannah Cinematic Chase", "category": "talking-head", "prompt": "GHOST PROTOCOL: SAVANNAH OF SHADOWS Reference: @Image1 (Face Lock Only)SCRIPT\n0:00-0:01\nMIRA sprints across the golden savannah, dust bursting beneath her boots, braid whipping behind her.\n Camera: Low handheld side tracking.\n Music/SFX: Deep drone with heartbeat percussion at 75 BPM.0:01-0:02\nShe accelerates as her jacket snaps in the wind while distant dirt bikes rapidly close in.\n Camera: Tracking pushes slightly closer.\n Music/SFX: Stronger percussion and heavy wind.0:02-0:03\nShe looks back as armed riders appear over the ridge and open fire.\n Camera: Fast whip pan.\n Music/SFX: Gunshots with radio static.0:03-0:04\nShe pivots sharply around a massive rock, spraying gravel.\n Camera: Smooth handheld arc.\n Music/SFX: Rising orchestral strings.0:04-0:05\nShe slips briefly, catches herself on the rock, and keeps running.\n Camera: Arc settles into a steady hold.\n Music/SFX: Sharp orchestral stab.0:05-0:06\nA herd of Cape buffalo blocks the path. MIRA taps her black bracelet and one amber pulse flashes.\n Camera: Push toward the nearest buffalo.\n Music/SFX: Activation chime beneath peak strings.0:06-0:07\nThe nearest buffalo's hide ripples naturally.\n Camera: Slow push-in.\n Music/SFX: Mechanical textures emerge.0:07-0:08\nFine seams briefly appear beneath the hide as hidden mechanisms shift.\n Camera: Push tighter.\n Music/SFX: Mechanical hum builds.0:08-0:09\nA concealed side hatch opens, revealing a dark interior.\n Camera: Tight close-up.\n Music/SFX: Strings reach maximum tension.0:09-0:10\nMIRA dives inside as her braid and jacket trail behind, necklace catching the last sunlight.\n Camera: Fast tracking follow.\n Music/SFX: Massive sub-bass swell.0:10-0:11\nThe hatch seals seamlessly and the buffalo resumes grazing.\n Camera: Static.\n Music/SFX: Heavy cinematic bass drop.0:11-0:12\nThe riders stop beside the herd, searching in confusion.\n Camera: Slow wide pullback.\n Music/SFX: Engines idle beneath ambient drone.0:12-0:13\nOne scans with thermal optics while another radios, \"She vanished... nothing but buffalo out here.\"\n Camera: Wide drift across the herd.\n Music/SFX: Radio-filtered dialogue with static.0:13-0:14\nThe scan passes over the disguised buffalo without detecting anything. The riders leave.\n Camera: Wide cinematic pullback.\n Music/SFX: Engines fade into the wind.0:14-0:15\nInside, MIRA watches through a narrow optical slit, smiles, and whispers, \"Run wherever you want. I'm already there.\" Hard cut to black.\n Camera: Static close-up.\n Music/SFX: Soft piano, synth, final cinematic stinger. GLOBAL LOCKS\nUse @Image1 as the only facial reference. Preserve the exact face, eyes, skin tone, age, and proportions throughout. Keep one consistent olive tactical outfit, silver necklace, black bracelet, and tight braid. Maintain golden-hour East African savannah lighting, realistic wind, dust, and physics. The Cape buf", "description": "", "author": "Mira Sterling", "authorUrl": "https://x.com/Chaemate_", "sourceUrl": "https://x.com/Chaemate_/status/2072974135253516416" }, { "id": "seedance-257", "title": "Beauty Influencer Skincare Routine Commercial", "category": "product-ad", "prompt": "Animate the provided first frame into a 15-second realistic AI beauty influencer skincare routine video in 16:9 horizontal format. Keep the same woman, same face, same hairstyle, same outfit, same bedroom, same vanity", "description": "", "author": "apob", "authorUrl": "https://x.com/apob_ai", "sourceUrl": "https://x.com/apob_ai/status/2072968716447564117" }, { "id": "seedance-258", "title": "Extreme Skateboarding Cinematic Video", "category": "action", "prompt": "Create a hyper-cinematic 15-second continuous extreme skateboarding video using Seedance 2.0. Use the provided character reference image as strict identity + outfit reference. No deviation in face, proportions, clothing, backpack, helmet/cap, color palette, or", "description": "", "author": "Kiki", "authorUrl": "https://x.com/Mayz1169", "sourceUrl": "https://x.com/Mayz1169/status/2072968148039688672" }, { "id": "seedance-259", "title": "Traditional Korean Home Cooking Documentary", "category": "product-ad", "prompt": "Young Korean woman, early 20s, hair tied back with a headband, floral apron over casual clothes, flour-dusted hands, warm nurturing energy.\n\nLocation : Small home kitchen in a traditional Korean house, late morning. Wooden countertops, hanging pots, steaming rice cooker, side dishes prepped in bowls, sunlight through kitchen window. No modern appliances, no branding.\n\nVisual Style: Warm intimate documentary realism, homely and comforting, soft natural light.\n\nCamera Style : Early 2000s home camcorder, close handheld framing, frequent refocusing, warm indoor color cast, slight motion blur during movement. No stabilization.\nTimeline:\n00:00–00:03 → She kneads dough on the counter, flour scattering lightly.\n00:03–00:06 → She checks a simmering pot, stirring gently with a wooden spoon.\n00:06–00:09 → She tastes the broth, nodding approvingly to herself.\n00:09–00:12 → She plates the food carefully, arranging side dishes.\n00:12–00:15 → She turns toward the camera, holding up the finished dish with a proud smile.\n\nAudio : Sizzling pan, bubbling broth, clinking utensils, faint radio hum in background. No music.\n\nGoal: A warm, homely cooking moment nurturing, authentic, comforting.", "description": "", "author": "𝐌", "authorUrl": "https://x.com/Strength04_X", "sourceUrl": "https://x.com/Strength04_X/status/2072958761594150962" }, { "id": "seedance-260", "title": "Korean Woman in Joseon Palace Documentary", "category": "talking-head", "prompt": "Use the attached storyboard as the exact visual reference and keep the same young Korean woman throughout the entire 15-second video. She has long straight black hair, natural makeup, a white cropped cardigan, a long black pleated skirt, white sneakers, a small cream shoulder bag, and a friendly natural smile. She is the only modern person inside an authentic Joseon Dynasty palace inspired by Gyeongbokgung. Everyone else wears historically accurate Joseon clothing, including the King in a Gonryongpo robe, the Queen in Jeokui, court ladies in hanbok, officials in black gat hats, guards in military uniforms, and traditional musicians. The video should look like an ultra-realistic historical documentary with Kodak Portra 400 colors, an 85mm lens, subtle handheld movement, warm natural daylight, soft film grain, and museum-quality realism. Natural palace ambience includes footsteps on stone, birds, wind, distant traditional instruments, and quiet Korean conversations, with no background music. The woman respectfully explores the palace, admiring the architecture, watching a royal ceremony, meeting a palace lady who asks, \"손님이십니까?\" (\"Are you our guest?\" / \"Apakah Anda tamu kami?\"), replying \"네.\" (\"Yes.\" / \"Iya.\"), enjoying a traditional dance performance, and softly saying, \"와... 정말 아름답다.\" (\"Wow... it's so beautiful.\" / \"Wow... indah sekali.\") and later, \"마치 꿈같아.\" (\"It feels like a dream.\" / \"Rasanya seperti mimpi.\"). Show subtitles only during spoken Korean dialogue in two lines: English first, Bahasa Indonesia second, using a white sans-serif font with a thin black outline. End with a wide pull-back shot as she walks across the palace courtyard while daily royal life continues naturally. Avoid anime, CGI, fantasy, portals, magic, modern buildings, vehicles, electricity, phones, watches, duplicate faces, blurry faces, extra fingers, watermarks, logos, or any text other than the required subtitles. The final result should feel like a real documentary filmed inside an authentic Joseon Dynasty royal palace.", "description": "", "author": "Anissa", "authorUrl": "https://x.com/SimplyAnnisa", "sourceUrl": "https://x.com/SimplyAnnisa/status/2072955443610280172" }, { "id": "seedance-261", "title": "High Fashion Aesthetic Vlog", "category": "ugc", "prompt": "15 seconds, 16:9 vertical, quick stylish cuts between segments (4-5 short beats), glossy aesthetic-vlog pacing, smooth whip-pan or snap transitions between each.\nGlobal setup: High fashion aesthetic content-creator video. Soft glowing key light, shallow depth of field, slightly warm cinematic color grade. Subject: a confident young woman, stylish trendy outfit, changes look/setting slightly between beats (different lighting or background each cut, same general styling identity). Ambient sound: moody downtempo pop/R&B instrumental, subtle beat drops synced to cut transitions.\n[0:00–0:03] Close-up, soft warm light, she looks off to the side with a calm confident expression, then slowly turns to meet the camera. Slow push-in.\n[0:03–0:06] Cut to a different angle/setting, cooler blue-toned lighting, she runs a hand through her hair, subtle self-assured smile, gaze steady on camera.\n[0:06–0:09] Cut to outdoor golden-hour lighting, she walks slowly toward camera, wind gently moving her hair and clothing, confident relaxed stride.\n[0:09–0:12] Cut to close-up under neon-tinted lighting, she glances down then back up at camera with a slow deliberate look, beat-synced snap transition.\n[0:12–0:15] Final cut, soft studio lighting, she gives a small satisfied smile directly to camera, holds the moment, slow fade to black.\nStyle: glossy editorial color grade, soft cinematic lighting throughout, confident expressive body language, no text overlays, no distorted anatomy or facial features. Constraints: consistent styling identity across cuts (even as background/lighting changes), natural realistic movement, transitions synced to the beat of the music, believable naturalistic expressions throughout.", "description": "", "author": "BMX", "authorUrl": "https://x.com/bmx_ai13", "sourceUrl": "https://x.com/bmx_ai13/status/2072937132168274239" }, { "id": "seedance-262", "title": "Fantasy Comedy Slap From Painting", "category": "talking-head", "prompt": "[Style] Live-Action Fantasy Comedy short drama, realistic slice-of-life texture, photorealistic VFX, 8K Ultra HD, vertical 9:16 screen, 2 people appearing.\n\n[Duration] 15 seconds\n\n[Scenes] Scene A: Home hallway, a traditional Chinese scroll hanging on the wall featuring a classical brushwork portrait of the female lead, warm natural indoor lighting; Scene B: Modern living room + open kitchen, bright indoor lighting.\n\n[Characters] Male lead, female lead (the portrait character and the female lead are the same person).\n\n[00:00-00:06] Shot 1: The Slap Hook\nHandheld camera with slight shaking, medium close-up: The male lead stands in front of the scroll admiring the lady in the painting with a smile, pouts his lips and slowly leans in to kiss the lady's cheek for one second.\nSuddenly, the female lead's arm naturally extends out from the painting—the process of the arm emerging is fluid and smooth, the emerging part immediately shows real skin and sleeve texture, connecting seamlessly with the scene—slapping the male lead hard, then immediately withdrawing back into the painting as the portrait returns to a static state.\nThe male lead's head is slapped to the side, his body leaning back, clutching his cheek and stepping back, eyes wide in shock, then changing to an expression of surprised delight.\n[Dialogue/Lip-sync Guide] Male lead says while clutching his face: \"Wow, it can actually do that?\"\nSound Effect: A sharp, loud slap.\n\n[00:06-00:11] Shot 2: Pull Her Out\nSame hallway, same camera position, handheld shot: The male lead excitedly reaches both hands into the scroll, grabs the hands of the person in the painting and pulls outward—the female lead is pulled entirely out of the painting: the emerging part instantly becomes a real person with real volume, skin, and the drape of a traditional skirt, with lighting consistent with the hallway; the part still inside the painting retains the flat brushwork texture, with a natural transition between realistic and fantasy elements.\nHer upper body leans out of the painting as she is pulled out by the male lead, landing on her feet, frowning and struggling with an annoyed expression; the portrait on the scroll behind her disappears, leaving a blank paper.\n[Dialogue/Lip-sync Guide] Female lead shouts angrily: \"Let go of me, you pervert!\"\nSound Effect: Fabric rustling + struggling sounds.\n\n[00:11-00:15] Shot 3: Lazy Ending\nHard cut to a modern living room, fixed medium shot: The male lead is comfortably slumped on the sofa, stuffing chips into his mouth from a bag and laughing heartily; a bowl of chips and a stir-fried dish are on the coffee table.\nBackground open kitchen: The female lead is standing at the stove stir-frying with a spatula, back to the camera, creating a slice-of-life comedy atmosphere.\nSound Effect: Male lead's hearty laughter + sound of stir-frying.", "description": "", "author": "John", "authorUrl": "https://x.com/johnAGI168", "sourceUrl": "https://x.com/johnAGI168/status/2072922445493768395" }, { "id": "seedance-263", "title": "Animated Rocket Launch Storyboard", "category": "animation", "prompt": "Use the attached THE ROCKET ENGINEER storyboard image as the exact reference. Create a 12-second 16:9 animated rocket launch sequence that follows the 8-shot storyboard exactly. Preserve the same Pixar-style brilliant young female rocket engineer, NASA badge,", "description": "", "author": "𝐌", "authorUrl": "https://x.com/Strength04_X", "sourceUrl": "https://x.com/Strength04_X/status/2072918989051982161" }, { "id": "seedance-264", "title": "Early 2000s Korean Alleyway Realistic Video", "category": "talking-head", "prompt": "Preserve image's exact face, hairstyle, skin tone, body proportions, black wavy hair with side-swept bangs and messy ponytail throughout. Outfit: olive green sleeveless crop top (0–10s) → olive green sleeveless crop top (10–20s), both with light blue high-waist jeans, black sneakers, black cord necklace.\nkorean woman, early-2000s DV camcorder aesthetic. Raw handheld realism: micro-shakes, imperfect framing, off-center subject, autofocus hunting, exposure fluctuation, desaturated washed-out color, grain, compression artifacts. No stabilization, no posing, no glamour, no modern color grade, no music — ambient sound only.\nLocation: quiet Korean residential alley — small houses, terraces, potted plants, parked motorcycles, overhead cables, clotheslines. No shops/vendors.\nTimeline:\n0–2s: sits on sidewalk, fixes ponytail, arms raised, smiles\n2–4s: close-up, smiles looking away, morning light\n4–6s: crouches feeding a cat in alley\n6–8s: waves, says \"Hi,\" three-quarter profile\n8–10s: walks lighting cigarette, glances at camera\n10–12s: low tracking shot from behind feet, cat follows\n12–15s: hangs laundry on clothesline, front yard\n15–18s: sits on terrace sipping coffee\n18–20s: walks with coffee, smiles at camera, cuts to black\nAmbience only: birds, breeze, distant motorbikes, chatter, cat sounds, footsteps, leaves.", "description": "", "author": "WasifAI", "authorUrl": "https://x.com/doctorwasif", "sourceUrl": "https://x.com/doctorwasif/status/2072916919221723539" }, { "id": "seedance-265", "title": "Japanese Summer Garden Shiba Inu", "category": "action", "prompt": "Visual style: Cinematic high-quality realistic illustration style, warm natural sunlight, dramatic soft lighting, shallow depth of field, light film grain, golden color grading, no AI artifacts, no glitch, physically accurate human and animal biomechanics\\n\\nTotal duration: 15s\\nAspect ratio: 16:9\\nFPS: 24fps\\n\\nJapanese woman, 24 years old, natural warm appearance, black hair in a loose low ponytail with soft flyaway strands, gentle sun-kissed skin tone, genuine bright smile, light natural makeup, wearing a breezy pastel linen sundress suited for hot summer weather, barefoot on wooden veranda, relaxed candid body language, character remains consistent and fully visible throughout, no disappearing, no morphing, no warping\\n\\nANIMAL:\\nShiba Inu, classic orange-red fur with white chest and face markings, perky upright ears, curled fluffy tail, bright expressive eyes, natural \\\"shiba smile\\\", energetic playful movement, physically accurate animal biomechanics, no stiff or robotic motion\\n\\nSETTING:\\nTraditional Japanese home garden with wooden engawa veranda, small green garden with potted plants, wind chime (furin) hanging and swaying gently, bright clear blue sky, midday sunlight, dappled komorebi light through tree leaves, warm summer atmosphere\\n\\nSCENE BREAKDOWN:\\n\\n0-1.5s (HOOK): Shiba Inu bursts joyfully into frame running toward girl, ears flopping, tail wagging fast, motion blur on legs - girl turns and laughs genuinely, caught mid-motion\\n\\n1.5-4s: Girl crouches down laughing, dog jumps up excitedly, playful nose-nudge and paw-tap interaction, warm sunlight glinting on fur\\n\\n4-6.5s: Girl playfully tosses a small toy off-frame, dog dashes after it with comedic energy, grass particles kicked up, tracking shot following the chase\\n\\n6.5-8s (SOUND SPIKE): Dog catches toy, shakes head triumphantly, happy bark quick whip-pan to extreme close-up on dog's joyful face\\n\\n8-10.5s: Girl sits on veranda, dog runs back and nuzzles into her lap, girl's surprised delighted laugh, close-up on this warm connection moment\\n\\n10.5-13s: Dog tilts head endearingly, girl scratches behind its ears, wind chime rings softly in the breeze, brief slow-motion (1s) on the eye-contact moment between them\\n\\n13-15s (ENDING): Freeze frame girl and dog looking toward camera together, warm genuine smile, golden natural light, soft fade to black\\n\\nVISUAL EFFECTS:\\nmotion blur trailing on fast dog movement, dust/grass particles catching sunlight, lens flare through tree leaves, fabric of dress billowing naturally in breeze, light film grain, shallow depth of field on close-ups\\n\\nAUDIO DESIGN:\\n\\n0-1.5s: ambient garden birds + cicada (semi) sound + sudden excited dog bark (sound anchor)\\n\\n1.5-6.5s: light acoustic/ukulele background music building + genuine laughter + dog panting\\n\\n6.5-8s: sound spike triumphant bark / toy squeak\\n\\n8-13s: music softens, warm tone, gentle furin wind", "description": "", "author": "Cia0", "authorUrl": "https://x.com/Cia0_exe", "sourceUrl": "https://x.com/Cia0_exe/status/2072916589436104836" }, { "id": "seedance-266", "title": "Golden Hour Contemporary Dance", "category": "action", "prompt": "15 seconds, 16:9 cinematic, single continuous handheld tracking shot following the dancer, smooth flowing camera movement matching her motion, no hard cuts.\\n\\nGlobal setup: Artistic golden hour dance film. Warm low angle sunlight, soft lens flare drifting across frame, fine dust particles visible catching the light. Setting: an open field or rooftop at golden hour, tall grass swaying gently, wide open sky with warm amber tones. Subject: a young dancer in flowing lightweight clothing (loose dress or wide leg pants), expressive contemporary dance movement, fluid and graceful. Ambient sound: soft ambient instrumental music with a gentle building rhythm, wind through grass, fabric movement.\\n\\n[0:00–0:03] She stands still, arms relaxed, sunlight haloing around her silhouette, then begins a slow extending arm movement as the camera starts a gentle orbit.\\n\\n[0:03–0:06] She spins slowly, fabric flowing outward with the motion, hair catching the golden light, camera tracking smoothly alongside the turn.\\n\\n[0:06–0:09] She drops into a low fluid movement, reaching toward the ground then rising again in one continuous motion, dust and light particles visible around her.\\n\\n[0:09–0:12] She extends into a graceful leap or reach upward, silhouette framed against the golden sky, camera tilting up to follow the motion.\\n\\n[0:12–0:15] She settles into a final still pose, chest rising with breath, warm light flaring softly across the lens. Slow fade to white-gold light.\\n\\nStyle: warm painterly golden hour color grade, soft natural film grain, expressive fluid movement, artistic and atmospheric rather than technical. Constraints: consistent appearance and outfit throughout, physically plausible dance movement, no distorted anatomy or limbs, no text overlays, camera motion stays smooth and continuous throughout.", "description": "", "author": "BMX", "authorUrl": "https://x.com/bmx_ai13", "sourceUrl": "https://x.com/bmx_ai13/status/2072898880120000895" }, { "id": "seedance-267", "title": "Neon Velocity Cyberpunk Bike Race", "category": "nature-drone", "prompt": "A thrilling 15-second cinematic street bike race through a futuristic cyberpunk megacity at night. Two highly customized futuristic superbikes blast through neon-lit streets at over 300 km/h while sleek flying cars and futuristic sports cars weave through traffic. Rain-soaked roads reflect vibrant neon signs, holographic billboards, and glowing skyscrapers.\n\n0–3 sec: Ultra-low tracking shot inches above the asphalt as both bikes launch from the starting line, rear tires spinning, sparks flying, exhaust flames bursting, intense engine roar, cinematic bass impact.\n\n3–6 sec: Side tracking camera follows the lead rider leaning aggressively into a sharp corner, knees nearly touching the glowing pavement, realistic suspension movement, tires gripping wet asphalt, water spraying behind, turbo boost activates with a futuristic sound effect.\n\n6–9 sec: FPV helmet camera races between futuristic traffic at incredible speed. Cars narrowly miss the rider, wind rush becomes louder, rapid gear shifts, holographic road signs streak past with realistic motion blur.\n\n9–12 sec: Drone aerial shot circles above the racers weaving through an illuminated highway suspended between skyscrapers. Flying vehicles cross overhead while neon reflections shimmer across the road. Camera performs a dramatic orbit before diving toward the racers.\n\n12–15 sec: Extreme close-up of the leading bike accelerating into a glowing tunnel, camera rotates around the rider in slow motion before transitioning back to full speed. The bike bursts past the finish line with sparks, smoke, and blue energy trails. Finish with a cinematic wide shot of the futuristic skyline as the soundtrack reaches its climax.\n\nMotion:\nContinuous realistic motorcycle physics, body lean, suspension compression, tire deformation, exhaust flames, drifting, wheel vibration, flying debris, rain particles, dynamic lighting, cinematic motion blur, speed ramping, seamless camera transitions, natural vehicle movement.\n\nSound Design:\nPowerful superbike engines, aggressive throttle revs, tire screeches, turbo boost effects, wind rushing past the camera, metallic echoes between skyscrapers, electronic cyberpunk soundtrack building in intensity, distant city ambience, realistic Doppler effects as bikes speed past.", "description": "", "author": "Jayden™", "authorUrl": "https://x.com/SirGlavan_", "sourceUrl": "https://x.com/SirGlavan_/status/2072898694458827215" }, { "id": "seedance-268", "title": "Tokyo Consumer DV Camcorder Slice of Life", "category": "ugc", "prompt": "Main subject: Young Japanese woman, mid-20s, natural everyday appearance, soft oversized white linen button-up shirt (sleeves rolled to elbows), high-waisted beige wide-leg trousers, simple white canvas sneakers, thin gold necklace, straight black shoulder-length hair with subtle curtain bangs and a small silver hairpin on one side. Realistic skin texture with light freckles, minimal natural makeup, calm and gentle personality. Maintain consistent identity, clothing, hairstyle, and appearance throughout the entire video.\nLocation: Quiet traditional Tokyo side street during golden hour in early evening. Narrow residential alley with wooden machiya houses, small potted bonsai and flowers, hanging noren curtains, bicycle parked against a wall, soft lantern light starting to glow, overhead power lines, peaceful neighborhood atmosphere. No crowds or heavy traffic.\nVisual Style: Ultra-realistic documentary realism. Genuine candid behavior. Natural body language. Unscripted slice-of-life feeling. Strong environmental authenticity. Rich real-world details and believable human motion.\nCamera Style: Early-2000s consumer DV camcorder aesthetic. Friend casually recording everyday moments. Heavy handheld shake, imperfect framing, frequent autofocus hunting, lens breathing, exposure pumping when moving between sunlight and shadow, occasional motion blur, subtle rolling shutter, mild digital compression artifacts, warm faded colors, soft contrast, slight sensor noise. No stabilization. No cinematic camera moves. No modern color grading.\n\n00:00–00:02\nShe sits on a small wooden bench outside a house, quietly reading a paperback book. A light breeze turns a page. She tucks hair behind her ear while smiling at the story. Camera sways gently as it focuses on her face.\n00:02–00:04\nShe closes the book, stands up, and begins walking slowly down the alley while holding the book against her chest. The camera follows with natural drift and slight shake.\n00:04–00:06\nShe stops at a small family-run vegetable stand, picks up a few fresh tomatoes, and chats briefly with the elderly shopkeeper. Handheld framing drifts off-center as she pays.\n00:06–00:08\nShe continues walking, now carrying a small paper bag of vegetables in one hand and the book in the other. Golden sunlight creates moving shadows across the alley walls.\n00:08–00:10\nOn a quiet corner, she pauses to admire blooming flowers near a wooden fence. She leans in slightly to smell them, then adjusts her shirt sleeve. Loose side-angle shot with camera breathing.\n00:10–00:12\nClose side profile. Someone off-camera greets her. She turns, smiles warmly, raises her hand slightly, and softly replies “Konbanwa.” The camera reacts a moment late.\n00:12–00:15\nShe walks away down the glowing alley, looking peaceful with her book and bag. Recording cuts abruptly to black mid-motion as if the camcorder was switched off.\n\nAudio: Natural ambient sound only — evening cicadas, distant bicycle bells, s", "description": "", "author": "Mr Das", "authorUrl": "https://x.com/MrDasOnX", "sourceUrl": "https://x.com/MrDasOnX/status/2072894471361225034" }, { "id": "seedance-269", "title": "Jakarta Night Street Food Vlog", "category": "asmr", "prompt": "A beautiful young East Asian woman with long dark hair and a warm smile, wearing a casual white T-shirt, light blue jeans, clean white sneakers, and a small beige crossbody bag. Minimal natural makeup. Her facial features, hairstyle, outfit, accessories, body proportions, and expression remain identical throughout every shot. Authentic travel vlogger.\n\nCamera Style: Handheld smartphone footage, 26mm lens, realistic skin texture, natural iPhone colors, deep focus, mild HDR, documentary-style travel vlog, natural lighting, no cinematic color grading, no studio lighting.\n\n0:00–0:03 — Selfie walking through a lively Jakarta night food festival filled with colorful lights, bustling crowds, and the aroma of street food. Ritz smiles excitedly while exploring the market.\n\n0:03–0:06 — A traditional Indonesian street food vendor wearing a batik shirt and cap prepares authentic kerak telor using a charcoal stove attached to a classic wooden shoulder-carry street cart. The pan is flipped over the glowing charcoal flame, then topped with crispy fried shallots and shredded coconut. She receives the freshly cooked kerak telor, takes a bite, smiles brightly, and nods with delight.\n\n0:06–0:09 — She enjoys a bowl of spicy braised chicken feet coated in glossy red chili sauce. She laughs playfully and fans her mouth after tasting the spicy heat.\n\n0:09–0:12 — She enjoys a large steaming bowl of Indonesian meatball soup. Steam rises naturally as she lifts a giant meatball, takes a satisfying bite, and gives a cheerful thumbs-up.\n\n0:12–0:15 — Walking through the busy festival shopping area, she buys a large colorful novelty backpack made from glossy printed plastic packaging resembling a popular Indonesian snack bag. The oversized backpack has a playful, puffy design. Ritz happily wears it on her back, turns to show it from different angles, laughs, and waves goodbye as the glowing festival lights and lively crowd fill the background.\n\nAudio: Authentic market ambience, vendors calling, charcoal sizzling, cheerful Indonesian festival music, crowd chatter, and laughter.\n\nOverall Style: Ultra-realistic handheld travel vlog, authentic Jakarta street food culture, candid expressions, immersive documentary atmosphere, vibrant yet natural colors, highly detailed, 16:9", "description": "", "author": "Anissa", "authorUrl": "https://x.com/SimplyAnnisa", "sourceUrl": "https://x.com/SimplyAnnisa/status/2072889319136862441" }, { "id": "seedance-270", "title": "Japanese Seaside Town MiniDV Documentary", "category": "product-ad", "prompt": "Main subject: Young Japanese woman, early 20s, natural everyday appearance, cream oversized knit cardigan over a white ribbed tank top, light blue relaxed-fit denim jeans, worn brown leather loafers, simple silver stud earrings, black shoulder-length straight hair worn loose with soft bangs. Realistic skin texture, minimal makeup, calm and thoughtful personality. Maintain consistent identity, clothing, hairstyle, and appearance throughout the entire video.\nLocation: Authentic Japanese seaside fishing town during a quiet golden-hour evening. Narrow streets leading toward the harbor, weathered wooden homes, fishing nets drying outside, small flower pots near entrances, bicycles parked beside fences, concrete seawalls, utility poles, overhead cables, distant fishing boats, gentle ocean breeze, warm sunset light reflecting from windows. No tourist attractions, restaurants, advertisements, crowds, or commercial activity.\nVisual Style: Ultra-realistic observational documentary. Quiet slice-of-life storytelling with genuine human behavior. Natural pacing. Rich environmental details. Authentic everyday imperfections. Emotion conveyed through subtle expressions instead of performance.\nCamera Style: Late-1990s MiniDV home camcorder aesthetic. Friend or family member casually documenting ordinary life. Constant handheld movement with uneven framing, occasional accidental zoom adjustments, autofocus breathing, slight tape compression artifacts, mild interlacing, soft highlight blooming, washed-out colors, subtle chroma noise, imperfect white balance, rolling shutter, occasional dropped frames, no stabilization, no cinematic movements, no modern color grading.\n00:00–00:02\nOutside a weathered wooden house facing a quiet side street. She slides open the front door carrying a small watering can and gently waters potted flowers near the entrance. The camera begins recording a little too early and briefly points toward the ground before finding her.\n00:02–00:04\nShe walks slowly toward the narrow lane leading to the harbor. A bicycle passes quietly in the background. The camera operator falls slightly behind, causing loose framing and gentle handheld sway.\n00:04–00:06\nShe pauses beside a low seawall, watching gentle waves while seagulls fly overhead. Wind softly lifts her hair. Autofocus repeatedly shifts between her profile and the distant boats.\n00:06–00:08\nShe bends down to pick up a smooth seashell near the shoreline and quietly examines it before smiling to herself. Warm sunlight reflects across the water as exposure subtly fluctuates.\n00:08–00:10\nShe sits on a wooden bench overlooking the harbor, holding a warm canned tea from a convenience store purchased earlier. She quietly watches fishing boats returning while absentmindedly brushing hair behind her ear. The camera slowly drifts as if the person filming becomes distracted by the scenery.\n00:10–00:12\nClose side profile. Someone off-camera asks if she's ready to head", "description": "", "author": "Aijaz", "authorUrl": "https://x.com/iamsofiaijaz", "sourceUrl": "https://x.com/iamsofiaijaz/status/2072886067804483699" }, { "id": "seedance-271", "title": "POV Cooking Vlog with 2D Sticker Animation", "category": "nature-drone", "prompt": "[Style] Live-action + 2D anime sticker composite comedy short video (Live-Action + Flat 2D Sticker Composite), first-person cooking perspective (POV Cooking Vlog), sharp contrast between realistic kitchen texture and flat cartoon sticker style, 8K ultra-clear, slight handheld shaking (Handheld Micro-shake), vertical screen.\n[Duration] 10 seconds\n[Scene] First-person perspective of a real home kitchen: a black iron pot stir-frying beef and greens on the stove, sizzling oil and rising steam; background of white tile walls, wall sockets, soy sauce and oil bottles lined up against the wall, stainless steel sink on the right, natural light coming from a side window.\n[Character] Q-version anime sticker character (flat 2D sticker texture, cartoon outlines, paper-like feel): long blonde hair with blunt bangs, large purple round eyes, pink blush, white sailor suit student outfit, blue hairpin, sitting on a small wooden stool next to the stove, height about half of the iron pot, maintains a pure 2D flat texture throughout, not affected by real-world lighting; a real person's hand (realistic, pores visible) enters the frame from the right side.\n[00:00-00:03] Shot 1: Salt Avalanche Opening. First-person top-down POV: real person's hand is stir-frying beef and greens; the sticker character smirks with narrowed eyes and deeper blush, holding up a glass spice jar and pouring the whole jar of white salt into the pot—a real physical waterfall of salt grains falls, forming a small white mountain on the food. Sound effects: sizzling food + the dense rustling of salt being poured.\n[00:03-00:05] Shot 2: Spatula Bonk. One hand of the real person grabs the glass salt jar from its arms; the other hand raises a spatula and taps the top of its head—a cartoonish tap, a red cartoon bump (Cartoon Bump) pops up on its head with a \"Duang,\" and its entire paper-like body shudders up and down. Sound effects: metal tapping \"Duang\" + cartoon spring sound.\n[00:05-00:08] Shot 3: Cry & Feed. The sticker character covers the bump on its head, swirl eyes (Swirl Eyes) appear instantly, it opens its mouth wide and wails, blue cartoon tears splashing like fountains to both sides (Fountain Tears). The real person's hand immediately scoops a full spatula of white salt and greens from the salt mountain and feeds it into the character's open mouth, filling it up. Sound effects: exaggerated cartoon crying + salt rustling + stuffing \"pop\" sound.\n[00:08-00:10] Shot 4: Salt K.O. Ending. Its cheeks bulge into two bright red balls, forced to swallow, pupils shrink, face turns pale, body stiffens and shakes for a moment—then eyes turn into \"X\"s, and it falls straight back off the stool, lying flat on the stove with feet in the air, a circle of rotating stars (Dizzy Stars) appearing above its head, and a wisp of soul-like white smoke drifting from its mouth. The screen freezes.\nSound effects: stiff \"clack\" + falling \"thud\" + cartoon ascension sound effect closing.", "description": "", "author": "秀才AI", "authorUrl": "https://x.com/anson7956", "sourceUrl": "https://x.com/anson7956/status/2072884269048094879" }, { "id": "seedance-272", "title": "Florist Storyboard Animation", "category": "animation", "prompt": "Use the attached THE FLORIST storyboard as exact visual reference. Create a 12-second 16:9 Pixar 3D animated sequence following all 8 shots exactly. Same young female florist — warm kind face, hair tied back, denim apron over linen dress — small charming", "description": "", "author": "GPTProto Official", "authorUrl": "https://x.com/gptproto", "sourceUrl": "https://x.com/gptproto/status/2072884008338464945" }, { "id": "seedance-273", "title": "3x3 Storyboard to Video Sequence Template", "category": "talking-head", "prompt": "Reference @image1 3x3/9-frame reference image for sharing\n[CONDITION DEFINITION]\nUse the attached 1:1 square reference image consisting of 3 rows x 3 columns (9 total frames) as a storyboard for a video of approximately 15 seconds. Instead of moving the entire reference image as a 3x3 split screen, expand each frame individually as a standard full-screen shot. Use all 9 frames in the reference image without omission, integration, repetition, or reordering. Always display only one frame at a time in full screen; do not display multiple frames simultaneously. If the reference image is live-action, maintain the live-action texture. If it is anime or illustration, maintain the original style, lines, coloring, shading, and texture. Do not convert live-action to anime or vice versa. Do not introduce new fixed costumes, expressions, poses, actions, props, or background settings from the prompt side. Based on the composition, subject state, posture, expression, costume, background, and atmosphere depicted in each frame, supplement natural movement suitable for that content and style. If the 9 frames depict the same person or character, maintain the identity of facial features, hairstyle, perceived age, physique, costume, and major physical characteristics across all shots.\n\n[SHOT / FLOW]\nThe reading order of the reference image is from top-left to right, proceeding through the top row, middle row, and bottom row.\nShot 1 | 0.0–1.5s\nExpand the top-left frame as a full-screen shot and move naturally according to its composition, style, and subject state.\nShot 2 | 1.5–3.0s\nExpand the top-middle frame as a full-screen shot and move naturally according to its composition, style, and subject state.\nShot 3 | 3.0–4.5s\nExpand the top-right frame as a full-screen shot and move naturally according to its composition, style, and subject state.\nShot 4 | 4.5–6.0s\nExpand the middle-row left frame as a full-screen shot and move naturally according to its composition, style, and subject state.\nShot 5 | 6.0–8.0s\nExpand the center frame as a full-screen shot and move naturally according to its composition, style, and subject state.\nShot 6 | 8.0–9.5s\nExpand the middle-row right frame as a full-screen shot and move naturally according to its composition, style, and subject state.\nShot 7 | 9.5–11.0s\nExpand the bottom-left frame as a full-screen shot and move naturally according to its composition, style, and subject state.\nShot 8 | 11.0–12.5s\nExpand the bottom-middle frame as a full-screen shot and move naturally according to its composition, style, and subject state.\nShot 9 | 12.5–15.0s\nExpand the bottom-right frame as a full-screen shot and move naturally according to its composition, style, and subject state. End with a short lingering effect.\nEach shot should generate natural, visible movement from the start. Eyes, expressions, breathing, posture, hair, clothing, surrounding objects, light, and backgrounds should move naturally within a range that connects logically from the original state of each frame.\nDo not add new performances or large actions unrelated to the reference image.\n\n[CAMERA / EDITING]\nMaintain the original composition and sense of distance of each frame as the basis, expanding naturally as a 1:1 full-screen shot. Prioritize natural movement of the subject and background, keeping the camera generally stable. Add very slight zooms, pulls, pans, or depth changes only when necessary. The order and transition timing of shots follow the timeline specified in [SHOT / FLOW]. Switch between shots with clear cuts. Do not perform morphing that dissolves faces, bodies, costumes, or backgrounds into the next shot. Do not leave the frame borders or margins of the 3x3 image as fixed frames in the final video. Decorations, lines, symbols, and effects originally drawn within each frame may be naturally maintained as part of the original art style. However, do not proliferate decorations, break their shapes, or continue them into different shots.\n\n[SOUND]\nInclude BGM. Add instrumental music that naturally fits the art style, atmosphere, and tempo of the video. Do not include lyrics, singing, narration, or dialogue. Add subtle ambient sounds or sound effects as needed without interfering with the BGM.\n\n[NEGATIVE]\nDo not move the entire 3x3 reference image as a split screen. Do not use multiple screens, split screens, or collage displays. Do not omit, integrate, repeat, or reorder any of the 9 frames. Do not change the specified reading order. Do not deviate significantly from the specified time allocation. Do not display each frame as a long still image. Do not change the identity of the same person or character. Do not add new people, costumes, props, backgrounds, or performances unrelated to the reference content. Do not significantly change the original expressions, postures, costumes, or compositions. Do not turn live-action into anime or anime/illustrations into live-action. Do not dissolve or morph faces, bodies, costumes, or backgrounds between shots. Do not proliferate, deform, or connect decorations, lines, symbols, or effects between shots. Avoid violent camera movements, extreme zooms, excessive acting, or unnecessary scene changes.", "description": "", "author": "AIライフハック", "authorUrl": "https://x.com/ai_lifehack55", "sourceUrl": "https://x.com/ai_lifehack55/status/2072882708863410216" }, { "id": "seedance-274", "title": "Superhuman Battle Found Footage", "category": "action", "prompt": "Raw found footage style, amateur handheld smartphone video recording a real intense battle between superhuman fighters, heavy natural camera shake and jitter from the operator's unsteady hands and movement, low-fi consumer camera quality with visible grain, compression artifacts, motion blur during fast pans, single continuous uncut take with no edits or cuts, paparazzi-style close but cautious recording in broad daylight on an open rocky terrain with dust and scattered debris, natural lighting, realistic reactions from the camera as it follows the chaotic action.\n[IMAGE REFERENCES]\nNo external references. Maintain perfect visual consistency for both fighters' exact appearance, hair, body type, clothing and proportions throughout the entire 15-second continuous clip.\n[TIMELINE SECOND BY SECOND]\n0-3s: [Continuous Shaky Handheld] The shaky phone captures a bald fighter with a third eye on his forehead, white headband and green gi facing a tall athletic woman with long black hair in a high ponytail and red battle armor. They circle each other. The woman dashes in with fast kicks. The bald fighter blocks and counters with precise palm strikes. The camera shakes with every exchange.\n3-6s: The bald fighter fires a bright triangular energy blast from his forehead. The woman dodges at the last second and the blast explodes against the ground. She immediately counters with a spinning kick to his side. The handheld footage shakes hard from the explosion and the operator moves quickly to stay with the action.\n6-9s: The woman grabs the bald fighter's arm and throws him over her shoulder. He flips and lands on his feet, then fires a rapid volley of energy blasts from both hands. The woman weaves between them with incredible agility. The camera pans and tilts constantly with heavy natural shake and motion blur.\n9-12s: The bald fighter charges and they clash in close combat again. The woman lands a powerful knee to his stomach and follows with an elbow to the back of his head. The shaky camera moves in closer, the operator clearly excited and breathing hard.\n12-15s: The bald fighter staggers but recovers and fires one final powerful blast. The woman crosses her arms and blocks it, the energy pushing her back several meters and kicking up dust. The continuous footage keeps rolling as the dust settles and both fighters catch their breath, the camera still shaking naturally.\n[STYLE & QUALITY BOOSTERS]\nRaw consumer found footage aesthetic, heavy handheld instability and micro-shakes, natural motion blur from camera movement, realistic lens flare and slight overexposure on energy flashes, coherent superhuman physics and impacts visible through dust and debris, amateur recording feel with no stabilization, no text, no overlays, no watermarks, continuous single shot, documentary raw video style.", "description": "", "author": "TechHalla", "authorUrl": "https://x.com/techhalla", "sourceUrl": "https://x.com/techhalla/status/2072879251703885987" }, { "id": "seedance-275", "title": "Viral Creator Raining Money Vlog", "category": "talking-head", "prompt": "15 seconds, single continuous handheld selfie vlog POV, energetic pacing, no hard cuts.\nGlobal setup: High energy viral content-creator video. Wide angle vlog lens, natural handheld shake, bright vibrant lighting like a well-lit room or studio setup with ring light glow. Setting: a cozy content-creator room desk with a laptop, ring light, phone tripod, colorful LED strip lighting in the background. Subject: a young content creator, casual trendy outfit, expressive and excited energy, holding the camera at arm's length. Ambient sound: upbeat viral trending audio, cash/paper rustling sound effects, excited laughter.\n[0:00–0:03] She sits at her desk, checking her phone, eyes widen, mouths \"wait... what?\" as she stares at the screen in disbelief.\n[0:03–0:06] She holds the camera up, grinning, says \"Guys... I think I just went viral,\" just as the first few dollar bills start fluttering down from above into frame.\n[0:06–0:09] More cash begins raining down steadily around her, she laughs, throws her hands up, spins slightly in her chair, says \"IT'S RAINING MONEY RIGHT NOW, LOOK!\"\n[0:09–0:12] Full money shower fills the frame, bills fluttering everywhere, she grabs handfuls into the air and lets them fall, laughing uncontrollably, genuinely thrilled reaction.\n[0:12–0:15] She catches her breath, looks at the camera with a huge grin, bills still gently falling around her, says \"Content really does pay off,\" winks, freeze on her laughing face. Fade to black.\nStyle: vibrant saturated color grade, high energy viral aesthetic, natural realistic cash physics (fluttering, not floating unnaturally), no text overlays, realistic expressive acting. Constraints: consistent character appearance and outfit throughout, physically plausible falling motion for the bills, no distorted hands or face, natural lip-sync to dialogue, energetic but believable pacing.", "description": "", "author": "BMX", "authorUrl": "https://x.com/bmx_ai13", "sourceUrl": "https://x.com/bmx_ai13/status/2072857105107742990" }, { "id": "seedance-276", "title": "Mind Dominator vs Illusionist Battle", "category": "cinematic", "prompt": "Cinematic battle scene between Ren (Mind Dominator) and Nox (Visual Illusionist). Mind control energy vs blinding light distortions, epic showdown, highly detailed, 8k.", "description": "", "author": "Jin.B", "authorUrl": "https://x.com/opener_ai", "sourceUrl": "https://x.com/opener_ai/status/2072835644041425286" }, { "id": "seedance-277", "title": "Cyberpunk Anime Heroine Action Scene", "category": "nature-drone", "prompt": "A charismatic cyberpunk heroine with short white hair, neon-blue eyes, sleek futuristic combat suit and glowing energy blades, rendered in ultra-premium Japanese anime rendering, Anime-inspired sakuga, sharp manga linework, cinematic neon lighting, dynamic motion smears and glowing VFX\n- 0–4s: walks through a futuristic megacity while elite mercenaries descend from hovering aircraft, camera tracking low through rain-soaked streets; \n- 4–10s: launches into an insane rooftop chase, sprinting across skyscrapers, cutting drones in half and dodging explosions while neon reflections flood the frame; \n- 10–15s: reaches the tallest tower and performs a giant energy slash that destroys the entire drone swarm at once, ending with the city skyline glowing behind her as debris rains from the sky + High-energy cyberpunk anime spectacle, breathtaking sakuga action.", "description": "", "author": "Pierrick Chevallier | IA", "authorUrl": "https://x.com/CharaspowerAI", "sourceUrl": "https://x.com/CharaspowerAI/status/2072742148110213177" }, { "id": "seedance-278", "title": "Abandoned Factory Dream Sequence", "category": "nature-drone", "prompt": "A gigantic abandoned factory stretches into darkness, filled with conveyor belts, rusted machines, hanging cables, and thousands of glass jars containing glowing fragments of dreams. The lighting is industrial green and sickly amber, with steam leaking from old pipes.\n\nOpening frame: slow dolly through the factory floor. Machines are still moving even though no workers are present. Conveyor belts carry strange objects: a child’s red shoe, a miniature moon, a burning letter, a tiny sleeping city inside a jar.\n\nAt the 2-second mark, one glass jar cracks.\n\nA dream escapes.\n\nIt leaks into the air as glowing vapor, forming a floating doorway to an impossible childhood bedroom. Then more jars begin cracking across the factory. Dreams spill out everywhere ,oceans flooding metal floors, birds made of paper flying through sparks, giant hands pressing against the walls from the other side of sleep.\n\nThe camera follows the escaped dream vapor as it moves through the machinery. Every machine transforms what it touches: gears grind memories into dust, pistons compress nightmares into black cubes, conveyor belts stretch into infinite roads.\n\nVFX escalation: the entire factory begins producing dreams uncontrollably. Machines speed up, sparks become stars, smoke becomes human faces, and the ceiling opens into a vast sleeping sky.\n\nVelocity ramp: a glass jar explodes in slow motion, releasing a miniature storm containing a full city inside it.\n\nFinal moment: the camera reaches the central machine , a giant mechanical heart pumping blue light ,and all dreams collapse into it at once, causing the factory to blink like an eye.\n\nIndustrial surrealism, dream manufacturing, glowing vapor simulations, mechanical poetry, rust textures, cinematic darkness, 4K.\n\nMade in @Hailuo_AI", "description": "", "author": "LudovicCreator", "authorUrl": "https://x.com/LudovicCreator", "sourceUrl": "https://x.com/LudovicCreator/status/2072742121673494808" }, { "id": "seedance-279", "title": "Hot-Air Balloon Travel Vlog", "category": "talking-head", "prompt": "Create a 30-second ultra-realistic cinematic travel vlog featuring ONE female protagonist on a hot-air balloon adventure at sunrise.\n\nCHARACTER LOCK:\nUse the uploaded character reference as the ONLY identity reference. Preserve her exact face, facial structure, eyes, eyebrows, nose, lips, jawline, cheeks, skin tone, hair and recognizable features in EVERY scene. Same woman throughout. No identity drift, no face morphing, no duplicate character.\n\nWARDROBE LOCK:\nSame ivory/cream dress and light beige cardigan in every scene. No wardrobe or hairstyle changes.\n\nSTYLE:\nPhotorealistic cinematic travel documentary, natural skin texture, realistic motion, golden sunrise, 4K HDR, shallow depth of field, professional camera quality, natural wind and atmospheric movement.\n\nLOCATION:\nBeautiful hot-air-balloon launch site overlooking a vast valley with vineyards, winding rivers, mountains, villages and many colorful balloons.\n\nSCENE 1 — 0–4s:\nSunrise drone-wide shot showing dozens of colorful balloons. Smooth transition to the woman walking toward the launch area and filming herself selfie-style. She smiles at the camera.\nDialogue: “Good morning! Today we're finally going on a hot air balloon adventure!”\n\nSCENE 2 — 4–8s:\nShow colorful balloon fabric inflating and realistic burner flames. Cut to the woman watching excitedly, then approaching the basket.\nDialogue: “I can't believe how massive these balloons are up close!”\n\nSCENE 3 — 8–13s:\nBalloon lifts off. Woman is inside the basket filming herself. She looks over the edge as the valley becomes smaller below. Show other balloons around her.\nDialogue: “We're actually floating... this is unbelievable!”\n\nSCENE 4 — 13–18s:\nBalloon peacefully floats above the valley. Show vineyards, river, mountains, villages and colorful balloons. Cut to the woman's amazed reaction as she points toward the distant balloons.\nDialogue: “This has to be one of the most beautiful views I've ever seen.”\n\nSCENE 5 — 18–24s:\nCreate cinematic travel-vlog moments: selfie shot, close-ups of wicker basket and balloon ropes, burner and colorful balloon fabric. She looks around peacefully and smiles.\nDialogue: “I never imagined it would feel this peaceful.”\n\nSCENE 6 — 24–30s:\nBalloon lands safely in an open field. Woman steps out, smiles at the camera and gives a small farewell gesture. Crew and colorful balloon visible behind her. End with a slow drone pull-away showing the entire valley and balloon field.\nDialogue: “What an unforgettable experience. Thanks for coming along", "description": "", "author": "Laraib Fatima‎", "authorUrl": "https://x.com/AiwithLariab", "sourceUrl": "https://x.com/AiwithLariab/status/2086694276990484738" }, { "id": "seedance-280", "title": "Luxury Perfume Cinematic Advertisement", "category": "product-ad", "prompt": "Luxury perfume bottle on a clean glossy black surface, warm amber lighting, subtle golden smoke, elegant dark background, soft reflections, premium fragrance advertisement, cinematic close-up, slow camera push-in, photorealistic, 4K.\n\nScene 2 — 3–6s\n\nPrompt:\nA beautiful confident woman wearing an elegant burnt-orange satin dress, long dark hair, standing in a luxurious dark interior with soft vertical golden lights behind her. Calm confident expression, subtle smoke, cinematic medium shot, slow camera movement, photorealistic, 4K.\n\nScene 3 — 6–9s\n\nPrompt:\nClose-up of the same woman gently spraying the perfume on her neck. Fine fragrance mist visible in the warm light, elegant expression, soft golden lighting, natural hair movement, shallow depth of field, cinematic beauty commercial, photorealistic, 4K.\n\nScene 4 — 9–12s\n\nPrompt:\nThe same woman confidently walking toward the camera through a modern luxury interior. Same burnt-orange satin dress and long dark hair, warm golden lights, clean reflective floor, subtle atmospheric smoke, smooth tracking camera, elegant feminine presence, photorealistic, 4K.\n\nScene 5 — 12–15s\n\nPrompt:\nThe same luxury perfume bottle centered on a glossy black surface, subtle amber crystals around it, soft golden smoke in the background, dramatic but clean spotlight, elegant dark background, premium fragrance advertisement, slow camera push-in, photorealistic, 4K.\n\nCharacter & Product Consistency\n\nSame woman throughout all scenes, identical face, hairstyle, skin tone and outfit. Same perfume bottle design in every shot. Clean luxury aesthetic, consistent warm amber lighting, realistic skin and natural movement. No extra people, no distorted hands, no duplicate objects, no unwanted text or logos.", "description": "", "author": "Calira", "authorUrl": "https://x.com/CaliraVal", "sourceUrl": "https://x.com/CaliraVal/status/2086686230029402183" }, { "id": "seedance-281", "title": "Luxury Watch UGC Review", "category": "talking-head", "prompt": "Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, makeup, skin tone, body proportions, white sleeveless fitted top, light blue wide-leg jeans, pearl choker, rings, and bracelets consistently throughout the video. Use the uploaded luxury watch and its packaging as locked product references. Maintain perfect product consistency, including the watch face, hands, dial details, case shape, crown, bracelet, materials, colors, proportions, and reflections.\n\nCreate an ultra-realistic UGC luxury watch review filmed inside a modern luxury bedroom with warm golden-hour sunlight, soft natural shadows, and a premium lifestyle aesthetic. The camera feels like a handheld smartphone with subtle natural movement while maintaining cinematic commercial quality.\n\nThe video begins with the woman sitting on the bed beside the watch box. She smiles at the camera and says, \"I honestly didn't expect to love this watch this much.\" She picks up the box, opens it naturally, and reveals the watch. She gently lifts it from the packaging and brings it closer to the camera, saying, \"The packaging already feels so premium.\"\n\nShe rotates the watch between her fingers, showing the dial, bracelet, crown, and polished details as warm sunlight creates realistic reflections across the metal. She says, \"Look at those details... it feels incredibly well made.\"\n\nShe puts the watch on her wrist and adjusts the bracelet naturally. Cut to a close-up of her wrist as she moves it through the sunlight, showcasing the watch from different angles.\n\nShe walks toward a full-length mirror, checks the watch with a confident smile, adjusts her sleeve, and poses naturally while looking at her reflection.\n\nShe returns to the bed, picks up the watch box, then holds her wrist beside her face for a final lifestyle shot. Looking directly into the camera, she smiles and says, \"Definitely one of my favorite accessories.\"\n\nFinish with a cinematic macro push-in on the watch as it rests on the luxury packaging, with warm reflections across the dial and bracelet.\n\nUltra-realistic UGC fashion content, authentic creator review, cinematic handheld smartphone movement, luxury bedroom, macro watch cinematography, realistic metal reflections, detailed dial textures, expressive facial animation, perfect lip sync, shallow depth of field, premium color grading, 4K HDR, 16:9, no subtitles, no watermarks, no on-screen text, no unnecessary logos.", "description": "", "author": "Smiling Khan", "authorUrl": "https://x.com/AIwithkhan", "sourceUrl": "https://x.com/AIwithkhan/status/2086668137198678351" }, { "id": "seedance-282", "title": "Cinematic Wuxia Flying Sword Scene", "category": "talking-head", "prompt": "[Video Specifications]\nStrict total duration: 10 seconds, 16:9 widescreen, native Mandarin dialogue, strictly following the previous shot.\n[Overall Style]\nCinematic realistic texture, pure ancient Chinese xianxia suspense atmosphere, with restrained martial arts performance, environment tension similar to Akira Kurosawa, information delay like Hitchcock, and strict real-world spatial scheduling. Optimized for Seedance 2.5 action geometry and continuity stability.\n[Continuation Requirements]\nDirectly following the previous footage, strictly maintain: the same open meadow, same dark forest hillside, same vertical cliff, same sect buildings, same mossy rocks, same valley mist, same right-side sunlight, same weather, same scale relationships, same camera axis, same character movement direction. No redesign of location or spatial structure allowed.\n[Character Locking]\nCharacter A (Sister Sword Immortal): 25-30 year old East Asian female, oval face, fair natural skin, dark apricot eyes, long black hair half-tied with a white jade hairpin, tall and slender. Outfit: White embroidered silk Hanfu, semi-transparent wide sleeves, silver waist ornaments, white cloth boots.\nCharacter B (Junior Sister): 20-25 year old East Asian female, round spiritual face, dark braided hair, petite build. Outfit: Low-saturation sage green linen Hanfu, dark belt, cloth shoes.\n[Spirit Sword Geometry Constraints]\nThe same autonomous silver spirit sword must strictly: remain 8-12 meters ahead of the two women, 1 meter above the grass, perfectly horizontal and parallel to the ground. The tip always points to the mountain mist. The distance between the sword and women remains constant. No rolling, pitching, yawing, vertical rotation, or turning around allowed.\n[Shot 1 | 0-3s | Stable Telephoto Long Shot]\nCut from the sister's gaze close-up to a stable locked telephoto long shot. The silver spirit sword flies toward the mist, with the two women far behind. The spatial relationship between the sword, women, route, rocks, and mist must be clear.\n[Shot 2 | 3-6.5s | Same Continuous Long Shot]\nMaintain Shot 1's long shot without cutting. The sword decelerates steadily and comes to a full stop. Locked posture: horizontal, parallel to ground, pointing at mist. After a full pause, the sword performs a pure lateral translation, moving about 1.5 meters sideways toward a mossy rock. During translation, the tip direction, height, and distance to characters must not change. The central path is left empty.\n[Shot 3 | 6.5-10s | Medium Two-Shot]\nCut cleanly to a medium shot of the two women. The sword is now out of frame. The junior sister looks at the cleared path and asks: \"Sister, what is it doing?\" The senior sister gazes far away, pauses, and whispers: \"It's making way.\" They both look at the empty road. End immediately.\n[Negative Prompts]\nblurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, background shift, glitching cuts, disappearing props", "description": "", "author": "Soran", "authorUrl": "https://x.com/Soranlan", "sourceUrl": "https://x.com/Soranlan/status/2086662041817768010" }, { "id": "seedance-283", "title": "Train Station Lifestyle Vlog", "category": "action", "prompt": "Create a 15-second ultra-realistic vertical lifestyle video using the reference image. Keep the exact same woman, facial identity, hairstyle, outfit, body proportions, and appearance throughout.\n\nStory: A rainy afternoon at a modern train station. She walks toward the platform and notices her train leaving, slightly quickening her pace. She arrives just as the doors close and watches it depart, mildly disappointed. She exhales, gives a tiny amused smile, and checks the departure board. She discovers the next train arrives in a few minutes, relaxes, gives the camera a playful subtle shrug, then sits on a nearby bench and calmly checks her phone.\n\nShots: Natural cinematic cuts: rear three-quarter walking shot → side platform shot → front close-up → over-the-shoulder departure board → final front tracking shot.\n\nPerformance: Understated, believable acting. Emotional progression: focused → realization → mild disappointment → amusement → relief. Natural blinking, breathing, eye movement, walking, and body language.\n\nEnvironment: Modern clean station, rainy gray daylight through large windows, wet floor reflections, distant passengers, realistic moving train, soft station ambience.\n\nCamera & style: Authentic handheld smartphone footage, subtle camera movement, natural autofocus, realistic depth of field, photorealistic Korean lifestyle vlog aesthetic, cinematic but candid, natural skin texture and colors, 24fps.\n\nAvoid: Face/identity changes, outfit changes, exaggerated acting or running, distorted hands, extra fingers, unnatural walking, unrealistic train movement, floating objects, sudden lighting/environment changes, excessive camera shake.", "description": "", "author": "Ahmad Faraz", "authorUrl": "https://x.com/iamahmedfaraz66", "sourceUrl": "https://x.com/iamahmedfaraz66/status/2086661314513191318" }, { "id": "seedance-284", "title": "Korean Skincare Routine Vlog", "category": "ugc", "prompt": "Ultra-realistic cinematic vertical video, 10 seconds. A beautiful young Korean woman spending a peaceful late-night skincare routine in her cozy bedroom. She is wearing the same oversized cream-white T-shirt throughout the entire video. Warm bedside lamp light mixes naturally with soft cool moonlight coming through the window. The room has a cozy Korean bedroom aesthetic with a full-length mirror, soft bedding, subtle fairy lights, and a small bedside table. The entire video is filmed as authentic handheld smartphone selfies, like a personal nighttime vlog. Natural movements, realistic facial expressions, subtle breathing, natural blinking, lifelike hair movement, realistic skin texture, no overly posed movements.\n\nShot 1 (0–2s): Front handheld selfie in front of the full-length mirror. She gently moves her hair behind her shoulders, looks at herself briefly, then turns her eyes toward the phone camera and gives a soft natural smile. The phone has subtle realistic handheld movement.\n\nShot 2 (2–4s): Slightly high-angle selfie while she sits comfortably on the edge of the bed. She picks up a small skincare cream, applies a little to her face naturally with her fingertips, then gives a playful subtle expression toward the camera.\n\nShot 3 (4–6s): Mirror selfie. She stands close to the mirror and gently fixes a few loose strands of hair while looking at her reflection. After a moment, she looks directly at the phone screen and smiles naturally.\n\nShot 4 (6–8s): Side-profile handheld selfie near the bedside table. She reaches for a clear water bottle, takes a small natural sip, lowers it, and looks toward the camera with a soft relaxed smile. Her hair moves naturally as she turns.\n\nShot 5 (8–10s): Front close-up selfie. She comfortably lies back against the pillows under a soft blanket, looks directly into the camera, makes a tiny finger-heart gesture close to the lens, then finishes with a warm genuine smile as the camera gently moves backward.\n\nStyle: Ultra-photorealistic Korean beauty, authentic smartphone camera quality, natural handheld selfie movement, realistic skin pores and texture, natural blinking and breathing, lifelike hair simulation, realistic hand and finger movements, soft warm bedside lighting mixed with cool moonlight, subtle bedroom shadows, cinematic shallow depth of field, natural lens behavior, premium film color grading, intimate cozy nighttime atmosphere, 24fps, 8K, vertical 9:16. No text, no subtitles, no logos, no unnatural body movements, no excessive beauty filter.", "description": "", "author": "Aqsa", "authorUrl": "https://x.com/Aqsahere_", "sourceUrl": "https://x.com/Aqsahere_/status/2086652068555530333" }, { "id": "seedance-285", "title": "UGC Style Phone Case Advertisement", "category": "talking-head", "prompt": "Create a 15-second vertical 9:16 UGC-style phone case advertisement that feels authentic, premium, and social-media ready.\n\nA confident young woman in her mid-20s stands in a bright, modern apartment with soft natural daylight. She holds her smartphone toward the camera, showing a sleek premium phone case with a clean minimalist design. She smiles naturally and speaks directly to the camera as if recommending the case to a friend. Her appearance, outfit, phone, and phone case remain identical throughout the entire video.\n\nShe speaks directly to the camera:\n\n“I’ve been using this case for a few weeks, and I honestly love it. It’s slim, feels amazing in my hand, and still gives my phone the protection I need. Plus, it looks so clean. Definitely one of my favorite phone accessories.”\n\nStoryboard:\n\nScene 1: Close-up of the phone and case in her hand as she introduces it, rotating the phone slightly to reveal the back, edges, and camera protection.\n\nScene 2: She holds the phone naturally in one hand, showing how slim the case looks while pressing the buttons and running her fingers across the smooth textured surface.\n\nScene 3: She casually places the phone on a table and picks it back up, demonstrating the everyday practicality and secure grip of the case.\n\nScene 4: She takes a quick mirror selfie, then turns the phone toward the camera to show how the case complements the phone’s original design.\n\nScene 5: Final hero shot holding the phone beside her face with a clean, premium apartment background. She smiles confidently at the camera and says, “Definitely recommend.”\n\nThe video should have realistic smartphone camera quality, natural handheld movement, genuine facial expressions, subtle autofocus adjustments, realistic lighting, smooth transitions, accurate lip sync, and a polished yet authentic UGC aesthetic. The phone and case must remain physically consistent throughout every shot. The case geometry, color, material, buttons, camera cutouts, edges, and proportions remain unchanged. The case stays sharply detailed and clearly visible whenever shown, with no warped branding, distorted geometry, or changing product design.", "description": "", "author": "ᴍᴜʀᴘʜʏ", "authorUrl": "https://x.com/Diplomeme", "sourceUrl": "https://x.com/Diplomeme/status/2086650743478735143" }, { "id": "seedance-286", "title": "Elf Warrior Katana Battle", "category": "ugc", "prompt": "The female elf warrior has platinum-blonde hair, a gothic-inspired outfit. Keep one identical female elf warrior throughout. She holds one glowing katana in her right hand.\n\nExactly 8 armored robots enter over time. Every stroke hits exactly one target. Electric spark and debris releases, and individual defeats. No multi-target cut; shockwaves move dust only. Each next robot actively attacks, guards, evades, or intercepts.\n\nThe camera stays close, following with smooth handheld sidesteps, retreats, arcs, drops, rises, and pivots. It travels toward each flash destination without snapping, resetting, teleporting, or hiding a cut. Keep warrior, robots, background, debris, hair, cloth, fluid, and particles sharply resolved.\n\nSEQUENCE: ONE CONTINUOUS SHOT\n\nBeat 1 / 0-3s: Rear 3/4 WS, follow behind the female warrior into a sunlit battle already in progress. The robots occupy successive depth pockets, not one flat crowd; only nearby attackers are readable. Robot 1 charges while she forms the opening anticipation pose.\n\nBeat 2 / 3-10s: CONTINUE SAME SHOT through Robots 1-4. Follow attacks from alternating sides with physical sidesteps and arcs. Perform four fast but separate vanish, follow, reappear, single-target cycles using different techniques. Preserve each crisp contact, green-fluid release, recoil, and fall before the next attack. End with four defeated as 3 more robots attacks from behind.\n\nBeat 3 / 11-15s: CONTINUE SAME SHOT through robots 5-8. Pivot around the female warrior to catch the rear attack, move ahead, backpedal while leading, then arc around as threats enter from different directions. Show four more individual attacks and one-robot punches in a changed order. She appears only in sharp anticipation, contact, and finishing poses. End with 8 defeated robots.", "description": "", "author": "RUX Cinema", "authorUrl": "https://x.com/RUX_Videos", "sourceUrl": "https://x.com/RUX_Videos/status/2086641455125119278" }, { "id": "seedance-287", "title": "Mixed-Media Culinary Stylus Morph", "category": "asmr", "prompt": "Concept: A creative mixed-media video blending live-action culinary footage with dynamic 2D line-art animations using a stylus interaction.\n\nScene Breakdown\n00:00 - 00:01 | The Prep\n\nVisual: A hand taps a light-blue stylus onto a slice of bread soaking in egg mixture.\n\nEffect: The real-life scene instantly transforms into a stylized black-and-yellow 2D cartoon sketch.\n\n00:01 - 00:04 | The Cook\n\nVisual: Top-down view of the cartoon bread cooking in a cast-iron skillet with melting butter.\n\nEffect: A stylus tap converts the animated toast into golden-brown, real-life French toast sizzling in the pan.\n\n00:04 - 00:08 | The Plating\n\nVisual: Cartoon-drawn French toast on a dark plate, accented with animated steam and powdered sugar sifted overhead.\n\nEffect: A final stylus touch morphs the animated plate into a gourmet dish complete with powdered sugar, fresh berries, mint leaves, and maple syrup pouring from a boat.", "description": "", "author": "Sairah", "authorUrl": "https://x.com/Sairah_0", "sourceUrl": "https://x.com/Sairah_0/status/2086637783318487379" }, { "id": "seedance-288", "title": "Planetary Engineering Sci-Fi Action Sequence", "category": "talking-head", "prompt": "15-second cinematic sci-fi action sequence, 16:9, ultra-realistic, IMAX-quality cinematography, realistic planetary engineering, immense scale, cinematic lighting, no visible face, no text, no dialogue.\nA reconnaissance fighter skims low across a vast artificial planet. Endless futuristic cities, oceans and mountain ranges stretch to the horizon beneath a glowing atmosphere.\nHairline circular fractures suddenly spread across the landscape.\nEntire continental plates begin rotating upward as if mounted on colossal planetary hinges. Cities remain attached while skyscrapers slowly tilt vertical. Oceans pour from the rising landmasses in immense waterfalls that vanish into the atmosphere.\nThe pilot dives through the widening canyon between two rising continents.\nGigantic mountain ranges rotate overhead.\nThe gap narrows rapidly.\nThe camera swings wide to reveal half the planet folding inside out while enormous sections lock into new positions.\nThe interceptor accelerates toward the last remaining opening.\nTwo continent-sized plates collide behind the fighter with unimaginable force.\nCut.", "description": "", "author": "Alexandra Aisling", "authorUrl": "https://x.com/AllaAisling", "sourceUrl": "https://x.com/AllaAisling/status/2086627218998821288" }, { "id": "seedance-289", "title": "Frozen Dragon Lake Escape", "category": "nature-drone", "prompt": "Hyper-realistic cinematic fantasy action sequence, 15 seconds, aspect ratio 16:9.\n\nDaytime in a frozen mountain wilderness. One rider on a fast horse races across a vast frozen lake while a giant dragon moves beneath the ice below. The lake is covered in snow-dusted blue ice with cracks, trapped air, and frosted patterns. Jagged mountains and icy cliffs surround the lake. Wind drives loose snow across the surface. The danger comes from below: the dragon is visible first as a huge dark shape moving under the ice, then the frozen surface begins cracking and breaking in its path.\n\nBegin with a high sweeping view of the lake as the rider and horse race across the open ice toward the distant shore. Beneath them, a massive shadow glides under the frozen surface, matching their path from below.\nShift to a close, low view near the horse’s hooves pounding the ice. Hairline cracks suddenly race outward under each stride. The horse stumbles slightly but keeps running as the rider leans forward, urging more speed.\nCut to a view from beneath the ice looking upward through blue translucent frozen layers. The dragon’s shape surges just below the surface, its movement distorting the ice from underneath. Then the ice bulges and splits as the creature rises closer.\n\nReturn above the surface with violent motion. Long fracture lines chase behind the rider. Ice shards jump upward, snow bursts into the air, and sections of the frozen lake collapse into dark freezing water. The dragon’s horns, snout, or glowing eyes become briefly visible under cracking ice before vanishing again into the blue depths.\n\nNear the end, the rider reaches the last stretch before shore while the dragon surges up directly behind, smashing a larger section of ice apart. The horse launches across one final cracked gap, lands hard near solid ground, and scrambles onto the rocky snowy shoreline as broken ice collapses behind.\nEnd with the rider turning briefly from the shore while the dragon’s huge shape moves beneath the shattered ice near the lake edge and freezing mist rises into the air.\n\nStyle: hyper-realistic, cinematic, intense, fast-paced, suspenseful, fantasy atmosphere, strong sense of speed and danger, frozen lake, cracking ice, dragon beneath the surface, snow, icy mountains, dynamic varied camera movement, no text, no logos, no cartoon style, no slow motion, no famous celebrity faces, no recognizable actors, no movie-star resemblance, no public-figure likenesses, no clear facial close-ups. Keep proportions. Keep style and features. Aspect ratio 16:9.", "description": "", "author": "DeCat", "authorUrl": "https://x.com/DeCat2025", "sourceUrl": "https://x.com/DeCat2025/status/2086626049211634104" }, { "id": "seedance-290", "title": "Comedy Sword and Bicycle Swap", "category": "talking-head", "prompt": "[Video Specs]\n10 seconds, 16:9, 24fps, exactly two clean shots. Ends at exactly 10.0s.\n[Style]\nCinematic realistic texture, action comedy rhythm, high-end commercial lighting, Hong Kong action film spatial relations. A 'Skill Swap' mechanic where a Sword Immortal and a Cyclist swap mounts. The comedy comes from 'habit → wrong transfer → reminder → correction → tacit understanding'.\n[Scene]\nEmpty riverside plaza at dawn, golden sunlight, skyscrapers, brushed concrete, glass railings,天际线, morning mist.\n[Character ID A | Sword Immortal]\nFrom Image 1: 25-30 years old, East Asian, sharp brown eyes, long black hair, white silk Hanfu, silver sword.\n[Character ID B | Cyclist]\nFrom Image 2: 25-30 years old, East Asian, brown ponytail, yellow jacket, blue jeans, bicycle.\n[Shot 1 | 0-5s]\nLow-angle slow tracking shot. Characters stand face-to-face with the bike and floating sword between them. They point at each other's mount. Dialogue: 'Swap?' 'Swap.' They exchange positions seriously.\n[Shot 2 | 5-10s]\nCowboy shot (medium-full) side tracking. They pass each other in opposite directions. The Cyclist (on the sword) instinctively tries to pedal the air due to bicycle muscle memory. The sword accelerates. The Sword Immortal (on the bike) tries to steer with sword-fingers, causing the wheel to wobble. They shout: 'Don't pedal the sword!' 'Hold the handles!' They instantly correct their posture and finish the shot riding smoothly in a parallel motion composition. Ends at 10.0s.", "description": "", "author": "Soran", "authorUrl": "https://x.com/Soranlan", "sourceUrl": "https://x.com/Soranlan/status/2086590148003643688" }, { "id": "seedance-291", "title": "Urban Night Rain Tracking Shot", "category": "ugc", "prompt": "Medium tracking shot follows @Chris as she walks directly toward the camera through a rain-slicked urban evening. Her gaze remains toward the camera for two beats. As she reaches the camera, she passes closely beside the camera on its left side. The camera immediately pivots and pans with her movement, continuously following the SAME woman from behind as she walks away. There is only one Chris in the entire scene. She never disappears, duplicates, or re-enters the shot. Without cutting, the camera completes the turn behind her, revealing the wet street ahead as she continues walking toward the @blackwood storefront. She steps off the curb and crosses between parked cars with deliberate steps, her silhouette backlit by warm amber streetlights creating long reflections in shallow puddles. The \"Blackwood Bar and Grill\" store sign glows cool white above dark wood-framed windows, casting a soft halo through the misty air. Handheld camera with subtle natural shake continuously follows her movement. Muted city ambience, distant traffic, footsteps on wet pavement, occasional passing cars. Cinematic color grading with deep teal shadows and warm amber highlights. : location : Chris character reference integrated_multimodal_description: Cinematic rain-slicked urban evening with deep teal shadows, warm amber highlights, wet asphalt, shallow puddles, and light mist in the air. ONE continuous shot with NO CUTS. There is only ONE Chris in the entire video. Chris must remain the SAME woman with the SAME face, hair, clothing, body, and appearance throughout the entire shot. Never duplicate Chris, never create a second version of her, and never have her disappear and re-enter. [0s–4s] Medium tracking shot. Chris walks directly toward the camera along the wet street, looking toward the camera for approximately two beats. The camera smoothly tracks backward in front of her, keeping her face clearly visible and framed at medium distance. Warm amber streetlights reflect across the wet pavement behind her. [4s–7s] Chris reaches the camera and naturally walks very close past the LEFT side of the camera. IMPORTANT CONTINUITY: the camera does NOT cut away and Chris does NOT leave the continuous action. As her body passes beside the lens, the camera immediately pivots left and rotates approximately 180 degrees with her movement, continuously tracking the SAME Chris as the viewpoint transitions naturally from facing her to following directly behind her. [7s–15s] The camera finishes the pivot behind Chris and continues following the SAME woman from a medium rear tracking position. Ahead of her is the wet urban street and the Blackwood Bar and Grill storefront. Chris steps off the curb and crosses the street, moving carefully between parked cars with deliberate natural steps. She continues directly toward the Blackwood Bar and Grill. Its cool-white illuminated sign reads \"Blackwood Bar and Grill\" above dark wood-framed windows, creating a soft glow through the mist. Warm amber streetlights backlight Chris and produce long reflections across shallow puddles. Camera behavior: one uninterrupted continuous tracking shot; no edits, no cuts, no teleportation, no character substitution. Natural handheld cinematography with subtle realistic movement and mild walking shake. During the crossover, maintain continuous visual tracking of Chris's physical movement past the camera so there is never an opportunity for a second Chris to appear. Keep Chris close enough to camera for stable character and facial consistency during the opening approach. overall_soundscape: Natural rainy urban evening ambience. Soft footsteps on wet pavement synchronized with Chris's movement, distant traffic hum, subtle tire noise on wet streets, occasional passing cars, faint environmental city sounds, and quiet atmospheric rain and water sounds. non_diegetic_music: None.", "description": "", "author": "FoldingEnd A.I.", "authorUrl": "https://x.com/EndFolding79421", "sourceUrl": "https://x.com/EndFolding79421/status/2086584639091536239" }, { "id": "seedance-292", "title": "Silat Slaughterhouse Fight Scene", "category": "action", "prompt": "[PROSE & IN-LINE SPATIAL & GLOBAL LOCK]: [0s-3s] In a cold slaughterhouse meat room with hanging beef carcasses, Indonesian butcher Kusno carries out Silat defense kinetics against 3 tactical officers. Kusno wearing a stained canvas apron holds a single 30cm steel boning knife in right hand. Officer Rian strikes with baton; Kusno parries Rian's arm, disarming baton onto wet tiles. Carcasses in foreground, Kusno in midground, steel door in background. [3s-7s] Officer Dimas charges; Kusno deflects Dimas's arm, executing a leg sweep slamming Dimas onto floor. [7s-11s] Officer Eko tackles; Kusno shoves backward, slamming Eko into a hanging carcass swaying on rattling rails. [11s-15s] Rian attacks; Kusno pivots 180 degrees, switching knife to left hand, delivering a heavy palm strike sending Rian back. Kusno holds low Silat stance, speaking fluent Indonesian: \"Jangan maju lagi.\"\n\n[ACTING & LIGHTING SCIENCE]: Gareth Evans clinical tactical Silat realism. Authentic micro-expressions, unforced posture. Grounded gaze, natural micro-blink every 4-5s, wet corneal highlights, zero plastic stare. Affirmative skin physics: Natural Indonesian skin tone, smooth organic epidermis, subtle pores, zero airbrushing. Moody 3200K tungsten contrasting 5600K green fluorescent light. Uncompressed 32-bit float audio mix, clear vocal headroom, heavy impact weight. [COLOR GRADE LOCK]: Primary Triadic Separation.\n\n[CAMERA SCIENCE & KINETIC PHYSICS]: [SUBJECT MOTION: Ultra-micro Silat kinetics, parries, leg sweeps, body slams] [CAMERA MOTION: Organic subtle human-held camera physics, gentle breath sway, natural DOP shoulder-rig micro-stabilization. Smooth fluid 24fps cinema motion, 180-degree natural shutter angle]. Universal numerical quota lock: strictly 4 human subjects, strictly single 30cm boning knife bound to Kusno's hand, zero floating blades, 100% permanence. Real-world architecture: solid single-leaf steel door flush inside jamb, 2.1m x 0.9m proportion, zero phantom openings. Shot on Panavision Millennium DXL2 Large Format camera, Panavision Primo 70 prime lens, Light Iron Color 3 science, f/1.4 background bokeh, 16:9 aspect ratio. Real-time 1.0x.", "description": "", "author": "Apil", "authorUrl": "https://x.com/apilpirman", "sourceUrl": "https://x.com/apilpirman/status/2086542090872447144" }, { "id": "seedance-293", "title": "Glacial Martial Arts Duel", "category": "action", "prompt": "A structured 15-second high-octane breakthrough action sequence with explicit hard cuts. [SHOT 1: 0s-4s] Extreme close-up of the intense weapon lock-up between the silver sword and dragon staff with sparks flying. As the warlord presses down with overwhelming dark aura, the white-robed female swordswoman abruptly slides down to one knee, smoothly deflecting his staff downward while delivering a swift upward kick to his chest to force him back. [HARD CUT TO SHOT 2: 4s-8s] Medium action shot. As the warlord staggers backward, the swordswoman executes a fluent 360-degree spin, infusing her longsword with shimmering glacial ice energy, delivering a swift double-slash across his dragon staff that rapidly freezes the staff in glowing blue ice crystals. [HARD CUT TO SHOT 3: 8s-15s] Epic low-angle finishing blow! She leaps gracefully into mid-air, delivering an unstoppable downward diagonal strike. Her sword shatters the frozen dragon staff into thousands of flying ice shards and knocks off the warlord's dark wide-brimmed hat, blasting him backward through a wooden market stall into shadow smoke, leaving her landing gracefully on one knee in victory.", "description": "", "author": "新手老兵🇭🇰Web3gamer", "authorUrl": "https://x.com/Langby2", "sourceUrl": "https://x.com/Langby2/status/2086498478864412970" }, { "id": "seedance-294", "title": "Alice in Wonderland White Rabbit Chase", "category": "talking-head", "prompt": "Fifteen-second rapid, action-led sequence with no dialogue. Begin on a medium-wide eye-level composition: Girl at screen left has just risen from the grass, while the White Rabbit has stopped at screen right beside the hedge. Keep the dark opening under the roots visible behind the Rabbit but do not let it enter yet. The camera makes a short, cautious push toward Girl’s sightline as the Rabbit reaches into its waistcoat pocket and produces a small watch. Cut to an insert of the watch held in the Rabbit’s hand: its case is solid metal, its face is period-appropriate, and its movement is plainly impossible because a formally dressed rabbit is checking it with human alarm. A warm sun glint flashes across the glass. Cut immediately to Girl in medium close-up; she takes one involuntary step forward, breath held, eyes moving from the watch to the Rabbit’s face. Cut back wider as Rabbit closes the watch and pivots toward the root-framed hole. The camera reframes right to include the hole and preserve the visible causal chain: watch proves anomaly, anomaly makes pursuit inevitable. Grass rustles under Girl’s first step; hedge leaves tremble in a faint wind; the hole’s interior is cool and black against the amber bank. End with Rabbit beginning to hurry toward the opening and Girl fully upright in left midground, intent and poised to chase. Do not show Sister. Do not have Girl touch the Rabbit or narrate her thoughts. The emotional beat is revelation, not terror: Girl has seen enough to choose action. Use crisp cuts, but keep physical geography consistent: Girl remains left of Rabbit, Rabbit remains right and nearer the hedge.", "description": "", "author": "Vitalii Isaev", "authorUrl": "https://x.com/restofart", "sourceUrl": "https://x.com/restofart/status/2086476584051998850" }, { "id": "seedance-295", "title": "Velociraptor Runway Fashion Show", "category": "product-ad", "prompt": "Hyper-realistic cinematic comedy sequence, 10 seconds, aspect ratio 16:9.\n\nInside a luxury fashion runway show, one female velociraptor is the star. The setting is simple and clear: long glossy catwalk, flashing cameras, elegant lights, fashion audience, and a dramatic backstage curtain. The mood is glamorous, ridiculous, and completely overconfident.\n\nThe goal is simple: the female velociraptor steps onto the runway and becomes far too powerful and dramatic for a normal fashion show.\nThe action starts when she bursts onto the catwalk wearing an absurdly glamorous feathered cape, oversized sunglasses, and sparkling jewelry. She struts with impossible confidence, giving fierce model poses and snapping her tiny claws like she owns the event. The audience is stunned.\n\nThe chaos escalates fast. She whips her tail too hard and spins a spotlight sideways. She turns sharply, sends a mannequin crashing offstage, then keeps walking like it was part of the show. Cameras flash wildly while she serves increasingly ridiculous runway poses.\n\nEnd with the female velociraptor reaching the end of the runway, striking one perfect supermodel pose, then accidentally shedding the feathered cape behind her like a dramatic molting mic-drop while the crowd loses its mind.\n\nStyle: hyper-realistic, cinematic, hilarious, absurd glam comedy, one female velociraptor only, one runway show only, one main joke, luxury fashion takeover, model strut, tail chaos, final cape-drop payoff, clear readable comedy action, no gore, no horror, no text, no logos, no cartoon style, no slow motion, no famous celebrity faces, no recognizable actors, no movie-star resemblance. Keep proportions. Keep style and features. Aspect ratio 16:9.", "description": "", "author": "DeCat", "authorUrl": "https://x.com/DeCat2025", "sourceUrl": "https://x.com/DeCat2025/status/2086476172783759520" }, { "id": "seedance-296", "title": "Apocalyptic Fantasy Queen Charge", "category": "nature-drone", "prompt": "A white-haired queen wearing battle armor stands atop the walls of a mountain citadel as a demonic army climbs the cliffs beneath a solar eclipse, colossal winged demons tear through defensive towers while soldiers fire flaming arrows into the darkness and magical barriers crack across the sky; the queen mounts a giant armored lion, charges down a collapsing staircase and cuts through demon ranks with a spear surrounded by white fire, then rides directly toward an enormous demon lord emerging from a black portal in front of the main gate; the lion leaps onto the creature’s chest, allowing the queen to climb its horns, raise the spear toward the eclipse and call down a pillar of divine light; open with a vast panoramic shot of the citadel surrounded by darkness, push into intimate close-ups of the queen and terrified defenders, follow the charge with a fast low-angle tracking shot, use huge scale contrasts, sweeping aerial movement and majestic slow motion before the final strike, pale eclipse light, red demonic fire, radiant white magic, storm clouds, ash and glowing feathers, apocalyptic yet sacred atmosphere, ending with the divine beam piercing the demon lord and closing the portal in a continent-shaking explosion while the queen and lion emerge through the fading light before the victorious army.", "description": "", "author": "Pierrick Chevallier | IA", "authorUrl": "https://x.com/CharaspowerAI", "sourceUrl": "https://x.com/CharaspowerAI/status/2086467580789764325" }, { "id": "seedance-297", "title": "Surreal Body Distortion Exhibit", "category": "general", "prompt": "10 seconds, 16:9, photorealistic 3D live-action video. Unsettling and surreal body expression. Setting is a white exhibition room with a slightly wet floor reflecting lights. Reference image [@ magnific_img1-3d-9064-4-ne (2)] for the low-angle perspective and distorted space only. One adult stands in the center; human structure is maintained but joints and posture are impossible. Arms bend upward unnaturally with hands resting on top of the head. 0-2s: Wide shot near the floor, hands move slowly while still. 2-4s: Camera circles as the upper body twists violently while hands remain on head. 4-6s: Sudden high-speed glide/teleportation. 6-8s: Low-angle jump with flailing legs. 8-10s: Deep bow in a surreal pose facing the camera. No music, only ambient sounds of movement and water.", "description": "", "author": "Tea-Bee", "authorUrl": "https://x.com/TeaBee1111", "sourceUrl": "https://x.com/TeaBee1111/status/2086467492416004548" }, { "id": "seedance-298", "title": "MiniDV Coastal Train Station Vlog", "category": "talking-head", "prompt": "Main Subject: Young Korean woman, 23, natural everyday appearance, shoulder-length dark brown hair worn loose with soft windswept bangs, realistic skin texture, minimal makeup, calm and thoughtful personality. Wearing a light beige trench coat over a white knit top, straight-fit blue jeans, white sneakers, a small brown leather shoulder bag, and a silver wristwatch. Maintain consistent identity, clothing, hairstyle, and appearance throughout.\nLocation: A small coastal train station in Busan during a bright autumn morning. Quiet outdoor platform overlooking the sea, weathered benches, yellow safety lines, overhead power cables, station signs in Korean, distant green hills, and gentle ocean waves beyond the tracks. Only a few commuters are waiting.\n\nVisual Style: Ultra-realistic documentary realism. Authentic slice-of-life, genuine candid behaviour, natural body language, soft autumn sunlight, rich environmental details.\n\nCamera Style: Early-2000s Sony MiniDV camcorder. Heavy handheld shake, imperfect framing, autofocus hunting between passing trains and her face, exposure pumping under changing sunlight, faded colours, soft contrast, slight motion blur, MiniDV compression artifacts, no stabilization.\n\n00:00–00:03\nShe stands near the platform edge, holding a warm takeaway coffee while watching the distant railway tracks. The camera briefly focuses on the station sign before finding her face.\n\n00:03–00:06\nA cool sea breeze blows through her hair as she checks the train schedule and quietly smiles. The operator accidentally zooms in too far before correcting.\n\n00:06–00:09\nShe sits on a wooden bench, taking a sip of coffee while looking toward the ocean. Autofocus shifts between her profile and the sparkling water behind her.\n\n00:09–00:12\nThe train slowly arrives with a soft metallic rumble. She stands, adjusts her shoulder bag, and steps toward the open doors.\n\n00:12–00:15\nBefore boarding, she notices the camcorder, gives a small genuine wave and smile, then enters the train. The doors begin to close as the camera drifts downward, and the recording abruptly cuts to black.\n\nAudio: Natural ambience only–ocean waves, seagulls, light wind, distant station announcements, footsteps, train brakes, doors opening, quiet commuter conversations. No music. No narration.\n\nGoal: A forgotten MiniDV home video from autumn 2004, capturing a peaceful morning at a small coastal train station in Busan–simple, candid, nostalgic, and completely believable.", "description": "", "author": "Zephyra Leigh", "authorUrl": "https://x.com/ZephyraLeigh", "sourceUrl": "https://x.com/ZephyraLeigh/status/2086466812347297938" }, { "id": "seedance-299", "title": "Traditional Chinese Intangible Heritage Festival", "category": "ugc", "prompt": "Close-up of an old artisan hand-carving wooden crafts, Suzhou embroidery display, paper cutting for window decorations, an elderly person writing spring couplets, slaughtering a lunar new year pig, two children setting off firecrackers, pounding rice cakes, making rice sculptures, dragon dance parade, panoramic documentary photography of a century-old ancient village's intangible cultural heritage temple fair, natural soft lighting film texture, handheld documentary lens, restoring original ecological folk customs and lively atmosphere.", "description": "", "author": "PixelAIGC", "authorUrl": "https://x.com/PixelAigc", "sourceUrl": "https://x.com/PixelAigc/status/2086463940809408729" }, { "id": "seedance-300", "title": "Wuxia Sword Maiden Visual Effects Prompt", "category": "talking-head", "prompt": "[Video Specifications] Total duration 15 seconds, 16:9, three coherent shots.\n[Style] Cinematic realistic texture, Chinese xianxia suspense transitioning to comedy. The core anomaly is 'sound-action time shift' where sound occurs half a beat before the action.\n[Characters] Character A: Sword Maiden Sister (25-30, East Asian, white silk hanfu, silver sword); Character B: Little Junior Sister (20-25, green linen hanfu).\n[Shot 1 | 0-5s] Full shot. Sister says 'something is wrong'. A hanging object makes a sound then swings. Footstep echoes occur before boots touch the ground.\n[Shot 2 | 5-10s] Medium shot. Sister drops a pebble; the 'tap' sound occurs before it hits the ground. Junior sister says 'the sound is ahead'.\n[Shot 3 | 10-15s] Extreme close-up. A sharp metal drawing sound occurs while the sword is still in the sheath. Sister then slowly draws the sword. Junior sister says 'Sister, the sword unsheathed before you'. Sister replies 'Let it lead the way'.\n[Audio Rules] Sync dialogue, sound-lead designated anomalies, realistic physics.", "description": "", "author": "Soran", "authorUrl": "https://x.com/Soranlan", "sourceUrl": "https://x.com/Soranlan/status/2086461295818084617" }, { "id": "seedance-301", "title": "Horror Character Gymnastics Pull-over", "category": "nature-drone", "prompt": "Use image1 as the mandatory character reference. The character's appearance must remain identical to image1 throughout the entire video. Preserve the oversized square wooden box head with the painted face and round black glasses, distressed black-and-white school uniform, black tie, glossy black sleeves and skirt, newspaper-wrapped legs, oversized black shoes, long sharp fingers, worn textures, proportions, silhouette, facial design, and overall horror aesthetic. Do not redesign, simplify, or replace any part of the character. Short ultra-realistic handheld smartphone video filmed inside a large professional gymnastics arena during a live Olympic-style competition. Bright stadium lighting illuminates a horizontal bar positioned at approximately chest-to-head height above a gymnastics floor and landing mats. A large audience fills the stands, reacting naturally throughout the performance. The horror character from image1 stands directly underneath and slightly in front of the horizontal bar with both feet firmly planted on the ground. The character grips the bar firmly with both hands. The performance begins immediately with a realistic Japanese-style backward pullover mount from the ground — 'saka-agari' (backward flip). Starting completely from the ground, the character bends its knees slightly and pulls strongly against the bar. It kicks both legs upward from below the bar while simultaneously pulling its chest toward the bar. The hips rise toward the bar. Using the momentum of the upward leg kick and the pulling force of both arms, the character rotates backward around the horizontal bar. The legs pass upward and over the bar. The hips remain close to the bar during the rotation. The heavy square wooden head naturally lags slightly behind the body's rotation because of its apparent weight, creating a strange but physically convincing secondary motion. The character completes one full backward pullover rotation and arrives successfully in a front support position above the bar, arms extended, torso upright, legs hanging naturally below. The movement must clearly read as: feet on ground → both hands gripping bar → knees bend → legs kick upward → hips approach bar → body rotates backward around the bar → legs pass over the bar → character pushes into stable front support above the bar. Do not begin with the character already on the bar. Do not begin with the character hanging from the bar. Do not perform a giant swing. Do not perform release moves, aerial flips, somersaults, or a dismount. The entire action is focused on performing one surprisingly athletic and technically convincing reverse pullover from the ground. Because of the character's bizarre proportions, the movement looks slightly awkward and unsettling but still follows believable real-world gymnastics physics. The oversized shoes generate visible momentum during the initial kick. The skirt and tie react naturally to gravity and rotation. The newspaper-wrapped legs flex naturally at the hips and knees. The long fingers tighten visibly around the bar. The horizontal bar flexes subtly under the character's weight. After completing the reverse pullover, the character remains completely still in the support position for a moment, staring forward through its round black glasses. The audience pauses in confusion for a fraction of a second, then suddenly erupts into surprised applause and laughter. Filmed entirely from the audience using a handheld smartphone. Natural handheld camera shake, slightly imperfect framing, small accidental camera corrections, brief autofocus hunting when the character begins rotating, subtle motion blur around the legs during the kick, rolling shutter artifacts, slight overexposed stadium highlights, authentic smartphone dynamic range, and realistic video compression. The person filming instinctively tries to keep the character centered as it rotates around the bar. No professional camera, no cinematic camera, no slow motion, no cinematic stylization. Natural stadium colors and documentary style. Audio: natural arena ambience, audience murmuring before the attempt, shoes scraping lightly against the gymnastics floor, hands gripping the metal bar, subtle metal creaking, clothing rustling during the rotation, eerie wooden creaks from the character's box-shaped head, followed by surprised audience reactions and applause. Ultra-realistic horror performance that feels strangely believable, as if a supernatural creature unexpectedly entered a gymnastics competition and casually performed a perfect reverse pullover from the ground.", "description": "", "author": "Nokosu", "authorUrl": "https://x.com/Nokosu_kansoku", "sourceUrl": "https://x.com/Nokosu_kansoku/status/2086455504759628019" }, { "id": "seedance-302", "title": "Mixed-Media Kitchen Cooking Animation", "category": "nature-drone", "prompt": "Create a 30-second vertical 9:16 cinematic cooking short using all uploaded reference images.\nREFERENCE PRIORITY:\nCharacter sheets = exact character appearance.\nKitchen reference = exact environment.\nPancake recipe image = food preparation and final pancake appearance.\nVISUAL STYLE — CRITICAL:\nCreate a deliberate mixed-media scene.\nThe YOUNG WOMAN must be ULTRA-REALISTIC LIVE ACTION: photorealistic face, skin, eyes, hair, clothing, natural body proportions, realistic expressions and physically accurate lighting. She must look like a real human filmed with a cinematic camera. NOT anime, NOT cartoon, NOT illustration.\nThe FOX GIRL and FOREST GUARDIAN must remain 2D FLAT ANIME-STYLE STICKER CHARACTERS based exactly on their uploaded character sheets. Preserve their clean illustrated outlines, flat colors, cel-shading, stylized proportions and original designs. They must NOT become realistic, 3D CGI or live-action characters.\nThe kitchen is photorealistic. The realistic woman and realistic kitchen contrast intentionally with the colorful 2D anime sticker characters.\nMake the 2D characters feel naturally integrated into the real kitchen through correct scale, perspective, contact shadows and lighting, while clearly remaining flat illustrated characters.\n\nCHARACTERS: Young woman: use uploaded reference exactly; long black hair, white athletic jersey, black shorts, white socks and sneakers.\nFox girl: use uploaded reference exactly; pink hair, fox ears, blue eyes, fluffy cream/orange tail, purple/magenta outfit. Energetic, playful and slightly clumsy. Ears and tail react naturally.\n\nForest guardian: use uploaded reference exactly; huge antlers, wooden body, green leafy beard/mane, wooden armor, blue glowing eyes/rune and living vines. Calm, serious and gentle. His vines act as extra hands and use harmless nature magic.\n\nLOCATION:\nPhotorealistic warm modern kitchen, wooden counters, cream cabinets, stove, island and soft afternoon sunlight. Keep the same kitchen, lighting and layout throughout.\n\nSTORY + TIMING:\n0–5s: Young woman walks naturally into the kitchen. Smooth cinematic tracking shot from behind, then over-the-shoulder reveal. She sees the 2D fox girl and giant guardian preparing pancakes at the counter.\nGIRL:\n\"What are you two doing in my kitchen?\"\nFOX GIRL:\n\"Pancakes!\"\nGUARDIAN:\n\"Pancakes.\"\n\nGirl blinks:\n\"...Okay.\"\n\n5–10s:\nGirl joins them.\n\nGIRL:\n\"Fine. You're helping.\"\n\nThey begin making pancake batter following the uploaded recipe: flour, sugar, baking powder, baking soda, salt, milk, egg, melted butter and vanilla.\n\nGuardian's vines naturally hold ingredients and utensils.\n\n10–15s:\nFox gi", "description": "", "author": "Jiade 05", "authorUrl": "https://x.com/Jiade05", "sourceUrl": "https://x.com/Jiade05/status/2086455068006740453" }, { "id": "seedance-303", "title": "Fluid Sketch Martial Arts Battle", "category": "talking-head", "prompt": "Task: Dreamina Seedance 2.5 — Omni ReferenceDuration: 30 secondsAspect ratio: 16:9Editorial target: 24fps, F000-F719 [Generation Goal]A high-speed combat battle involving only three characters: @Image1, @Image2, and @Image3. Develop offense and defense over 10 cuts. No weapons; use a combination of rushes, dodges, palm strikes, elbow strikes, kicks, throws, and aerial attacks. Do not fix the expressions of the three characters. Change them to alertness, surprise, irritation, concentration, provocation, exhilaration, and relief in response to the offense and defense. Express specifically through eyes, eyebrows, mouth, gaze, breathing, and head tilt. Return characters to a recognizable form only at moments of stopping, posing, contact, or landing. During high-speed movement, always break down the finished human body and replace it with a small number of liquid brushstrokes, rough watercolor planes, and short afterimages based on each character's color scheme. Do not simply add speed lines or motion blur to a finished figure. The flowing brushstrokes themselves are the character. [Material Roles]@Image1 = Character A. One and the same person. Uses yellow bob hair, cat ears, green eyes, light blue and white clothes, yellow trim, triangular tie decoration, pink backpack, pink boots, light blue tail with a yellow triangular tip as identifying information. @Image2 = Character B. One and the same person. Uses a yellow-green round bob, two leaf-like ears, golden eyes, white puff sleeves, pink bowtie, dark green shorts with suspenders, green boots, a long yellow-green tuft continuing from the back of the head with a round tip as identifying information. @Image3 = Character C. One and the same person. Uses vivid blue long hair and ponytail, two white horns, pointed ears, golden eyes, star-shaped earrings, dark red Japanese-style clothing, black skirt, black belt and back ribbon, black knee-highs, and red geta as identifying information. Do not treat three-view diagrams as clones. Do not swap the faces, hair, costumes, color schemes, ears, horns, tails, back hair, or decorations of the three. However, the expressions in the reference images are not fixed and should change according to the battle situation. Do not use white backgrounds or explanatory text. Do not generate weapons. Do not use the backpack, tail, back hair, horns, or geta as detached weapons. [Environment]A giant festival square based on a white paper surface. A giant vermilion pillar and watercolor stalls on the left, a sequence of vermilion torii gates in the center back, a red lantern shelf on the right, and light blue cubes and firework-like brushstrokes in the sky. Draw the background with translucent watercolors, broken ink lines, pencil composition lines, and wide white margins. Do not enclose the floor, pillars, torii, stalls, or lanterns with closed outlines. The background lines also tremble slightly, changing in density and position, but the amount of variation is weaker than that of the characters. Maintain the background layout in all cuts. Do not include combatants, crowds, or additional characters other than the three. [Unstable Line Rule]Draw the entire video with 'continuously generated lines and watercolors.' Do not clean up each frame from the previous one; redraw each frame as a new rough sketch. Do not create a single outline surrounding the person. Do not enclose the head, shoulders, arms, torso, or legs with continuous lines; always leave 30-60% of the body's outer circumference as white gaps in the paper. Recognize the character's form intermittently through short, broken pencil lines, irregular watercolor boundaries, dry brush marks, eraser marks, and doubled redraw lines. Do not maintain the same line in the same position for more than 3 frames. Lines change in position, thickness, density, length, pressure, and curvature every frame. They break in the middle, split into two, and parts disappear. Do not use a single uniform line width for the whole body. Do not keep line density constant. Irregularly alternate frames with extremely few lines, frames with dense redraw lines, and frames where most of the outer circumference disappears. Do not create a finished outer circumference for the face either. Do not draw both eyes, nose, mouth, jaw, and cheeks clearly at the same time. Leave only the minimum lines to read the expression, such as the outer side of one eye disappearing, the mouth cutting off midway, eyebrows becoming double, or cheek lines melting into watercolor. Do not fit the watercolor accurately inside the lines. Create bleeding, protrusion, white unpainted areas, uneven shading, and misregistration. [Line and Color Delay]Body movement takes the lead, pencil lines follow about 1-2 frames late, and watercolor color planes follow about another 1-2 frames late. Late lines and color planes do not completely overlap the body and remain as short afterimages torn in the direction of movement. Afterimages are not copies of the finished person but brushstrokes and color planes that indicate only the direction of the arms, legs, hair, tail, and costume. Even when stopped, do not return the lines to a clean-up state. The person's face, clothing, and posture become legible, but the gaps in the outer circumference, double lines, watercolor bleeding, and misregistration are maintained. [Mandatory Motion Deformation]Draw only about 60% of the human body for weak actions. Draw only about 30-40% for medium-speed actions. Draw only about 10-20% for high-speed actions. At maximum speed, represent the character with only 3-5 brushstrokes and 2-3 rough color planes. Character A high-speed action = yellow, light blue, white, and pink brushstroke group. Character B high-speed action = yellow-green, dark green, white, and a small amount of pink brushstroke group. Character C high-speed action = blue, dark red, black, and a small amount of golden brushstroke group. During high-speed action, do not connect the head, torso, arms, and legs with a correct human structure. Turn arms into long liquid brushstrokes, kicking legs into extremely elongated color planes, and rotating torsos into crushed arcs, triangles, or twisted watercolor surfaces. Temporarily disconnect limbs during jumps. Compress the torso in the direction of travel during sudden stops. Shift the hips and shoulders in different directions during turns. [Expression Direction]Character A: Starts with alertness, changes to a proud smile upon successful evasion, surprise when an attack is diverted, playful provocation during a melee, strong concentration in the late stages, and finally a satisfied, breathless smile. Character B: Starts with cautious observation, sharp concentration when interrupting, momentary surprise when an attack is dodged, a competitive smile during aerial attacks, a desperate expression in the final stages, and finally a soft, relieved expression. Character C: Starts with calm confidence, smiles slightly after dodging the first attack, furrows eyebrows during a pincer attack, sharp concentration while counterattacking, an exhilarated smile during the three-way melee, and finally a provocative one-sided smile. Do not finish the face during high-speed action. Indicate emotions with a single stroke of the eye, the tilt of an eyebrow, a short line of the mouth, or the direction of head brushstrokes. Make expressions legible only at moments when speed drops. [Cut 1 | 0.0-2.5s | F000-F059 | Triangular Confrontation]Initial state: Fixed wide. Character A is in the left foreground, Character B is in the right foreground, and Character C is in the center back. They form a triangle with each other in sight. Primary event: Show the appearance and positions of the three from F000-F023. A narrows eyes and is wary of C, B looks back and forth between A and C and breathes cautiously. C raises their chin slightly and shows composure with a one-sided smirk. From F024-F041, A lowers their hips, B opens half a step to the side, and C slides their geta to lower their center of gravity. From F042-F059, the three step out simultaneously. End state: The travel directions of the three converge in the center. The expressions and body circumferences are legible, but the lines are not closed and are redrawn every frame. [Cut 2 | 2.5-5.0s | F060-F119 | A vs C First Strike]Initial state: Low angle near the ground. A on the left, C in the center, B in the right back. Primary event: From F060-F075, A breaks down into yellow, light blue, and pink brushstrokes and rushes low from left to right. From F076-F087, A connects a leg sweep to a spinning kick. C breaks down into blue, dark red, and black brushstrokes, rotates, and evades the kick by a hair's breadth. Only just before contact from F088-F095 do A's eyes open wide and C smiles slightly. Do not draw the whole face, show only through fragments of eyes, eyebrows, and mouth. From F096-F119, A passes by C and slides to the right, leaving fragments of a surprised face. End state: A is in the right foreground, C is in the center, B is in the right back. C's composure increases, and A refocuses their expression. [Cut 3 | 5.0-8.0s | F120-F191 | B's Interruption]Initial state: Medium wide horizontal position. C in the center, A on the right, B in the right back. Primary event: From F120-F137, B lowers their eyebrows, breaks down into yellow-green and dark green brushstrokes, and enters from right to left. From F138-F153, B performs a spinning leg sweep passing under both of their feet. From F154-F167, A jumps vertically, and their legs and tail stretch into watercolor bands. The moment the evasion is successful, the corners of A's eyes droop and a smirk forms provocatively. C sinks low, folding their body to dodge B's kick. From F168-F179, B's eyes open wide for a moment, showing surprise at being dodged. From F180-F191, B furrows their eyebrows and concentrates on the next attack while sliding left. End state: B lands on the left, C in the center, and A in the center back. [Cut 4 | 8.0-11.0s | F192-F263 | C's Continuous Counterattack]Initial state: Low diagonal composition. B on the left, C in the center, A in the back. Primary event: From F192-F207, C's smile disappears and eyebrows drop sharply. C breaks down into 3-5 blue, dark red, and black brushstrokes and accelerates rapidly from left to right. From F208-F223, C performs a palm strike on B, an elbow strike on A, and a spinning back kick in one continuous motion. During the attack, C does not return to a finished body. Only a single golden stroke for the eye and a concentrated eyebrow line appear within the brushstroke group. From F224-F239, B evades backwards as a green arc, and A escapes sideways by splitting into short yellow and pink lines. From F240-F251, the arms and legs of the three cross for just a moment. A opens their mouth briefly in surprise, and B grits their teeth. From F252-F263, C passes to the right side and shows an exhilarated one-sided smile. End state: C is on the right, B on the left, A in the center back. All three are standing. [Cut 5 | 11.0-14.5s | F264-F347 | A and B Pincer Attack]Initial state: High diagonal overhead view. C on the right, A in the center back, B on the left. Primary event: From F264-F283, A and B exchange a short look. A shows a confident smile, B shows a focused face with lowered eyebrows. The two run towards C simultaneously; A performs a low flying kick and B performs a spinning kick. From F284-F303, C furrows their eyebrows and changes their body into thin blue, red, and black lines to slip through the gap between the two kicks. From F304-F323, A and B open their eyes wide just before colliding with each other, tuck their legs, and change direction in mid-air. From F324-F347, the three move apart in a circle. C gives a small smile for breaking the pincer attack, A furrows their eyebrows regretfully, and B exhales and gauges the next distance. End state: B on the left, C in the center, A on the right. [Cut 6 | 14.5-18.0s | F348-F431 | Sequence of Grabs and Throws]Initial state: Circling tracking shot. B on the left, C in the center, A on the right. Primary event: From F348-F367, A smiles provocatively and tries to jump onto C's shoulder. C changes to a focused, almost expressionless face, catches A's wrist to change their direction of motion, and throws them low. Make only the contact point briefly legible. From F368-F387, A becomes a group of yellow and pink brushstrokes and falls while rotating. Surprised eyes and an open mouth appear for a moment, then immediately break down into lines. From F388-F407, B throws a heel kick at C while passing in mid-air. B narrows their eyes and shows a competitive smile. From F408-F419, C catches it with their forearm and flows B's leg line outward. C's eyebrows rise slightly, showing surprise at the unexpected strength. From F420-F431, A regains posture just above the floor, clenches their mouth regretfully, and performs a three-point landing. End state: A is in the right foreground, B is in the left foreground, and C is in the center back. [Cut 7 | 18.0-21.5s | F432-F515 | 3D Offense and Defense Using the Background]Initial state: Wide shot showing the left vermilion pillar, center torii, and right lantern shelf simultaneously. Primary event: From F432-F451, B runs to the left pillar. Their expression changes to an exhilarated smile, and they step on the pillar once to bounce off diagonally. From F452-F471, A jumps to the right stall roof, kicks the roof, and reverses to the center. A shakes off the regret and narrows their eyes joyfully. From F472-F491, C anticipates the trajectories of the two and stays out of both attack lines with a low rotation while keeping a sharp gaze. During the high-speed section, the three become brushstroke groups with their own independent color schemes. From F492-F503, only the lanterns and stall cloths shake from the wind pressure. From F504-F515, the three land in the center and open their eyes wide at each other's unexpected movements. Immediately after, all three laugh. End state: The three form a narrow triangle in the central square. Exhilaration for the battle appears in the three. [Cut 8 | 21.5-25.0s | F516-F599 | Six-Beat Close-Quarters Melee]Initial state: Waist-high close-up wide. The whole bodies and feet of the three are visible. Primary event: From F516-F527, A starts from a joyful smile and enters a right roundhouse kick. From F528-F539, C lowers their eyebrows and flows it outward with their forearm. From F540-F551, B clenches their mouth and delivers a low leg sweep. From F552-F563, C opens their eyes in surprise, tucks their knees, and jumps. From F564-F575, A changes to focused eyes and drops a heel from mid-air. From F576-F587, B grits their teeth, pushes A's leg away, and changes the attack direction toward C. From F588-F599, C shows an exhilarated smile and slips behind the two. Replace characters with brushstroke groups for each high-speed action. Recombine only for 1-2 frames for attack blocks and expression changes. End state: A is on the left, B on the right, C in the center back. All three are out of breath, but their fighting spirit has grown stronger. [Cut 9 | 25.0-28.0s | F600-F671 | Simultaneous Three-Way Rush]Initial state: Frontal wide. A on the left, B on the right, C in the center back. Primary event: From F600-F611, the three sink down simultaneously. A removes their smile and looks at the landing point. B furrows their eyebrows strongly and holds their breath. C raises only one side of their mouth, provoking the two. From F612-F635, A (yellow, light blue, pink), B (yellow-green, dark green, white), and C (blue, dark red, black) become minimal brushstroke groups and rush toward the center. Do not show finished faces, hands, torsos, or costumes. From F636-F647, the three brushstroke groups cross in the center. Eyes, eyebrows, and mouths appear briefly as independent short lines, showing the concentration of the three. From F648-F659, opaque watercolors, ink splatters, and dry brush strokes that scrape the paper scatter radially. From F660-F671, the three pass through in the directions they crossed. End state: A, B, and C cross the center and decelerate while facing away from each other. [Cut 10 | 28.0-30.0s | F672-F719 | Recombination and Conclusion]Initial state: Fixed wide. The three are sliding in different directions from the center. Primary event: From F672-F687, brushstrokes shorten and characters return in the order of posture, hair, costume, and watercolor. The body's outer circumference does not close. From F688-F703, A stops on the right, B on the left, and C in the center foreground. A smiles satisfiedly while out of breath. B closes their eyes once, exhales, and smiles softly. C looks at the two over their shoulder and shows a provocative one-sided smile. From F704-F711, the three turn around simultaneously. From F712-F719, they change their expressions back to focused faces and take low combat stances. End state: No conclusion reached. All three can be identified as the same characters from the reference images by their color scheme, hair, and costume. However, line gaps, double lines, watercolor bleeding, and misregistration remain after stopping. [Visual Treatment]Hand-drawn 2D animation on bright white paper. Use ink, pencil, watercolor, dry brush, white unpainted areas, eraser marks, and redraw lines. Do not create a line that goes all the way around the person's outer circumference. Do not enclose the face, hair, clothes, arms, or legs as closed shapes. Lines within the screen change in thickness, density, length, position, pressure, curvature, and gap rate every frame. Do not correct high-speed action body collapse, line gaps, facial omissions, or color plane delays as generation defects. Do not return to smooth vector lines, uniform line width, closed outlines, symmetrical faces, fixed expressions, accurate coloring, 3D-like human interpolation, or processing that only adds effect lines to a finished character. [Audio]High-tempo percussion-based BGM. Character A has light boot sounds, B has soft landing sounds, C has hard geta sounds. Clothing wind noise, short hitting sounds, floor scraping sounds, sounds of kicking pillars and stalls, the sound of lanterns swaying, and breathing. No dialogue. [Maintain Consistency]Only three characters. Do not generate three-view diagrams as clones. Do not swap the color schemes, faces, hair, costumes, ears, horns, tails, back hair, backpacks, or shoes of the three. Do not fix expressions. Change eyes, eyebrows, mouth, gaze, and breathing in response to each attack, dodge, failure, success, surprise, and exhilaration. Do not stabilize lines. Do not make line width constant. Do not maintain the same line in the same position. Do not close the body's outer circumference. Do not fit watercolor accurately inside the lines. Always break down characters during high-speed action. Do not let them run, jump, or attack while maintaining a finished human body. Move the brushstroke groups themselves as the characters. Make them identifiable as the same person at the moment of stopping and contact, but do not return to a clean-up outline. Do not generate weapons. Do not generate additional people, clones, or human-shaped afterimages. Maintain background layout, character movement directions, and triangular positional relationships. Frame numbers are editorial goals; prioritize event order, expression changes, and the end state of each cut. pure video, no subtitles, no dialogue, no watermark.", "description": "", "author": "おのもの| AIコンテンツを作るサラリーマン", "authorUrl": "https://x.com/user_monom", "sourceUrl": "https://x.com/user_monom/status/2086451238414270500" }, { "id": "seedance-304", "title": "Epic Kung Fu Duel on Bioluminescent Lake", "category": "action", "prompt": "A dynamic close-up cinematic shot of an epic Kung Fu duel on the surface of a calm, glowing bioluminescent lake at night. A martial arts master gracefully performs flowing Tai Chi movements, dynamically manipulating the glowing water into a swirling liquid dragon. The opponent counters with an aggressive, explosive flaming flying kick. The clash of water and fire creates a breathtaking explosion of glowing steam and iridescent embers. Ethereal atmosphere, extremely detailed, flawless action, 8k.", "description": "", "author": "HIROMI🌸", "authorUrl": "https://x.com/hiromi_sound", "sourceUrl": "https://x.com/hiromi_sound/status/2086441059832533068" }, { "id": "seedance-305", "title": "Amusement Park Time Stop Cinematic", "category": "talking-head", "prompt": "Use Reference Image 1 for character and scene reference. The protagonist is the young woman in red: short black bob, red windbreaker, white knit top, white wide-leg pants, and white boots. Maintain identity and outfit throughout. Scene: Large night amusement park from Image 1 with carousel, ferris wheel, roller coaster, carnival booths, and warm lights. Dry scene, no water effects.\n\n30s live-action cinematic pseudo-one-take, time pause interactive showcase, no dialogue:\n0-4s: 35mm wide-angle shoulder-height shot moves through a crowded amusement park. Roller coasters, flying chairs, and people are in motion. The woman walks toward the camera. She raises her right hand, sound disappears, and time pauses for everyone except her and the camera. The camera continues moving.\n4-8s: Side follow shot. A child releases a red balloon which freezes in mid-air. She grabs the string, pulls it down, and walks on. The child and others remain frozen.\n8-13s: Camera orbits to front. A bucket of popcorn is overturned in mid-air. She picks one, eats it, and clears a path through the frozen popcorn. Only items she touches move.\n13-17s: Carnival booth. A ball is frozen near pins. She adjusts the ball, flicks it, and only the ball resumes motion to hit the pins, which then freeze mid-fall.\n17-21s: Close-up on a falling tray. She takes a cup, sips, puts it back in mid-air, and adds a lemon slice.\n21-25s: A couple's phone is frozen mid-air during a selfie. she takes it, adjusts the couple's shoulders, steps in for a photo, and the flash fires. She returns the phone to its frozen position.\n25-28s: She walks through frozen tickets and cards. The background rides are all frozen.\n28-30s: She returns to the child, puts the balloon string back in their hand, and snaps her fingers. Time resumes instantly. Sound returns. Camera retreats as she blends back into the crowd.\nPhysics rules: Protagonist and camera always move; untouched items are absolute still; touched items move and can re-freeze. Rich parallax, realistic textures. No magic effects, no sci-fi particles, no water droplets, no subtitles.", "description": "", "author": "袋鼠帝", "authorUrl": "https://x.com/aikangarooking", "sourceUrl": "https://x.com/aikangarooking/status/2086432651200880698" }, { "id": "seedance-306", "title": "Pixar Style Mango Juice Making Video", "category": "animation", "prompt": "Create a 10-second cinematic 3D animated food video titled “MAKING MANGO JUICE”.\n\nUse the uploaded storyboard as the STRICT visual and shot-sequence reference.\n\nIMPORTANT:\nFollow all 8 storyboard shots in the exact order.\nDo not add, remove, merge, or rearrange shots.\nEach shot lasts exactly 1.25 seconds.\nTotal video duration: exactly 10 seconds.\n\nMaintain EXACT character consistency throughout the entire video:\nThe same young woman appears in every character shot.\nShe has dark brown hair in a casual ponytail, expressive brown eyes, a friendly youthful face, a yellow short-sleeve T-shirt, and a dark olive-green apron.\nDo not change her face, hairstyle, clothing, body proportions, or character design between shots.\nMaintain the same warm, cozy kitchen, lighting direction, color palette, props, counter, cutting board, mangoes, blender, and glass throughout the sequence.\nVISUAL STYLE:\nHigh-quality cinematic 3D animated film, polished stylized realism, detailed food textures, realistic mango pulp, natural liquid physics, expressive character animation, warm natural kitchen lighting, soft shadows, cinematic composition, smooth camera movement, realistic materials, vibrant but natural colors.\nSHOT 1 — 0.00–1.25s\nWIDE ESTABLISHING SHOT.\nThe woman stands behind the kitchen counter surrounded by fresh ripe mangoes.\nShe looks toward the camera, smiles warmly, and gives a small friendly wave.\nA clean empty drinking glass is visible on the counter.\nCamera makes a very subtle cinematic push-in.\nNatural character movement and realistic hand motion.\nSHOT 2 — 1.25–2.50s\nMEDIUM SHOT.\nCut smoothly to the same woman.\nShe confidently raises one ripe mango beside her face and looks toward the camera with a cheerful expression.\nMango slices and pieces are arranged on the cutting board in front of her.\nHer other hand rests naturally near the cutting board.\nKeep her face and outfit identical to Shot 1.\nSHOT 3 — 2.50–3.75s\nCLOSE-UP.\nCut to her hands preparing the mango.\nShe holds the mango firmly on the wooden cutting board and makes a clean controlled knife cut.\nShow the knife moving naturally through the mango flesh.\nCapture detailed golden mango texture and small natural juice movement.\nNo exaggerated or dangerous knife motion.\nSHOT 4 — 3.75–5.00s\nEXTREME CLOSE-UP.\nFresh golden mango cubes fall naturally into a transparent blender jar.\nSeveral mango pieces drop from above and bounce naturally inside the blender.\nUse realistic gravity and food physics.\nCamera follows the falling mango pieces with a subtle downward movement.\nSHOT 5 — 5.00–6.25s\nMEDIUM CLOSE-UP.\nThe same woman pours water or milk from a transparent measuring jug into the blender containing the mango pieces.\nShow a continuous realistic liquid stream.\nThe woman looks focused and cheerful.\nKeep the blender, mango pieces, kitchen and lighting consistent.\nSHOT 6 — 6.25–7.50s\nPERFECT OVERHEAD TOP-DOWN SHOT.\nCamera looks directly down", "description": "", "author": "Laraib Fatima‎", "authorUrl": "https://x.com/AiwithLariab", "sourceUrl": "https://x.com/AiwithLariab/status/2086432002501444056" }, { "id": "seedance-307", "title": "Anime Fashion Short on Route 66", "category": "nature-drone", "prompt": "Create a cinematic 16:9 anime fashion short using the uploaded character sheet as the exact character reference. Keep the same blonde female cowgirl, black western hat, sunglasses, cropped black top, denim shorts, boots, accessories, facial features, hairstyle, and proportions consistent throughout.\nSet the scene on Route 66 at golden-hour sunset. A black vintage muscle car is parked beside her on an empty desert highway.\n0–4s — She leans casually against the car, adjusts her hat, then looks toward the setting sun. Warm wind moves her long hair naturally.\n4–8s — She turns and slowly walks down the highway as the car drives away into the distance. Wide cinematic composition, orange sunset, desert landscape, strong backlight.\n8–12s — Low-angle tracking shot of her boots walking along the road, followed by a close-up as she adjusts her sunglasses. Preserve outfit and character details exactly.\n12–15s — Tight cinematic portrait. Sunset reflections appear in her sunglasses, hair moving softly in the wind. She looks toward the horizon with a calm, confident expression. End on a polished anime film hero frame.\nStyle: premium anime PV, western fashion editorial, Route 66 road movie, cinematic sunset lighting, warm orange and black palette, detailed character consistency, natural hair and fabric motion, shallow depth of field, smooth camera movement, no character changes, no distorted hands, no extra accessories, no subtitles or watermark.", "description": "", "author": "Ima Studio", "authorUrl": "https://x.com/ImaStudio_ai", "sourceUrl": "https://x.com/ImaStudio_ai/status/2086429537127297091" }, { "id": "seedance-308", "title": "Night Market Magic Duel Cinematic", "category": "action", "prompt": "A structured 15-second multi-shot action sequence with explicit hard cuts. [SHOT 1: 0s-4s] Low-angle shot on an empty lantern-lit street. The dark warlord slams his staff into the ground; a single colossal roaring shadowy black ink dragon erupts behind him into the night sky. [HARD CUT TO SHOT 2: 4s-8s] Medium close-up shot of the white-robed female swordswoman with determined eyes, pointing her silver sword forward as a glowing blue magic spell circle expands under her feet. [HARD CUT TO SHOT 3: 8s-15s] Over-the-shoulder view from directly behind the female swordswoman. In front of her at the end of the street, the warlord and his ink dragon stand facing her. She thrusts her sword forward, releasing hundreds of glowing blue spirit swords that shoot FORWARD AWAY FROM CAMERA straight into the ink dragon, shattering it in a massive explosion of light and flying red lanterns.", "description": "", "author": "新手老兵🇭🇰Web3gamer", "authorUrl": "https://x.com/Langby2", "sourceUrl": "https://x.com/Langby2/status/2086425299550617731" }, { "id": "seedance-309", "title": "Mecha Drone High-Mobility Combat", "category": "nature-drone", "prompt": "Ultra-High Mobility/Non-Aerodynamic Autonomous Attack Aircraft vs. Humanoid High-Speed Combat Robot\n\n[Video Concept] A giant high-speed combat robot commands approximately 10 fist-sized autonomous attack aircraft, evading machine gun fire from a giant humanoid combat robot through abnormal three-dimensional maneuvers that completely ignore the common sense of aircraft. The small attack aircraft do not turn; they move linearly at high speeds, stop suddenly, and instantaneously bend the movement vector itself at acute angles of 90, 120, or 150+ degrees to accelerate instantly in a different direction. They change positions to stereoscopically 'erode' the space around the enemy robot, deploying in multiple directions before the enemy can react. Finally, signaled by a large downward swing from the command robot, the 10 units synchronize perfectly for a simultaneous all-out attack from all directions. The enemy robot is engulfed in a massive explosion.\n\nOverall Video Theme: \"A swarm of autonomous attack aircraft that leap through space itself at high speed, rather than flying.\"\n\n[World Setting] Far future. An era where three-dimensional maneuverable weapons, inexplicable by conventional aerodynamics, have been realized through advanced propulsion technology, omnidirectional attitude control, and artificial gravity control. The setting is over a massive futuristic city. A sea of clouds and giant cumulonimbus cover the spaces between massive skyscrapers, with explosions, smoke, and debris from combat in the distance. Daytime. Strong winds. High-altitude giant clouds. Aerial combat between giant humanoid high-speed robots. Next-generation aerial combat between a manned high-speed combat robot and a swarm of autonomous small attack aircraft. The small aircraft are not conventional aircraft; they do not rely on lift or turn radius but change movement vectors instantly via omnidirectional thrust. Their inertia appears extremely low. They stop instantly during high-speed movement and move in a different direction without deceleration. The movement looks like high-speed switching of spatial coordinates rather than \"flight.\"\n\n[Visual Style] Theatrical Japanese animation quality. Ultra-high-quality cel animation. Precise mecha animation. High-end sci-fi action. High-density drawing. High-definition cel shading. Realistic physics-based lighting. Sharp, precise line art. Complex mechanical details. Movie-quality compositing. Bold perspective. Great depth. High spatial density.\n\n[Animation Direction] Most Important Motion Principles: Explosive animation, snappy timing, strong anticipation, powerful acceleration, large body mechanics, sharp ease-out, heavy follow-through, pronounced inertia, dynamic camera choreography, fast action arcs, high kinetic energy. Every movement begins decisively and ends with visible momentum. No sluggish movement. The movement of the large robot conveys massive mass. Clear anticipation before starting. The shoulders, waist, and legs move in coordination. Clear follow-through from weight during sudden stops. Shoulders, elbows, and wrists follow with a slight delay after arm swings. The entire frame drifts slightly due to inertia after high-speed movement. Conversely, small attack aircraft are the opposite of the large robot—extremely agile, small, fast, and precise. They start and stop in an instant. The time from start to maximum speed is extremely short. Eliminate wasteful preparatory movements. Agility, efficiency, and mechanically precise movement are prioritized. \"Snappy movement,\" \"instant change of position,\" and \"movement the moment a decision is made\" are the top priorities.\n\n[Colors and Lighting] Command Robot: White, gunmetal, navy base with small red markings. Drones: Dark metallic, pale blue luminescent parts, pale blue propulsion light. Enemy Robot: Dark gray, black, navy heavy armor with red sensors. Sunlight is strong and harsh. Intense volumetric light from between clouds. Sharp highlights on armor. Explosions emphasize white, orange, and red.\n\n[Large Command Robot] Height approx 8m. Slender, athlete-like humanoid silhouette. Long limbs, narrow waist, angular armor. Streamlined, aggressive head. Narrow luminescent sensors. White, gunmetal, navy armor. Small red markings. A launch unit on the back stores 10 drones. No large handheld weapons; hands are free, controlling drones via conductor-like gestures.\n\n[Enemy High-Speed Combat Robot] Height approx 9m. Massive presence. Equipped with large propulsion units for high-speed flight. Maintains humanoid silhouette. Heavy armor. Built-in machine guns in arms. Fires massive rounds while flying. High firepower but cannot change direction instantly like drones; has clear inertia and needs to tilt for turns. Sudden stops cause the body to drift forward.\n\n[Small Autonomous Attack Aircraft] Approx 10 units. Fist-sized. Angular mechanical structure. No wings or tail fins. Omnidirectional thrust units. Not small fighters, but autonomous spatial weapons. [Movement Principles] Do not turn like aircraft. No banking, no large arcs, no turn radius. Basic movement: Linear move -> Instant stop -> Acute angle turn -> Instant acceleration. Locus is straight lines and sharp angles. Instant vector changes (90/120/150 deg). Movements like spatial jumping.\n\n[Camera Direction] Avoid fixed heights. Use low/high angles, bird's-eye, worm's-eye, horizontal, diagonal, close-ups, and telephoto compression. The camera moves heavily with the robot's weight but uses sharp, short movements for drones. High-speed pans, instant stops, and quick reframing. Use 'disappearing/reappearing' shots. Show the abnormal trajectory through fixed-camera shots during key actions.\n\n[00:00-00:05 Launch] Futuristic city. Command robot static in air. Low angle looking up. Launch unit opens, 10 drones fire out. They stop, then accelerate in different directions (up, side, diagonal) on robot's command, then return to formation. Camera tilts to show the 3D loci.\n\n[00:05-00:10 Evasion] Enemy enters city. High-speed fire. Drones stop and accelerate in 10 different directions to vanish from the line of fire. Strong motion blur and high-speed pans. The drones seem to vanish from the line of fire rather than 'dodge.'\n\n[00:10-00:15 Abnormal Maneuvers] Enemy fires continuously. One drone flies towards the muzzle, stops, then instantly shifts 90 degrees as the bullets pass. Drones shift vertically and horizontally with mechanical precision. No sluggishness.\n\n[00:15-00:20 3D Siege] Drones gather around enemy. Camera uses layers (foreground/midground/background) rather than rotating. Drones block the view, then appear on the other side. Siege is dynamic, with drones entering and exiting the frame from all heights and distances.\n\n[00:20-00:25 Silence and Command] Time slows. Command robot moves to the front with heavy weight. Conducts drones into a 3D formation (front, back, left, right, up, down). Large, slow wind-up for the final signal.\n\n[00:25-00:30 All-Out Attack] Command robot swings arm down powerfully. 10 drones accelerate simultaneously from all directions. Enemy robot is surrounded by light and explodes in a massive, theatrical fireball. Final shot is a grand cinematic poster composition.\n\n[Drone Motion Rules] Always high speed, no delay, minimal anticipation. Linear moves only. No banking, no turns, no curves. Sharp angle vector changes. Mechanically precise and explosive speed.\n\n[Robot Motion Rules] Convey massive mass. Strong anticipation and follow-through. Contrast with drones' light speed. Weighty, powerful movements.\n\n[Camera Motion Rules] Avoid single altitude. Use high-speed pans for drones. Use cuts and perspective to show 3D space rather than continuous rotation. The focus is the aircraft's movement performance.\n\n[Speed Expression] Strong motion blur vs sharp stops. Extreme contrast between stillness and acceleration. Sudden shifts in speed.\n\n[Physics] Robot: Gravity and inertia. Drones: Omnidirectional thrust, ignoring aerodynamics, coordinate-switching behavior.\n\n[Environment] Drones slice clouds/smoke at sharp angles. Blue propulsion glows. Massive shockwaves from explosion. Particles are pushed aside at high speeds.\n\n[Important Prohibitions] Do not depict small attack aircraft as normal fighters...", "description": "", "author": "フジクマ/C.A. Wisteria", "authorUrl": "https://x.com/TianY64085", "sourceUrl": "https://x.com/TianY64085/status/2086422914115441032" }, { "id": "seedance-310", "title": "Cinematic Swordswoman Night Market Sequence", "category": "action", "prompt": "A continuous 15-second cinematic confrontation sequence. Transitioning from twilight to a glowing night market, a beautiful white-robed female swordswoman leaps off the pagoda roof, landing gracefully in the center of a crowded night market with red lanterns. Terrified crowds scatter away leaving an empty street, revealing a dark robed warlord holding a dragon staff standing at the far end of the street. As she lands, she immediately turns around 180 degrees to face him directly. The camera shifts into a dramatic wide side-profile standoff shot showing both characters facing each other across the lantern-lit street. The female swordswoman unsheaths her glowing silver sword and points it straight at the warlord with a fierce, resolute expression in her eyes.", "description": "", "author": "新手老兵🇭🇰Web3gamer", "authorUrl": "https://x.com/Langby2", "sourceUrl": "https://x.com/Langby2/status/2086412530340270484" }, { "id": "seedance-311", "title": "Cyber-Shrine Anime Sword Duel", "category": "talking-head", "prompt": "High-quality anime imagery. High-density 3D toon/cel-look cinematic high-speed swordplay set in a cyber-shrine. Theatrical-grade key animation, high-quality composite, transparent lighting, dense background art. Evasion, destruction, deflection, counter-attack, and final impact are depicted as a single continuous motion without resetting stances or idling. [References and Character Locking] image1 is the face reference and identity reference. image2 is the outfit reference and full-body reference, including accessories and weapon. If references conflict, face and identity have priority from image1; outfit, full-body design, accessories and weapon have priority from image2. image1 is the reference for the swordsman's face and character identity. Prioritize her soft and delicate small features, 17-year-old age feel, large purple-pink eyes, jewel-like irises, multi-layered white catchlights, thick upper and soft lower lashes, eye size and spacing, golden eye accents, light cheek flush, small mouth, bangs, long pink twin-tails, and purple flower and crystal hair ornaments. Do not use the background of image1. image2 is the reference for the swordsman's outfit, decorations, full body, physique, and weapon. Prioritize a slender silhouette about 160cm tall, dark blue and purple uniform-style layered outfit, gold trim, purple star-shaped brooch, white pleated blouse, purple ribbon tie, belt and waist decorations, purple layered pleated skirt and sheer layers, back ribbon, black tights, purple-black heeled boots with flower decorations, purple katana, diamond-wrapped hilt, star-shaped guard, purple tassel, and the scabbard on the left hip. Do not include image2's character sheet layout, borders, text, white background, or multiple poses in the video. If references conflict, prioritize face, eyes, irises, jaw, bangs, and hair color from image1; prioritize outfit, decorations, physique, silhouette, and katana from image2. Maintain the same person/character identity throughout the video. [Character A / Character 1: Swordswoman Fixed] Only one swordswoman. Do not change her facial features, eyes and irises, hairstyle and hair color, outfit and equipment, physique and silhouette, or the specific color scheme of pink, purple, and gold. Do not allow her to look like an adult, a generic face, or an expressionless Noh mask even during high-speed action or wide shots; maintain both eyes, irises, eyelashes, cheeks, and golden eye accents. The only things that may change are expressions, gaze directed at the enemy, mouth, posture, breathing, and natural hair/clothing delays. Do not hide the face with hair or effects. [Character B / Character 2: Cyber-Oni Sentinel Fixed] Only one Cyber-Oni Sentinel. Do not change its heavy black metal frame, horned mask, two metal claws on both forearms, cyan plasma exhausts, mass (approx. twice the swordswoman), and forward-leaning silhouette. It moves by shifting its center of gravity without slipping, performing horizontal slashes, deflections, pushes, and claw thrusts. Do not change the enemy into a crystal statue, crystal doll, mist, or abstract object. Do not mix traits between Character A and Character B. No face-averaging, outfit swaps, cloning, or extra characters. [Style Fixed] Rendering is 3D toon/cel-look only. Thin and delicate blue-violet colored outlines. Clear 2-3 step cel shading and transparent mid-shadows on face, hair, outfit, and weapons. Key lights and glows use the character's pink/lavender/violet palette; cyan neon is restricted to background/enemy accents. Background is one step darker than the character. High-density highlights, hair, lashes, embroidery, gold trim, ribbons, and jewels. Distinctly depict textures for skin, cloth, leather, metal, wet tiles, and glass. Backgrounds also maintain movie-level density. Avoid thick outlines, flat shadows, generic faces, or mixed styles. 3D toon/cel-look only: fine blue-violet colored linework; two-to-three-step cel shading; a pink, lavender, violet and gold character color palette; layered eye and hair highlights; high-density fine detail and high-density background detail; distinct material roughness for skin, cloth, leather, polished metal, wet roof tiles and glass. No thick outlines, flat single-layer cel shading, generic 3D anime faces, smooth plastic CG, low-detail backgrounds, photorealism, semi-realism, dull colors or style mixing. [Weapon Dimensions, Structure, and Operation Fixed] The swordswoman has five katanas total: one handheld (right hand) and four floating katanas operated by telekinesis. Only one sheath on the left hip. All five must be Japanese katanas with the same dimensions and material as image2. Each katana is approx. 95-105cm total length (70-75cm blade, 23-28cm hilt). Polished dark purple metal blade, straight edge, hamon, tip, star-shaped guard, diamond-wrapped hilt, and pommel. Show the full blade clearly as the primary subject. Four floating katanas start at fixed asymmetrical points behind her (high left shoulder, higher right shoulder, left hip, lower right knee). Keep clear space between the character and swords. She controls them via gaze and finger movements. Glowing effects are limited to fine purple light along the edge/hamon. Linear purple/magenta afterglows appear only during movement. No daggers, light-sabers, or glowing toys. In combat, launch one by one while others remain stationary at their waiting points. Each launch follows a straight path to a single contact point, then a new straight path to a stop. Swords move as rigid bodies. No orbiting, rotating shields, or propellers. During the final maximum collision, all four are used once, arriving from different depths/times. They do not merge or form a cross. Katanas do not multiply, disappear, or penetrate the character. Right hand grips only the hilt behind the guard. Sentinel's weapons are two metal claws integrated into forearms. No katanas for the Sentinel. [Stage] Rooftop temple district at night. Connected wet tile roofs, scaffolding, neon torii, cables, and steel pillars. Thin steam and reflections. Tiles and pillars serve as depth markers. Use close-ups and medium shots to keep character and sword dimensions readable. [Combat Motion Contract] Body mechanics remain readable: supporting leg, center of gravity, hips, shoulder and footwork physically drive every move. Every parry or impact shows a visible pre-contact gap, one named contact point, then reaction force, recoil, hit-stop and sparks only after contact. Continuation uses the momentum and reaction force into the next attack or counter without a neutral reset. [Continuous Action] Start: Swordswoman on mid-ground right facing enemy on left, supported by right leg. Handheld katana in right hand. Four floating katanas stationary behind. Enemy steps in from foreground left. When the enemy slashes, the swordswoman ducks and moves forward. Expression changes from tracking the claw to focused gaze. Roof remains intact until contact; then sparks/tiles/steam burst diagonally. Swordswoman pushes forward, twin-tails and ribbons flowing with a delay. One floating katana launches from lower right knee toward the enemy's claw. Clear gap before contact; single contact point with sparks and hit-stop. The deflected sword hits a steel pillar, which only breaks after contact. The second floating katana from high right shoulder strikes the other claw, opening the defense, then stops at a point upper right. Camera follows low from right to left. Background axis is diagonal. [Clear Mid-Combat Exchange] Enemy turns back and pressures with right claw. Swordswoman parries once with handheld katana while sliding her left foot back. One floating katana from high left shoulder launches straight at the enemy's forearm/claw. It hits, causing sparks and opening a path. Swordswoman passes through and slashes the armor joint once. Causality: pressure -> parry -> floating sword interception -> opening -> character slash -> enemy knee sink. Camera stays mid-shot at hip height. [Final Counter and Maximum Collision] Enemy counters with left claw; swordswoman evades. She slashes the armor joint with the handheld katana while the four floating katanas launch from their points, hitting adjacent spots with slight delays. They do not merge or spin. Shockwaves and pressure surfaces arise only after contact. The enemy is blown back, crashing through a torii into a steel core which buckles. Camera shows the result in the same frame as the swordswoman's face. [Audio] No BGM. Synced foley: boots on tiles, servo sounds, wind, metal clashing, tiles breaking, armor falling, and steel buckling. Exhalations only at key moments. No dialogue. [Important Fixed] Characters are one swordswoman and one Cyber-Oni Sentinel. Katanas consist of one handheld and actual-size flo", "description": "", "author": "mayv@簡単プロ級プロンプト公開中！", "authorUrl": "https://x.com/haruuraeadss", "sourceUrl": "https://x.com/haruuraeadss/status/2086411587192303988" }, { "id": "seedance-312", "title": "Luxury Hotel CEO Romance Drama", "category": "product-ad", "prompt": "30-second vertical short drama, 16:9, cinematic, luxurious style, cinematic lighting. Scene: Luxurious bathroom in a top five-star hotel or presidential suite, marble vanity, large mirror, warm golden lighting, and soft mist, creating an intimate and premium atmosphere. Characters: CEO <<>>: 30s, tall and handsome, strong aura, wearing a dark suit jacket, white shirt, and tie. Female Secretary: 20s, young and beautiful, good figure, wearing professional attire (white shirt + pencil skirt), stubborn temperament. Style: Cinematic lighting, shallow depth of field, high-end fashion texture, contrast between warm gold and cold white, extreme detail, strong tension and ambiguity. Storyboard: 0-2s: In front of the luxury bathroom vanity, the CEO suddenly presses the secretary against the marble edge, dominantly kissing her. 2-4s: The secretary pushes his chest with both hands, body struggling, breathing heavily. 4-6s: The CEO gives her no chance to resist, lifts her in a princess carry, and steadily places her on the vanity. 6-8s: Continuous deep kissing, the secretary hurriedly reaches for a golden perfume bottle on the counter (black horse pattern on the bottle). 8-10s: She sprays forcefully towards the CEO's face and chest, perfume instantly wetting his shirt and body. 10-12s: The CEO steps back slightly, looking down at his wet shirt, a playful smile on his lips. 12-15s: He handsomely takes off his suit jacket, revealing his wet white shirt. 15-17s: The CEO drops his jacket, approaches the secretary again, faces almost touching. 17-19s: He whispers: 'Finished spraying? Now it's my turn.' 19-21s: The secretary's breathing is slightly irregular, but she looks directly into his eyes, whispering: 'CEO, what exactly do you want?' 21-23s: The CEO gently raises her chin, their gaze deepening. 23-25s: The CEO suddenly kisses her forcefully. The secretary finally softens, turning her face away, unable to resist laughing, whispering in his ear: 'Husband, keep acting, don't stop.' 25-30s: Foreheads touching, breathing intermingled, the secretary tightly hugs the CEO's waist, then kisses him passionately, camera slowly zooming in on profiles and the wet shirt, ambiguity and tension peaking, frame freezes.", "description": "", "author": "The Anxious Mind", "authorUrl": "https://x.com/drjoetw", "sourceUrl": "https://x.com/drjoetw/status/2086409562098450495" }, { "id": "seedance-313", "title": "Japanese Airplane Travel Vlog", "category": "product-ad", "prompt": "Young woman (exact face/hair from Image1, never alter identity or hairstyle) already seated at window seat in commercial airplane cabin, wearing light beige cardigan over white top with small crossbody bag on lap. Locked camera: low, slightly wide-angle, waist-up + window, never moves/pans/zooms/reframes.\n\nHard cuts only, identical framing throughout:\n\n1. Excited smile to camera, glances out window at airport vehicles → “I'm finally going to Japan!”\n2. Slides phone into seat pocket, clicks seatbelt (chime), aircraft pushes back/taxis → grins “We're really starting now.”\n3. Takeoff: runway streaks, drops into clouds/blue sky, engine roar, air vent blows hair strand; she brushes it, laughs “Wow!”\n4. Cruise above clouds; Mount Fuji appears; eyes widen, points, “It's Mt. Fuji!”, holds phone to window.\n5. Opens Japanese bento, eats while glancing at Fuji → “It tastes better eating while looking at this scenery.”\n6. Descent: seatbelt sign dings, cityscape below; packs meal, adjusts cardigan → “We're arriving soon.”\n7. Landed Japanese airport: engines wind down, bins open; picks bag, leans in, waves “Arrived in Japan! I'll be back.”, reaches toward lens → black.\n\nPerfect clothing/continuity, realistic economy window-seat interior. Photoreal live-action, natural skin texture, cabin lighting, authentic aircraft details. Diegetic sound only (no music): cabin ambience, engines, chimes, Korean lip-synced speech. No beauty filters, text, logos, or camera equipment visible.", "description": "", "author": "Tensor", "authorUrl": "https://x.com/QAiStudio", "sourceUrl": "https://x.com/QAiStudio/status/2086408990146113618" }, { "id": "seedance-314", "title": "Ice vs Fire Wuxia Battle Scene Prompt", "category": "action", "prompt": "[30s Final Edition | Ice Warrior vs Fire Warrior] Seedance 2.5. Ultra-realistic high-budget wuxia film style, natural Asian actors, ARRI Alexa 35. Lock @Image1 for female, @Image2 for male, @Image3 for environment.\n[Timeline]\n0-3s: Female plays zither under cherry tree.\n3-6s: Male attacks from behind with fire sword; she dodges at the last second.\n6-8s: She condenses pond water into an ice sword and blocks his strike.\n8-20s: Continuous high-speed sword duel. Tactical footwork, near-misses, speed ramping during collisions. No energy waves yet.\n20-24s: 'Water Dragon' awakening. Inscriptions light up on her blade; she summons a massive oriental water dragon from the pool.\n24-27s: 'Fire Phoenix' awakening. Male ignites 'Fire Phoenix' inscriptions on his black blade and summons a fiery phoenix.\n27-30s: Final collision. Dragon and phoenix clash in center. Steam, fire feathers, and shockwaves. Cut to black.", "description": "", "author": "Issei", "authorUrl": "https://x.com/Flkrstudio", "sourceUrl": "https://x.com/Flkrstudio/status/2086397682684412402" }, { "id": "seedance-315", "title": "Florida Gulf Wharf 1957 Animation", "category": "action", "prompt": "Episode 1: SCENE CONTEXT A working fishing wharf on the Florida gulf coast, 1957, two hours before dawn. A night catch is being craned off a trawler in cargo nets. One net holds something that fights. The crew wrestle her into a wooden crate", "description": "", "author": "Ivanna | AI Art & Prompts", "authorUrl": "https://x.com/ivanka_humeniuk", "sourceUrl": "https://x.com/ivanka_humeniuk/status/2086391597692776866" }, { "id": "seedance-316", "title": "Geothermal Plant Disaster Action", "category": "action", "prompt": "Realistic cinematic action sequence, 15 seconds, aspect ratio 16:9. \n\nInside a geothermal power plant reactor hall, a lone technician in dark industrial safety gear races across a narrow metal catwalk toward a large emergency shutdown control panel as the entire chamber shakes with pressure buildup. Red warning lights flash through steam, metal pipes rattle, sparks spit from damaged conduits, and the grated floor below begins glowing orange from intense heat.\n\nThe sequence starts with a low wide angle inside the reactor hall as the technician runs hard along the catwalk and the first burst of molten rock erupts through the floor behind him, blasting up through the grates and spraying fire, sparks, and debris. He keeps moving as another eruption tears through the walkway ahead, forcing him to veer sideways along the railing. A heavy pipe drops from above and crashes across the catwalk behind him, cutting off retreat. The camera moves into a tight side tracking shot as he ducks under a jet of white steam, slips on ash-covered metal, slams into the railing, regains balance, and pushes forward while more lava punches through the floor in violent bursts.\n\nThe final action is clear and physical: the technician reaches the emergency shutdown panel just as a wave of molten rock breaks through the grates beside him. He throws his full body into the large shutdown lever, forcing it down. Massive containment doors begin slamming shut over the reactor breach while pressure vents explode overhead and the chamber fills with steam. The final shot shows the technician stumbling backward onto the catwalk as the heavy blast shield seals closed and molten rock smashes against it in a bright violent splash, stopping just meters away.\n\nKeep the action clear and generator-friendly: one technician, one reactor hall, one obvious goal, one escalating containment failure, one strong visual payoff. Realistic industrial environment, fast but readable motion, harsh red emergency lighting, glowing lava, steam, sparks, ash, metal debris, cinematic camera movement, intense physical danger, no text, no logos, no cartoon style, no slow motion, no extra main characters, no famous celebrity faces, no recognizable actors, no movie-star resemblance, no public-figure likenesses, no clear facial close-ups.", "description": "", "author": "DeCat", "authorUrl": "https://x.com/DeCat2025", "sourceUrl": "https://x.com/DeCat2025/status/2086379637874078201" }, { "id": "seedance-317", "title": "Magical Girl Aerial Battle Anime Scene", "category": "talking-head", "prompt": "High-quality anime footage. High-density 3D toon/cel-shaded look. A cinematic high-fantasy aerial battle set in the skies above a massive magic city after rain. A pink-haired girl mage is pursued by a giant black dragon, fleeing at high speed between towers. Just as the distance is closed to the limit, she throws open her cloak to decelerate sharply, rolls her body to face the dragon, and fires a high-output beam from a multi-layered convergence gate in her right palm into the center of the dragon's chest, causing it to collapse into black ash and magical particles. [Character Identity and Reference Images] image1 is the primary reference for the face and identity: soft oval face, small chin, large blue-violet to pink-purple eyes, layered iris with white catchlights, coral pink twintails, lavender flowers, and dark purple ribbons with gold ornaments. image2 is the reference for the outfit and equipment: petite build, dark blue to purple gold-edged cloak, white frilled blouse, black-purple corset, layered pleated skirt, white knee-highs, and a grimoire with gold decorations. Face/hair/eyes prioritize image1; outfit/build/silhouette prioritize image2. Backgrounds, UI, or layout from references are excluded. No cloning or additional characters. [Art Style: High-density 3D Toon/Cel Look] Delicate colored outlines. 2-3 step cel shading with transparent mid-shadows on face, hair, and clothing. High-intensity graphic anime VFX for magic with directional motion blur. No generic 3D faces or plastic textures. [Flight Posture and Trajectory] The default posture is a horizontal forward-leaning high-speed flight seen from a low side angle. Legs are together and extended backward. Twintails and cloak stream directly behind. The camera stays low to show speed through foreground fog and passing tower edges. [Propulsion] No machines, wings, or jets. Propulsion is shown through three elements: 1. Pale purple magic circles appear momentarily for the feet to kick off from. 2. Layered magic streamlines flow along the body's silhouette. 3. Short-lived light trails and particles. Movement follows physics of inertia and banking. [Equipment] One closed grimoire fixed to the left hip. All attacks originate from the right palm. [Black Dragon] A giant quadrupedal wyvern, 4x the mage's size. One head, two horns, glowing blue eyes, four legs, and one tail. Flight uses wing beats and body banking. [Setting] A magic city after rain. Spire towers, arch bridges, floating turrets, and crystal pillars. City lights are cyan, royal blue, violet, and magenta. [Continuity and Cuts] The mage and dragon share a single flight line. Cuts 1-3 focus on the chase with the distance closing. Cut 4 depicts the sudden reversal. Cuts 5-6 show the beam impact and disintegration. Cut 1: The chase starts from a low wing-level angle. The dragon's jaws snap just behind the mage, causing air turbulence. Cut 2: The mage maneuvers through narrow tower gaps and under bridges. The dragon crashes through a bridge but continues the pursuit. Cut 3: The dragon's claws reach for the mage's back. The mage stops propulsion and rolls into a dive, causing the claws to hit a crystal pillar instead. Cut 4: The mage flares her cloak to brake and spins 180 degrees to face the dragon. A multi-layered magical gate forms in front of her right palm. Cut 5: A massive beam fires from the gate. Three compression waves travel through the beam. Upon contact with the dragon's chest, a white-hot core and shock dome expand, followed by a vertical flame-like aura of magenta, violet, and cyan. The dragon is enveloped in smoke and scales. Cut 6: As the smoke clears, the dragon's body carbonizes and dissolves into black ash and glowing particles from the chest outward until nothing remains. The mage remains in a vigilant hover in the silent aftermath. [Sound] No music or dialogue. Focus on sound effects: magical bursts, wind whistling, dragon wing beats, crushing stone, and the high-pitched resonance of the magical beam. [Failure Prevention] No text, logos, or UI elements. No mechanical flight devices on the mage. No physical contact between dragon claws and mage. No generic 'flash' explosions; maintain color and texture during the beam impact. Ensure the dragon dissolves completely without leaving a corpse.", "description": "", "author": "mayv@簡単プロ級プロンプト公開中！", "authorUrl": "https://x.com/haruuraeadss", "sourceUrl": "https://x.com/haruuraeadss/status/2086331768383164710" }, { "id": "seedance-318", "title": "Red Bull Formula 1 Commercial", "category": "product-ad", "prompt": "Create a cinematic high-end commercial showing a young professional working at his desk in a modern luxury office. He looks focused and slightly tired while working on his computer. Cut to a close-up as he grabs and drinks an ice-cold Red Bull energy drink. After taking a sip, the atmosphere transforms dramatically — fast-paced cinematic transition into a Formula 1 racing environment. Reveal the same man now as a professional Red Bull Racing Formula 1 driver, wearing a detailed racing helmet and suit, sitting inside an F1 car on the starting grid. Show intense close-ups of his determined eyes, hands gripping the steering wheel, and the engine roaring to life. Transition into dynamic onboard racing shots at high speed around a professional circuit, with dramatic camera movement, motion blur, realistic lighting, stadium crowds, and cinematic depth of field. End with a powerful first-person cockpit shot speeding down the track with the Red Bull branding clearly visible. Photorealistic, premium commercial aesthetic, seamless transitions, energetic pacing, realistic physics, 4K, cinematic lighting, ultra-detailed.", "description": "", "author": "Calira", "authorUrl": "https://x.com/CaliraVal", "sourceUrl": "https://x.com/CaliraVal/status/2086327369196048675" }, { "id": "seedance-319", "title": "Realistic Vanity Character Monologue", "category": "talking-head", "prompt": "MODE: REALISTIC\n\nMOTION: MEDIUM\n\nDURATION: 15-18 SEC\n\nREF: STORYBOARD GRID\n\nReal woman at vanity getting ready. Thick tortoiseshell square frames, wavy dark brown hair, houndstooth blazer, dark burgundy nails, natural glass skin with visible pores.\n\nWarm Hollywood vanity bulb lighting. Beauty products on table. Shallow DOF. Kodak Portra 400.\n\nCUT 1-MEDIUM CLOSE-UP, SLIGHT LOW ANGLE: Leans forward, one eyebrow raises, direct eye contact into camera. Jaw slightly tense. She says \"Okay be honest.\"\n\nCUT 2-OVER-THE-SHOULDER, HIGH ANGLE: At mirror dabbing lip tint on lower lip, slowly turns toward camera with knowing smile. She says \"You thought I was real.\"\n\nCUT 3-EXTREME CLOSE-UP, EYE LEVEL: Dark nails tracing cheekbone, touch under eye, head tilts. Glasses catching light. She says \"The face. The eyes. The voice.\n\nCUT 4-MEDIUM SHOT, STRAIGHT ON: Sets lip tint down on vanity. Turns to camera. Completely blank expression. Total stillness. She says \"None of it exists.\"\n\nCUT 5-MEDIUM CLOSE-UP, SLIGHT HIGH ANGLE: Picks up lip tint tube, twists cap open, confident smirk, slight head tilt. She says \"Pure Al.\"\n\nCUT 6-TIGHT CLOSE-UP, EYE LEVEL: Slow eyebrow raise, corners of mouth curl into smirk. HARD FREEZE on expression. She says break your brain-\" \"And here's the part that will\n\nNatural lip sync throughout. Micro expressions. Real blinking. Hair movement naturally shifting. Feels like a real creator talking to camera.\n\n--no robotic movement, no puppet face, no plastic skin, no uncanny valley, -no grain, no shaky camera, no raw footage, no different characters, no inconsistent\n\nface, no Al look", "description": "", "author": "Shore Lyn", "authorUrl": "https://x.com/Shorelyn_", "sourceUrl": "https://x.com/Shorelyn_/status/2086318336586207603" }, { "id": "seedance-320", "title": "Smartphone Tailgate Party Montage", "category": "animation", "prompt": "Super casual real smartphone home video footage, lively tailgate party in a stadium parking lot before a football game, natural mobile phone camera with slight authentic handheld shake, normal frame rate with smooth natural motion, rapidfire montage with constant quick jump cuts every 1-2 seconds like scrolling through phone memories, unpolished authentic phone recording of friends grilling, cheering and hanging out near cars, pure raw home video feel, no cinematic polish or heavy effects.\nUse the provided reference photo as the strict ONLY visual reference for the main woman. Maintain her exact appearance with zero deviation. Generate a mixed group of friends around her at the tailgate, cars, coolers and team gear visible.\n0-2.5s: Shaky rapid cuts — main woman laughing near a car trunk, tailgate setup behind her, quick flashes of friends grilling.\n2.5-5s: Abrupt jump cuts — close-up of her smiling while holding a drink, then friends tossing a football around.\n5-7.5s: Fast shaky — she chats animatedly, cheering with friends, stadium visible in the distance.\n7.5-10s: Quick cut close-up — excited smile toward camera, then jump to her laughing with friends near the cooler.\n10-12.5s: Abrupt edit — group cheering together, high-fiving, casual toast with cans.\n12.5-15s: Final rapid transition — main woman relaxed among friends, soft smile, calm tailgate memory ending with slight natural phone sway.\nNatural smartphone video quality, slight real handheld shake, smooth normal frame rate motion with no low fps or choppy artifacts, authentic casual interactions and physics, stable main character consistency, no pro stabilization or effects.", "description": "", "author": "𝐌", "authorUrl": "https://x.com/Strength04_X", "sourceUrl": "https://x.com/Strength04_X/status/2086311675456823296" }, { "id": "seedance-321", "title": "Cinematic One-Shot Temple Adventure", "category": "action", "prompt": "[Generation Goal]\n@img1 Generate a 30-second one-shot adventure action film. The central subject is a male explorer, and the core event is a continuous breakthrough of trap zones in an underground temple, eventually reaching the treasure. No audience, no studio; a real ancient ruin.\n\n[Global Settings]\n1. Environment/Texture: Interior of an underground ancient temple. Giant stone walls covered in moss, cracked slate floors, narrow beams of light leaking from ceiling cracks, orange torchlight on the walls. Dust floating in the air. Extremely realistic physical textures—worn stone, leather scratches, sweat and dust.\n2. Visual Style: Adventure movie live-action feel, cinematic, shallow depth of field, mixed lighting of warm torch tones and cool light beams, film grain.\n3. Shot Language: Unedited one-shot, Steadicam follow shot. Never place the character in the center—always an eccentric composition at the left or right one-third, leaving guiding space in front of the movement direction, alternating between side profile and 3/4 rear angles by section.\n4. Character: An East Asian male explorer in his thirties. Black short hair, tanned skin, old brown leather jacket, khaki shirt, wide-brimmed brown fedora hat, crossbody leather messenger bag, leather gloves, holding a torch in one hand. Same person and same clothing throughout.\n5. Performance Core: Instant reflective actions at the moment a trap is triggered, rapid breathing, a brief glance back after landing, a suppressed smile in front of the treasure.\n6. Prohibitions: No subtitles or screen text, no BGM, no random scene cuts, no audience/host/studio lighting/neon/game show elements, no gore, no character fixed in the screen center.\n\n[Timestamp Storyboard]\nStage 1: 0-5s [Entrance and First Trap]\nThe man is passing through a narrow stone door with a torch—the camera follows him from a 3/4 rear angle, placing him at the right one-third. On the second step, a stone slab clicks and sinks; darts shoot continuously from wall holes. The man dives and rolls forward, darts hitting the wall behind him.\nEnd State: Man on one knee, darts in the wall behind him. Torch still in hand.\n\nStage 2: 5-12s [Waterway Stepping Stones]\nContinued from previous stage: same clothing, torch maintained. The floor breaks into a black underground waterway—six square stepping stones arranged in a zigzag. The man jumps continuously across. As he steps, each stone sinks slowly with bubbles rising; he jumps to the next before it sinks. Camera parallel at water level—man at left one-third, guiding space ahead.\nEmotion: This jump is not acrobatics but calculated progress—eyes always looking at the next stone.\nEnd State: Man lands on the opposite stone platform, the last stone completely submerged.\n\nStage 3: 12-18s [Pendulum Blade Corridor]\nThree giant half-moon stone pendulums hang from the ceiling, swinging alternately. The man observes the rhythm, then passes through in a stop-dash-stop manner. For the last one, he leans back to let it pass his chest. Camera side-on along the corridor wall; pendulums cross the foreground periodically.\nEnd State: Man at the end of the corridor, pendulums still swinging.\n\nStage 4: 18-24s [Collapsing Bridge Sprint]\nBeyond the corridor arch, an old stone bridge spans a chasm. The moment the man steps out, the bridge slabs collapse into the darkness one by one. Man sprints at full speed—the collapse chasing his heels. He leaps at the bridge end and rolls onto the opposite floor. Camera chases from a 3/4 low rear angle, man at right one-third, collapsing bridge filling the left.\nEnd State: Man down after landing, bridge completely collapsed, only darkness in the chasm.\n\nStage 5: 24-30s [Treasure Chamber]\nMan stands up. On a stone platform ahead, a beam of light from the ceiling hits a small golden idol inlaid with gems. He approaches and carefully picks it up. The entire temple rumbles and dust falls from the ceiling. He stuffs the idol into his bag, turns toward the camera with a suppressed smile—ends on a 3/4 side mid-close-up (left one-third), dust falling in background.\nEmotion: The smile is not bragging, but half relief and half excitement.\nEnd State: Idol in bag, man's profile lit by torchlight, dust falling continuously.\n\n[Consistency Maintenance]\nMaintain the same character, clothing, and props (torch, bag, hat) throughout. Direction of travel is always left to right. Maintain lighting logic (warm torch + cool beam). Audio only uses sound effects and ambient sounds—footsteps, stone friction, water, pendulum wind, heavy breathing. Absolute prohibition of subtitles, BGM, or any edits.", "description": "", "author": "XAZINGA", "authorUrl": "https://x.com/xazinga_com", "sourceUrl": "https://x.com/xazinga_com/status/2086295084484743281" }, { "id": "seedance-322", "title": "Mediterranean Musical Scene Long Take", "category": "nature-drone", "prompt": "Use <<>> as the SOLE appearance reference for the FEMALE LEAD and <<>>as the SOLE appearance reference for the MALE LEAD. Preserve their exact facial identity, facial structure, hairstyle, hair color, body proportions, outfits, shoes, accessories, and clothing colors in every frame. Do NOT redesign, recolor, replace, modify, simplify, or add anything to their clothing or accessories. The two leads must remain unmistakably the same people throughout the entire video. No face morphing, identity drift, hairstyle changes, body changes, wardrobe changes, or age changes. EXTRAS: Exactly 10–14 ensemble dancers. They must have completely different faces from both leads. Do not make any extra resemble either lead. Diverse ages and ethnicities. Wardrobe: colorful pastel summer clothing — sunflower yellow, sky blue, coral, mint, soft pink, cream — including flowing summer dresses, light shirts, trousers, and tailored suits. Their styling should feel like a vibrant modern interpretation of a classic Hollywood musical. Natural fabric movement, realistic hair movement, and varied individual body language. Extras must never look duplicated or cloned. === FORMAT === Premium 30-second cinematic romantic musical film. 16:9 landscape. Fully photorealistic. ONE continuous flowing cinematic take with NO visible cuts. The entire video must feel alive, energetic, romantic, spontaneous, and human. There must be NO dull moments, no empty stretches, no static compositions, no performer standing motionless, and no long shots where nothing meaningful happens. Something should always be evolving through character movement, camera movement, background action, facial expression, choreography, environment, or music. Native 16:9 composition. No letterboxing. No black bars. No artificial AI-video aesthetic. The final result should feel like a real premium musical scene filmed on location with professional actors, dancers, cinematographers, and musicians. === LOCATION / ENVIRONMENT === Set the entire scene on a beautiful Mediterranean-style seaside promenade during a pleasant summer morning. A wide elegant pedestrian promenade runs alongside a sparkling blue sea. Warm cream-colored stone buildings line one side of the promenade. Small stylish cafés with outdoor tables and umbrellas open onto the walkway. Palm trees and Mediterranean plants move gently in the sea breeze. A low stone sea wall runs along the waterfront. Small sailboats and distant boats are visible on the horizon. A few colorful awnings, flower planters, bicycles, and café chairs create natural environmental detail. The location should feel upscale, cinematic, lived-in, and authentic rather than touristy or artificial. The sea provides bright atmospheric depth behind the performers. The promenade should have enough space for the leads and dancers to move naturally without feeling crowded. The environment itself should constantly provide subtle visual movement: palm leaves moving in the breeze, distant boats drifting, pedestrians walking, café activity, fabric moving, dancers crossing the promenade, and sunlight reflecting softly from the water. Do not make the background chaotic. The leads remain the visual focus. === MUSIC — 30-SECOND ROMANTIC ENERGY ARC === Create an ORIGINAL romantic cinematic pop song at approximately 108 BPM. Major key. Warm, joyful, playful, flirtatious, uplifting, and emotionally sincere. The song should feel romantic without becoming slow, sad, overly sentimental, or theatrical. It should have the infectious energy of a joyful cinematic musical number while remaining modern and natural. Instrumentation: 0–7s: Rhythmic acoustic guitar, warm piano, grooving bass, light live drums, subtle hand percussion. 7–14s: Drums become more energetic, warm strings enter, bass becomes more rhythmic, subtle melodic accents increase momentum. 14–21s: Full romantic chorus — energetic live drums, acoustic guitar, piano, warm bass, bright strings, tasteful brass or melodic accents. 21–25s: Briefly pull the arrangement back but KEEP the rhythmic pulse alive with piano, bass, acoustic guitar, and soft percussion. 25–30s: Full instrumental emotional lift returns with strings, piano, guitar, bass and drums, ending on a warm satisfying major chord. The music must continuously evolve. Never allow the soundtrack to feel empty or repetitive. VOCALS: Original English lyrics only. Female lead sings the opening verse. Male lead naturally answers. Both join for the chorus. Their voices should sound like real human singers: expressive, warm, slightly imperfect, conversational, emotional, and natural. Avoid robotic vocals, excessive vocal processing, perfect artificial phrasing, theatrical belting, or exaggerated musical-theater delivery. The lyrics should communicate a simple romantic idea: two people notice each other, gradually become drawn toward each other, enjoy being together, and choose to stay in the moment. Keep lyrics concise enough to fit naturally within the first 25 seconds. VOCALS END EXACTLY at 25 seconds. The final 5 seconds are instrumental only. === PERFORMANCE ENERGY === THE VIDEO MUST NEVER FEEL DULL. The leads should feel genuinely alive, playful, spontaneous, and emotionally connected. They are professional musical performers, but they should NOT look like robots following a choreography spreadsheet. Movement should have natural variation. Allow slightly different step lengths, natural timing variations, spontaneous smiles, small reactions, changing eye contact, subtle improvisation, natural breathing, realistic weight shifts, and imperfect human gestures. Do NOT force perfect symmetry. Do NOT make every movement mechanically synchronized. The leads should naturally react to each other's presence. Their chemistry should feel effortless and playful rather than staged. Energy progression: 0–7s: Charming, confident, immediately engaging. 7–14s: More playful and energetic as the male lead joins. 14–21s: Biggest burst of joyful musical energy. 21–25s: Romantic and intimate but still physically active. 25–30s: Beautiful emotional payoff with a strong visual finale. Even during quieter musical moments, the camera and performers continue moving. === SOUND DESIGN === Natural seaside diegetic sound underneath the music: Soft footsteps on stone. Subtle shoe contact. Light ocean breeze. Gentle waves against the seawall. Distant seabirds. Very subtle café ambience. Fabric movement. Natural outdoor reverb on vocals. Do not add random conversations, distracting chatter, unrelated music, or artificial sound effects. Music and vocals remain clearly dominant. === LIP-SYNC — CRITICAL === Frame-accurate lip synchronization whenever either lead sings. Every English syllable must correspond naturally with the mouth movement. Natural consonant closures. Natural vowel shapes. Realistic jaw movement. Natural tongue movement where visible. Natural breath intake before phrases. Subtle throat and chest movement during sustained notes. Facial expressions must correspond naturally to the lyrics. Singing should never look pasted onto the face. No dubbing mismatch. No delayed mouth movement. No mumbling. No frozen lips. No exaggerated mouth shapes. No dead-eyed singing. When either lead is singing, keep their face clearly visible whenever practical. During singing, avoid fast spins or movements that hide the singer's face. === CHOREOGRAPHY === Elegant romantic musical choreography with genuine energy. Never acrobatic. Never stiff. Never robotic. Never perfectly repetitive. The performers should keep moving naturally throughout the entire scene. Lead movement vocabulary can include: - Rhythmic walking along the waterfront - Playful step-touch movements - Traveling side steps - Gent", "description": "", "author": "Zara", "authorUrl": "https://x.com/ZaraIrahh", "sourceUrl": "https://x.com/ZaraIrahh/status/2086289199280582977" }, { "id": "seedance-323", "title": "Cinematic Morning Routine Video Script", "category": "asmr", "prompt": "SHOT 1: ECU, 85mm push-in / on the phone screen as it shakes on rumpled sheets / SFX: alarm, sheet rustle.\\n\\nSHOT 2: WS, 35mm handheld jolt / Rhythmic cut into her jolting upright through side light, throwing the blanket aside, and planting her feet on the floor in one rushed motion, still in a sleep tee and lounge shorts / SFX: mattress bounce, blanket whip, sharp breath.\\n\\nSHOT 3: MCU, 50mm slide / Cut on action into face wash at the sink, droplets catching the top light / SFX: faucet rush, water slap.\\n\\nSHOT 4: Insert shot, 85mm lens focus / Match cut into the toothbrush held at a natural forward brushing angle against the front teeth; hand relaxed and upright, mint foam and mirror eye / SFX: bristle scrape, sink drip.\\n\\nSHOT 5: Interior fridge view, 24mm wide / Object pass into the camera inside the fridge looking out as the door snaps open and her hand darts in, blue light framing a hurried grab for breakfast ingredients / SFX: fridge hum, bottle clink, shelf scrape.\\n\\nSHOT 6: Insert shot, 50mm handheld / Rhythmic cut into egg and toast hitting the pan under warm practical light / SFX: butter sizzle, chop tap.\\n\\nSHOT 7: MCU, centered 50mm push-in / Match cut into one rushed bite, a quick clock glance, and an immediate rise from the chair / SFX: crunch, ceramic clink, chair scrape.\\n\\nSHOT 8: Bird’s-eye, 35mm overhead / Match cut on action as the sleep tee disappears under a fitted top and tailored jacket; then her keys, transit card, and bag get scooped up in one messy grab / SFX: fabric whip, key jingle, zipper pull, bag rustle.\\n\\nSHOT 9: MS, 35mm pan / Camera slips into a rushed outfit change as the sleep tee disappears under a fitted top and tailored jacket; then her keys, transit card, and bag get scooped up in one messy grab / SFX: fabric whip, key jingle, zipper pull, bag rustle.\\n\\nSHOT 10: Insert shot, 50mm overhead / Match cut into lace-up shoes slamming on as the laces yank tight in one impatient pull / SFX: sole thump, lace tug, short breath.\\n\\nSHOT 11: WS, 24mm parallel / Whip pan transition into her, now in the tailored outside outfit, rushing through the apartment corridor into bright light without breaking stride / SFX: latch click, rapid footsteps, hallway air.\\n\\nSHOT 12: MS to CU, 35mm glide, 85mm push-in / Sound bridge into the metro interior as she grips the pole and slips through just before the closing doors, reflected chrome streaking around her and the city blurring outside / SFX: train rattle, carriage screech, door warning chime, light breath.\\n\\nSHOT 13: Insert to MCU, 50mm snap zoom / Smash cut to the office entrance as her access card hits the reader, the glass door unlocks, and she slips through before dropping into her chair and opening her laptop / SFX: badge beep, door click, laptop chime.\\n\\nSHOT 14: OTS, 35mm handheld / Rhythmic cut into her fingers racing across the keyboard with blue monitor light illuminating her face / SFX: keyboard clicks, notification", "description": "", "author": "Smiling Khan", "authorUrl": "https://x.com/AIwithkhan", "sourceUrl": "https://x.com/AIwithkhan/status/2086288454221263217" }, { "id": "seedance-324", "title": "Rainy Bridge Cable Snap Action", "category": "action", "prompt": "Realistic cinematic action sequence, 15 seconds, aspect ratio 16:9. \n\nAt night in heavy rain, a lone driver in a dark SUV races across a long suspension bridge over black water toward the far shore as the bridge begins failing around him. The sequence opens with a wide low angle showing the wet bridge deck, flashing warning lights, and traffic stopped ahead and behind. \n\nA massive suspension cable suddenly snaps with a violent burst of sparks, the whole bridge lurches, and the road tilts sharply to one side. The driver grips the wheel and accelerates as abandoned cars behind him begin sliding backward across the rain-slick deck into the darkness, smashing into each other and crashing through broken railings.\n\nKeep the action clear and physical. The SUV fishtails but stays under control as the driver swerves around a sliding sedan and a fallen cable whipping across the road. The bridge deck buckles in sections, sending cracks racing through the asphalt. Another support cable snaps, one lane drops lower than the other, and a car behind the SUV loses traction and disappears over the edge. Use dynamic but readable camera movement: wide exterior view of the bridge twisting in the storm, low tracking shot beside the SUV tires cutting through water, and a tense front three-quarter angle as the vehicle climbs the tilted roadway toward safety.\n\nFinal action: the driver pushes through the last unstable section just as the center span behind him tears downward. He bursts off the bridge onto solid ground at the far anchorage while the roadway behind collapses in stages, cars sliding backward into the void, cables snapping, sparks flying, and rain exploding off the shattered structure. Realistic storm lighting, hard rain, wet reflections, engine spray, debris, violent structural movement, intense survival atmosphere, no text, no logos, no cartoon style, no slow motion, no extra main characters, no famous celebrity faces, no recognizable actors, no movie-star resemblance, no public-figure likenesses, no clear facial close-ups.", "description": "", "author": "DeCat", "authorUrl": "https://x.com/DeCat2025", "sourceUrl": "https://x.com/DeCat2025/status/2086287667948396933" }, { "id": "seedance-325", "title": "Cinematic Wuxia Swordswoman with Synchronized Echoes", "category": "talking-head", "prompt": "[Generation Mode] Seedance. First generate a 0–10 second clip, then based on that clip and its final frame, continuously extend for another 5 seconds. Total duration 15 seconds. [Screen Specifications] 16:9 widescreen, cinematic realistic texture, native synchronized Mandarin dialogue, no subtitles, only two visible characters throughout. [Overall Style] Cinematic realistic texture featuring monumental pure Chinese Xianxia architecture, restrained deadpan comedy, strong spatial sound narrative, warm sunrise piercing through cold blue-white cloud seas, weathered giant stones, dark ancient tile roofs, ivory silk, and fine film grain; the suspense is ultimately resolved through a comedic reversal within the grand scene. [Background Reference] @Image1–@Image4 used only for background and location, never for characters. Strictly preserve: giant circular celestial gate, layered rooftops of the immortal city above the clouds, mountain-scale stone pillars, dense rolling cloud seas, sunrise direction, grand spatial depth, and incredible vertical scale. [Character Settings] Character A (Senior Sister Sword Immortal): 26–30 years old, East Asian sword immortal woman, oval fair face, slender dark eyes, long black hair partially tied with a white jade hairpin, tall and slender, wearing white embroidered silk Hanfu with semi-transparent layered wide sleeves, silver waistband, jade pendant, and white cloth boots; carries a single slender silver flying sword. Character B (Junior Sister): 20–24 years old, East Asian junior sister, round and lively face, black hair in braids, small stature, wearing green linen Hanfu, dark waistband, wooden hairpin, and black cloth shoes. [Shot Design] Shot 1 (0–5s, Wide/Long Shot): 24mm aerial shot slowly pushing toward the giant celestial gate. Character A floats on a silver flying sword three meters above a stone platform, with the Junior Sister standing behind. The Senior Sister shouts deeply toward the gate: 'Guardian of the Celestial Gate, show yourself!' The circular gate immediately echoes back with clear spatial positioning: 'Show yourself—self—' Shot 2 (5–10s, Medium/Cowboy Shot): Character A lands back on the platform, Junior Sister remains behind, background stays consistent. The Senior Sister narrows her eyes, half-drawing her sword, and says coldly: 'Do not hide your head and show your tail.' The gate echoes back: 'Show your tail—tail—.' Wuxia-style zither and sword ring rise; she takes a restrained, precise defensive stance. Shot 3 (10–15s, Close-up/Extreme Close-up): The 5-second extension must continue from the final frame of the 10-second clip, maintaining total continuity of camera axis, character positions, sun direction, cloud movement, architecture, sword, and clothing. The Junior Sister walks up and says calmly: 'Sister, that is just an echo.' She then cups her hands and shouts: 'Senior Sister loves saving face the most!' The gate boisterously repeats: 'Saving face—face—.' The Senior Sister slowly sheaths her sword and whispers: 'This door is too talkative.' The gate echoes again: 'Talkative—tive—.' The shot ends on her face trying to maintain dignity but completely frozen, one eyebrow twitching slightly; the Junior Sister turns away, silently stifling a laugh. [Continuity Requirements] Generate 0-10s first, then use it as a reference to extend the last 5s. [Technical Requirements] 15s total, 16:9, sync Mandarin dialogue, spatial echo with long reverb, natural movement for clouds/silk/hair/sword, no subtitles, two characters only. [Negative Prompts] blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, background shift, glitching cuts, disappearing props", "description": "", "author": "Soran", "authorUrl": "https://x.com/Soranlan", "sourceUrl": "https://x.com/Soranlan/status/2086250211052081565" }, { "id": "seedance-326", "title": "Celestial City Dragon Shadow Deception", "category": "talking-head", "prompt": "[Generation Mode]\nSeedance 2.5\n[Specs]\n10s duration; 16:9 landscape; 3 cinematic shots.\n[Style]\nCinematic realistic texture, epic Chinese xianxia aura, monument-scale cloud city, and visual misdirection comedy. Features sunrise through mist and film grain.\n[Character Locking]\nSister A (Sword Immortal): 27-30 East Asian female, tall, white silk hanfu, standing on a silver flying sword.\nSister B (Junior Sister): 20-24 East Asian female, green hanfu, standing on a stone platform.\n[Director's Beats]\nShot 1 (0-3s): Aerial shot. A giant winding dragon shadow sweeps across the city. Sister A becomes alert.\nShot 2 (3-6.3s): Medium shot. Sister A draws her sword and says: 'Dragon shadow over the city, fall back.' Strong wind and battle drums. Sister B notices a thin red string attached to the shadow.\nShot 3 (6.3-10s): Fast reveal. The camera rises through clouds to show the 'dragon' is a giant silk kite with a bamboo frame. An old man's voice yells: 'Don't cut it! I spent three days making it!' Junior Sister says: 'Sister, the dragon is made of paper.' Sister A sheathes her sword calmly: 'I knew that already.' Close-up: her eyebrow twitches.\n[Technical]\nMandarin audio; real wind physics for silk and kite; no subtitles; no modern elements.\n[Negative Prompts]\nblurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, background shift, glitching cuts, disappearing props", "description": "", "author": "Soran", "authorUrl": "https://x.com/Soranlan", "sourceUrl": "https://x.com/Soranlan/status/2086229017531687176" }, { "id": "seedance-327", "title": "Pharaoh Storyboard Layout", "category": "nature-drone", "prompt": "A 9-panel cinematic storyboard layout, 3 rows x 3 columns grid.\n\nGenre: River of Time. Arc: An ancient pharaoh awakens in the modern world, battling shadows of the past to forge a new reality..\n\nUse one cohesive visual treatment throughout, guided by the reference's painterly material and surface detail.\n\nLet panel 01 introduce the uploaded reference world, then continue its location, season, color grade, and story through the remaining panels.\n\nWhen the brief includes a recurring character or animal, keep its identity and appearance consistent across the sequence. Do not invent extra bystanders.\n\nWorld card: natural environment only - landscapes, water, sky, plants, wildlife, seasons, and natural light. Keep physical motion plausible and preserve the reference's medium, palette, light, and texture.\n\nLighting: cool moonlight through mist, silver-blue night atmosphere, soft glow. Camera: energetic tracking shot following the subject with readable speed and direction. Mood: energetic forward momentum, active movement, vivid physical action.\n\nTone: energetic, vivid, and forward-moving.\n\nENERGY DIRECTIVE: every panel shows decisive action, speed, force or impact. Use strong verbs, acceleration, readable motion blur and debris; no passive drifting.\n\nPanel 01: The camera aggressively zooms into the pharaoh's face, his eyes igniting with golden light as particles of golden dust begin to swirl around him. Frame: bold wide action frame with strong leading lines and immediate momentum.\n\nPanel 02: The pharaoh sharply turns his head, his gaze fixed forward through fracturing visions of ancient pyramids and modern metropolises, creating a sense of clashing worlds. Frame: dynamic mid-shot with diagonal energy and visible motion blur.\n\nPanel 03: The camera rapidly tracks the pharaoh as he lunges forward, striking at an unseen threat, leaving a trail of golden light, with spectral battle imagery flashing by. Frame: tight impact close-up at the peak of the movement.\n\nPanel 04: The camera makes a sharp orbit around the pharaoh, showing him at the center of a raging vortex of sand, gold coins, and fragments of ancient artifacts, symbolizing the chaos of time. Frame: low or high angle chase framing with speed cues in the foreground.\n\nPanel 05: The pharaoh punches through a wall of light and shadow, tearing the fabric of reality, his figure instantly moving forward, leaving only shimmering particles behind. Frame: sweeping high-energy reveal of the full arena of action.\n\nPanel 06: The camera rapidly zooms into the pharaoh's face, his eyes still glowing, but now reflecting a calm new, unknown world, hinting at the battle's end. Frame: dynamic mid-shot with diagonal energy and visible motion blur.\n\nPanel 07: The shadow of a giant, spectral opponent momentarily engulfs the pharaoh, creating tension and hinting the fight is not over", "description": "", "author": "Viki", "authorUrl": "https://x.com/churvikv", "sourceUrl": "https://x.com/churvikv/status/2086211311818404033" }, { "id": "seedance-328", "title": "Futuristic Close Combat 2D Action Anime", "category": "talking-head", "prompt": "High-quality anime footage. Movie-theater-class high-density 2D hand-drawn action anime. High-speed melee combat. Set in a dark near-future giant corridor, the protagonist continuously breaks through multiple enemies without stopping. Most important are the overwhelming speed, grounding, chain of reaction forces, clear contact, extremely changing camera distances, short 'face rewards' (clear face shots), and instantaneous graphic impacts in red, black, and white in the latter half. Do not create segments of standing still to re-pose. Use the reaction of each attack as the start of the next movement or attack. [Protagonist Fixed] Maintain the protagonist from the source reference image as the same person in all cuts. Do not change face shape, age feel, eye size and spacing, iris color, jaw, bangs, hairstyle, hair color, outfit, body type, or unique color scheme. Even during high-speed movement, distant views, or backlit explosions, do not allow the character to become a different person, look older, or become simplified. The moment the shot returns to a close-up, accurately revert to the same face, eyes, and hair as the source reference image. The protagonist's weapon is only one slender single-edged sword. Maintain the blade, guard, and hilt as a single continuous structure. Do not multiply, branch, or exchange weapons. Hands always grip only the hilt, and do not overlap the blade and hands in front of the face. [Enemies Fixed] Four humanoid enemy soldiers wearing black near-future armor. All four maintain a similar armor design and do not mix faces, hair, outfits, or weapons with the protagonist. Enemies maintain humanoid bodies, black armor, and limbs even during combat. After being hit, they do not transform into crystals, abstract objects, or clumps of light. [Art Style Fixed] Entirely 2D hand-drawn anime. Thin, delicate line art, dark but not overly black outlines, two-to-three-tier anime shading, transparent mid-shades, multilayered highlights on hair and eyes, high-density background art, and exaggerated key animation for theater-quality action. Use short smear frames with boldly stretched shapes during high-speed action as needed, but return the face to clarity during face reward frames. Do not use thick black outlines, simplified TV-style animation, low-density backgrounds, flat single-layer cel shading, smooth 3DCG, live-action style, semi-realism, dull colors, or mixed art styles. [Setting/Color/Light] The setting is a dark, massive near-future corridor. Maintain the same location throughout. Use black, dark navy, and dark blue-green as basic background colors, with thin red linear lighting on walls, floors, and ceilings. Red light lines point toward the vanishing point at the end of the corridor, emphasizing speed direction and depth. Fix color roles: Cyan-Blue = Protagonist's acceleration and electrical afterglow; Lime-Yellow Green = Sword attack trails; Orange-Yellow = Sparks and explosions after contact; Red-Black-White = Graphic impact used only for the final shock in the latter half. Do not exchange color roles between cuts. Keep skin tones and protagonist-specific colors stable, avoiding random white balance changes. [Common Movement Rules] Do not process running as a parallel slide of the body. Sequence: Grounding foot fixed to floor -> Pelvis passes over supporting leg -> Opposite knee moves forward -> Toes of supporting leg kick the floor -> Short aerial phase -> Opposite foot grounds forward -> Knee compresses -> Next kick. The pelvis and ribcage themselves must advance across floor joints. Even if the camera follows, do not eliminate the protagonist's movement amount in world coordinates. Landing must always pass briefly through: Foot grounding -> Knee compression -> Hips sinking -> Upper body following. Sword contact reaction force should not be absorbed only by the wrist; flow it through: Sword -> Wrist -> Elbow -> Shoulder -> Ribcage -> Hips -> Supporting leg, passing that reaction and hip rotation into the next movement without stopping. Hair, clothing hems, and decorations follow the body with a slight delay. [Contact Rules] All important attacks follow this order: Clear gap between sword and enemy before contact -> Sword contacts specified position -> Very short hit-stop only at the moment of contact -> Sparks, armor displacement, enemy center-of-gravity change, and explosion only after contact. Do not blow enemies away before contact. Do not generate explosions before contact. Do not create static screens showing only effects; continue character movement while sparks or explosions are visible. [Full 10 Cuts Breakdown] [Cut 1 | Floor Ignition] Starts with an ultra-low-angle extreme close-up of the protagonist's feet. The front foot grounds strongly. The sole catches the floor, and the knee compresses for a split second. The moment the toes kick off, thin lime-green friction sparks fly backward. Cyan electrical afterglow runs briefly from ankle to leg. Camera runs parallel to the floor with the protagonist, showing grounding, kicking, and the pelvis advancing. The protagonist doesn't stop, converting the kick into high-speed acceleration. Ends with upper body leaning forward entering the next stride. [Cut 2 | Corridor Acceleration] Inherits the forward lean and speed. Protagonist advances into the corridor using alternating high-speed strides. Floor joints and red wall lights blur backward. Camera follows from a low front position, retreating at the same speed. Strong wide-angle perspective shows face, chest, knees, legs, and the corridor vanishing point. Orange explosion occurs far behind, but protagonist doesn't look back. Explosion pressure pushes hair and hems forward momentarily. Just before the next enemy appears, protagonist grounds the right foot and drops hips low for a slash. [Cut 3 | Face Reward to First Slash] Inherits right-foot support and forward speed. Camera catches up at high speed, zooming in momentarily from chest to face. Face and eyes are clear, but movement doesn't stop. Protagonist glares at the enemy, smirking slightly and exhaling a short breath. Rotates hips and swings the sword in a single path from bottom-diagonal to top-diagonal. Clear gap before contact. Short hit-stop when blade hits enemy torso armor. Thick lime slash trail and orange sparks cross the screen diagonally after contact. Enemy's upper body buckles; protagonist converts reaction into leftward movement. Lime blade light crosses the lens, providing a transition to the next camera axis. [Cut 4 | Explosion Mask and Axis Change] Starts from the blade light mask. Camera is now at a diagonal side medium shot. As the first enemy collapses, they hit background equipment causing a short orange explosion. Smoke partially covers the screen but doesn't hide the protagonist for long. Using the hip rotation, protagonist steps laterally to change course toward the second enemy. Camera cuts across the smoke as a foreground element to discover the new distance. No stopping or re-posing. [Cut 5 | Continuous Melee] Protagonist grounds left foot forward and steps into the second enemy. Parries enemy weapon once. Gap before contact. Tiny metal sparks at contact. Enemy weapon is deflected, protagonist's shoulders and hips rotate in reverse. Protagonist uses that recoil to transition into a horizontal slash from the same rotation. Horizontal slash makes single contact with torso. After hit-stop, enemy buckles sideways. Side-tracking camera shows enemy weapon, protagonist's full sword, supporting leg, and contact point in one frame. Protagonist maintains forward direction after slash, passing the enemy. [Cut 6 | Space Opening] Inherits momentum from the previous cut. A third enemy attacks from the front. Protagonist grounds one foot and converts compression into a vertical and forward leap. Camera switches to a wide long shot, making character size significantly smaller. Shows protagonist, 3 enemies, red lighting corridor, and vanishing point to maximize scale. Protagonist tilts body axis once in mid-air to clear the attack line. No excessive mid-air spins. Descends while keeping the landing point in view. [Cut 7 | Landing Reaction to Re-acceleration] Protagonist lands. Sequence: Grounding -> Compression -> Hips sinking -> Upper body follow. Absorbs reaction without stopping, sinking hips directly into the next forward kick. Cyan afterglow runs back from landing point. Camera slides low to the protagonist's side. Before fully standing, protagonist accelerates toward the third enemy. Camera briefly parallels the face to show eyes and profile. No long face rewards. [Cut 8 | Third Contact and Maximum Pressure] Protagonist maintains acceleration. Minimally dodges enemy attack and swings sword horizontally. Gap before contact. Hit-stop at contact. Lime trail, orange sparks, and armor displacement occur simultaneously. Enemy's center of gravity shifts significantly. Protagonist absorbs reaction into hips to twist toward the next direction. Camera zooms extremely close to the protagonist's eye. The moment the eye occupies the main screen area, transition to graphic insert. [Cut 9 | Graphic Impact Intercut] Do not delete reality for long. Extreme close-up of eye -> flashes to solid red -> extremely short 2D graphic frame composed of black background, white slash plane, and red speed lines -> sword trajectory abstracted as a single white directional line -> immediate return to reality. This is an editorial accent for impact, not a transformation of space. No red ribbons or decorative beams. Upon return, the sword trajectory from Cut 8 continues into the attack on the fourth enemy. [Cut 10 | Maximum Impact / No-Stop Termination] Protagonist approaches the fourth enemy at continuous speed. No stop before the final attack. Grounds left foot to compress hips, pushing off to swing sword in a large diagonal slash. Clear gap before contact. Strongest hit-stop at contact. After contact, large lime slash trail, orange sparks, and cyan afterglow expand from a single point. Insert red-black-white graphic frames at the pressure point. Enemy is blown off balance. Protagonist flows the reaction into hips and supporting leg, converting it into the next forward acceleration. Camera passes high-speed next to protagonist during impact. Final frame: protagonist is not static. No sword-raising. No victory pose. No looking at the camera. No quiet pull-back shot. Cut while protagonist is kicking off for the next step, hair and clothes flowing back, mid-movement. This vector naturally loops back to Cut 1. [Sound] High speed but not constant max volume. Sync short 'huff/ha' breaths with strong steps. Hard floor sounds for grounding. Short metallic 'whoosh' for sword movement. Short metallic clashing for weapon contact. Metallic impact and low thud for hitting armor. Explosions sync with contact results. In graphic inserts, compress ambient sound momentarily to bring sharp slash sound to the front. No long screaming, dialogue, or excessive roaring. [Important Guards] Never return to neutral stance after attacking. Always convert reaction, dodge, compression, or rotation into the next move's propulsion. Do not just move the camera to simulate speed; advance the character relative to the floor. Change at least 2 camera parameters (position, height, size, axis) between adjacent cuts, but do not reset movement direction for camera changes. Create distance amplitude: Extreme close-up feet -> Front wide -> Face close-up -> Side medium -> Low angle contact -> Ultra-wide long -> Profile close-up -> Eye extreme close-up -> Red/Black/White Graphic -> Real-time high-speed melee. Do not express speed through effect volume alone. Ensure at least one key point (supporting leg, trajectory, contact, reaction) is readable. Do not overlap effects over the face during face rewards. No text, subtitles, logos, or watermarks. No extra protagonists, clones, or weapon multiplication. No sudden enemy additions. No enemy crystallization. No long slow-motion. No long glares or weapon-clashing. No static victory poses or sword-raising. No final wide pull-away shot.", "description": "", "author": "mayv@簡単プロ級プロンプト公開中！", "authorUrl": "https://x.com/haruuraeadss", "sourceUrl": "https://x.com/haruuraeadss/status/2086202731170333140" }, { "id": "seedance-329", "title": "High-Octane Market Chase Action", "category": "action", "prompt": "Cinematic 15-second continuous shot starting exactly from the uploaded photo: a striking woman with long straight dark hair, wearing a white off-shoulder open-knit crop top and matching high-waisted white skirt with delicate crochet details and “Keor” embroidery, holding a small woven straw bag in her right hand, walking confidently toward camera down a narrow sunlit European market street lined with hanging textiles, pottery stalls, clothing racks, and passersby.Action & Camera (high-octane stylish action-thriller style, tense, precise, kinetic):0–3s: Smooth tracking shot backward at walking pace, keeping her centered in a medium full-body frame as she advances through the crowd with calm focus. Soft natural sunlight filters between the buildings. Subtle handheld micro-shake adds realism. Background pedestrians move naturally.3–6s: Her eyes suddenly lock onto something off-screen to the right. She stops mid-stride, drops the bag, and pivots sharply. Two hostile figures push through the crowd toward her. Camera snaps into a quick lateral dolly left, then locks into a tight over-the-shoulder as she raises her guard.6–10s: She launches into a rapid, precise fight sequence — ducking a grab, delivering a sharp elbow, spinning to sweep a leg, then using a nearby pottery stall for cover as she throws a ceramic pot that shatters. Camera circles her at high speed in a continuous 360° orbit at chest height, intercut with brief whip-pans to capture impacts, with motion blur on limbs and flying debris. Dust and fabric scraps kick up in the sunlight.10–13s: She dispatches the second attacker with a controlled takedown, then sprints forward through the narrow street, weaving between startled shoppers. Camera switches to a low, aggressive tracking shot racing alongside her at knee height, then rises into a dynamic following shot as she vaults over a low market table.13–15s: She reaches a corner, glances back once, then disappears into a side alley as the camera slows into a final wide shot of the chaotic market street behind her — overturned stalls, scattered goods, and remaining figures recovering. Dust settles in the bright sunlight.Maintain ultra-realistic detail, high-contrast natural daylight with sharp shadows, subtle motion blur on fast action, photorealistic physics, intense kinetic energy, and continuous 15-second take with no cuts.", "description": "", "author": "KeorUnreal", "authorUrl": "https://x.com/KeorUnreal", "sourceUrl": "https://x.com/KeorUnreal/status/2086191522387472680" }, { "id": "seedance-330", "title": "Wizard Spell Chicken Accident", "category": "animation", "prompt": "Wizard Accidentally Makes a Chicken Too Powerful\n\nHyper-realistic cinematic comedy fantasy sequence, 10 seconds, 16:9.\n\nIn a medieval village square, one wizard raises his staff for a dramatic spell. He shouts with total confidence: “Behold my power!”\n\nA chicken casually walks in front of him at the exact wrong moment. The spell hits the chicken. The chicken becomes huge, glowing, muscular, and emotionally unstoppable. It slowly turns toward the wizard with terrifying confidence.\n\nThe wizard backs away. The giant chicken flaps once and blasts him backward into a hay cart. Feathers explode everywhere. The chicken steps onto a barrel like a warrior king.\n\nEnd with the wizard lying in hay, whispering: “I have made a mistake.”\n\nStyle: hyper-realistic, cinematic, ridiculous fantasy comedy, one wizard, one chicken, magical misfire, giant overconfident chicken, no gore, no text, no logos, no cartoon style.", "description": "", "author": "DeCat", "authorUrl": "https://x.com/DeCat2025", "sourceUrl": "https://x.com/DeCat2025/status/2086180568572502298" }, { "id": "seedance-331", "title": "Samurai Duel in Stormy Rooftop", "category": "action", "prompt": "Hyper-realistic cinematic live-action film, high-speed sword combat on the rooftop of an ancient Japanese castle during a torrential downpour. Use the reference image as the first frame at 0 seconds, locking both characters' identities, masks, helmets, hairstyles, body types, clothing, armor textures, colors, and weapons. Face-swapping, outfit changes, mask removal, or weapon changes are strictly prohibited.\nLeft: Female crimson ninja, black high ponytail, red mask, deep red engraved battle suit, red-black layered armor. Right: Male ninja in black, black horned helmet, black mask, thick scarf, black layered armor. Each side carries only one complete katana. Scene is a stormy ancient castle rooftop: wet black tiles, puddles, cool blue-gray sky, distant warm yellow lanterns and eaves. Rain, splashing water, and wet clothes must show realistic and rich dynamics, but large splashes must not hit or block the camera lens; water splashes only to the left, right, behind characters, and across the roof.\nFirst frame reproduces the waist-up medium shot from the reference: female on left, male on right, katanas locked in an X-shape at center, immediate action without stillness. Both rotate wrists to apply pressure, blades friction, sparks and rain explode to sides and rear, not toward the camera. Camera crash push toward contact point, followed by high-speed pull-out and clockwise rapid turn of about 80 degrees, switching to 24mm wide-angle showing full body and complete sword path, with only one short precise vibration.\nAfter the lock breaks, the male executes continuous slashes, cuts, and thrusts without pause. The female continuously changes her midline with head tilts, shoulder rolls, blade slides, and low slides, a blade passing about 3cm from her mask. The camera enters the fray like a third warrior: low tile-level lateral tracking, moving behind shoulders followed by whip-pans to capture strikes, intense shot changes, snap zooms for near-miss eyes, and snap zooms out to show full body. Slow panning or stable medium shots are prohibited.\n... [Description follows with complex camera choreography, speed ramping at 40%, and a shuriken throwing sequence with counter-orbit camera tracking] ...\nFinal shot: Hard cut to low-angle over-the-shoulder wide shot behind female: her back, ponytail, and sword hand on the left foreground, male stands 20m away on the opposite roof. Both in low-stance alert, staring at each other. Camera pushes quickly behind female and abruptly slows to full stability for the final 0.3s.\nProhibit stable shots longer than 0.5s except for the end. No magic, no teleporting, no blood, no lens water film, no anime style.", "description": "", "author": "Issei", "authorUrl": "https://x.com/Flkrstudio", "sourceUrl": "https://x.com/Flkrstudio/status/2086138432494166421" }, { "id": "seedance-332", "title": "T-Rex Airport Security Comedy", "category": "animation", "prompt": "Hyper-realistic cinematic comedy sequence, 15 seconds, aspect ratio 16:9.\n\nat a modern airport security checkpoint. One full-size T-rex only. The setting is simple and clear: metal detector arch, conveyor belt scanner, plastic trays, rope barriers, security table, and a moving baggage belt. The mood is ridiculous, realistic, and funny.\n\nThe goal is simple: the T-rex is trying very hard to act like a normal polite traveler and get through airport security, but everything goes wrong.\nThe action starts with the T-rex standing seriously at the checkpoint, trying to cooperate. It carefully puts tiny sunglasses and one absurdly small purse into a plastic tray with its tiny claws. Then it steps through the metal detector.\n\nInstantly every alarm goes off. Red lights flash. The T-rex freezes in shame. It slowly raises its tiny arms and tries to look innocent. A security wand is waved near it and the beeping gets even worse. The T-rex turns awkwardly, trying to stay calm and dignified, but its tail knocks over the rope barrier and its head bumps the detector frame.\n\nThen comes the punchline. On the baggage scanner screen, the tiny purse reveals something impossible inside: a second even tinier T-rex sitting in the bag wearing sunglasses. Everyone freezes. The main T-rex turns and looks at the screen in total panic.\nEnd with the tiny purse T-rex popping its head out of the bag and giving a smug little roar while the big T-rex looks completely busted.\n\nStyle: hyper-realistic, cinematic, hilarious, absurd but believable visual comedy, one main dinosaur only, airport security setting, one strong joke with a final payoff, metal detector alarms, tiny purse, surprise mini T-rex reveal at the end, clear readable comedy action, no gore, no horror, no text, no logos, no cartoon style, no slow motion, no famous celebrity faces, no recognizable actors, no movie-star resemblance. Keep proportions. Keep style and features. Aspect ratio 16:9.", "description": "", "author": "DeCat", "authorUrl": "https://x.com/DeCat2025", "sourceUrl": "https://x.com/DeCat2025/status/2086134168992236013" }, { "id": "seedance-333", "title": "Intense Baji Quan Kung Fu Sequence", "category": "action", "prompt": "A 15-second intense kung fu sequence. A fighter takes a deep stance in an ancient courtyard. The camera orbits smoothly as he performs a rapid Baji Quan form—elbow strikes, low kicks, and explosive palm thrusts. Leaves swirl aggressively around his feet with each step. He finishes with an explosive forward punch, sending a visible sonic boom wave that blows back the dirt and trees in front of him.", "description": "", "author": "新手老兵🇭🇰Web3gamer", "authorUrl": "https://x.com/Langby2", "sourceUrl": "https://x.com/Langby2/status/2086111042351022434" }, { "id": "seedance-334", "title": "Kung-Fu Revenge Duel in Snowy Temple", "category": "action", "prompt": "Ultra-realistic original stylized kung-fu revenge duel in a snow-covered temple courtyard at blue twilight. \n\n0–4s: wide shot of a silent courtyard covered in white snow and scattered petals, a female swordswoman and a tall white-robed assassin face each other motionless beneath bare trees, slow orbit, visible breath, calm before impact. \n4–9s: sudden violent exchange, both fighters sprint forward and collide in a blur of steel, whipping robes, sharp foot pivots, fast parries, low sweeps, elegant spins, snow blasting upward with every movement, camera tracks and circles tightly around them. \n9–15s: the assassin launches a final overhead strike, she steps inside the attack, traps the blade, turns sharply, and delivers a clean finishing cut in one fluid motion. He remains standing for a second as snow falls, then drops to his knees and falls backward into the white courtyard. End on her breathing hard, sword lowered, red fabric fluttering in the cold wind.", "description": "", "author": "Pierrick Chevallier | IA", "authorUrl": "https://x.com/CharaspowerAI", "sourceUrl": "https://x.com/CharaspowerAI/status/2086105326978281608" }, { "id": "seedance-335", "title": "Immortal Swordmaster Spectral Dragon Strike", "category": "cinematic", "prompt": "A continuous 15-second cinematic shot. An immortal swordmaster stands atop a misty cliff. He slowly draws a glowing blue ancient sword. The camera smoothly orbits around him as shimmering spirit particles swirl into the air. He steps forward, executes a fluid 3-step sword sequence, and thrusts his blade forward. A colossal spectral dragon formed of blue energy bursts from the sword tip, flying across the canyon and tearing through the clouds into the distant sunset.", "description": "", "author": "新手老兵🇭🇰Web3gamer", "authorUrl": "https://x.com/Langby2", "sourceUrl": "https://x.com/Langby2/status/2086099681537654814" }, { "id": "seedance-336", "title": "Comical Martial Arts Punch Scene", "category": "general", "prompt": "A comical scene where the character in Image 1 is punched by the character in Image 2 the moment he gets distracted by a cute girl during training. \nCut 1: Image 1 and Image 2 facing each other. A scene full of tension. \nCut 2: Close-up of Image 2's face on the left of the screen. Only half the face is visible. From Image 2's face, the camera focus shifts to the female character in Image 3 walking behind Image 2. \nCut 3: Close-up of the character in Image 1. His silly, distracted face as he is mesmerized by the female character. The female character is not shown on screen. \nCut 4: Close-up of Image 2's fist. Image 2's character swings down to punch Image 1's character. Only the fist and arm of Image 2's character are visible on screen. \nCut 5: Close-up of the silly Image 1 character from Cut 3. Image 2's fist strikes the side of his cheek, Image 1's character's face distorts around the point of impact, and he is immediately blown away (disappears from the screen) by the fist. \nCut 6: A camera very close to the ground follows the character from Image 1 in a comical scene as he bounces along the ground while rotating horizontally (around the X-axis). The camera follows him. \nCut 7: From the mouth of the character in Image 1, who has finally stopped, something like a white soul comes out.", "description": "", "author": "咲山(AIイラスト・AI動画垢)", "authorUrl": "https://x.com/z933TfmXkaISSVc", "sourceUrl": "https://x.com/z933TfmXkaISSVc/status/2086098834628006111" }, { "id": "seedance-337", "title": "Romantic Bedroom Selfie Vlog", "category": "ugc", "prompt": "Ultra-realistic cinematic vertical video, 10 seconds. A beautiful young Korean woman enjoys a dreamy romantic evening alone in her softly decorated bedroom, wearing an oversized cream-white T-shirt. Warm fairy lights, a small bedside lamp, delicate flowers, and cool moonlight create an intimate cinematic atmosphere. Filmed entirely through natural handheld smartphone selfies.\\n\\nShot 1 (0–2s): Close front selfie. She stands beside the window, slowly turns from the view toward the camera, smiles softly, and gently touches her hair.\\n\\nShot 2 (2–4s): High-angle selfie on the bed. She hugs a fluffy pillow, rests her chin on it, then gives the camera a playful little smile.\\n\\nShot 3 (4–6s): Mirror selfie. She walks slowly toward the full-length mirror surrounded by fairy lights, looks at herself, then gives a subtle wink.\\n\\nShot 4 (6–8s): Side selfie. She picks up a small bouquet from the bedside table, smells the flowers, then looks at the camera and quietly laughs.\\n\\nShot 5 (8–10s): Front close-up. She sits comfortably against the headboard, makes a tiny finger-heart, holds it for a moment, then finishes with a gentle genuine smile as the camera slowly pulls back.\\n\\nStyle: Ultra-photorealistic Korean beauty, authentic smartphone selfie vlog, natural handheld movement, realistic blinking, subtle breathing, lifelike hair and fabric simulation, warm fairy lights, soft moonlight, cinematic bokeh, intimate romantic bedroom aesthetic, premium film grading, 24fps, 8K.", "description": "", "author": "Aqsa", "authorUrl": "https://x.com/Aqsahere_", "sourceUrl": "https://x.com/Aqsahere_/status/2086075346995048592" }, { "id": "seedance-338", "title": "Xianxia Heavenly Gate Side Door Comedy", "category": "talking-head", "prompt": "[Generation Mode]\nSeedance 2.0\n\n[Style]\nCinematic xianxia aesthetic, dry character comedy, monumental architecture, warm sunrise. Core twist: the discrepancy between grand scale and practical function.\n\n[References]\nUse @Image1–@Image4 for location. Maintain the giant gate, cloud city, and vertical scale.\n\n[Characters]\nID A | Senior Disciple: 25–30 year old East Asian, white silk hanfu, silver flying sword.\nID B | Junior Disciple: 20–25 year old East Asian, green linen hanfu.\n\n[Shot Design]\nShot 1 | 0-5s | Wide shot: Aerial push towards the closed massive gate.\nShot 2 | 5-10s | Medium shot: Senior disciple rides her flying sword, makes a sword arc, and commands: \"Gate, open.\" The gate slowly opens with a deep rumble.\nShot 3 | 10-15s | Close-up: Senior lands proudly in front of the main gate. Camera pans to reveal Junior has already walked through a small side door. Junior says: \"Senior, the side door was always open.\" Senior sheathes her sword and replies calmly: \"The main gate is more dignified.\" A temple bell rings in the distance.", "description": "", "author": "Soran", "authorUrl": "https://x.com/Soranlan", "sourceUrl": "https://x.com/Soranlan/status/2086061240455991714" }, { "id": "seedance-339", "title": "Epic Fantasy Anime Dragon Battle", "category": "animation", "prompt": "High-quality anime footage. High-density 3D toon/cel-look. Cinematic high-fantasy action set in a rainy magic city. A pink-haired girl mage intercepts a giant black dragon's fire breath with a magic shield, teleports to the side using the counterforce, and fires a high-output beam from a convergence gate on her right palm, causing the dragon to crumble into black ash and magic particles.\n[Character Identity and Role of Reference Images]\nimage1 is the top priority reference for the protagonist's face and identity. Maintain a soft oval young face, small chin, large blue-violet to purple-pink eyes, multi-layered iris with white highlights, delicate eye area, long coral pink twin-tails, light bangs, lavender flowers on both sides, and black-purple ribbons with gold decorations throughout.\nimage2 is the reference for the protagonist's outfit, decorations, full-body design, and equipment. Maintain a slender and small build, navy-to-purple gold-trimmed cape, white frill blouse, black-purple corset, purple multi-layered pleated skirt, white knee-highs, dark purple boots with metal fittings, waist belt, amethyst crystals, magic potions, and a magic book with gold decorations.\nIf references conflict, prioritize image1 for the face, eyes, and hair ornaments, and image2 for the outfit, build, and equipment. The two images are only for appearance; do not bring background, composition, poses, white background, or layout lines into the video.\nOnly allowed changes are focused expressions, eye direction, breathing, combat stance, and natural movement of hair/cape/skirt. Do not allow face averaging, feature mixing, outfit changes, equipment multiplication, or additional characters.\n[Art Style: High-Density 3D Toon/Cel-Look]\nThis style does not override character identity. Fine, delicate colored outlines. Clear two-to-three-stage cel shading and transparent intermediate shadows on the face, hair, and outfit. Multi-layered highlights on eyes and hair. Use pink, lavender, navy, purple, and gold as the main color axis for the protagonist. Distinctly depict cloth, frills, leather, metal, amethyst, wet stone, and glass with different reflections. Theatrical-grade key animation, high-quality compositing, and dense background art. For magic, use high-brightness graphic VFX, volumetric light, additive emission, and directional motion blur. Avoid thick black outlines, flat single-layer shadows, or low-density plastic CG looks.\n[Equipment and State Transitions]\nOnly one magic book. Maintain the same binding and thickness throughout. Open it with the left hand only in Cut 1, close it and return it to the waist holder in Cut 2. Keep amethyst crystals and potions attached to the belt. All attacks come from the right palm, not the book. Do not introduce new items not in image2.\n[Black Dragon Fixing]\nOnly one giant black four-legged winged dragon, about four times the protagonist's height. One head, two horns, two glowing blue-white eyes, a continuous neck and torso, four legs with three claws each. One pair of wings continuous from the back bones. One tail branching from the lower back to the tip. The impact point is a single point on the chest scales. No extra heads, legs, or wings.\n[Setting]\nA massive magic city after the rain. Grand avenues of wet obsidian and blue-gray stone, shallow puddles, ancient cracks, and crumbling arch bridges. Surrounded by soaring magic towers, spires, floating turrets, and giant crystal pillars. City lighting is cyan, royal blue, violet, and purple. Keep background light one step darker than the protagonist to highlight her pink, lavender, and gold colors. No readable text; only abstract geometric patterns glowing faintly on stone and crystal surfaces.\n[Space and Continuity]\nCuts 1-2: Protagonist in the left foreground, dragon in the right middle ground. Attack axis is a diagonal from back-right to front-left.\nCut 2: Teleportation through a magic gate momentarily swaps left-right positioning once.\nCuts 3-6: Protagonist in the right foreground, dragon in the left background. Align the right palm, gate center, beam, and dragon's chest in a straight line. Do not swap left-right positions after this.\nIn adjacent cuts, change at least two of the following: camera height, distance to protagonist, character size, or vanishing axis. Use camera movement to show contact, force, or space, not as a substitute for character movement. Maintain natural acceleration and parallax.\nCut 1: Fire Breath and Shield\nBlack dragon is in the right background. Steps into the stone floor, pulls neck back, chest swells, and throat glows orange-purple.\nProtagonist is in the left foreground. Opens the magic book with the left hand and thrusts the right palm forward. Three layers of magic shields with white cores, cyan outer light, and purple-pink edges expand and counter-rotate at different speeds.\nAs the dragon swings its neck down, orange-purple fire breath travels straight from right-back to left-front, evaporating puddles. The fire splits around the shield and flows backwards. The impact causes the shield layers to flex and glow outward in a chain reaction.\nThe counterforce pushes back through the protagonist's palm, wrist, elbow, shoulder, and hips; her back foot scrapes the wet stone. Hair, flowers, cape, and skirt billow back with a time delay.\nThe camera moves from a low position along the fire axis towards the protagonist's rear-diagonal, keeping the shield, hands, profile, and dragon head in view.\nCut 2: Counterforce to Teleport\nThe protagonist pushes back the flexed front shield with her right palm, channeling the force into a right hip rotation. She closes the book with her left hand and returns it to the holder.\nAt the same moment, the pushed shield expands into a large arc that crosses the lens as a full-screen wipe.\nWhen the arc clears, the protagonist appears on a crumbling arch bridge to the dragon's left. Show the landing through ground contact, knee compression, hip drop, and trailing cape/hair.\nThe dragon remains in its post-fire pose, beginning to turn its neck and eyes toward the new position.\nThe camera changes axis during the full-screen wipe, dropping from a high rear-diagonal to a lower three-quarter view.\nCut 3: Convergence Gate\nProtagonist's chest-up close-up. From a diagonal front view, the camera turns gently about 15 degrees around the face", "description": "", "author": "mayv@簡単プロ級プロンプト公開中！", "authorUrl": "https://x.com/haruuraeadss", "sourceUrl": "https://x.com/haruuraeadss/status/2086055542083207584" }, { "id": "seedance-340", "title": "Morning Routine Vlog Aesthetic", "category": "ugc", "prompt": "Ultra-realistic cinematic vertical video, 10 seconds. A beautiful young Korean woman enjoys a peaceful slow morning in her cozy bedroom, wearing an oversized cream-white T-shirt. Soft golden sunlight enters through sheer curtains, creating a fresh dreamy atmosphere. Natural smartphone selfie vlog aesthetic.\nShot 1 (0–2s): Close selfie beside the window. She opens the curtain slightly, squints gently at the sunlight, then smiles at the camera.\nShot 2 (2–4s): High-angle selfie sitting on the bed. She stretches her arms naturally, yawns softly, then laughs at herself.\nShot 3 (4–6s): Mirror selfie. She casually fixes her messy hair while looking at her reflection, then turns the phone toward herself with a relaxed smile.\nShot 4 (6–8s): Side selfie at the desk. She picks up a warm cup of coffee, takes a small sip, and looks toward the camera with sleepy morning eyes.\nShot 5 (8–10s): Front close-up. She sits by the window holding the cup with both hands, smiles warmly, and slowly lowers the phone.\nStyle: Ultra-photorealistic, natural Korean beauty, realistic smartphone camera, subtle handheld motion, authentic morning expressions, soft sunlight, realistic skin texture, lifelike hair, shallow depth of field, cinematic color grading, 24fps, 8K.", "description": "", "author": "𝗦𝗮𝗻𝗶𝗮", "authorUrl": "https://x.com/saniaspeaks_", "sourceUrl": "https://x.com/saniaspeaks_/status/2086055156127592779" }, { "id": "seedance-341", "title": "Xianxia Comedy Needle Search Magic", "category": "talking-head", "prompt": "[Generation Mode]\n\nSeedance 2.0\n\n[Video Specs]\n\nStrict 15-second total duration, 16:9 widescreen, three clean and clear shots.\n\n[Overall Style]\n\nCinematic realistic texture, pure traditional Chinese Xianxia aesthetics, restrained deadpan comedy, classical martial arts spatial staging, early morning cold fog, warm rim lighting, low-saturation ivory white, jade green, and weathered steel tones, plus fine film grain. The core twist uses 'scale misdirection': the audience is first led to believe a serious weapon-related event is occurring, only for it to be revealed that the grand immortal technique was merely used to find the world's smallest 'weapon'. Optimized for Seedance 2.0's character consistency from reference images, prop motion continuity, multi-shot narrative, native Mandarin dialogue, and synchronized spatial audio.\n\n[Scene Setting]\n\nQuiet mountain gate weapons courtyard, gray stone slab floor, wooden sword rack, strictly maintaining six sheathed long swords, a bronze weapon rack, bamboo shadows, slowly rising incense smoke, an old pine tree, and distant tiled roof halls, establishing a clear and stable spatial relationship.\n\n[Characters]\n\nCharacter ID A | Senior Sister Immortal\n\nSenior Sister @Image 1, East Asian female aged 25–30, oval face, fair skin, dark almond eyes, long black hair half-tied with a white jade hairpin, tall and slender, wearing white embroidered silk Hanfu, translucent wide sleeves, silver waistband, jade pendant, and white cloth boots.\n\nCharacter ID B | Junior Sister\n\nJunior Sister @Image 2, East Asian female aged 20–25, round and lively face, black hair in braids, petite, wearing teal green Hanfu, dark belt, wooden hairpin, and black cloth shoes.\n\n[Core Props]\n\nWooden sword rack, six sheathed long swords, bronze weapon rack, tiny silver embroidery needle.\n\n[Shot 1 | 0-5s | Low-angle Full Shot, Slow Tracking]\n\nQuiet mountain gate weapons courtyard... The same Junior Sister is anxiously looking down at the stone slab gaps; the same Senior Sister approaches calmly.\n\n[Shot 2 | 5-10s | Medium Cowboy Shot, Slow Orbit]\n\nThe same Senior Sister in white embroidered silk Hanfu raises two fingers and says calmly: 'Every piece of iron has a voice; nowhere to hide.'\n\nThe same six sheathed swords vibrate one by one in sequence, metal resonance rising in layers; dust on the ground trembles, bamboo leaves are moved by the breeze, and a tiny silver embroidery needle hidden among the grass by the stone slab also begins to emit a faint hum.\n\n[Shot 3 | 10-15s | Medium Shot following into Extreme Close-up]\n\nThe same Senior Sister turns slowly, letting the same tiny silver needle rise steadily from the ground, fly between her two fingers, and then hands it to the same Junior Sister.\n\nThe grand background music stops instantly.\n\nJunior Sister looks down at the needle, stunned, and says: 'Senior Sister... all this grand display, just to find a needle?'\n\nSenior Sister's expression remains unchanged as she replies calmly: 'Weapons do not distinguish by size.'\n\nExtreme Close-up: Behind her, the same six long swords emit a solemn and short metallic hum in agreement.\n\n[Technical Requirements]\n\nStable facial features and clothing, realistic and natural movement for metal vibration, silk fabric, hair, dust, smoke, and the silver needle. No subtitles, only the two visible characters throughout.\n\n[Negative Prompts]\n\nblurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, background shift, glitching cuts, disappearing props", "description": "", "author": "Soran", "authorUrl": "https://x.com/Soranlan", "sourceUrl": "https://x.com/Soranlan/status/2086048952202178717" }, { "id": "seedance-342", "title": "Minimalist Fashion City Walk", "category": "product-ad", "prompt": "Ultra-realistic cinematic fashion film of a beautiful young woman confidently walking through a luxurious modern downtown city during golden hour. She wears a crisp oversized white shirt with neatly rolled sleeves, elegant tailored white straight-leg pants, and premium clean white sneakers. Her styling is minimalist and sophisticated. She wears absolutely no earrings, no ear jewelry, no ear cuffs, no nose ring, no bracelets, no watch, and no rings. Her ears are completely bare and clearly visible. Only a thin, elegant gold necklace is allowed. Her long silky black hair flows naturally in the wind, and she wears stylish black sunglasses with a calm, confident expression.\n\nScene 1 (0–2s): Extreme close-up of her white sneakers stepping confidently across a clean city street. Warm golden sunlight reflects beautifully on the pavement. Cinematic footstep sounds.\n\nScene 2 (2–4s): The camera slowly tilts upward from her feet to reveal her elegant all-white outfit. Her hair gently moves in the breeze while sunlight creates a soft golden glow around her.\n\nScene 3 (4–6s): Smooth front tracking shot as she walks directly toward the camera with effortless confidence. Modern glass skyscrapers, luxury boutiques, palm trees, and stylish architecture surround her. Luxury cars pass naturally in the background.\n\nScene 4 (6–8s): Slow-motion cinematic sequence. A few pedestrians naturally glance at her as she walks by, impressed by her elegant presence without exaggeration. The city feels alive with realistic movement and atmosphere.\n\nScene 5 (8–10s): The camera smoothly circles around her in a dramatic 360-degree orbit while the sunlight reflects from the surrounding glass buildings. She lightly adjusts her sunglasses and continues walking with confidence.\n\nScene 6 (10–12s): A cinematic drone pulls back and rises above the street, revealing a breathtaking skyline filled with modern skyscrapers while she continues walking forward through the center of the road. The video ends with a luxurious fashion-commercial aesthetic.\n\nUltra-realistic, photorealistic, luxury fashion editorial, Vogue campaign style, premium lifestyle commercial, HDR, realistic skin texture, realistic clothing physics, natural hair movement, soft golden-hour lighting, shallow depth of field, smooth gimbal camera movement, cinematic color grading, anamorphic lens flare, 8K, masterpiece, ultra-detailed, highly realistic, 24fps, film-quality visuals.", "description": "", "author": "Alina Ai", "authorUrl": "https://x.com/Alina_with_Ai", "sourceUrl": "https://x.com/Alina_with_Ai/status/2086044888278479126" }, { "id": "seedance-343", "title": "Urban Action Pursuit Sequence", "category": "action", "prompt": "Create a 15-second ultra-realistic cinematic action sequence set in a real-world environment. Everything must obey real-world physics: realistic gravity, momentum, inertia, acceleration, friction, weight, collisions, balance, impact forces, wind resistance, and natural human movement. No supernatural abilities, impossible stunts, floating objects, teleportation, rubbery motion, or unrealistic physics.\n\nVisual Style: Photorealistic live-action, authentic human proportions, realistic skin and clothing, natural lighting, physically accurate shadows and reflections, realistic environmental interaction, subtle handheld camera movement, natural motion blur, cinematic depth of field, high-end movie cinematography, ARRI-style digital cinema look, 4K HDR.\n\nSHOT 1 — 0:00–0:03 | Tension\n\nA realistic urban street at dusk after light rain. A fit adult man in practical dark clothing runs around a parked vehicle while looking behind him. His shoes realistically grip the wet pavement, water splashes under every step, clothing reacts naturally to his movement and wind. Camera follows from a low handheld tracking angle.\n\nSHOT 2 — 0:03–0:06 | Pursuit\n\nCut to a wider side angle. The man crosses the street while another adult man follows several meters behind. Both maintain believable running speed, acceleration, balance, and foot placement. A vehicle approaches and brakes naturally at a safe distance, tires producing realistic water spray. No impossible near-misses.\n\nSHOT 3 — 0:06–0:09 | Obstacle\n\nThe first man reaches a waist-high metal barrier. He slows slightly, plants one foot firmly, uses both hands, and climbs over it with realistic body weight and momentum. His clothing stretches naturally. The camera moves alongside him with subtle motion blur.\n\nSHOT 4 — 0:09–0:12 | Close Action\n\nThe pursuer catches up. The two briefly struggle in a realistic, controlled physical confrontation. One pushes the other backward. The pushed character loses balance naturally, takes several steps backward, catches himself against a wall, and regains his footing. Show realistic contact, reaction, inertia, and weight transfer. No exaggerated superhero movements.\n\nSHOT 5 — 0:12–0:15 | Escape\n\nThe first man breaks away and runs toward a nearby underground entrance. He descends the stairs quickly but carefully, using the handrail for balance. Camera follows from behind, then cuts to a low-angle shot as he disappears into the entrance. End with the pursuer stopping several meters away, breathing heavily, while rain continues falling.\n\nCAMERA & EDITING:\nUse 5 distinct cinematic shots with natural continuity. Mix low-angle tracking, side tracking, wide establishing shots, close action coverage, and handheld pursuit footage. Camera movement must have realistic inertia and operator movement. No impossible camera acceleration or floating-camera behavior.\n\nPHYSICS & REALISM PRIORITY:\nEvery movement must follow real-world physics. Objects have believable mas", "description": "", "author": "Ruzaina", "authorUrl": "https://x.com/RuzainaMeer", "sourceUrl": "https://x.com/RuzainaMeer/status/2086023783219859680" }, { "id": "seedance-344", "title": "Leviathan Protocol Ocean Battle", "category": "nature-drone", "prompt": "reference_lock:\\nmain_character:\\nsource: \"@Image1\"\\ncontext: \"face reference\"\\ninstructions:\\n- preserve exact face, hairstyle, facial structure, outfit silhouette, and body proportions\\n- single character only, no duplicates\\n- realistic human anatomy\\n\\nsea_monster:\\nsource: \"@Image2\"\\ncontext: \"sea monster reference\"\\ninstructions:\\n- preserve exact anatomy, silhouette, scale, translucent water body, and vortex core\\n- no mutation or redesign\\n- realistic movement weight\\n\\nvisual_style:\\nrendering: \"Photorealistic CGI, ultra-detailed ocean simulation, cinematic realism, natural motion blur\"\\ncolor_palette: [steel blue, charcoal gray, deep ocean black, cold white]\\natmosphere: \"Violent storm ocean, heavy mist, crashing waves, whirlpools, spray, fog, destruction\"\\n\\nenvironment:\\nlocation: \"Massive open storm ocean beneath dark overcast skies\"\\nelements:\\n- violent waves\\n- rotating vortices\\n- airborne mist and spray\\n- collapsing wave walls\\n- large whirlpools\\n\\nsubjects:\\nhero:\\ndescription: \"Tactical airborne hero based on @Image1 wearing a black tactical jacket\"\\nmotion: \"Realistic flight inertia, fabric and hair movement, dynamic stabilization\"\\n\\ncolossus:\\ndescription: \"Massive humanoid sea entity based on @Image2\"\\nstructure:\\n- translucent ocean-water body\\n- internal vortex currents\\n- turbulent water circulation\\n- gigantic whirlpool lower body\\ninteraction: \"Massive splashes, runoff, mist displacement, wave turbulence\"\\n\\nphysics:\\n- realistic ocean and splash physics\\n- flight inertia and momentum\\n- dynamic mist and cloth movement\\n- vortex pressure distortion\\n- heavy collision force\\n- airborne water particles\\n\\nsequence_timeline:\\n- shot: \"SHOT 01 — THE APPROACH\"\\n camera: \"Rear tracking shot above violent waves\"\\n action: \"Hero accelerates toward the distant Colossus as spray and mist trail behind; creature rapidly grows larger\"\\n\\n- shot: \"SHOT 02 — THE ENGAGEMENT\"\\n camera: \"Wide orbital tracking shot\"\\n action: \"Hero performs aggressive evasive maneuvers around the Colossus as massive water arms strike the ocean\"\\n\\n- shot: \"SHOT 03 — THE CHARGE\"\\n camera: \"Medium aerial tracking shot\"\\n action: \"Hero rapidly ascends into storm clouds, stops mid-air, and charges a concentrated energy attack\"\\n\\n- shot: \"SHOT 04 — THE STRIKE\"\\n camera: \"Fast first-person dive into the Colossus core\"\\n action: \"Hero crashes into the vortex center, triggering a massive ocean explosion, shockwave, and vortex implosion\"\\n\\n- shot: \"SHOT 05 — THE AFTERMATH\"\\n camera: \"Extreme aerial wide shot\"\\n action: \"Hero hovers above the battlefield as massive ripple waves expand and the storm gradually stabilizes\"\\n\\nnegative_prompt:\\n- low quality\\n- blurry or washed-out image\\n- unrealistic water or waves\\n- character or creature inconsistency\\n- changing face or hairstyle\\n- duplicates or extra limbs\\n- broken anatomy\\n- unstable proportions\\n- incorrect vortex\\n- unrealistic movement or physics\\n- weak splash interaction\\n-", "description": "", "author": "ÀBDŪLLÂH", "authorUrl": "https://x.com/itxabdullaa", "sourceUrl": "https://x.com/itxabdullaa/status/2086020754135519452" }, { "id": "seedance-345", "title": "Premium K-Pop Music Video", "category": "talking-head", "prompt": "Style: Premium K-pop music video, cinematic, ultra-realistic, luxury beauty commercial aesthetics, fast-paced editing, IMAX-quality cinematography, dynamic camera movement, dramatic stage lighting, crisp skin details, soft beauty lighting, no dialogue, high-energy K-pop instrumental, 4K HDR.\n\nCharacter: STRICT FACE LOCK — Use the exact facial features from the reference image without any changes. Maintain the same eye color, face shape, nose, lips, freckles, hairstyle, hair color, skin tone, and identity throughout every shot.\n\n0:00–0:03 | Glam Room\n\nExtreme close-ups of makeup brushes sweeping across her cheeks, eyeliner being applied, lipstick touch-up, hair stylist fixing loose strands, earrings clipped on. Camera rapidly cuts between macro beauty shots, mirror reflections, makeup products, and confident eye contact. Flash transitions sync with the beat.\n\n0:03–0:07 | Backstage Energy\n\nShe confidently walks through a busy backstage corridor while stylists, dancers, and crew rush past. A stylist adjusts her jacket mid-walk, another hands her a microphone. Fast tracking shots, whip pans, low-angle hero shots, dramatic blue and pink lighting, quick slow-motion hair flip before continuing forward.\n\n0:07–0:11 | Stage Entrance\n\nThe countdown reaches zero. Massive LED screens illuminate. She grabs the microphone, takes a deep breath, and confidently walks through giant stage curtains. Powerful backlight silhouettes her as smoke cannons fire and the crowd erupts. The camera circles around her in one smooth cinematic motion before revealing the huge arena.\n\n0:11–0:15 | Main Character Moment\n\nShe steps to center stage beneath dazzling spotlights. Wind machines lift her hair as confetti begins to fall. She strikes a powerful idol pose, makes direct eye contact with the camera, and gives a confident smile. The camera rapidly pulls back to reveal thousands of glowing light sticks filling the stadium before cutting to black on the final beat.", "description": "", "author": "Sophia", "authorUrl": "https://x.com/sophiaparkerr_", "sourceUrl": "https://x.com/sophiaparkerr_/status/2086016633479520749" }, { "id": "seedance-346", "title": "Authentic Mountain Cycling Vlog", "category": "talking-head", "prompt": "[Style] Authentic Cycling Vlog, mix of action cam + phone front cam + car tracking, 4K Photorealistic, overcast soft light, skin with sweat and real pores, no beauty filters, vertical 9:16\n\n[Duration] 30 seconds\n\n[Scene] Post-rain mountain road, wet surface with reflections, metal railings, distant mountains with moving clouds, water droplets on roadside greenery\n\n[Character] Female cyclist (white helmet, blue mirror glasses, dark grey jersey with city print, red shorts with white side seams, pink sports watch, black carbon road bike)\n\n[Glasses Rule] Glasses worn only during full-speed riding (Shots 2, 5, 6); parked or selfie shots (Shots 1, 3, 4, 7, 8) have glasses on the helmet forehead, fully exposing face and eyes\n\n[Global Constraints] Same outfit throughout; sweat increases over time; hands only on handlebars/phone; no third hands or other cyclists\n\n[00:00-00:04] Shot 1: Ground-level Low Angle\nExtremely low机位. Wet asphalt bottom. She stops, one foot down, glasses on helmet. She looks at the camera and smiles. Actions: Puts on glasses, clips into pedals, starts riding through a puddle. SFX: Pedal click, chain movement, tire water splash.\n\n[00:04-00:08] Shot 2: Car-to-car Side Tracking\nParallel tracking shot. Full body in view. Leaning low, pedaling hard, glasses on. Speed lines from passing railings and clouds. Detail: First sweat appearing, small sweat patch on jersey back.\n\n[00:08-00:12] Shot 3: Front Camera Selfie POV\nHandheld phone view. Stopped at roadside, foot down, glasses pushed to helmet. Action: Grins and breathes heavily, says something to camera, then turns camera to show the scenery before turning back. Detail: Shiny sweat on forehead, visible wind blowing hair, realistic handheld shake and wind noise.\n\n[00:12-00:16] Shot 4: 360 Action Cam / Invisible Selfie Stick\nFish-eye distortion, invisible stick. She's parked, glasses on forehead. Camera circles her once. Action: Looks up at camera, makes a \"let's go\" gesture. Detail: Fine sweat on arms, sweat ring under watch strap.\n\n[00:16-00:20] Shot 5: Handheld Close-up / Uphill\nSide close-up of face and shoulders. Steep climb, glasses on, pedaling slow and heavy. Action: Gritted teeth, rocking the bike, heavy breathing, neck veins visible. Sweat drop slides down temple. Detail: Jersey soaked through, helmet strap sweat marks, glasses slightly fogged.\n\n[00:20-00:23] Shot 6: Handlebar POV / First-person\nFixed handlebar view showing bike, cycling computer, and hands. Action: Speeding down curves, leaning into turns, splashing through puddles. Finger presses brake. Heavy wind noise and motion blur.\n\n[00:23-00:27] Shot 7: Static Medium Shot\nBike leaning on railing. She gets off, removes helmet, glasses hanging from fingers, wipes sweaty hair back. Action: Drinks water, water spills down neck, wipes chin, long sigh. Detail: Helmet hair, red flushed face, goggle marks around eyes, sweat lines on collarbone.\n\n[00:27-00:30] Shot 8: Low Angle Pull-back\nLow angle looking up. Re-wears helmet, glasses on forehead. Stands by bike, giving a peace sign, smiling while breathing. Mountains and clouds behind. Camera pulls back slowly. SFX: Chain sound, shifting, heavy breathing, wind noise only at the end.", "description": "", "author": "John", "authorUrl": "https://x.com/johnAGI168", "sourceUrl": "https://x.com/johnAGI168/status/2086014766846275817" }, { "id": "seedance-347", "title": "The Girl Who Woke the Moon Fantasy Short", "category": "nature-drone", "prompt": "30-second cinematic fantasy short film, multi-shot sequence, continuous visual storytelling.\nA mysterious young girl walks alone through an ancient forest at midnight, carrying a tiny antique lantern that flickers with an unusual silver light.\n\n0–5 sec: Wide establishing shot. The girl walks through enormous ancient trees covered in glowing blue moss. Moonlight filters through the branches. Her footsteps disturb tiny floating fireflies that rise around her. Slow cinematic tracking shot from behind.\n\n5–10 sec: She discovers a perfectly circular stone pool hidden between the trees. The water is completely still, reflecting the moon. She kneels and gently places her lantern beside the pool. The silver flame suddenly grows brighter.\n\n10–16 sec: Close-up of the water. Ripples spread outward even though there is no wind. The reflection of the moon begins to crack like glass. A deep magical vibration fills the forest. The girl slowly looks upward in disbelief.\n\n16–22 sec: The moon above the forest suddenly transforms into a gigantic glowing silver flower, unfolding petal by petal in the night sky. Thousands of luminous particles rain gently through the trees. The girl’s cloak and hair move naturally in the magical wind.\n\n22–27 sec: From the glowing moon-flower, a majestic translucent white stag slowly descends through the mist and lands silently beside her. Its antlers resemble branches filled with tiny stars. The girl reaches toward it, emotional and amazed.\n\n27–30 sec: The stag touches its nose to her hand. Instantly, every dead tree in the forest blooms with glowing white flowers. Camera rapidly pulls upward into a breathtaking aerial view of the entire enchanted forest illuminated beneath the enormous moon-flower.\n\nVisual style: ultra-realistic cinematic fantasy, magical realism, premium Hollywood fantasy cinematography, 35mm anamorphic lens, realistic skin and fabric texture, detailed ancient forest, volumetric moonlight, atmospheric fog, dreamy bokeh, subtle film grain, natural motion, realistic physics, rich environmental detail, dramatic lighting, elegant color contrast between deep blue night and silver magical light.\n\nCamera: cinematic tracking shots, slow push-ins, macro detail shots, low-angle reveal, controlled crane movement, final aerial pullback. No static slideshow feeling. Smooth transitions between shots.\n\nAudio: quiet nighttime forest ambience, distant wind, subtle magical chimes, soft footsteps, low mystical rumble during the moon transformation, orchestral crescendo during the stag reveal, ending with a gentle emotional musical note.\n\nPerformance: natural facial expressions, genuine curiosity turning into awe, subtle breathing and blinking, restrained cinematic acting.\n\nEnding: mysterious, emotional, visually spectacular — the feeling that the girl has just awakened an ancient magic that has been sleeping for centuries.", "description": "", "author": "Snow", "authorUrl": "https://x.com/iamrealsnow", "sourceUrl": "https://x.com/iamrealsnow/status/2086005589789040684" }, { "id": "seedance-348", "title": "Audi A7 Morning Commute Commercial", "category": "product-ad", "prompt": "Create a 15-second cinematic realistic video of a young professional woman commuting to work in the morning in her black 2025 Audi A7.\n\n0–4 seconds: Show the woman dressed professionally for the office, driving her glossy black Audi A7 through a modern city/suburban road in the morning. Cinematic tracking shots of the car, dashboard, and her focused expression.\n\n4–7 seconds: The car suddenly begins losing power. She looks concerned and checks the fuel gauge, which is on empty. The Audi smoothly pulls over and stops safely at the roadside.\n\n7–10 seconds: She gets out of the car, looks frustrated but composed, and realizes she has run out of petrol. She takes out her phone and locates the nearest petrol station.\n\nStyle: Photorealistic, premium automotive commercial, cinematic lighting, realistic facial expressions, smooth camera movements, natural morning lighting, shallow depth of field, detailed black Audi A7, realistic road and petrol station environment, seamless transitions, 16:9, 4K, no text, no watermark", "description": "", "author": "Isabel White", "authorUrl": "https://x.com/IsabelWhite24", "sourceUrl": "https://x.com/IsabelWhite24/status/2085992953227424046" }, { "id": "seedance-349", "title": "Japanese Water Obstacle Show", "category": "talking-head", "prompt": "[Style] Large-scale Japanese variety show water obstacle challenge special program (Japanese TV Game Show, Live-Action Broadcast), multi-camera real-time broadcast, 4K photorealistic photography, high-saturation summer colors, real-time throughout without slow motion.\n\n[Duration] 30 seconds\n\n[Scene] Sunny outdoor large leisure pool obstacle course, five stages lined up from left to right. Stage 1: 5-meter high wooden jumping platform, Tarzan rope with pulley on overhead cable. Stage 2: 3-meter diameter red and yellow circular floating disc on the water, rotating continuously at a constant speed on an underwater axis, slippery surface. Stage 3: Four square floating blocks of varying distances, bobbing up and down with the waves. Stage 4: A slanted blue slippery climbing wall with grab ropes hanging from the top. Stage 5: A huge yellow cylindrical pipe spanning the water, wet reflective vinyl surface printed with red flame patterns, rotating continuously at a constant speed by a motor, just thick enough to be hugged by arms and legs, the right end connected to a small finish platform, directly below is a clear pool with no safety mats. Background includes palm trees, large water slides, light stands, commentary booth, temporary stands full of spectators. The entire film moves from left to right.\n\n[Character] Challenger (adult Japanese female, strong and healthy athletic build, wearing clothes).\n\n[Fixed Items] The position, size, color, and connection of the five stages remain unchanged throughout the film; only one challenger is always in the frame; hair and clothes are dry at the start and only naturally soaked after falling into the water; the circular floating disc and yellow pipe must be continuously rotating in all shots where they appear.\n\n[00:00-00:03] Shot 1: Tarzan rope launch (Eye-level Medium → Wide Pull-back, ENG Camera)\nVisual: She stands on the edge of the 5-meter platform holding the rope, toes gripping the edge.\nDialogue: \"Zettai clear shimasu!\" (I will definitely clear it!)\nAction: When the buzzer sounds, she kicks off forcefully, the pulley slides right along the cable, her body swings over the water in a pendulum arc, hair blown back by the wind.\nCommentary: \"Mazu wa Tarzan Rope!\" (First is the Tarzan Rope!)\nSFX: Start buzzer, pulley sliding, crowd cheering.\n\n[00:03-00:07] Shot 2: Landing on rotating disc (Fixed Side Shot)\nVisual: Fixed camera on the side of the floating disc, showing the person, rope, and disc.\nScene: The red and yellow circular floating disc is rotating continuously at a constant speed on the water, the slippery surface reflecting light.\nAction: She releases the rope and lands on the disc; as soon as her feet touch, she is carried sideways and backwards by the rotation. She spreads her arms and takes small, rapid steps in the opposite direction to offset the rotation, knees bent and center of gravity low, stabilizing after a few wobbles.\nExpression: Eyebrows fly up, teeth clenched, then a quick grin.\nCommentary: \"Kaitenban da! Taeta!\" (It's the turntable! She held on!)\nSFX: Low-frequency hum of the turntable axis, sound of soles rubbing, a burst of cheers.\n\n[00:07-00:12] Shot 3: Floating board jumps (Dolly Track L→R)\nCamera: Dolly camera moving parallel to the direction of progress, tracking from left to right.\nVisual: Four square floating blocks bobbing up and down with the waves, unevenly spaced.\nAction: She jumps from the edge of the turntable, crossing the floating blocks with four consecutive single-foot jumps. On the second block she missteps, the block sinks sharply, her upper body lunges forward and arms circle wildly for balance. Her right foot splashes in the water before she manages to step onto the third block, and the final jump lands both feet on the fourth block.\nDialogue: \"Abuna...!\" (That was close...!)\nCommentary: \"Nimaime de kuzureta! Demo tsunaida!\" (She faltered on the second one! But she recovered!)\nSFX: Muffled sound of blocks hitting water, splashing, intermittent gasps from the audience.\n\n[00:12-00:17] Shot 4: Slippery climbing wall (Front 3/4 Medium Shot)\nVisual: Front diagonal medium shot, showing the person, the sloped wall, and the grab ropes at the top.\nScene: The blue slanted wall is covered in running water, reflecting light.\nAction: She runs up the wall, takes three steps, then her soles slip and she slides down a bit. She immediately drops her body to grab the wall, fingertips digging into the surface texture, and climbs again, right hand grabbing the rope hanging from the top, pulling herself up with arm strength.\nExpression: Neck muscles tensed, forehead creased, breathing heavily.\nDialogue: \"Yoisho, yoisho...!\" (Heave-ho, heave-ho...!)\nCommentary: \"Suberu kabe! Ude dake de nobotta!\" (The slippery wall! She climbed it using only her arms!)\nSFX: Friction on the wet wall, rope tightening, applause from the crowd.\n\n[00:17-00:21] Shot 5: Hugging the rotating log (Rear Side Fixed Shot)\nVisual: Slightly rear fixed side shot, clearly showing the pipe is rotating.\nScene: The yellow cylindrical pipe rotates continuously by a motor, a layer of water on the wet vinyl surface, red flame patterns rolling across the screen as it turns.\nAction: She jumps from the top of the slope and straddles the base of the pipe, clamping it with her chest, stomach, arms, and legs. The rotation immediately carries her to the right; she adjusts her center of gravity in the opposite direction and shuffles toward the finish by moving her arms and legs in small increments.\nDialogue: \"Ehh, mawatteru!?\" (Eh, it's rotating!?)\nCommentary: \"Kaiten maruta da! Kore ga sainankan!\" (It's the rotating log! This is the hardest part!)\nSFX: Low-frequency motor sound, wet vinyl friction.\n\n[00:21-00:26] Shot 6: Flipped over - Limit before finish (Front Close-up → Medium Pull-back)\nCamera: Front close-up at the finish side slowly pulling back to a medium shot, camera axis remains unchanged.\nAction: The pipe continues to rotate, slowly flipping her body to the right. Her center of gravity passes the highest point of the pipe and she can't pull it back. Her right leg detaches first, flailing in the air, then her right hand releases to reach for the finish platform, her full weight hanging by her left arm and leg as the pipe continues to rotate right.\nExpression: Veins bulging at temples, arm muscles shaking, eyes wide.\nDialogue: \"Mou dame, matte...!\" (I can't, wait...!)\nCommentary: \"Kaiten ni maketa! Ato sukoshi!\" (Beaten by the rotation! Just a little more!)\nConnection: Right fingertips are about 20cm from the finish platform, left hand still clinging to the rotating pipe.\n\n[00:26-00:28] Shot 7: Falling into water before finish (Fixed Side Shot)\nVisual: Fixed side shot of the pipe, showing the pipe, outstretched right hand, finish platform, and the water surface directly below.\nAction: As the pipe rotates further, the supporting left hand is turned to the underside and slips. Her body falls sideways into the pool under gravity, creating a large splash. The pipe continues to rotate in place after she falls.\nDialogue: \"Ahhh!\"\nCommentary: \"Ochita! Maruta ni mawasareta—!\" (She fell! Spun off by the log!)\nSFX: Loud splash, gasps from the audience.\n\n[00:28-00:30] Shot 8: Water surface reaction ending (Water-level Close-up, Static)\nVisual: Water-level front close-up, static camera, focusing on the face.\nAction: She emerges from the water, wet hair sticking to her cheeks, wipes her face, looks toward the finish with a frown, and splashes the water with her hands.\nDialogue: \"Kuyashii!\" (How frustrating!)\nAction: Turns her gaze back to the camera, frown relaxes into a shy smile, shoulders shrugging slightly. In the background, the yellow pipe is still slowly rotating.\nSFX: Huge cheers and applause peaking.\n\n[Audio] High-paced game show style BGM. Synchronized sound effects: crowd cheering, applause, laughter, start buzzer, pulley, rotating motor, splashes, friction, water drops. Clear natural Japanese dialogue, no other voices, lipsyncing. BGM lowers during dialogue.\n\n[Camera and Editing] Natural multi-camera TV broadcast, hard cuts only. Mix of ENG, wire, dolly, water-level, and telephoto shots. Maintain 180-degree rule and left-to-right progression. No high-speed camera moves, spinning, crash zooms, or drones. No slow motion, replays, freezes, or time jumps.\n\n[Prohibitions] Maintain consistency of face, hair, body, clothing, skin color, and number of limbs. Physics must be realistic (gravity, inertia, slipping, rotation). No teleporting, backwards movement, static air, body deformation, or background replacement. Healthy athletic variety show style, no clothing malfunctions. No real brand names, logos, watermarks, or gibberish text.", "description": "", "author": "John", "authorUrl": "https://x.com/johnAGI168", "sourceUrl": "https://x.com/johnAGI168/status/2085990609777471651" }, { "id": "seedance-350", "title": "Funny Cartoon Cat with High-Tech Toy", "category": "animation", "prompt": "In a colorful living room, a fully visible excited human presents one fluffy cartoon cat with an expensive high-tech motorized cat toy. The toy flashes, spins, rolls, wiggles feathers, and performs an impressive little routine. The cat watches without moving, completely unimpressed. \n\nThe human tries harder, waving toward the amazing toy like a salesperson. Suddenly the cat notices the small cardboard packaging tie lying beside the box. The cat pounces on the useless little tie, bats it wildly across the floor, rolls onto its back, and plays with it like absolute treasure. \n\nFinal gag: the expensive electronic toy rolls up beside the cat trying desperately to get attention, but the cat casually pushes it away with one paw and keeps playing with the tiny piece of packaging. The human slowly looks at the camera in defeat. Bright polished 3D animation, exaggerated facial expressions, strong physical comedy, clear cause and effect, no text, no logos, no slow motion, no famous faces or public-figure likenesses.", "description": "", "author": "DeCat", "authorUrl": "https://x.com/DeCat2025", "sourceUrl": "https://x.com/DeCat2025/status/2085989489072017744" }, { "id": "seedance-351", "title": "Premium Skincare Identity Commercial", "category": "product-ad", "prompt": "Format: 9:16 Vertical | 14 Seconds | 4K | Photorealistic | Premium Skincare Commercial\n\nCharacter: A girl’s image as the ONLY facial identity reference. Preserve her exact face, eyes, nose, lips, eyebrows, skin tone, long wavy brown hair and overall appearance in every shot.\n\nProduct: EVENTONE-C box and cream tube from the storyboard as the exact product reference. Keep packaging, logo, colors and design consistent.\n\nCreate a premium cinematic product-opening shot. The EVENTONE-C cream box and tube stand elegantly on a clean white luxury skincare background. Soft warm studio lighting, subtle reflections and shallow depth of field. Camera slowly pushes toward the product while the packaging remains sharp and readable.\n\nOn-screen text:\nEVENTONE-C\nL-Glutathione + Vitamin C Cream\n\nSmooth, luxurious beauty-commercial movement.\n\nCut to the same girl from the uploaded reference image standing in front of a mirror in a bright, elegant room. Medium close-up transitioning into a close-up of her face. She gently touches her cheek while looking at her reflection. Show natural-looking dark spots, mild pigmentation and uneven skin tone without making her face look damaged or unrealistic.\n\nOn-screen text:\nDark Spots • Pigmentation • Uneven Skin Tone\n\nKeep her facial identity exactly consistent with the reference image.\n\nClose-up of the same girl. She gently applies a small amount of EVENTONE-C cream to her cheek using her fingertip. Show a beautiful macro shot of the smooth white cream texture on her skin, followed by her gently spreading it.\n\nSoft beauty lighting, realistic skin texture, natural hand movement, elegant cinematic camera motion.\n\nOn-screen text:\nL-Glutathione + Vitamin C\n\nCreate a clean cinematic split-screen transition.\n\nBEFORE: Same girl, same face and hairstyle, showing natural dark spots, pigmentation and uneven tone.\n\nAFTER: Same girl, identical facial identity, hairstyle and camera angle, with visibly brighter and more even-looking skin.\n\nUse a smooth left-to-right transition between BEFORE and AFTER. Do not change her facial structure or identity.\n\nOn-screen labels:\nBEFORE | AFTER\n\nTransition back to the EVENTONE-C box and tube standing together in the center of a premium white beauty environment. Add a subtle soft glow, elegant reflections and cinematic depth of field. Camera slowly moves closer to the product.\n\nOn-screen text:\nVisible Results in 4 Weeks\n\nThen show:\n\n✓ Reduce Dark Spots & Pigmentation\n✓ Brighter & More Even-Toned Skin\n✓ Gentle & Smooth Skin\n✓ For All Skin Types\n\nFinal frame:\n\nEVENTONE-C\nL-Glutathione + Vitamin C Cream\nFor Radiant & Flawless Skin Complexion", "description": "", "author": "ayzalnoor", "authorUrl": "https://x.com/ayzalnooor24521", "sourceUrl": "https://x.com/ayzalnooor24521/status/2085974043463950576" }, { "id": "seedance-352", "title": "Luxury Tropical Resort Vlog", "category": "product-ad", "prompt": "A cinematic 15-second ultra-realistic luxury travel vlog following a young woman exploring a breathtaking tropical beach resort. She strolls along a wooden boardwalk toward a private cabana, relaxes with a fresh coconut while sharing her experience with the camera, walks barefoot along the shoreline as gentle waves roll in, and finishes the day on a palm tree swing overlooking the crystal-clear ocean. Smooth drone and gimbal cinematography, authentic lip-sync, natural facial expressions, realistic ocean and wind physics, premium resort architecture, warm tropical sunlight, shallow depth of field, subtle film grain, ARRI Alexa 35 aesthetic, DSLR-quality visuals, 4K HDR, seamless character consistency, luxury travel commercial style, no text, no logos.", "description": "", "author": "Nawal", "authorUrl": "https://x.com/nawalsehar", "sourceUrl": "https://x.com/nawalsehar/status/2085954895908319392" }, { "id": "seedance-353", "title": "Luxury Rooftop Vlog Video", "category": "product-ad", "prompt": "A cinematic 15-second ultra-realistic luxury lifestyle vlog following a young woman enjoying a peaceful evening at a rooftop café overlooking a modern city skyline. She relaxes with a cappuccino and dessert, chats naturally with the camera, takes in the panoramic views, and enjoys the warm golden-hour atmosphere before ending the moment with a smile. Smooth drone reveals, cinematic gimbal movements, authentic lip-sync, natural facial expressions, realistic skin texture, flowing hair, elegant fashion, premium café ambiance, warm sunlight reflecting across glass skyscrapers, shallow depth of field, soft film grain, ARRI Alexa 35 aesthetic, 4K HDR, premium editorial quality, seamless character consistency, no text, no logos.", "description": "", "author": "Ali", "authorUrl": "https://x.com/aiwithaly", "sourceUrl": "https://x.com/aiwithaly/status/2085954236819665186" }, { "id": "seedance-354", "title": "Venice Gondola to Dragon Fantasy Journey", "category": "action", "prompt": "A cinematic sequence of a young woman with dark hair and bangs in a flowing cream-colored silk halter dress standing on a traditional Venetian gondola in a sunlit canal, hands covering her ears in distress, a gondolier in striped shirt and hat poling behind her. She suddenly jumps into the green canal water creating a massive splash. Underwater shot of her gracefully diving deeper, dress flowing, bubbles rising around her silhouette in murky emerald water. Seamless transition to her falling through bright white clouds in a blue sky, arms outstretched, hair and dress billowing. She lands on the back of a massive dark red and blue dragon flying through misty skies, clinging to its scales. The scene shifts to her now dressed as a fierce adventurer in a brown leather outfit with a quiver of arrows on her back, riding the dragon over a dramatic sea battle with burning wooden ships and smoke. She draws a bow and fires an arrow that causes a huge fiery explosion. Cut back to her underwater again, then dramatically emerging from the canal surface gasping for air, wet dress clinging to her body, as the gondolier reaches down to help pull her back into the gondola. Photorealistic, high detail, dramatic lighting, epic fantasy mixed with realistic Venice setting, cinematic camera movements, 4K quality.", "description": "", "author": "Noor", "authorUrl": "https://x.com/noorlewisx", "sourceUrl": "https://x.com/noorlewisx/status/2085951607699894532" }, { "id": "seedance-355", "title": "Ink Explosion Action Sequence", "category": "product-ad", "prompt": "P1 [0:00–0:01.25]\nUse the provided storyboard frame, character reference image, and provided Higgsfield logo reference image. Maintain exact character appearance: pink hair, olive cargo pants, white crop top, green cap, tattoos on arms. Keep the Higgsfield logo and “Higgsfield” text naturally visible throughout the scene as environmental branding.\n\nReal photography, low-angle shot, young woman with pink hair and olive cargo pants crouching low, black ink explosion erupting from the ground around her fist impact, high-speed photography, dramatic studio lighting, ink splatter physics, hyper-detailed skin texture, Canon R5, 85mm f/1.4.\n\nP2 [0:01.25–0:02.50]\nPhotorealistic, motion blur, athletic woman with pink hair executing a spinning back kick, black ink trails streaking through the air, cinematic lighting, shallow depth of field, gritty concrete environment, sports photography style, Nikon Z9. Maintain exact character appearance and keep Higgsfield branding visible.\n\nP3 [0:02.50–0:03.75]\nPhotorealistic low-angle upward shot, woman with pink hair leaping vertically, massive black ink vortex surrounding her, dramatic rim lighting, rising pressure distortion, high-speed shutter, realistic fabric movement, dynamic pose, 24mm wide lens.\n\nP4 [0:03.75–0:05.00]\nMacro photography of a swirling black ink whirlpool on a flat surface, spiral formation, high-contrast black and white tones, studio lighting, ultra-sharp focus, realistic fluid dynamics. Character visible at the edge or reflected in the ink vortex.\n\nP5 [0:05.00–0:06.25]\nPhotorealistic dynamic action shot, woman with pink hair dodging low, black ink ribbons whipping around her body, motion blur, hard dramatic lighting, gritty urban backdrop, athletic wear, cinematic color grade.\n\nP6 [0:06.25–0:07.50]\nReal photography, woman with pink hair sprinting toward camera, black ink streaks rushing past her, wind-blown hair, sharp focus on face, motion-blurred background, dramatic backlight silhouette.\n\nP7 [0:07.50–0:08.75]\nCinematic photorealistic shot, woman with pink hair bursting through a shattering surface, fragmented ink-soaked debris suspended in air, dynamic landing pose, explosive backlighting, dust and ink particles, deep focus, IMAX-style drama.\n\nP8 [0:08.75–0:10.00]\nPhotorealistic cinematic medium shot, young woman with pink hair standing upright facing camera with direct eye contact, black ink dripping from both fists, ink-splattered clothes, defiant expression, dramatic backlight, ink mist settling around her feet, shallow depth of field, gritty atmosphere, Canon R5, 85mm f/1.4.\n\nGlobal Instruction:\nUse the provided Higgsfield logo reference image exactly as supplied. Do not alter the logo design or the “Higgsfield” text. Keep the branding clearly visible throughout every shot and until the final frame.", "description": "", "author": "Zunaira", "authorUrl": "https://x.com/ZunairaSaeedAi", "sourceUrl": "https://x.com/ZunairaSaeedAi/status/2085937052701581459" }, { "id": "seedance-356", "title": "Nostalgic 2000s Trainee Flashback", "category": "action", "prompt": "@CHASE is the same character throughout. Maintain strict facial, hairstyle and appearance consistency.\\n\\nCreate a 15-second nostalgic early-2000s trainee flashback filmed entirely on a handheld DV/16mm camcorder. Raw personal-footage aesthetic: natural camera shake, imperfect framing, slow autofocus, clumsy micro-zooms, slight blur, tape noise, motion smearing, bloomed highlights and occasional exposure flicker. No modern polished cinematography.\\n\\nSTORY:\\n0–2s: Before sunrise, she wakes exhausted in a trainee dorm. “Nobody saw how it started.”\\n2–4s: She enters an empty dance studio, turns on the light and prepares to practice.\\n4–6s: In a vocal room, she misses a difficult note, exhales and tries again. “There were days I thought I wasn't good enough.”\\n6–9s: Repeatedly practices choreography, makes mistakes, then keeps going.\\n9–11s: Quick DV close-ups of worn sneakers, tired hands, sweat and a movement finally landing perfectly.\\n11–13s: Exhausted in a hallway, she smiles quietly, hears the practice music and gets back up. “But somehow… I kept coming back.”\\n13–15s: She walks toward a brightly lit evaluation room, pauses, takes a breath and enters. “Maybe that was enough to begin.” Cut to black.\\nRaw, intimate and emotional. Subtle acting, realistic exhaustion and determination. Hard cuts, authentic room ambience, footsteps and breathing. Soft emotional music gradually builds. Make it feel like forgotten personal trainee footage, not a music video.", "description": "", "author": "Ahmad Faraz", "authorUrl": "https://x.com/iamahmedfaraz66", "sourceUrl": "https://x.com/iamahmedfaraz66/status/2085936538798506430" }, { "id": "seedance-357", "title": "Anime Style Ramen Cooking Video", "category": "asmr", "prompt": "Create a short anime-style cooking video showing hands preparing spicy cheesy ramen: pick instant spicy ramen from a wooden pantry, place a small pot on a gas stove, pour in water and boil the noodles over vivid blue flames. Add dark red spicy sauce and a slice of yellow cheese, then stir with chopsticks until creamy and glossy. Pour the ramen into a white bowl, then serve it on a wooden table with chopsticks and a red can of cola. Cozy, cinematic lighting, detailed food textures, smooth close-up shots, and satisfying cooking sounds.", "description": "", "author": "⁠ luciaAI", "authorUrl": "https://x.com/luciaverseai", "sourceUrl": "https://x.com/luciaverseai/status/2085935002043510831" }, { "id": "seedance-358", "title": "Flying Cat with Propeller Helmet Viral Video", "category": "animation", "prompt": "A single continuous ultra-realistic cinematic shot in vertical 16:9. Bright sunny daytime. A beautiful young woman walks out of her house carrying a fluffy silver tabby cat, smiles, walks to her scooter parked outside, sits on the scooter, gently places a tiny spinning propeller fan helmet on the cat's head, starts the scooter, and rides away. As the propeller spins faster, the cat smoothly lifts into the air and flies beside the moving scooter at the same speed, staying close to the woman. The cat's legs dangle naturally, its fur flows in the wind, and it looks around curiously while flying. The woman occasionally glances at the cat and laughs. The camera follows them in one seamless handheld smartphone tracking shot with natural motion blur, realistic lighting, detailed fur, realistic physics, no cuts, viral social media aesthetic, photorealistic.\nNegative Prompt:\nCartoon, CGI, anime, low quality, extra limbs, deformed cat, floating without propeller, flickering, teleporting, cuts, text, watermark, unrealistic physics.", "description": "", "author": "𝗦𝗮𝗻𝗶𝗮", "authorUrl": "https://x.com/saniaspeaks_", "sourceUrl": "https://x.com/saniaspeaks_/status/2085932310923251950" }, { "id": "seedance-359", "title": "Korean Beauty Bedroom Vlog Selfie", "category": "ugc", "prompt": "Ultra-realistic cinematic vertical video, 10 seconds. A beautiful young Korean woman spends a peaceful evening in her cozy bedroom, wearing the same oversized cream-white T-shirt. Soft warm lamp light mixes with cool moonlight coming through the window, creating a calm late-night atmosphere. The video is filmed entirely as natural handheld smartphone selfies, like a personal vlog.\n\nShot 1 (0–2s): Close front selfie. She looks out the window for a moment, then turns toward the camera with a gentle smile and softly tucks a strand of hair behind her ear.\n\nShot 2 (2–4s): Slightly high-angle selfie. She sits on the bed hugging a fluffy pillow, tilts her head playfully, then smiles with a natural blink while the phone gently shakes.\n\nShot 3 (4–6s): Mirror selfie. She slowly walks toward a full-length mirror, briefly looks at her reflection, then smiles at the phone with relaxed confidence. Warm fairy lights softly glow in the background.\n\nShot 4 (6–8s): Side-profile selfie near the bedside table. She picks up a small photo frame, smiles nostalgically, then looks back into the camera with a subtle laugh. Her hair sways naturally as she moves.\n\nShot 5 (8–10s): Front close-up selfie. She leans comfortably against the headboard, gives a tiny finger-heart toward the camera, then finishes with a warm smile while the camera slowly pulls away, revealing the cozy bedroom ambiance.\n\nStyle: Ultra-photorealistic, realistic Korean beauty, authentic smartphone handheld movement, natural blinking, subtle breathing, lifelike hair simulation, soft warm lamp lighting with gentle moonlight, cinematic shallow depth of field, premium film color grading, 24 fps, 8K, intimate cozy Korean bedroom aesthetic.", "description": "", "author": "Aqsa", "authorUrl": "https://x.com/Aqsahere_", "sourceUrl": "https://x.com/Aqsahere_/status/2085931701088174312" }, { "id": "seedance-360", "title": "Pixar Style ASMR Spa Facial", "category": "nature-drone", "prompt": "3D Pixar Disney style animation. Close-up macro video of a young woman enjoying a luxurious ASMR skincare facial at an elegant spa. She has big expressive brown eyes, freckles, brown hair tied in a neat bun, and wears a soft plush pink headband and towel. An aesthetician in a sleek white spa uniform applies soothing skincare creams, serum droplets, a jade roller, and a sheet mask onto her face. Highly detailed texture, smooth glossy skin with a glass-skin effect, warm romantic candle lighting, pastel pink and gold luxurious spa room, soft bokeh background, hyper-realistic textures, 4k resolution, 60fps.", "description": "", "author": "Zyrella", "authorUrl": "https://x.com/Zyrellix", "sourceUrl": "https://x.com/Zyrellix/status/2085927821126324588" }, { "id": "seedance-361", "title": "Xianxia Modern Restaurant Chase", "category": "action", "prompt": "[Generation Mode]\nSeedance 2.0\n\n[Style]\nCinematic spatial comedy with xianxia action language in a modern golden hour city setting. Genre misdirection: a chase for what looks like a treasure but is actually a restaurant bill.\n\n[Setting]\nRiverside restaurant terrace after dinner, 16:9, warm lights, rain-wet stone, bike parked nearby.\n\n[Characters]\nID A | Sword Immortal: 25–30 year old East Asian, white silk hanfu, silver longsword.\nID B | Cyclist: From @Image2, ponytail, bike.\n\n[Shot Design]\nShot 1 | 0-5s | Low-angle wide: A folded paper flies off the table. Cyclist yells: \"Don't let it get away!\" Sword Immortal: \"Chase.\"\nShot 2 | 5-10s | Medium side follow: Sword Immortal on her flying sword chases the paper alongside the cyclist. They use wind and bike baskets to guide the paper's flight path. Heroic music and sword sounds.\nShot 3 | 10-15s | Close-up: Sword Immortal catches the paper just before it hits a puddle. She opens it—it's just the bill. She hands it to the cyclist: \"You're faster, you pay.\" Cyclist looks at the bill, then lets it fly again: \"Let's chase it again.\" They both run after it.", "description": "", "author": "Soran", "authorUrl": "https://x.com/Soranlan", "sourceUrl": "https://x.com/Soranlan/status/2085911246235140437" }, { "id": "seedance-362", "title": "Cinematic Mechs Snow Battle Action Sequence", "category": "action", "prompt": "15-second cinematic action sequence inside a massive battlefield filled with destroyed giant mechs half-buried in snow and ash, red warning beacons blinking weakly through blizzards and smoke.\n0.0–3.0s: Camera tracks through colossal mechanical wreckage as a lone armored pilot climbs across the rusted skull of a fallen mech carrying an energy spear.\n3.0–6.0s: A rival mercenary activates from inside another wrecked titan, glowing reactor core illuminating the storm around him.\n6.0–9.0s: Spear clash detonates sparks and snow outward while loose armor plates crash down around the battlefield in slow motion.\n9.0–12.0s: Heavy grounded combat through gigantic mech corpses, fighters leaping between wreckage while reactor fires burn beneath the snow.\n12.0–15.0s: Huge cinematic pull-back reveals endless fields of fallen titans stretching across the frozen wasteland.", "description": "", "author": "Alexandra Aisling", "authorUrl": "https://x.com/AllaAisling", "sourceUrl": "https://x.com/AllaAisling/status/2085899885002338456" }, { "id": "seedance-363", "title": "Xianxia Truth Bell Comedy Scene", "category": "talking-head", "prompt": "[Generation Mode]\nSeedance 2.0\n[Video Specifications]\nStrictly 15 seconds total duration, 16:9 widescreen, three clean and clear shots.\n[Overall Style]\nCinematic photorealistic quality, pure ancient Chinese Xianxia aesthetics, using elegant and solemn ceremonial blocking, restrained deadpan dialogue comedy, classical symmetrical composition, cool jade-green shadows, warm lamplight, ivory white and old bronze tones, and fine film grain. The humor comes from an absolutely fair \"truth-telling artifact\" piercing the high-brow image of the sword immortal sister. Ensures character facial consistency, clear reaction rhythm, and continuity of core props, using native Mandarin dialogue and spatial sound.\n[Scene Setting]\nInside the quiet Wenxin Hall at dusk, carved wooden pillars, gray stone slabs, hanging silk banners, slowly rising incense smoke, bronze lamps, distant lattice doors, and a single ancient bronze \"Wenxin Bell\" hanging on a dark wooden rack establish a stable spatial relationship.\n[Characters]\nCharacter A | Sword Immortal Elder Sister\n@Image 1, 25-30 year old East Asian female, oval face, fair natural skin tone, dark almond eyes, long black hair half-up with white jade hairpin, tall and slender, wearing white embroidered silk Hanfu, semi-transparent layered wide sleeves, silver waist seal, jade pendant, and white cloth boots.\nCharacter B | Junior Sister\n@Image 2, 20-25 year old East Asian female, round lively face, black hair in braids, petite, wearing teal Hanfu, dark belt, wooden hairpin, and black cloth shoes.\n[Core Prop]\nA single ancient bronze \"Wenxin Bell\" hanging on a dark wooden rack.\n[Shot 1 | 0-5s | Wide Shot]\nInside the hall at dusk, establishes the spatial relationship between the pillars, incense, and the bell.\n[Shot 2 | 5-10s | Medium Shot]\nThe same sister in white silk Hanfu raises two fingers beside the bell, saying calmly: \"The Wenxin Bell only rings for the truth.\"\nShe looks at the junior sister and asks: \"Tell me, what is my greatest strength?\"\nThe junior sister hesitates and answers cautiously: \"Sword skills?\"\nThe bell remains silent; in the sudden awkward silence, a beat is held.\n[Shot 3 | 10-15s | Close-up]\nThe junior sister looks seriously at the elder sister and answers sincerely: \"Thick skin.\"\nThe bell immediately booms with a loud, unambiguous \"Dong—,\" the vibration shaking off incense ash. After a beat, the junior sister adds: \"Seems it thinks so too.\"\nExtreme close-up: The elder sister maintains her dignified smile, but one eyebrow twitches visibly; the bell vibrates behind her.\n[Technical Requirements]\nNative Mandarin dialogue, spatial resonance for the bell, natural movement for silk and incense, no subtitles, only two characters.\n[Negative Prompts]\nblurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, background shift, glitching cuts, disappearing props", "description": "", "author": "Soran", "authorUrl": "https://x.com/Soranlan", "sourceUrl": "https://x.com/Soranlan/status/2085869033799233727" }, { "id": "seedance-364", "title": "Velociraptor Bridal Boutique Comedy", "category": "product-ad", "prompt": "The Bride\nHyper-realistic cinematic comedy sequence, 12 seconds, aspect ratio 16:9.\n\nDaytime inside a luxury bridal boutique. One female velociraptor only. The setting is simple and clear: white wedding dresses, mirrors, veils, a fitting pedestal, soft lights, and a bouquet display. The mood is glamorous, absurd, and completely unhinged.\n\nThe goal is simple: the female velociraptor accidentally tries on one bridal veil, instantly becomes obsessed, and turns the boutique into a full dramatic wedding fantasy.\nThe action starts when the velociraptor nudges a bridal veil onto her head by accident. She freezes, sees herself in the mirror, and immediately becomes a full diva bride. She climbs onto the fitting pedestal, whips her tail dramatically, and starts striking bridal poses while dresses swing, mannequins wobble, and veils fly through the air.\n\nThe chaos escalates fast. She grabs a bouquet in her tiny claws, spins too hard, and accidentally pulls a whole row of gowns with her. A satin dress wraps around her tail like a train. She roars like a runway queen and parades toward the mirror with insane confidence.\n\nEnd with the velociraptor catching the bouquet, staring at herself in the mirror in full bridal glory, and giving a tiny smug nod like she just won the wedding.\n\nStyle: hyper-realistic, cinematic, hilarious, absurd glam comedy, one female velociraptor only, one bridal boutique only, one main joke, bridal veil obsession, flying dresses, bouquet catch, dramatic mirror payoff, clear readable comedy action, no gore, no horror, no text, no logos, no cartoon style, no slow motion, no famous celebrity faces, no recognizable actors, no movie-star resemblance. Keep proportions. Keep style and features. Aspect ratio 16:9.", "description": "", "author": "DeCat", "authorUrl": "https://x.com/DeCat2025", "sourceUrl": "https://x.com/DeCat2025/status/2085851025529839675" }, { "id": "seedance-365", "title": "Pixar Forest Chase Animation", "category": "talking-head", "prompt": "Style & Vibe: AAA animated feature film, Pixar-quality, DreamWorks-quality, 16:9 aspect ratio. A dynamic 15-second music comedy mystery sequence with hyper-detailed ASMR-style audio-visual cues (crunching leaves, electrical crackles, heavy breathing). Ultra-detailed, highly expressive characters, stylized realism, cinematic lighting, warm golden forest sunlight, volumetric god rays, dynamic motion blur, high energy, strong squash and stretch. Characters: a cute little girl with a ponytail curled at the end with bangs, wearing a yellow bomber jacket over a pink flowery shirt and yellow sweatpants, initially wearing simple sneakers. One angry gray wolf with realistic fur, sharp teeth, and exaggerated cartoon emotions. Environment: Dense natural green forest, forest trail, flying leaves, dust, small rocks, and sunlight streaming through the trees. Camera: Dynamic FPV, 24mm cinematic lens, fast tracking shots, smooth handheld stabilization, speed ramps, whip pans, orbit shots, low-angle action camera, cinematic focus transitions. Action Sequence: [0.0–1.2s] she sprints at full speed through the forest while the wolf aggressively chases only a few meters behind. Leaves and dirt explode beneath their feet. Fast forward tracking shot emphasizes intense speed. [1.2–2.2s] The exhausted Pamella trips and slides across the ground, landing face-first. The wolf rapidly closes the distance. Camera drops to ground level and pushes dramatically toward her. [2.2–3.2s] she notices a pair of futuristic glowing running shoes lying on the trail. Her eyes widen in excitement as she desperately reaches toward them while the wolf prepares to pounce. Fast cinematic push-in. [3.2–4.2s] she instantly slips on both shoes. Blue energy ignites around the soles. Electric arcs wrap around her feet as the shoes power up with an intense futuristic glow (ASMR crackling sound). The wolf freezes in confusion. Macro close-ups. [4.2–5.4s] she launches forward with explosive speed, leaving only a brilliant blue energy trail behind. A powerful gust of wind and dust slams into the wolf. [5.4–6.8s] She circles around the wolf at extreme speed Multiple glowing afterimages appear as a bright blue vortex forms around the wolf. The terrified wolf spins frantically Fast orbit camera in perfect sync. [6.8–8.2s] Top-down cinematic view. She accelerates even faster The glowing blue spiral tightens; leaves and debris rise into the air. The dizzy wolf remains trapped at the center [8.2–10.0s] the girl instantly stops beside the glowing running shoes, confidently resting one foot on a sneaker. She smirks and says playfully in English, \"Too slow!\" Behind her, the dizzy wolf crashes head-first into a tree. She laughs proudly as the stunned wolf slowly slides down the trunk. End with a cinematic hero shot with shallow depth of field.", "description": "", "author": "Al-Shamus", "authorUrl": "https://x.com/im_shahid7", "sourceUrl": "https://x.com/im_shahid7/status/2085590295593537544" }, { "id": "seedance-366", "title": "T-Rex Spa Day Comedy Scene", "category": "product-ad", "prompt": "Hyper-realistic cinematic comedy sequence,\n\nDaytime inside a luxury spa room. One full-size T-rex only. The setting is simple and clear: massage table, fluffy towels, cucumber slices, face mask bowl, candles, steam, and a small bubbling hot tub. The mood is absurd, glamorous, and funny.\n\nThe goal is simple: the T-rex is trying to enjoy a calm spa treatment, but its size and body shape make the whole experience ridiculous.\n\nThe action starts with the T-rex lying awkwardly on a massage table with a towel draped over it far too small to be useful. It looks deeply committed to relaxation. Cucumber slices are placed over its eyes, and a beauty mask is smeared across its face. It looks peaceful for one second.\n\nThen the chaos starts. The tiny towel slips off. The massage table creaks. The T-rex tries to sit up gracefully, but bumps a tray of spa products, sending cream, cucumbers, and rolled towels flying everywhere. It turns toward the bubbling hot tub like it has found salvation.\n\nEnd with the T-rex lowering itself confidently into the tiny hot tub — and instantly all the water erupts out in every direction, while the dinosaur sits there looking completely blissful and proud.\n\nStyle: hyper-realistic, cinematic, hilarious, absurd glam comedy, one dinosaur only, one spa room only, one main joke, oversized spa treatment, tiny towel, flying beauty products, exploding hot tub payoff, clear readable comedy action, no gore, no horror, no text, no logos, no cartoon style, no slow motion, no famous celebrity faces, no recognizable actors, no movie-star resemblance. Keep proportions. Keep style and features. Aspect ratio 16:9.", "description": "", "author": "DeCat", "authorUrl": "https://x.com/DeCat2025", "sourceUrl": "https://x.com/DeCat2025/status/2085579101906047177" }, { "id": "seedance-367", "title": "Dried Fruit Snack 3D Commercial", "category": "product-ad", "prompt": "Cinematic 3D commercial product video for gourmet dried fruit snacks, vertical 9:16 aspect ratio. Sequence begins with a high-definition close-up of fresh ripe yellow and red mangos on branches with lush green leaves in warm golden sunlight. Seamlessly transitions into a single ripe mango floating against a glowing warm background, transforming into golden dried mango slices floating weightlessly in mid-air. Next, a fresh cracked coconut bursts open alongside a smooth, rich swirl of melted milk chocolate. Dried mango slices dipped in dark chocolate float upward while fine white coconut flakes sprinkle down around them like snow. The sequence culminates in a black snack pouch labeled \"MR. VIET Dried Mango with Chocolate & Coconut\" floating in the center of the frame, surrounded by floating chocolate-dipped dried mango pieces and fine coconut shreds. Dynamic physics, warm ambient studio lighting, ultra-detailed textures, slow-motion physics, 8k render, photorealistic, advertising food commercial style.", "description": "", "author": "Zyrella", "authorUrl": "https://x.com/Zyrellix", "sourceUrl": "https://x.com/Zyrellix/status/2085578558681039233" }, { "id": "seedance-368", "title": "Authentic Smartphone Lifestyle Vlog", "category": "talking-head", "prompt": "Keep the exact identity from @image1 locked throughout the entire video. Preserve the same face, hairstyle, skin tone, body proportions, clothing style, and natural expressions in every shot. Generate a 15-second ultra-photorealistic smartphone lifestyle vlog that feels like it was casually recorded on a real phone. Use authentic handheld movement, slight natural hand shake, realistic autofocus hunting, minor exposure adjustments, true smartphone stabilization, and natural lighting. No cinematic camera moves, no CGI look, no beauty filters, no slow motion, no text, no subtitles, no logos, and no watermarks.\nScene 1 (0:00–0:02)\nEarly morning outside a neighborhood bakery. She walks toward the entrance while holding a paper coffee cup, flips the camera to selfie mode, smiles naturally, and says, \"Good morning!\"\nScene 2 (0:02–0:04)\nInside the bakery, she records a display of fresh pastries before picking one, laughing softly as the camera briefly struggles to refocus.\nScene 3 (0:04–0:06)\nShe exits the shop and walks through a quiet tree-lined street, taking a sip of coffee while filming the peaceful surroundings.\nScene 4 (0:06–0:08)\nShe sits on a park bench, turns the camera toward birds, flowers, and people walking nearby, then smiles back at the lens.\nScene 5 (0:08–0:10)\nAt a small weekend street market, she casually browses handmade items, briefly holding one up to the camera before putting it back.\nScene 6 (0:10–0:12)\nShe walks beside a calm riverside path, filming the water, passing cyclists, and green scenery while enjoying the fresh air.\nScene 7 (0:12–0:15)\nShe stops near a scenic viewpoint, switches to selfie mode, gives a cheerful wave, smiles brightly, says, \"See you next time!\", then reaches toward the phone to naturally end the recording.\nAudio:\nOnly authentic environmental sounds: birds, footsteps, light conversations, coffee shop ambience, distant traffic, bicycles passing, breeze through trees, water flowing, and natural city ambience. No background music, voice-over, captions, logos, or watermarks. The final result should look exactly like an authentic smartphone vlog recorded by a real person during a relaxing morning outing.", "description": "", "author": "Anissa", "authorUrl": "https://x.com/SimplyAnnisa", "sourceUrl": "https://x.com/SimplyAnnisa/status/2085576554134827482" }, { "id": "seedance-369", "title": "Storyboard Image to Video Reference", "category": "general", "prompt": "[REFERENCE CONTROL]\n\nUse the uploaded storyboard image as the primary visual reference for story structure, character design, costume design, environment, emotional progression, and shot order.", "description": "", "author": "ManuAGI 🤖 - ( ManuIn )", "authorUrl": "https://x.com/ManuAGI01", "sourceUrl": "https://x.com/ManuAGI01/status/2085574497458118668" }, { "id": "seedance-370", "title": "Luxury Restaurant Floor Manager Video", "category": "talking-head", "prompt": "【REFERENCE】\n@image1 is a reference sheet summarizing characters and the stage. The top three panels and the bottom right face panel are used as fixed references for the face, hair, body type, costume, and full body of the same woman who appears alone in the video. Only the restaurant panel on the bottom left is used as a stage reference, inheriting the interior, panoramic window, night view, lighting, floor, tables, chairs, texture, and color tone. White backgrounds, frames, headings, text, and document arrangements are not shown in the video and are not used in the starting frame.\n【CONDITION DEFINITION】\n15 seconds, 1:1, realistic live-action film expression, high-rise revolving restaurant at night, 4 shots, hard cuts. In the starting frame, all dishes, glasses, napkins, and cutlery are grounded on the table, with zero aerial objects. The woman, body, hair, costume, and camera are always at normal real-world speed. Only after the anomaly, the flying tableware and liquid drops completely stop in world coordinates. The night view, horizon, building shell, central column, and camera are fixed, and only the circular floor, tables, and chairs rotate around the central column. The screen is not rotated. The emergency stop device is a black metal manual lever on the yellow and black mounting plate of the fixed central column. Do not change to a red button, vertical pole, or other device. The woman touches the central column only once just before the lever for 0.4 seconds or less.\n【SHOT / FLOW】\nSHOT 1 | 0-2.5s | Normal to anomaly occurrence\nFixed wide angle. 0-1.4s, woman walks normally between guest seats. All dishes are grounded on the table, and the floor and guest seats are completely stationary. There are no aerial objects, alarms, vibrations, or rotations. At 1.4s, strong vibration and alarm occur simultaneously. Tableware clearly flies up from the table and stops in the air at 1.7s. Only after that, the circular floor and guest seats begin to move. The woman braces herself on the moving floor, sees the distant lever, and immediately starts running. Hard cut at 2.5s.\nSHOT 2 | 2.5-9.5s | Long obstacle run\nA horizontal camera on the central axis side follows with a pan from the diagonal front. Against a fixed night view, floor patterns and furniture continue to flow from right to left. The woman runs towards the center while changing position and distance within the screen, not staying in the same place.\n2.5-4.5s, she sprints hard against the flowing floor but slips significantly and is moved away from the lever. She momentarily grabs the back of a passing chair and immediately releases it to re-accelerate. 4.5-6.8s, she ducks under stationary plates, avoids glasses with her upper body, and slips diagonally between approaching tables. 6.8-8.2s, her path is blocked by a crossing chair, and she places a hand on the edge of a table to change direction sharply. 8.2-9.5s, she sprints the last 5m to the lever, but the floor accelerates further and she is swept sideways just before the central column. Shows full body, foot grounding, distressed expression, and swaying of hair and costume. Stationary objects do not follow the woman or furniture.\nSHOT 3 | 9.5-12s | Momentary support and lever operation\nMedium view. 9.5-10.0s, while being swept away, the woman reaches for the fixed central column with her last step. She grabs the column only once between 9.8-10.2s. She does not hug the column, go around it, or stop. She throws her body forward with the momentum and releases the column by 10.2s. 10.2-11.1s, she grabs the black lever on the yellow and black mounting plate with both hands and pulls it down to the end in a single powerful motion. 11.1-12.0s, the floor brakes suddenly, the woman releases the lever and stumbles two steps sideways, bracing in a low posture. Shows the lowered lever clearly and hard cut.\nSHOT 4 | 12-15s | Time recovery and release\nWide angle. Includes the lowered black lever and yellow/black mounting plate in the right foreground, the woman standing away from the column in a position off-center, and stationary objects and guest seats in the background. 12.0-12.5s, the floor and guest seats stop completely. At 12.5s, time returns for the aerial objects, and all fall simultaneously onto the floor and tables by 13.3s. The woman runs away from the column, avoiding falling plates and sliding beside a table. 13.3-15.0s, the alarm stops, and the woman catches her breath without touching the column. Leaves the lowered lever, stopped floor, fallen objects, woman, and fixed night view in the final frame.\n【CAMERA / EDITING】\nHorizontally stable wide angle, medium view, short close-ups. Floor rotation is shown by the parallax of the fixed night view, fixed column, flowing floor patterns, and crossing furniture. Do not fix the woman in the center of the screen for long. No camera rolls, rotation of the entire screen, rotation outside the window, long rear tracking, crossfades, speed ramps, or overall slow motion.\n【SOUND】\nNo BGM, dialogue, or narration. Quiet interior sounds during normal times, 1.4s vibration and alarm, accelerating mechanical sounds, fast footsteps, sliding sounds, furniture friction, heavy breathing, short column contact sounds, heavy mechanical lever sounds, and sudden braking sounds. Short silence after braking and the sound of dishes falling all at once.\n【NEGATIVE】\nTableware floating from the start, floor rotating from the start, omission of anomaly occurrence, simple running in a stationary store, woman continuing to hold onto columns/poles, hugging the column, going around the column, woman stopping for a long time in the center of the screen, no obstacles, lack of floor rotation, rotation of screen/camera/night view/central column, overall slow motion, woman floating/multiplying/changing appearance, stationary objects following, time manipulation gestures, red buttons, vertical handles, lever deformation/movement/disappearance, new liquids, aerial objects after 13.3 seconds, composition where the lever disappears from the final screen, frames/text/white backgrounds of the reference sheet.", "description": "", "author": "AIライフハック", "authorUrl": "https://x.com/ai_lifehack55", "sourceUrl": "https://x.com/ai_lifehack55/status/2085570677223117114" }, { "id": "seedance-371", "title": "Alien Invasion City Chase Cinematic Video", "category": "action", "prompt": "A desperate, low-angle tracking shot following the man from image_1.png, maintaining his likeness and blue eyes, now clad in tactical black gear, sprinting through a rain-soaked, chaotic downtown street at night. Just behind him, a double-decker city bus is captured in the middle of a massive, fiery explosion, sending debris and orange flames into the air. Above the burning cityscape, a colossal biomechanical alien mothership of intricate metallic design descends through the storm clouds, its blue lights pulsing. To the right, emerging from the shadows and wrecked cars, a sleek Alien Predator lunges in pursuit. The camera dynamically retreats and pans to show the scale of the destruction, ending on a wide view of the entire scene. Dramatic lighting with deep contrast between the firelight and cool night tones. Rain pours heavily, creating reflective puddles. No text.", "description": "", "author": "Snow", "authorUrl": "https://x.com/iamrealsnow", "sourceUrl": "https://x.com/iamrealsnow/status/2085560726912147897" }, { "id": "seedance-372", "title": "Watercolor Storybook Animated Short", "category": "animation", "prompt": "use the attached storyboard <<>> & A warm, wholesome 15-second animated short in cozy storybook watercolor style with soft ink linework, painterly textures, and gentle film grain.", "description": "", "author": "ManuAGI 🤖 - ( ManuIn )", "authorUrl": "https://x.com/ManuAGI01", "sourceUrl": "https://x.com/ManuAGI01/status/2085552638339506494" }, { "id": "seedance-373", "title": "Hyper-Realistic 3D CGI Collectible", "category": "cinematic", "prompt": "Cinematic hyper-realistic 3D CGI collectible-figurine render, like a live-action blockbuster VFX sequence: physically-based rendering (PBR), octane-render-quality lighting and materials, fabric with visible weave and natural drape, metal with realistic wear", "description": "", "author": "PixieVerse", "authorUrl": "https://x.com/itsPixieVerse", "sourceUrl": "https://x.com/itsPixieVerse/status/2085511224218075634" }, { "id": "seedance-374", "title": "Flooded Cyberpunk District Action Sequence", "category": "action", "prompt": "15-second cinematic action sequence inside a submerged cyberpunk district partially flooded beneath a megacity, neon reflections rippling across dark water, giant ventilation fans spinning overhead.\n0.0–3.0s: Camera glides inches above flooded streets as a female smuggler races through waist-deep water carrying a glowing data core.\n3.0–6.0s: A biomechanical hunter drops from overhead pipes into the water behind her, sending waves crashing against abandoned storefronts.\n6.0–9.0s: Violent fight erupts inside the flooded alleyway, electrified weapons illuminating the water while sparks reflect across submerged neon signs.\n9.0–12.0s: Tight brutal combat across sinking platforms and flickering industrial corridors while floodgates begin collapsing around them.\n12.0–15.0s: Wide pull-back reveals the entire underground district flooding beneath the gigantic city above.", "description": "", "author": "Alexandra Aisling", "authorUrl": "https://x.com/AllaAisling", "sourceUrl": "https://x.com/AllaAisling/status/2085470514718613920" }, { "id": "seedance-375", "title": "Outdoor Campfire Burger Cooking", "category": "nature-drone", "prompt": "Create a 15 second cinematic outdoor food film in a 16:9 frame, set in a quiet autumn woodland cooking camp during warm late afternoon light. Show only the cook’s natural adult hands and forearms, never the face. Keep every hand anatomically correct with five fingers, realistic skin texture, short clean nails, and consistent sleeves and wristwatch throughout. 0 to 2 seconds. Begin with a tight macro shot of a thick fresh beef patty landing on a richly grained live edge wooden board. A real wood fire burns softly in the background with drifting blue smoke and circular forest bokeh. The camera is almost locked, with a tiny human handheld settling motion. Natural sunlight comes from camera left and warm firelight adds a subtle orange rim. 2 to 5 seconds. Cut on hand movement to close details of coarse salt, cracked pepper, dried herbs, and finely chopped garlic falling onto the meat. The cook presses a deep center pocket, fills it generously with shredded mozzarella, folds the beef around the cheese, and seals it into one thick burger. Show true meat compression, moisture, fingerprints, loose herb fragments, and small crumbs on the board. Use shallow depth of field and physically believable contact between fingers and food. 5 to 9 seconds. Place the stuffed burger onto a black cast iron grate above glowing hardwood coals. Capture loud natural sizzle, tiny grease sparks, curling smoke, and one brief controlled flame flare. Use a low three quarter food level angle, then a precise match cut to metal tongs flipping the burger. Reveal an irregular dark brown crust with visible grill marks, rendered with realistic heat shimmer and no exaggerated fire. 9 to 12 seconds. Cut to a toasted rustic bun on the same board. Add thick slices of fresh mozzarella, then place the cooked burger onto the lower bun. Keep ingredient positions, hand direction, board grain, clothing, fire, and sunlight continuous. Make the camera perform a gentle five percent push closer while steam rises naturally. 12 to 15 seconds. Finish with a centered hero close up as both hands slowly pull the burger into two halves. A heavy ribbon of molten mozzarella stretches between the charred beef layers, trembling and thinning under gravity before partially breaking. Steam, glistening juices, toasted bread texture, ash, smoke, and fire bokeh must feel completely photographic. Hold the final cheese stretch for the last half second. Visual treatment. Premium food cinematography, realistic 4K detail, 30 frames per second, natural motion blur, 50 millimeter macro lens character, shallow depth of field, warm but restrained color grade, rich reds and browns, soft forest greens, preserved highlight detail, mild sensor grain, subtle focus breathing, practical imperfections, no artificial smoothness. Compose all key actions in the central safe area while using the wide frame to reveal fire, foliage, smoke, and rustic tools at the edges.", "description": "", "author": "BMX", "authorUrl": "https://x.com/bmx_ai13", "sourceUrl": "https://x.com/bmx_ai13/status/2085469591934050406" }, { "id": "seedance-376", "title": "Epic Hero Greek City Ascent", "category": "nature-drone", "prompt": "THE ODYMAN (SMART SHOT)\n\nTHE LAST ASCENT\n\nDuration: 15 Seconds\n\nUse the exact same visual lock throughout.\n\nThe character, world, monsters, lighting, and physics must remain identical so the entire sequence feels like one continuous cinematic shot.\n\n---\n\nSHOT LIST\n\n1–2 seconds\n\nA powerful pull from the Athena statue.\n\nThe character launches at extreme speed between two towering marble columns.\n\nThe web is fully taut.\n\nHis armor vibrates from the intense velocity.\n\n---\n\n2–3 seconds\n\nHe releases the web.\n\nPerforms a smooth half-spin in midair.\n\nFires a new web from the opposite hand.\n\nTHWIP.\n\nThe web anchors to the peak of a massive temple.\n\nA sharp turn with realistic centrifugal force.\n\n---\n\n3–4 seconds\n\nLow-angle tracking shot.\n\nHe skims only centimeters above the ancient stone road.\n\nDust erupts beneath him.\n\nHorse riders instinctively duck as he flashes past.\n\n---\n\n4–5 seconds\n\nA colossal monster smashes apart a giant marble statue.\n\nMassive stone fragments explode across the street.\n\nHe swings directly through the raining debris without losing momentum.\n\n---\n\n5–6 seconds\n\nSide tracking shot.\n\nStill attached to the web, he runs several steps along the temple wall.\n\nHe pushes off and launches back into open air.\n\n---\n\n6–7 seconds\n\nExtreme wide aerial shot.\n\nThe entire Greek city stretches into the distance.\n\nThe monster relentlessly pursues dozens of fleeing soldiers.\n\nSmoke and dust engulf the city.\n\nHe remains the only figure moving at extraordinary speed above the chaos.\n\n---\n\n7–8 seconds\n\nHe executes two rapid consecutive swings.\n\nTHWIP.\n\nTHWIP.\n\nEach swing naturally increases his momentum.\n\nThe rhythm feels fast, fluid, and physically accurate.\n\n---\n\n8–9 seconds\n\nHe narrowly misses the gigantic head of a Zeus statue.\n\nWith only a slight tilt of his body, he slips past by inches.\n\nThe camera subtly follows the evasive movement.\n\n---\n\n9–10 seconds\n\nHe threads between towering marble pillars.\n\nHis cape snaps violently in the wind.\n\nThe web remains fully stretched as gravity and momentum pull him through a sweeping arc.\n\n---\n\n10–11 seconds\n\nHe swings through the center of a collapsing marketplace.\n\nCitizens scatter.\n\nBroken columns crash behind him.\n\nDust and sunlight fill the air.\n\n---\n\n11–12 seconds\n\nHe releases one web.\n\nHalf-rolls through the air.\n\nFires another.\n\nTHWIP.\n\nThe web locks onto the tallest tower in the city.\n\n---\n\n12–13 seconds\n\nThe final swing accelerates.\n\nAn immense pull launches him upward.\n\nHis body arches naturally under gravity.\n\nHis cape ripples with realistic weight.\n\n---\n\n13–14 seconds\n\nThe camera follows from below as he rises above the city.\n\nBelow, horse riders, fleeing soldiers, shattered temples, drifting dust, and the colossal monster continue in chaos.\n\n---\n\n14–15 seconds\n\nHero ending.\n\nHe soars into the glowing golden sky.\n\nHe becomes a striking silhouette against the sun.\n\nCut to black.\n\n---\n\nAUDIO\n\nNo music.\n\nUse only natural sounds:\n\n- Wind\n- Air rushing past\n- Ocean waves\n- Seagulls", "description": "", "author": "simeon-sanai", "authorUrl": "https://x.com/Naiknelofar788", "sourceUrl": "https://x.com/Naiknelofar788/status/2085430542665986189" }, { "id": "seedance-377", "title": "Outcome-Focused Product Commercial Workflow", "category": "product-ad", "prompt": "A cinematic product demo of a luxury smartwatch. Open with macro shots highlighting the display, premium materials, smooth camera movement, dramatic lighting, and product features before showing the final use case. Ultra-realistic commercial style, 4K. A cinematic product demo of a luxury smartwatch. Open with the finished commercial showing the smartwatch in use during a workout. After revealing the outcome, transition into the workflow and close-up feature shots with premium lighting, smooth cinematic movement, ultra-realistic commercial style, 4K.", "description": "", "author": "Shan | Imagvio AI", "authorUrl": "https://x.com/ShanBuildsAI", "sourceUrl": "https://x.com/ShanBuildsAI/status/2085412494642958683" }, { "id": "seedance-378", "title": "Claymation Nutella Cafe Diorama", "category": "product-ad", "prompt": "Style & Aesthetics\n3D stop-motion claymation style, plasticine texture with visible soft fingerprint smudges, warm soft-box lighting, cozy pastel brown, cream, and warm wooden tones. Miniature diorama scale, tilt-shift depth of field, playful frame-by-frame animation feel.\n​Scene Sequence & Action\n​Scene 1 (Base Construction): A minimalist clay base and street tile platform build themselves layer by layer on a beige studio backdrop. Streetlamps and small potted plants pop up around the corners.\n​Scene 2 (Structure & Branding): A small cafe building forms with brown walls and a striped awning. A large clay Nutella jar drops smoothly onto the top, transforming into the main \"Nutella\" illuminated store logo and roof structure.\n​Scene 3 (Interior Details): A close-up pan inside showing a miniature espresso machine, shelves lined with mini Nutella jars, and a counter featuring a stack of pancakes topped with chocolate spread, a croissant, and a coffee cup.\n​Scene 4 (Character Animation): Cute, chibi-style clay characters enter. A young boy and girl sit outside at a tiny wooden table. The boy uses a small knife to spread smooth, glossy Nutella over a stack of fluffy pancakes.\n​Scene 5 (Final Reveal): Camera zooms out to reveal the full animated diorama: a vibrant, bustling miniature Nutella cafe with outdoor seating, streetlamps glowing, and multiple adorable characters enjoying their treats.\n​Technical Camera & Lighting\nSmooth isometric and eye-level camera transitions, macro lens perspective, warm interior glow mixed with soft ambient studio lighting, high-detail clay texture rendering, 4k resolution, 24fps stop-motion rhythm", "description": "", "author": "Maya", "authorUrl": "https://x.com/MayaAiCreator", "sourceUrl": "https://x.com/MayaAiCreator/status/2091397686104588650" }, { "id": "seedance-379", "title": "Luxury Skincare Serum Commercial", "category": "product-ad", "prompt": "A luxury, 8K ultra-realistic cinematic skincare commercial for \"AURELIA SKIN HYDRATION SERUM\" shot on 35mm lens in high-end studio lighting against a dark pitch-black background. The video opens with a macro extreme close-up of a clear glass serum dropper filled with viscous, bubbly liquid as a pristine drop slowly forms at the tip. Cut to slow-motion liquid physics as the drop falls and creates smooth, elegant circular ripples across a reflective black surface. Reveal a centered hero shot of the frosted glass bottle with a white dropper top and crisp black typography reading \"AURELIA SKIN HYDRATION SERUM\" standing on a glossy mirror surface. Macro close-up shot of a gorgeous East Asian model with dewy, radiant skin as a pipette applies serum to her cheek, followed by her fingers gently massaging the glowing serum into her skin. She smiles softly at the camera, holding the product bottle beside her face in soft-focus fashion lighting. Ends on a crisp, static high-fashion shot of the product bottle centered on the dark reflective surface. Shot at 60fps slow motion, smooth cinematic camera pans, dramatic rim lighting, soft key light, hyper-detailed skin textures, commercial advertisement quality.", "description": "", "author": "Zyrella", "authorUrl": "https://x.com/Zyrellix", "sourceUrl": "https://x.com/Zyrellix/status/2091393149805756450" }, { "id": "seedance-380", "title": "Air Fryer Cooking Commercial", "category": "product-ad", "prompt": "Create a 14-second cinematic, ultra-realistic commercial video using the provided air-fryer reference image and storyboard as visual reference.\nKeep the same modern black air fryer, same girl, same modern kitchen, same lighting, same overall visual style and composition throughout the entire video. The girl should look consistent in every shot, with the same face, hairstyle, outfit, and appearance.\n\n0–2 seconds:\nThe girl opens the air fryer drawer and places a generous portion of frozen potato French fries inside. Show a clear close-up of the fries going into the basket.\n\n2–4 seconds:\nShe places several seasoned chicken leg pieces/drumsticks beside the fries in the same air-fryer basket, keeping both foods separated and clearly visible. Show a detailed top-down/close-up shot of the fries and chicken together.\n\n4–5 seconds:\nShe closes the air fryer and sets the digital temperature and cooking time on the front touchscreen. Show her finger pressing the controls.\n\n5–8 seconds:\nShow the air fryer actively cooking. Use a cinematic close-up through the cooking window/interior: the French fries and chicken legs are cooking simultaneously, gradually becoming golden and crispy. Show realistic heat, gentle steam, and natural cooking movement. The fries become golden and crisp while the chicken develops a delicious roasted surface.\n\n8–10 seconds:\nThe girl opens the air fryer and checks the perfectly cooked food. Capture the golden fries and juicy, crispy chicken legs in a beautiful close-up.\n\n10–12 seconds:\nShe uses tongs to transfer the crispy fries and chicken leg pieces onto a clean serving plate. Arrange the fries on one side and the chicken pieces on the other. Make the food look fresh, hot, golden, crispy, and appetizing.\n\n12–14 seconds:\nShow a hero close-up of the finished plate beside the air fryer. The camera slowly moves closer to highlight the crispy fries and beautifully cooked chicken.\n\n14–15 seconds:\nThe girl smiles happily while holding/looking at the finished meal. End with a premium product shot of the air fryer and plated food, with a clean commercial feeling.\n\nVisual style:\nUltra-realistic food commercial, cinematic product advertising, warm modern kitchen lighting, realistic food textures, natural hand movements, realistic steam and heat, shallow depth of field, smooth camera movements, crisp details, premium commercial photography, 4K quality.", "description": "", "author": "liana", "authorUrl": "https://x.com/Lianaalane", "sourceUrl": "https://x.com/Lianaalane/status/2091392675912221176" }, { "id": "seedance-381", "title": "Pixar-Style Morning Routine Animation", "category": "asmr", "prompt": "3D Pixar-style animated young East Asian woman with dark hair styled in a neat top bun, large expressive brown eyes, smooth skin, wearing an oversized light grey hoodie. A complete morning routine video sequence featuring her waking up in bed under soft blankets, stretching, brushing teeth and washing face in a bathroom mirror, dressing up in a grey hoodie and black leggings, slicing bread, frying an egg, pouring hot tea from a kettle into a mug, sitting at a wooden kitchen table checking her smartphone, and putting on silver over-ear headphones to work on a laptop while sipping tea in a bright cozy apartment. Warm morning sunlight streaming through the windows, photorealistic textures, soft cinematic lighting, Octane Render, 8K resolution, highly detailed.", "description": "", "author": "Lavinia", "authorUrl": "https://x.com/laviniavelle", "sourceUrl": "https://x.com/laviniavelle/status/2091347290057540012" }, { "id": "seedance-382", "title": "Anime Teleportation Transformation Sequence", "category": "talking-head", "prompt": "Seedance 2.0, 15 seconds, 16:9, high-quality anime movie style. A high school girl in a classroom is instantaneously decomposed into light particles and completely disappears, and in the next moment, she is reconstructed from particles into a singer's costume on a live stage. A flashy, high-speed, instantaneous teleportation transformation that the audience can't take their eyes off.\nRole of reference images:\nImage 1: Protagonist and school uniform before transformation\nImage 2: Singer costume and microphone after transformation\nImage 3: School classroom before disappearance\nImage 4: Live stage after appearance\nImage 1 and Image 2 are three-view drawings showing the same single woman from the front, side, and back, not three people. The central front view is the base, and the side and back views are used only for costume structure reference. The protagonist's face, purple-blue eyes, dark blue hair longer than the waist, hairstyle, and physique are completely maintained before and after the transformation. There is always only one character.\nBefore transformation: dark blue blazer, white shirt, ribbon at the chest, checkered pleated skirt, dark blue high socks, brown loafers as in Image 1. After transformation: accurately reproduce the silver-white bodice, blue crystal decorations, blue-glowing dark blue pleated skirt, iridescent transparent sleeves and long costume tail, large ribbon on the back, black-blue long boots, blue hair ornament, and blue-black microphone from Image 2.\n0.0-2.2s: A deserted classroom with the setting sun shining in as in Image 3. White curtains sway heavily in the wind, and the protagonist stands alone in the center aisle between desks in her school uniform. Rapid dolly-in to the protagonist from a wide angle. The protagonist senses something and looks up. Classroom ambient sounds, wind, distant chimes.\n2.2-3.5s: A blue-purple circular teleportation pattern instantly lights up at the protagonist's feet. Several thin beams of light shoot up from the floor, running rapidly through the uniform's buttons, chest ribbon, and skirt patterns. Surrounding dust and light particles are sucked toward the protagonist, and her long hair and curtains blow toward the center due to intense suction wind. The energy sound rises sharply.\n3.5-4.2s: The uniform and the protagonist's outline are decomposed all at once from the outside in into countless dark blue, silver, and blue-purple light particles. The particles do not spread around the body but are compressed at ultra-high speed to a point at the chest. The uniform fabric, hair outline, and body silhouette are sucked into the light point within 0.7 seconds, and the protagonist completely disappears. Maintain the face and hair until just before disappearance, and cover the body with opaque light.\n4.2-4.6s: The compressed point releases a sharp bluish-white flash, generating a reverse circular shockwave and vanishing. Papers on the desk, curtains, and dust are violently blown away by the shockwave. The protagonist is completely gone, leaving only the classroom. An afterglow momentarily floats in the air as a thin ring.\n4.6-4.9s: Show the empty classroom clearly for about 0.3 seconds. Complete silence. Do not transform the background into the live stage. Do not mix the classroom and the stage. Do not show the portal or stage in advance.\n[hard cut / instantaneous teleport] 4.9-5.2s: The center of the live stage in Image 4. A tiny bluish-white light point suddenly appears at the same screen coordinates where she vanished in the classroom. The stage briefly goes dark, and all lasers concentrate on the light point.\n5.2-6.2s: The light point explodes into a huge spherical energy, and silver-blue particles, crystal fragments, and feathers of light are radiated at high speed in all directions. The protagonist's outline is drawn with particles in the center. The light silhouette is reconstructed in order of feet, legs, torso, arms, and long hair. Use the same color, trajectory, and rotation direction as the particles that disappeared in the classroom to clarify that the same person was teleported.\n6.2-8.5s: Particles flow back into the reconstructed light silhouette. Rapidly and sequentially form the black-blue long boots, blue-glowing pleated skirt, silver-white bodice, and blue crystal decorations on the chest and shoulders from Image 2 from the feet up. Next, the iridescent transparent sleeves and long costume tail spread as a light film, and the large ribbon on the back unfolds like a flower. Do not reappear in uniform; build it up in a state converted to the singer's costume during teleportation.\n8.5-9.8s: The last light particles gather at the side of the hair and are fixed as a blue crystal hair ornament. The remaining particles flow straight into the right hand, generating the blue-black microphone from Image 2 from a slender luminous outline. The moment the protagonist grips the microphone, the costume trim and crystals flash at maximum brightness.\n9.8-10.5s: Transformation complete. The protagonist lands powerfully on the stage floor. Simultaneously with landing, a huge blue-purple pillar of light, a double circular shockwave, crystal fragments, star particles, and wings of light explode outward. The camera shakes briefly from the impact and immediately approaches the protagonist at high speed. Fully synchronize the heavy bass impact and crystal sounds.\n10.5-12.5s: The camera revolves around the protagonist at high speed by about 180 degrees. The long dark blue hair, transparent sleeves, costume tail, and back ribbon flutter greatly due to centrifugal force. The protagonist takes a step onto the runway and raises the microphone high from her chest. An abstract blue-purple acoustic waveform runs across the large screen.\n12.5-15.0s: The entire stage in Image 4 lights up explosively. Countless blue-purple lasers cross, the penlights in the audience wave all at once, and pillars of light and star particles erupt from the floor. The camera rapidly pulls back from a low position near the floor to an ultra-wide angle, showing the protagonist's entire body standing in the center of the huge stage. Finally, the protagonist looks forward and raises the microphone, and huge silver-blue wings of light open behind her. End by showing the completed costume and face clearly.\nImportant constraints:\nDo not gradually change the background from the classroom to the stage. Do not overlap the classroom and the stage. Do not display the stage through a portal in the classroom. Strictly adhere to 'complete disappearance in the classroom -> momentary blank -> sudden appearance on the stage'. Always only one person. Do not generate three-view drawings as three people. Do not generate duplicate protagonists, expressions of another person emerging from afterimages, facial changes, hair shortening, instantaneous costume swaps, mixtures of uniforms and singer costumes, extra limbs, microphone duplicates, text, subtitles, logos, or watermarks.\nAudio:\nTransition from quiet classroom ambient sounds to a short, sharp energy rise sound and a suction compression sound. A sharp 'shun' sound and a moment of complete silence upon disappearance. Start a huge heavy bass, crystal sounds of particles, audience cheers, and fast-paced electronic music all at once upon appearance on the stage. No dialogue or singing.", "description": "", "author": "なお｜AI動画・AI音楽", "authorUrl": "https://x.com/Naonekozamurai", "sourceUrl": "https://x.com/Naonekozamurai/status/2091291847499128945" }, { "id": "seedance-383", "title": "High-Speed Maglev Train Action Sequence", "category": "product-ad", "prompt": "Cinematic 4K high-speed action sequence on the roof of a maglev train tearing through a mountain corridor at three hundred kilometers per hour. A whip-thin runner with a shorn scalp, a barcode brand behind her ear, and a hardshell jacket flaring open wields twin folding blades. She sprints the spine of the car, drops flat under a tunnel mouth, snaps up, cuts a boarding mercenary's harness, kicks him into the slipstream, vaults the gap between cars, skids sideways, blocks, ripostes, hurls one blade, catches a vent to swing under an overpass, then explodes back onto the roof mid-stride. Torn insulation and sparks streaking backward in hard lines, strobing tunnel lights slashing across her, panels peeling loose and vanishing behind, whip-pan tracking camera with speed ramps, 120fps snapping to 24fps on every impact, realistic wind-shear physics, extreme motion blur, ultra-high detail.", "description": "", "author": "Alexandra Aisling", "authorUrl": "https://x.com/AllaAisling", "sourceUrl": "https://x.com/AllaAisling/status/2091283521155314150" }, { "id": "seedance-384", "title": "Jewelry Boutique Martial Arts Action", "category": "product-ad", "prompt": "A dynamic, cinematic action sequence inside a luxury jewelry boutique at night. A confident young woman with long dark hair, olive skin, and sharp green eyes is the hero. She wears an elegant emerald silk evening gown and gold earrings. Three masked thieves in black tactical gear attempt a robbery, and she single-handedly defeats them with fast, precise martial arts choreography. She vaults over glass display cases, shattering them in dramatic slow motion as diamonds, pearls, and glass shards scatter and sparkle through the air like rain, catching warm spotlight beams. She slides across a marble counter, throws one attacker into a shelf of watches, and disarms the last with a spinning kick. At the end, she stands calm amid the glittering wreckage, picks up a single diamond ring, examines it in the light, and looks directly into the camera with a faint smile. Dynamic handheld camera, whip pans, slow-motion inserts, moody warm lighting with deep shadows, realistic physics, high production value, cinematic style, 4K.", "description": "", "author": "Mimu | AI Tools & News", "authorUrl": "https://x.com/mimu_ai1", "sourceUrl": "https://x.com/mimu_ai1/status/2091215411341930633" }, { "id": "seedance-385", "title": "Stainless Steel Cookware Commercial", "category": "product-ad", "prompt": "Create a premium cinematic product commercial using the uploaded image as the exact visual reference. Show the same stainless-steel cooking pot with its transparent glass lid, elegant golden handles, and golden lid knob placed on a clean modern kitchen countertop. Keep the pot’s original shape, design, colors, golden details, and branding exactly consistent with the reference image. Start with a slow cinematic camera push-in toward the pot, with soft studio lighting reflecting beautifully across the polished stainless-steel surface. Slowly move the camera from left to right to highlight the golden side handles and reflective body. Add a gentle close-up of the glass lid and golden knob, followed by a smooth 360-degree product rotation. The modern kitchen background remains softly blurred with realistic depth of field. Use realistic reflections, subtle highlights, premium commercial lighting, smooth camera motion, photorealistic textures, elegant luxury kitchen atmosphere, 4K/8K quality, sharp product details, professional cookware advertisement style. Keep the original logo/text visible and unchanged. No extra objects, no distortion, no changes to the product design. Vertical 9:16 format, 8–10 seconds.", "description": "", "author": "Soaima", "authorUrl": "https://x.com/Soaima_Ai", "sourceUrl": "https://x.com/Soaima_Ai/status/2091205471755763852" }, { "id": "seedance-386", "title": "Viral Funny Elastic Face FX Video", "category": "animation", "prompt": "[Style] Viral Funny Elastic Face FX short video, live-action, exaggerated rubber-grade physical deformation special effects, 4K ultra-clear quality, night portrait lighting, clean screen without any watermark text.\n[Duration] 10 seconds\n[Scene] Night city street, background with warm yellow street lamps and neat street trees, slight reflections on the asphalt road surface.\n[Character] Protagonist @Image1 (wearing a black square-neck tight long-sleeved top, black long hair naturally falling).\n\n[00:00-00:02] Shot 1: Rubber Mouth Stretch\nCamera: Medium close-up, handheld selfie slightly low-angle perspective, camera shaking slightly with breathing.\nAction: The protagonist inserts both index fingers into the corners of the mouth and pulls them extremely wide to both sides. The mouth is stretched as huge as elastic rubber, sticking out a long tongue to make a funny face; after releasing the hands, the mouth instantly returns to its original shape like a spring. The protagonist tilts their head, smiles at the camera, and waves lightly.\nEffects: Super exaggerated physical elastic stretching and rebounding of the protagonist's original face (Elastic Face Deformation), maintaining live-action facial features and skin texture, no cartoon replacement.\n\n[00:02-00:05] Shot 2: Giant Head Morphing\nCamera: Medium close-up, camera center steadily locked on the head.\nAction: The protagonist raises both hands and lightly taps both sides of the top of the head.\nEffects: At the moment the palms tap down, the protagonist's original head instantly expands to a \"big-headed boy\" style, eyes bulging into white eyeballs, cheeks puffing into spheres with a pout, neck and body remain the same; then hands are lowered, and the head instantly and smoothly shrinks back to normal live-action size.\n\n[00:05-00:07] Shot 3: Vertical Face Pull\nCamera: Medium shot, steady handheld perspective.\nAction: The protagonist grabs two tufts of hair at the top of the head with both hands and pulls up quickly.\nEffects: Under the pulling action, the original human face is extremely stretched vertically, and the facial features are stretched and deformed into vertical oval large eyes and an \"O\" shaped mouth; when the hands are released, the face instantly and smoothly contracts back to original, and the protagonist lowers their head to smile shyly with squinted eyes.\n\n[00:07-00:10] Shot 4: Playful Growl & Freeze\nCamera: Medium shot, camera has a small rhythmic push sense with action, finally panning and freezing.\nAction: The protagonist's face and body maintain a completely normal live-action state without any deformation effects; hands are raised to the side of the face and opened into a \"monster claw\" posture, head tilted back, mouth open laughing in an \"awoo\" growl; then the body tilts slightly to the side, hands are tucked away, and the protagonist looks back directly at the camera with a smile to freeze.\nSound: With funny sound effects and crisp beat-matching sound effects.", "description": "", "author": "John", "authorUrl": "https://x.com/johnAGI168", "sourceUrl": "https://x.com/johnAGI168/status/2091182791467684197" }, { "id": "seedance-387", "title": "Pink Lipstick 3D Product Commercial", "category": "product-ad", "prompt": "A high-end 3D product commercial video shot in 8K, vertical 9:16 aspect ratio, macro close-up shot. A sparkling, glittery pink lipstick in a shiny rose gold metallic tube stands upright on a highly reflective glass mirror surface. Surrounding the base are fresh red whole and sliced strawberries with green leaves and clear ice cubes. Soft pink studio lighting creates bright glossy reflections. Floating water droplets, glowing magical sparkle particles, and light trails swirl around the lipstick bullet in slow motion. Dynamic depth of field, ultra-realistic texture, luxury cosmetic aesthetic.", "description": "", "author": "Lavinia", "authorUrl": "https://x.com/laviniavelle", "sourceUrl": "https://x.com/laviniavelle/status/2091180928265855296" }, { "id": "seedance-388", "title": "Shaolin Hero Martial Arts Short", "category": "nature-drone", "prompt": "PART 1 — 15 Seconds Cinematic live-action martial arts short film, 15 seconds. Outdoor ancient Chinese martial arts training ground, wide stone platform surrounded by sparse bamboo, traditional temple with curved red rooftops in the background, stone lanterns, bright blue sky, crisp natural daylight, rich cinematic colors with deep reds, lush greens, warm stone grey, subtle dust drifting through the air. CHARACTER: Female HERO from the uploaded character sheet. Preserve her exact identity, facial features, hairstyle, skin tone, feminine proportions, lean athletic physique, calm focused expression and disciplined martial artist presence. She wears the exact oversized Shaolin-inspired mustard-gold training robe with loose layered sleeves, brown cloth sash, oversized kung fu pants, grey leg wraps and worn cloth martial arts shoes exactly as shown in the reference. Bare hands only — no weapons. VIDEO STARTS MID-ACTION — no slow intro, no build up. Viewer is thrown directly into the action from the very first frame. [0:00–0:02] HOOK HERO is already flowing through an explosive traditional kung fu combination. Camera begins with an extreme close-up of her wrapped fist slicing through the air, fabric snapping with speed, then instantly pulls back into a dynamic three-quarter shot revealing her deep horse stance on the stone platform. Her oversized robe ripples dramatically with every movement. Powerful Chinese percussion fused with modern cinematic drum-and-bass hits immediately on frame one. [0:02–0:12] MONTAGE Ultra-fast editing synchronized tightly to the music. Every half second introduces a completely different martial arts movement and camera angle. HERO never repeats the same technique twice. MOVEMENTS rotating constantly: Explosive horse stance transitioning into lightning-fast chain punches. Deep bow stance with powerful open-palm strikes. Circular Shaolin blocking combinations flowing into counterattacks. Rapid elbow and forearm combinations. Sweeping low stance followed by spinning back fist. High snap kick flowing into a spinning hook kick. Forward advancing footwork across the stone platform with continuous hand techniques. One-leg crane stance transitioning into double palm strike. Aerial butterfly kick landing directly into a grounded fighting stance. Fast continuous combinations blending punches, palms, elbows, knees and fluid traditional forms. CAMERA ANGLES rotating constantly: Extreme close-up of wrapped fists cutting through the air. Low-angle hero shot with blue sky behind her. Wide cinematic shot revealing the temple and full training ground. Side profile emphasizing clean martial arts silhouettes. Overhead top-down shot tracking circular footwork. Ground-level shot following sweeping leg techniques. Rear tracking shot facing toward the temple. Tight close-up of HERO'S calm, unwavering eyes. Close-up of her feet sliding across worn stone with dust scattering. Slow-motion insert of robe sleeves and cloth sash whipping dramatically through sunlight. Music intensifies continuously with heavier drums, deeper bass, traditional Chinese instruments and cinematic orchestral layers. Every strike creates realistic cloth movement, dust bursts, subtle air displacement and natural motion blur. [0:12–0:15] HERO MOMENT HERO calmly turns toward the wooden Wing Chun training dummy. The music reaches its hardest beat drop. She launches forward with explosive speed using pure traditional kung fu. An overwhelming barrage of impossibly fast punches, palm strikes, elbows, knees and spinning techniques impacts from every direction, hands becoming nearly invisible from speed. The dummy violently shakes under the relentless assault before one final full-power palm strike lands squarely at its center. The wooden dummy splits cleanly in half vertically in dramatic slow motion as splinters and dust explode outward. The two halves collapse in opposite directions while HERO finishes perfectly balanced in a classic Shaolin stance beyond the broken dummy. Her robe settles naturally in the breeze. Camera freezes on her for exactly one frame — mustard-gold robes, blue sky, ancient temple behind her — then cuts instantly to black. Text appears: HERO. Ultra-photorealistic live-action cinematic filmmaking, premium martial arts choreography, Hollywood action film quality, ARRI Alexa 65 look, anamorphic lenses, natural daylight, authentic Shaolin kung fu, realistic human motion, dynamic camera movement, rich cinematic color grading, subtle film grain, volumetric sunlight, cloth physics, dust particles, realistic impact effects, high-speed photography, seamless editing rhythm, epic cinematic sound design, premium live-action martial arts film quality. PART 2 — 15 Seconds Create a 15-second single continuous-shot realistic live-action martial arts film using the uploaded FEMALE HERO character sheet as the only character reference. Preserve her exact face, hairstyle, lean athletic build, feminine proportions, calm disciplined expression, oversized mustard-gold Shaolin robes, brown sash, grey leg wraps, wrapped hands and cloth shoes throughout. Only one protagonist and three opponents. No duplicate protagonist. Set inside a traditional Chinese dye workshop with hanging white cloth, bamboo racks, large indigo dye vats, wooden buckets, stone floor and warm sunlight. Keep the environment spatially consistent. Cloth moves naturally only when touched or struck. The camera follows HERO continuously as she pushes open the workshop door and enters. An opponent suddenly ambushes from behind a hanging cloth. HERO instantly crouches beneath the punch, captures the attacker's wrist into a twisting wrist lock, then delivers a compact palm-heel strike. A second attacker swings a long staff. HERO ducks underneath, slips through the hanging cloth to switch positions, then traps the staff by wrapping it inside the suspended fabric. She narrowly avoids falling into a dye vat while weaving around the workshop as the third attacker joins the fight. The climax becomes a fast three-sided pincer attack. HERO flows through authentic serpentine continuous-hand kung fu, intercepting punches, seizing wrists, redirecting the staff, pivoting beneath rear attacks, and chaining short palm strikes, reverse palms, elbow strikes and body turns into one uninterrupted sequence. Every strike has realistic impact, body mechanics and visible reactions. No flailing. No fantasy effects. No wire work. HERO passes through one final curtain of cloth and finishes in a calm Shaolin guard stance as the three defeated opponents collapse behind her. Hold for one second before fade to black. Ultra-photorealistic live-action martial arts cinema, Hong Kong action choreography, ARRI Alexa 65, anamorphic lenses, practical stunts, realistic contact, dynamic handheld camera, natural cloth physics, volumetric sunlight, cinematic color grading, subtle film grain, premium feature-film quality, no anime effects, no CGI energy, no afterimages. Maintain exact female HERO identity and costume continuity from Part 1. Character Sheet — reference Image Create a premium cinematic character bible sheet for the FEMALE HERO using the uploaded portrait as the strict identity reference. Preserve her exact face, hairstyle, skin tone, feminine body proportions, and appearance. Dress her in an oversized traditional kung fu outfit inspired by Shaolin training robes: - mustard-gold layered robe - loose wide sleeves - brown cloth sash - oversized kung fu pants - grey leg wraps - worn cloth martial arts shoes STYLE: Ultra-photorealistic live-action, AAA movie concept art, cinematic realism, natural lighting, premium editorial presentation. LAYOUT: Clean white background with minimal typography. LEFT: Large golden brushstroke text: HERO. Subtitle: MARTIAL ARTIST / KUNG FU MASTER. One full-heig", "description": "", "author": "Elsa Ai", "authorUrl": "https://x.com/ElsaSofia__AI", "sourceUrl": "https://x.com/ElsaSofia__AI/status/2091178501735071829" }, { "id": "seedance-389", "title": "Fantasy Dragon River Reveal", "category": "nature-drone", "prompt": "Cinematic fantasy creature reveal, 15 seconds, continuous dynamic camera move.\n\nShot 1 (0-2s): Extreme low angle at water level, camera nearly touching a shallow forest river at golden hour. Wet mossy rocks glisten in soft backlight, ripples on the water surface, a figure's legs walking past in the blurred foreground. Warm dawn sunlight, soft mist rising off the water, shallow depth of field, telephoto compression.\n\nShot 2 (2-5s): Sudden violent eruption — a massive dragon bursts up out of the river in an explosive white-water splash, spray flying in all directions. Camera whip-tilts upward following the motion. Iridescent teal-purple wing membranes and dark armored scales catch the light, water sheeting off its body, dramatic backlighting silhouettes the creature against the tree line.\n\nShot 3 (5-8s): Extreme close-up tracking up the dragon's long serpentine neck, wet scales rippling with teal-to-purple iridescence, water droplets flying off in slow motion, motion-blurred coils twisting through frame, forest bokeh in the background, sunlight rim-lighting the edges.\n\nShot 4 (8-10s): Tight close-up on the dragon's open roaring mouth, rows of sharp teeth, throat glowing intense orange-white like fire or bioluminescent light, lens flare, heavy atmospheric haze, warm volumetric light pouring through the open jaw.\n\nShot 5 (10-15s): Camera pulls back rapidly into a wide aerial shot — the full dragon now airborne, wings fully spread in flight, tail curled beneath it, silhouetted against a bright golden sun low over a misty pine forest river valley. Wings a deep rust-orange with dark vein patterning, mist rolling off the water below, epic scale, anamorphic widescreen framing, cinematic Hollywood color grade (teal shadows, orange highlights), atmospheric haze, volumetric god rays.\n\nStyle: photorealistic VFX creature, hyper-detailed scales and wing membrane, natural motion physics on water and spray, dramatic golden-hour lighting throughout, seamless continuous camera motion, no cuts, 24fps film look.", "description": "", "author": "Zahra", "authorUrl": "https://x.com/AIwithZahra", "sourceUrl": "https://x.com/AIwithZahra/status/2091100358693278187" }, { "id": "seedance-390", "title": "Magical Glowing Orb Journey", "category": "nature-drone", "prompt": "Create an ultra-realistic cinematic fantasy video centered around a small, perfectly spherical, highly reflective glowing glass-metal orb. The orb must remain the main subject and maintain the exact same shape, size, material, color, and appearance throughout the entire video. Begin in a magical dense green forest at sunrise, with lush ferns, wet leaves, water droplets, soft golden sunlight, volumetric light rays, mist, and realistic shadows. The camera moves smoothly in a cinematic macro style as the reflective orb gently rolls across a wet leaf and falls toward the forest floor. Seamlessly transition into a crystal-clear shallow mountain stream surrounded by moss-covered stones and dense green vegetation. The orb moves naturally through the flowing water, creating tiny realistic ripples, splashes, and beautiful reflections. Seamlessly transition into a breathtaking prehistoric landscape where a gigantic dinosaur walks slowly through shallow water in the background while the tiny reflective orb remains in the foreground. Add mist, prehistoric vegetation, distant mountains, warm sunlight, atmospheric depth, and realistic water reflections. Seamlessly transition into a frozen mountain valley covered with snow and transparent ice. The orb glides smoothly across a thin layer of ice and melting snow, creating subtle reflections and tiny cracks in the ice. Show detailed frozen textures, distant mountains, soft cloudy daylight, and cinematic atmospheric lighting. Seamlessly transition into a peaceful ancient riverside village with traditional wooden houses, palm trees, small wooden boats, and calm reflective water. The orb travels smoothly along the center of the river while warm sunset light creates beautiful reflections on the water. Finally, transition into an elegant futuristic environment made entirely of transparent glass, crystal, and polished reflective surfaces. The orb slowly moves between glass structures while colorful cinematic lights create stunning reflections, refractions, and soft bokeh in the background. Use seamless transitions between every environment, ultra-realistic physics, photorealistic textures, realistic water and reflections, cinematic depth of field, macro photography, volumetric lighting, atmospheric fog, smooth camera movement, dramatic composition, 4K/8K detail, premium Hollywood cinematic quality. Keep the orb perfectly consistent throughout the entire video. No text, no subtitles, no logos, no watermark, no flickering, no distorted objects, no duplicate orb, no unnatural movement.", "description": "", "author": "Lavinia", "authorUrl": "https://x.com/laviniavelle", "sourceUrl": "https://x.com/laviniavelle/status/2091099759490531436" }, { "id": "seedance-391", "title": "Futuristic Desert Off-Road Racing Prompt", "category": "cinematic", "prompt": "Create a cinematic, high-speed off-road racing sequence set in a futuristic desert canyon. Strictly refer to the provided reference images to consistently maintain character facial features, hairstyles, physique, costumes, color schemes, vehicle designs, team-specific visual language, and the terrain, colors, and atmosphere of the desert environment.", "description": "", "author": "Min Story Lab", "authorUrl": "https://x.com/minstorylab01", "sourceUrl": "https://x.com/minstorylab01/status/2091083787425980530" }, { "id": "seedance-392", "title": "Seedance 2.5 Chiropractic Product Review Video", "category": "talking-head", "prompt": "1. Basic Parameters\nThis is a vertical short video for health & home product review and recommendation, with an aspect ratio of 9:16 and a total duration of 31 seconds. The video is in 4K ultra HD, 60fps, with photorealistic portrait quality. The overall style is natural and documentary-style, lit with warm soft white light, the frame is clear and grain-free, and all camera movements are smooth and stable.\n\n2. Fixed Scene Setting\nThe shooting scene is the interior of an American chiropractic clinic: the wall has a light gray matte finish, with an educational poster titled Whiplash Injuries of the Head and Neck (with head and neck anatomy illustrations) hung on the upper section of the wall. A light wood grain barn-door style storage cabinet with black metal hardware is placed against the wall, and on the countertop from left to right are a dark green cone-shaped decorative ornament, a transparent glass bottle, and a white tissue box with a blue logo. Half of an office chair with a black cushion and orange wooden legs is visible on the right side of the frame. The foreground is a dark gray leather three-section chiropractic treatment table. The entire environment is clean and tidy with even, soft lighting.\n\n3. Fixed Character Setting\nThe on-screen talent is a 25-28 year old Caucasian woman with medium-length wavy blonde hair and natural, healthy skin. She wears gold round vintage earrings, a thin pearl bracelet on her left hand, and two thin plain gold rings on her left middle and ring fingers. She is dressed in a taupe brushed sports camisole (with cross straps and a drop-shaped cutout on the back) paired with matching high-waist tight yoga leggings. She has a friendly and relaxed expression, speaks in a professional yet casual tone, and all her movements are natural and unforced.\n\n4. Core Product Setting\nThe core product showcased is a white ergonomic memory foam cervical pillow: it has a symmetrical cloud/plump bone shape, with curved raised support edges on the top and bottom ends, rounded bulges on the left and right sides, and a sunken central area that fits the curve of the head and neck. The pillowcase is made of skin-friendly knitted cotton with an invisible side zipper for easy removal and washing, and the inner core is slow-rebound memory foam that slowly regains its shape after being pressed, with sufficient support.\n\n5. Storyboard Sequence\nFrom 0 to 4 seconds, the shot is a medium static shot: the woman stands behind the treatment table, places both hands flat on the cervical pillow in the center of the table, and speaks to the camera. She gently presses down on the pillow surface to demonstrate the slow-rebound support, then lifts the pillow to chest height with both hands to show its full front outline. The corresponding voiceover is: \"Today I'm sharing this amazing cervical pillow I got recommended after my chiropractic adjustment, the support is incredible.\"\nFrom 4 to 5 seconds, the shot is a close-up with the camera panning slightly downward: the woman moves out of the frame, and the camera focuses on the cervical pillow on the treatment table, showing the sunken support structure from a top-down angle. There is no dialogue in this segment, only soft ambient background noise is retained.\nFrom 5 to 8 seconds, the shot is a close-up static shot: the woman lies supine on the treatment table, with her head resting exactly in the sunken center of the pillow, her side face facing the camera. She gently shakes her head left and right to show how well the pillow conforms to her head and neck, with a relaxed expression. The corresponding voiceover is: \"When you sleep on your back, your neck is fully supported, there's no gap at all.\"\nFrom 8 to 12 seconds, the shot is a close-up static shot: the woman slowly rolls over to a side-lying position, with her back facing the camera and her head remaining on the pillow. This segment demonstrates that the pillow height perfectly fits the shoulder and neck during side sleeping, with no head tilt or shoulder pressure. The corresponding voiceover is: \"The height is also perfect for side sleeping, it doesn't press on your shoulders at all.\"\nFrom 12 to 18 seconds, the shot is a close-up static shot: the woman rolls over again to a prone position, with her chest leaning lightly on the pillow, her face resting sideways on the center of the pillow surface, and her arms wrapping around the pillow. She closes her eyes with a comfortable and relaxed expression, and her voice is slightly muffled to match the prone position. The corresponding voiceover is: \"It's even super comfortable to rest on when you're scrolling on your phone lying on your stomach.\"\nFrom 18 to 28 seconds, the shot is a medium static shot: the woman gets up and stands back behind the treatment table, holds the pillow upright with both hands, points to the raised structures of different heights on the side of the pillow and the invisible zipper with her right fingertip in turn, and repeatedly flips the pillow to show the layered side design while explaining. The corresponding voiceover is: \"The two sides have different heights: the higher side is great for back sleeping to support your cervical spine, the lower side is perfect for side sleeping. The pillowcase has a zipper so you can wash it, and the memory foam has really great support.\"\nFrom 28 to 31 seconds, the shot is a medium static shot: the woman places the pillow steadily back in the center of the treatment table, lets her hands hang naturally by her sides, and smiles and nods at the camera as the closing. The corresponding voiceover is: \"If you have neck issues, you have to try this, it's a total game changer.\"\n\n6. Negative Constraints\nFacial distortion and misaligned facial features are prohibited; pillow shape deformation and proportion distortion are prohibited; scene prop errors and garbled text on posters are prohibited; shaky camera and blurry frames are prohibited; stiff character movements and exaggerated expressions are prohibited; color distortion and abrupt filters are prohibited.", "description": "", "author": "Jarvis", "authorUrl": "https://x.com/jarvis11x", "sourceUrl": "https://x.com/jarvis11x/status/2091083108284055670" }, { "id": "seedance-393", "title": "Seedance 2.5 Time Travel Lovers Film Prompt", "category": "talking-head", "prompt": "【Character Emotion Arc】 Young Wife: Pre-wedding anxiety → Habitual opening of the door after the first knock → A stranger's voice accurately mentions her first habit → Brief daze → Polite defensiveness → The old man predicts her second minor action → Off-camera sound happens → Struck for the first time → Realizes he knows more than the present → Confusion → Alertness → Observes the old man → Half-believing → Captures familiarity from his eyes, demeanor, and expression → Guesses he is related to her future → Disbelief → Softly testing \"...You?\" → Receives \"Just older.\" confirmation → Shock turns to nervousness about the future → Fearing the answer → Asking \"Was it good?\" → Heart sinks at \"Hard sometimes.\" → Relaxes after \"Still good.\" → Finally confirms the marriage → Settles down at \"Tomorrow. And every day after that.\" → Fear of tomorrow eases. Old Husband: Uneasiness outside → Door opens earlier than the second knock → Seeing her young self, brief loss of focus → Nostalgia → Regains restraint → Starts conversation with a habit → Slight regret at being unrecognized → Predicts her second action → Sees her realize the abnormality → No mystification → Uses minimal info to let her reach the answer → Sees her recognize his face → Softhearted → Identified by her → Confirms with \"Just older.\" → Stops discussing time travel → Recalls decades of life when asked about marriage → Thinks of difficulties and ordinary, real, worthy days → Gives an unvarnished answer → Sees her stop being afraid → Subconsciously makes a physical habit from decades of marriage → Realizes the relationship hasn't started yet → Stops → Quietly accepts this distance. 【Characters and Basic Settings】 Young Wife: Must follow reference image {{Mixed 1}}. Old Husband: Must follow reference image {{Mixed 2}}. 【Scene Setting】 Location: Entrance of a residence on the eve of a wedding. Young Wife inside, Old Husband outside. Exterior must be a real outdoor space, not a hallway. Possible settings: Quiet street entrance or building exterior with night air. Must remain: Quiet, transparent, beautiful, realistic, with clear depth. Outside: Keep sparse night lights, blurred walls, railings, distant window lights, tree shadows, building dark areas, light air flow, and clear spatial depth under a large aperture. Inside: Slightly warm. Vaguely see the foyer, furniture outlines, coats, console, blurred cups, soft warm lights, and life traces. Do not clutter with wedding items. Context is established by plot and dialogue. 【Atmosphere and Quality】 Maintain original atmosphere, quality, tone, and transparency. Lighting: Natural, soft, restrained. Main light from above and slightly left of the character. Evenly spread on the face. Avoid hard shadows, sharp boundaries, or theatrical lighting. Inside: Low-intensity soft warm ambient light. Outside: Realistic night-time neutral-to-cool ambient light. Warm light leaks slightly outside. The old man's face receives both. Visual Tone: Realistic, low saturation. 【Visible Performance Details】 Focus prioritizes the eye closest to camera. Must see iris, eyelash roots, pupil movement, eyelid changes, teariness, nostrils breathing, lips parting/tightening, swallowing, jaw movements, eyes refocusing, micro-emotional changes, and breathing recovery. Handle movement does not need to appear. Hands are not the focus. Key to the second habit: Not seeing her touch it twice, but the man predicting it, followed by two faint off-camera sounds, pupil contraction, and her shift in gaze. 【Camera Rules】 Mostly OTS reverse shots. Strictly no crossing the axis. Camera stays on one side of the performance axis. 【Fixed Axis and Directions】 Young Wife on the left, looking right. Old Husband on the right, looking left. No swapping directions. 【OTS Young Wife over Old Husband's Shoulder】 Old man's right shoulder/ear/head on the far right as extreme soft focus foreground (8%-15%). Young Wife on the left-to-center, looking right. Foreground must not block eyes, lips, or micro-expressions. 【OTS Old Husband over Young Wife's Shoulder】 Young wife's left shoulder/hair/profile on the left as soft focus foreground. Old Husband in center-right, looking left. Foreground must retain texture, not a black block. 【Allowed Slight Adjustments】 Slow push/pull, 10-20cm pans, passive retreat, 15° angle corrections. Movements must create real visual changes (door frame proportions, foreground ratio, parallax of lights, structural shifts). No digital zoom. 【Foreground Design】 Real spatial layers using door frame, shoulders, hair, console edge, railings, wall edges, distant lights. Structure: Foreground → Character's face → Threshold → Other person → Transparent outdoor depth. Handle can exist but isn't needed in shot during the second habit. No close-ups on handle. 【English Dialogue】 Relaxed, natural, real speed. Leave space for breathing, pauses, and reactions. Suggested dialogue: OLD MAN: \"You still open the door before the second knock.\" YOUNG WOMAN: \"...Sorry?\" OLD MAN: \"And you'll touch the handle twice.\" (Pause. Two faint off-camera handle contact sounds. Woman's expression changes). YOUNG WOMAN: \"Who are you?\" OLD MAN: \"I've had a lifetime to notice.\" (Pause. She observes him). YOUNG WOMAN: \"...You?\" (Old man's mouth twitches slightly). OLD MAN: \"Just older.\" (Pause). YOUNG WOMAN: \"Was it good?\" OLD MAN: \"Hard sometimes.\" (Pause). OLD MAN: \"Still good.\" (She watches him). YOUNG WOMAN: \"So... we got married?\" OLD MAN: \"Tomorrow.\" (Pause). OLD MAN: \"And every day after that.\" 【30-Second Detailed Storyboard】 0-3.5s | The Hook: First shot is only her, future voice first. 85mm on Young Wife. No shots of the old man yet. She is distracted. First knock. She opens the door naturally. Exterior night air enters. Old man's voice off-screen: \"You still open the door before the second knock.\" Starts within first 2s. \"...Sorry?\" No full face of the old man yet. 3.5-7s | He predicts her next move. Keep OTS on woman. Old man is a thin, blurred foreground. Old man: \"And you'll touch the handle twice.\" Short pause. Two faint off-camera sounds. Woman's pupils contract, eyes shift down briefly then up. Emotion shifts from confusion to defensiveness. \"Who are you?\" Soft voice. 7-10.5s | First full reveal of husband. 70mm OTS over woman. Old man on right. Transparent night background. No mysterious smile. He has a gaze of long-term familiarity. \"I've had a lifetime to notice.\" Simple truth. Woman's breathing becomes shallow. L-cut. 10.5-14.5s | Recognition. 85mm OTS close-up. She observes his eyes, brow, nose, mouth. Finding the young man in the aged face. Pupil vibration, breathing stop. Defensive look softens. Softly: \"...You?\" L-cut. Old man: \"Just older.\" Time-space relationship established. 14.5-18s | Fearing the future. 85mm on woman. Defense gone, replaced by curiosity and heartache. \"Was it good?\" Very soft. Teary eyes but no tears. 18-22.5s | \"Hard sometimes. Still good.\" 85mm OTS on old man. He pauses, looks away. Decades of life pass through his eyes. No flashbacks. Just fatigue, understanding, and nostalgia. \"Hard sometimes.\" Very calm. \"Still good.\" Firm but soft. 22.5-25.5s | Acceptance. Reaction shot of woman. She tightened at \"Hard\" and relaxed at \"Still good.\" \"So... we got married?\" Natural pause. 25.5-30s | \"Tomorrow. And every day after that.\" 85-100mm OTS close-up on old man. Quietest shot. He watches her with heart-softened certainty. \"Tomorrow.\" (Pause). \"And every day after that.\" Not a movie quote, just a fact. He starts to reach for a stray hair out of habit, then stops, realizing the distance. Hand drops. She sees, then tucks the hair herself. A final look across the threshold. No crying, no hugging, no goodbye. End. 【Shot Rhythm】 30s total. Not equal cuts. Hook is fast, identification is slow, emotional landing is slowest. First half: \"Who is he?\" Middle: \"Is it really him?\" End: \"Are we okay later?\" 【Continuity Rules】 No mechanical cuts. Use J-cuts, L-cuts, and reaction shots. Voice first, visual second. The handle sounds and her pupil change complete information without showing the handle. 【Camera Parameters】 2.39:1, 24fps, 180° shutter. Lenses: 85mm (f/2-2.4) for identification/end; 65-75mm for standard OTS. Subtle handheld movement (breathing, weight shifts). No digital zoom. 【Sound Design】 No BGM, no subtitles. Only realistic ambient sounds: night air, distant city hum, light wind. No nearby traffic sounds.", "description": "", "author": "李岳", "authorUrl": "https://x.com/liyue_ai", "sourceUrl": "https://x.com/liyue_ai/status/2091062283837603918" }, { "id": "seedance-394", "title": "Y2K Rock Fashion Transition Video", "category": "talking-head", "prompt": "[Style] Millennium Y2K Rock Fashion, 2000s trend magazine texture, retro warm yellow tone, 60fps, 4K realistic image quality.\n[Duration] 15 seconds\n[Ratio] 9:16 vertical screen\n[Scene] Retro rock dressing room, beige old walls covered with original rock posters without text and vinyl records; white wavy floor lamp on the left, white guitar case leaning on the right, black electric rotating circular platform placed in the center of the floor.\n[Character] Protagonist @Image1, facial features, hairstyle, and body shape always correspond to the reference image; calmly looks at the camera throughout, expression is natural and stylish.\n[Sound] Original Y2K pop rock beats, a heavy beat every two seconds; no dialogue, no subtitles, no text, no brand logos.\n\n[Core Camera Movement] The camera is fixed in a frontal full-body shot (Locked Full-body Shot) throughout, no panning, tracking, or circling. The protagonist stands in the center of the circular platform, which rotates clockwise at a constant speed. All perspective changes come from the platform's rotation, not camera movement.\n\n[Transition Rules] Before each heavy beat, the protagonist turns from the front to the side or back with the platform; a hard outfit change (Motion-blur Match Cut) occurs when the body passes the center of the camera and full-body motion blur is strongest. After the cut, the character maintains the same position, orientation, gestures, and rotation speed, continuing to rotate clockwise. No flash whites, dissolves, or clothes growing out of thin air.\n\n[00:00-00:03] Shot 1: Basic Millennium Style\nProtagonist wears a white slim tank top, light blue low-waist ultra-wide jeans, black studded belt, black platform lace-up boots, hands in pockets standing in the center of the platform. The platform slowly rotates clockwise, the protagonist turns from front to side, then to back. At 00:02.9, the side-back of the body passes the camera center, forming lateral motion blur, cut on the beat.\n\n[00:03-00:05] Shot 2: Black Rock Style\nMaintain the same back-facing angle after the cut, change to a black star knit hat, black studded sleeveless top, white layered hem, black pleated leather skirt, black high boots, black shoulder bag. The protagonist continues to rotate clockwise back to the front, one hand holding the bag, then turns to the side-back again. Match cut at 00:04.9 when the bag and skirt swing are most obvious.\n\n[00:05-00:07] Shot 3: Purple Street Style\nChange to a leopard print newsboy cap, white asymmetric print top, purple loose five-point cargo pants, studded belt, black handbag, black high boots. Body angle and gait remain unchanged after the cut, the protagonist rotates from side to front with the platform, slightly raising the chin to look at the camera. Turn to the back at 00:06.9, using body and handbag motion blur to switch.\n\n[00:07-00:09] Shot 4: Layered Skateboard Style\nChange to a black star knit hat, white long-sleeved base layered with zebra print short sleeves, gradient gray wide-leg jeans, black and white canvas shoes, leopard print large backpack. The protagonist rotates smoothly from back to front facing the camera, hands in pockets, backpack swinging naturally with rotation. Hard cut at 00:08.9 when the backpack sweeps past the side of the body.\n\n[00:09-00:11] Shot 5: Black Cargo Style\nChange to a black studded baseball cap, black sunglasses, black slim long sleeves, light blue ultra-wide multi-pocket cargo jeans, letter belt, metal pant chain, black platform boots. Maintain the side angle from the previous frame, continue clockwise rotation; hands in pockets, pant chain producing slight inertial swing. Cut at 00:10.9 when the protagonist raises a hand to adjust the cap brim and the arm passes the face.\n\n[00:11-00:13] Shot 6: Pink Street Style\nChange to a pink checkered bandana hat, black sunglasses, gray print tank top, light blue ultra-wide jeans, pink sneakers, checkered crossbody bag. Continue the same hand-raising motion after the cut to complete the brim adjustment; the platform rotates from side to front. At 00:12.9, the protagonist turns to the side-back again, cut when the crossbody bag sweeps across the torso.\n\n[00:13-00:15] Shot 7: Ultimate Millennium Rock Style\nChange to a leopard print baseball cap, black sunglasses, black and white patchwork studded short sleeves, black and white art print wide-leg cargo pants, black double-buckle belt, black heavy platform boots, leopard print backpack. Maintain the same side-back angle after the cut, continue clockwise rotation to front. The protagonist has hands in pockets, body leaning back slightly, finally freezing facing the camera; the platform still rotates slowly.\n\n[Physical Continuity] Platform position, speed, and rotation direction remain unchanged throughout; feet fixed in the center; body angle error between cuts is minimal; hats, bags, and wide pants produce realistic inertia with rotation; each outfit is clearly shown before entering brief motion blur.\n\n[Avoid] Camera circling, whip pans, lateral tracking, characters walking on their own, walking out of frame, platform disappearing, counter-clockwise rotation, body orientation jumps after cut, flash white transitions, dissolve transitions, liquid deformation, clothes covering body out of thin air, messy outfit order, missing outfits, repeating outfits, face swapping, hairstyle drift, extra characters, subtitles, text, brand logos, garbled posters, deformed fingers, strap clipping, floating soles, plastic skin. Forbidden", "description": "", "author": "John", "authorUrl": "https://x.com/johnAGI168", "sourceUrl": "https://x.com/johnAGI168/status/2091058277031215407" }, { "id": "seedance-395", "title": "Epic Anime Dragon Battle Prompt", "category": "action", "prompt": "High-quality anime video. 10 seconds, 16:9 aspect ratio.\n[Role of Reference Images]\n@material:150204image1 is for face reference. Prioritize the silver-white short bob, amber eyes, facial features, hairstyle, expression, and person identity.\n@material:150206image2 is for costume and weapon reference. Prioritize the elegant outfit based on turquoise, white, black, and gold, turquoise cape, decorations, full-body silhouette, and slender rapier design.\nIntegrate @material:150204image1 and @material:150206image2 as the same person/character. If references conflict, prioritize the face, hair, and eyes of @material:150204image1, and the costume, decorations, full-body silhouette, and weapon of @material:150206image2. Do not copy the background, setting frames, explanatory text, or multi-pose layouts from the reference images into the video.\n[Fixed Art Style and Rendering]\n3D toon/cel-look high-quality anime video. Soft and clear thin outlines, line colors not too close to black, easy-to-read two-to-three-layer cell shading, vivid colors centered on turquoise, white, black, and gold, high-quality highlights with transparency in silver-white hair and amber eyes, high-density rendering that distinguishes material differences between cloth, metal, scales, stone, and dust. The background is not simplified, maintaining the depth and details of stone architecture, rubble, walls, dust, and debris. Avoid thick outlines, flat single-layer cel painting, generic 3D anime faces, smooth plastic-like CG materials, low-density backgrounds, photorealism, semi-realism, dull colors, or mixed art styles.\n[Fixed Protagonist Identity]\nThe protagonist is a single individual, maintaining the identity integrated from @material:150204image1 and @material:150206image2 throughout. Maintain the silver-white short bob, bangs shape, braided hair with black ribbons, amber eyes, eye shape and facial features, turquoise cape, elegant white/black/gold outfit, gold decorations, turquoise gems, slender physique, and silhouette. Only expressions, gaze, mouth, breathing, combat stance, and natural swaying of hair and clothing may change. Do not allow facial averaging, changing into a different person, age changes, hair/eye/costume color changes, cloning, duplication, adding protagonists, or costume swaps.\n[Fixed Weapon and Attached Structures]\nThe weapon the protagonist uses is only a single slender rapier. Maintain the connection of the tip, thin blade, guard, hilt, and pommel as one continuous structure. The right hand only grips the hilt, not the thin blade or tip. The rapier maintains its slender shape, does not transform into a large weapon or another weapon, and does not multiply, split, or disappear. The main character's attack is a linear, precise thrust with the rapier, not replaced by large swings or magical attacks. The dragon has one pair of wings (two total) and only one tail. The wings are continuous from the wing base on the back through the wing bones and membrane to the body, and the tail maintains the same structure from the base to the scales and tip. Do not rotate or multiply the tips independently; the rapier is sent out linearly as a single structure for the whole weapon.\n[Fixed Enemy Identity]\nThe enemy is only a single giant Western-style dragon. Maintain the same individual throughout with blue-black scales, four limbs, a long neck, a pair of wings (two total), and one tail. The dragon's size is made clear by comparison with the protagonist, buildings, and stone walls, shown as a threat capable of destroying the city. Do not replace the dragon with another creature, crystal, machine, smoke, or mass of light. Do not show a second dragon, additional enemies, or clones.\n[World and Damage Situation]\nMedieval European-style stone city. Place buildings, stone walls, cobblestones, alleys, rubble, stone fragments, dust, and collapsed outer walls within the screen, making it immediately clear that the giant dragon is destroying the city. The wall maintains its shape before the claws touch it, and only after contact do the stone walls collapse, spreading fragments and dust. Destruction is expressed through impact, crumbling, dust, and flying stone fragments; do not use gruesome bloodshed.\n[Combat Basics]\nThe protagonist's strength is expressed through Timing, Precision, Economy, Acceleration, and Composure, not brute force or large explosions. Avoid unnecessary large swings, dodge the dragon's line of attack by a hair's breadth, and accelerate rapidly only at the necessary moment. The protagonist maintains a calm expression and elegant movements, not taking exaggerated poses after victory. Combat is one-on-one between the protagonist and a single dragon, making the rapier skill the star, not magic explosions.\n[Temporal Action Structure]\n0.0–2.0s | The giant dragon attacks the protagonist with its front claws, and the protagonist dodges by a hair's breadth. The claws contact the stone wall, and after contact, the city wall collapses, spreading rubble and dust.\n2.0–4.5s | The protagonist identifies an opening in the attack and accelerates instantly from efficient footwork into the dragon's reach.\n4.5–7.0s | The protagonist sends the slender rapier out linearly, delivering a single precise thrust to the junction of the scales at the base of the neck. Reaction force and local dragon reaction occur only after contact.\n7.0–10.0s | The protagonist finishes the thrust and continues past the dragon's side to the next step. Shortly after, the dragon collapses from its front knees, making the defeat clear.\nThe entire battle is not shown from a single fixed continuous viewpoint; naturally insert Shot Changes that show the same continuous Action from different angles at meaningful points where the action or state clearly switches, such as from the dragon's attack to hitting the wall/destruction, recognizing the protagonist's opening to approach/accelerate/thrust, and from the end of the thrust to passing the side/delayed collapse. Before and after a Shot Change, maintain the relative positions of the protagonist and dragon, attack direction, movement direction, distance, wall destruction location, and thrust target, continuing the same ongoing Action after the switch. Do not restart dodging or thrusting from the beginning, return the protagonist to the initial position, or rewind the Action.\n[Fixed Action and Causality]\nThe dragon's claws do not hit the protagonist directly; the protagonist moves away from the attack line by a hair's breadth. The wall is undamaged until the claws reach it, and only after contact do cracks, stone breakage, falling rubble, and dust occur. The protagonist identifies the opening from the wall's collapse and approaches/accelerates from the dodge point toward the dragon's reach in the same direction of travel. The rapier thrusts only once into the scale junction at the neck base, showing no wounds or reactions before contact. Only after the thrust's contact do the rapier's reaction force, local swaying of scales, and delayed reaction of the dragon's neck and center of gravity occur. The protagonist passes that reaction force and momentum to the next step, leading to the subsequent collapse of the dragon's entire body. The protagonist's dodging, acceleration, thrusting, and side passage are one", "description": "", "author": "mayv@簡単プロ級プロンプト公開中！", "authorUrl": "https://x.com/haruuraeadss", "sourceUrl": "https://x.com/haruuraeadss/status/2091045370805817540" }, { "id": "seedance-396", "title": "Collecting City Sounds Surrealism", "category": "action", "prompt": "CAMERA:\nOne continuous cinematic shot with no cuts. Begin with a slow tracking shot at street level. Follow the character from a three-quarter rear angle. Gradually move closer to the character's hands as the invisible sounds become visible. Finish with a dramatic pullback.\n\nSETTING:\nA realistic modern city street at dawn. Soft morning light, light fog, distant traffic, pedestrians, birds, bicycles and subtle urban movement. Photorealistic environment.\n\n0–3 SECONDS:\nThe character walks through the street.\n\nEverything sounds normal: distant traffic, footsteps, birds and wind.\n\nSuddenly, the character stops.\n\nA faint translucent ripple appears in the air beside a passing car, shaped like a small floating ribbon of vibrating glass.\n\n3–6 SECONDS:\nThe character reaches out and gently grabs the floating ripple.\n\nThe instant they touch it, the surrounding car becomes completely silent.\n\nThe character looks at the glowing vibrating ribbon in their hand.\n\n6–10 SECONDS:\nMore sound becomes visible.\n\nBirdsong appears as tiny glowing waves.\nFootsteps become small translucent pulses.\nTraffic noise become long vibrating ribbons.\n\nThe character calmly gathers them with both hands.\n\nAs each sound is collected, that part of the city becomes completely silent.\n\n10–12 SECONDS:\nThe character compresses all the collected sounds between their palms.\n\nThousands of glowing sound waves collapse into one tiny luminous sphere.\n\nThe entire city suddenly becomes completely silent.\n\n12–15 SECONDS:\nThe character releases the sphere.\n\nIt rises a few meters into the air.\n\nThe sphere suddenly expands into a gigantic invisible-looking shockwave made entirely of luminous sound patterns.\n\nFor one instant, every sound returns simultaneously.\n\nBirds fly upward, cars move, people react, leaves shake violently.\n\nThen CUT TO BLACK.\n\nVISUAL STYLE:\nPhotorealistic cinematic surrealism, original visual design, realistic urban environment, subtle atmospheric lighting, physically believable particle motion, translucent sound structures, restrained VFX, natural human performance, premium cinematic composition.\n\nSOUND DESIGN:\nBegin with realistic city ambience.\nIntroduce a faint crystalline vibration when the first sound becomes visible.\nGradually remove environmental sounds as the character collects them.\nCreate complete silence at 12 seconds.\nAt the final release, restore all accumulated sounds simultaneously for one overwhelming cinematic moment.\n\nNEGATIVE:\nNo copyrighted characters, no recognizable movie scenes, no logos, no text, no subtitles, no watermark, no famous franchise references, no imitation of any specific director or artist, no cartoon aesthetic, no supernatural creatures, no explosions, no random objects, no scene cuts, no inconsist", "description": "", "author": "Sheikh Sharik 2.0", "authorUrl": "https://x.com/NoOneIsHere2603", "sourceUrl": "https://x.com/NoOneIsHere2603/status/2091021342602866951" }, { "id": "seedance-397", "title": "Cinematic Fantasy Anime Sword Duel", "category": "talking-head", "prompt": "Use [@Image1] as the strictly unique first frame. Do not upload reference videos, storyboards, or other character images. Generate a full 22.27-second, 16:9 widescreen, cinematic fantasy sword fight video combining 3D anime characters with a realistic church environment. On the left is the original Purple Lightning Swordsman, and on the right is the original Scarlet Sakura Swordmistress. Strictly maintain consistency in their faces, hairstyles, costumes, weapons, positioning, and the church space. Only two characters throughout. The church setting is fixed with specific combat zones (A, B, C). Use multi-camera shots with cuts at impact points. 0-1.3s: Initial distance engagement; 1.3-2.43s: Low-angle footwork tracking; 2.43-3.93s: First collision with sparks and purple/red lightning; 3.93-5.37s: Multi-strike exchanges; 5.37-7.5s: Low-angle shot of movement between zones; 7.5-9.57s: Over-the-shoulder tracking; 9.57-10.63s: Close-up of Scarlet Sakura Swordmistress advancing; 10.63-12.43s: Cherry blossom petal curtain transition; 12.43-14.77s: Wide shot of church and petal trails; 14.77-16.37s: Aerial descent of Purple Lightning Swordsman; 16.37-17.9s: Entry through petal mist; 17.9-19.3s: High-speed ground charge; 19.3-22.27s: Final impact and shockwave with characters pushed back. Focused on mid and close-up shots with low-angle tracking. No slow-motion, music, dialogue, or UI.", "description": "", "author": "Arvin", "authorUrl": "https://x.com/Arvin010717", "sourceUrl": "https://x.com/Arvin010717/status/2091008830247514414" }, { "id": "seedance-398", "title": "Kitchen Intruder Action Sequence", "category": "action", "prompt": "Create storyboard card for each acan - [0:00–0:04] VISUAL: Warm kitchen, evening. TOM (40s, quiet, unassuming) sets the table. His daughter LILY (8) draws at the counter. Normal, cozy life. LILY: \"Dad, can we watch a movie after dinner?\" TOM (smiling): \"Only if you finish your veggies this time.\" SFX: plates clinking, soft kitchen ambience. [0:04–0:07] VISUAL: Power cuts out. The house goes dark. Tom's smile fades instantly — his whole posture changes, calm and alert. LILY (whispering, scared): \"Dad?\" TOM (low, controlled): \"Stay behind me. Now.\" SFX: hard silence, distant glass breaking upstairs. [0:07–0:11] VISUAL: Front door kicked in — three armed INTRUDERS in tactical gear storm in with flashlights cutting through the dark. Tom pushes Lily behind the counter. INTRUDER 1 (shouting): \"On the ground! NOW!\" TOM (flat, dead calm): \"Wrong house.\" SFX: door slamming open, boots on hardwood, gun cocking. [0:11–0:16] VISUAL: ULTRA-FAST FIGHT SEQUENCE. Tom disarms Intruder 1 in one brutal motion, slams him into a cabinet — glass shatters (heavy VFX: glass fragments frozen mid-shatter for a beat, then continues). Spins to block Intruder 2's strike. INTRUDER 2 (stunned): \"He's not just some—\" TOM (cutting him off, throwing a strike): \"Dad. I'm just a dad.\" SFX: cabinet shatter, bone-crack impact, grunts, glass rain. [0:16–0:20] VISUAL: Intruder 3 fires — Tom shoves a propane canister off the stove into the line of fire. MASSIVE VFX EXPLOSION rips through the kitchen, throwing Tom and Intruder 3 through the wall into the next room in slow motion, debris and fire everywhere. LILY (screaming): \"DAD!\" SFX: deafening explosion boom, wood splintering, ringing ears effect, fire crackle. [0:20–0:24] VISUAL: Smoke clears. Tom rises from the rubble, bruised, bleeding, breathing hard — but standing. Intruder 3 down. He staggers back toward the kitchen. TOM (hoarse, urgent): \"Lily!\" SFX: settling debris, low fire crackle, ringing fading into real sound. [0:24–0:28] VISUAL: Lily runs out from behind the counter, unharmed, and crashes into him, sobbing with relief. He drops to his knees, holding her tight. LILY (crying, muffled): \"You said you were just a dad.\" TOM (voice breaking, holding her): \"I am. That's exactly why.\" SFX: crackling fire in background, sirens approaching faintly, her sobbing quieting. [0:28–0:30] VISUAL: Wide shot — the wrecked, smoking kitchen behind them, red and blue emergency lights beginning to flicker through the broken windows. Hold on the embrace. SFX: sirens growing closer, wind through the broken wall, soft final piano note.", "description": "", "author": "Shara I Ai Video Creator", "authorUrl": "https://x.com/itsshara_ai", "sourceUrl": "https://x.com/itsshara_ai/status/2091004996615827895" }, { "id": "seedance-399", "title": "Anime Cooking Scene Animation Prompt", "category": "animation", "prompt": "A 30-second video consisting of 12 scenes, each 2.5 seconds long, generated solely from text, with no reference images or storyboards.\n\n[Art style]\nOriginal Japanese hand-drawn 2D animated cooking video. Visually, it's entirely hand-drawn.\nLines: Soft, sharp outlines", "description": "", "author": "AI活用ラボ@Levela", "authorUrl": "https://x.com/hata_AI_master", "sourceUrl": "https://x.com/hata_AI_master/status/2090983200726425839" }, { "id": "seedance-400", "title": "Heavy Metal Anime Music Video", "category": "animation", "prompt": "Create a **30-second anime-style heavy metal music video** featuring these three band members.\n**K1** is the bassist on screen left, **D1** is the guitarist on screen right, and **G1** is the drummer in the center.\nThe setting is a **nighttime rooftop stage** with the **AB/CD** platform, multiple amplifiers, spotlights, and a city skyline in the background.\nThe song is **fast, fun, intense, and dynamic**, at **BPM 180**. Prioritize the energy and groove of the performance.\nUse **rapid music-video style editing** with a natural mix of **face close-ups, hand close-ups, shots of bass and guitar picking, drum-hit close-ups, low-angle shots, high-angle shots, front shots, diagonal shots, and light camera movement around the performers**.\nGive each of the three members clear spotlight moments, especially showing their **facial expressions, playing motions, and performance intensity**.\nMatch the flow of the lyrics:\n**“Stuffed again, I can't deny / Third plate calling, don't ask why / Rice and ramen, sweet and fried / OVERFED! OVERFED! / No regrets, I ate it all / Rolling home, I hit the wall! / OVERFED tonight!”**\nBuild naturally from **intro to verse to chorus** with rising excitement.\n**Final shot:** K1 and D1 stand behind the drums, with G1 in the center, ending on a **close-up of all three together**.\nRender it in **high quality**, with **consistent character appearance, strong live-performance lighting, and energetic camera work**.", "description": "", "author": "Hei", "authorUrl": "https://x.com/heisuke123", "sourceUrl": "https://x.com/heisuke123/status/2090979140770136297" }, { "id": "seedance-401", "title": "Animated Comedy Coffee Mugs", "category": "talking-head", "prompt": "Cinematic animated comedy short, 15 seconds. A kitchen cabinet opens. Dozens of coffee mugs stand silently in a row. They all look excited. The human reaches inside. Every mug desperately tries to get noticed. A giant mug stretches upward. A fancy mug shakes itself dramatically. A colorful mug waves its handle. But the human ignores all of them and grabs the same old chipped mug. The cabinet goes silent. The chipped mug looks back at the others with a smug smile. As it leaves, it quietly says: \"Every morning.\" The other mugs glare at it. One whispers: \"I hate that mug.\" Fast expressive animation, simple visual storytelling, exaggerated character reactions, cinematic comedy timing. The joke must be instantly understandable: humans always have one favorite mug and ignore all the others.", "description": "", "author": "Alexandra Aisling", "authorUrl": "https://x.com/AllaAisling", "sourceUrl": "https://x.com/AllaAisling/status/2090963001037799648" }, { "id": "seedance-402", "title": "Anime Character Good Morning Wake-up", "category": "talking-head", "prompt": "INPUT\nUse the attached reference image as the first frame of the video.\n\nFORMAT\n20 seconds, 24fps. No BGM. Only quiet indoor ambient sounds. Soft breathing sounds, rustling of clothes, and the faint sound of hands touching the floor.\n\nCAMERA LOCK\nCamera is completely fixed. No panning, tilting, zooming, or movement. One take. The angle only changes when the character themselves moves closer to the lens.\n\nFOCUS RULE\nThe focus is always on her body movements. No time is spent describing the background, light, or space. Ensure the screen is held by what she is doing at every moment. No single action lasts more than 3 seconds. Must move to the next action within 3 seconds. No moments of complete stillness.\n\nIDENTITY LOCK\nDo not change the face, hairstyle, hair color, eyes, or clothing from the first frame. Do not turn her into a different person.\n\nVISUAL STYLE\nMaintain the color tone, contrast, depth of field, and texture of the first frame throughout. Do not change the direction or intensity of the lighting.\n\nTIMELINE\n\n0.0-2.0s\nThe head drops forward and then lifts up with a start. The hair sways slightly delayed.\n\n2.0-4.0s\nRub one eye with the back of a clenched fist. Rub the other eye as well.\n\n4.0-6.0s\nA small stretch. The body leans to the side and then returns.\n\n6.0-8.0s\nEyes meet the lens. The neck tilts, and the upper body follows. The mouth opens slightly.\n\n8.0-10.0s\nPlace both hands on the floor in front, leaning the upper body forward. Hair falls forward from the shoulders.\n\n10.0-16.0s\nCrawls towards the lens on all fours. One hand at a time, the upper body swaying left and right with each movement. Hair sways beside the face. The face gradually gets larger in the frame. While approaching, eyes remain fixed on the lens.\n\n16.0-18.0s\nSuper close-up. The face occupies most of the screen. Corners of the mouth lift, eyes narrow, and says \"Good morning\" in a bright, bouncy voice.\n\n18.0-20.0s\nBacked away slightly. Eyes narrow into crescents, nose wrinkles, and cheeks lift. Shoulders sway slightly. Remains in that expression.\n\nNEGATIVE CONSTRAINTS\nCamera movement, zoom, and pan prohibited. No cuts. No periods of complete stillness. Prohibit single actions lasting more than 3 seconds. Prohibit using duration for background or scene descriptions. Poses, peace signs, winks, and blowing kisses prohibited. Quick or jumping movements prohibited. Standing up prohibited. Changing character identity prohibited. Real-life style conversion prohibited. No speech other than \"Good morning\".", "description": "", "author": "輪廻タヲ👁️‍🗨️👄👁️‍🗨️", "authorUrl": "https://x.com/TaoRInne", "sourceUrl": "https://x.com/TaoRInne/status/2090923147394519321" }, { "id": "seedance-403", "title": "Mountain Climber Snowstorm", "category": "nature-drone", "prompt": "Dramatic aerial shot with sweeping movements, a mountain climber stuck in a snowstorm, struggling to find shelter on a snowy mountain top, surrounded by swirling snow and ominous clouds, illuminated by the fading light before night falls, in a stark, intense, cinematic style.", "description": "", "author": "DeCat", "authorUrl": "https://x.com/DeCat2025", "sourceUrl": "https://x.com/DeCat2025/status/2090890434901950545" }, { "id": "seedance-404", "title": "Romantic Comedy Tiktok Style Video", "category": "talking-head", "prompt": "[Style] Romantic Comedy, neon studio texture, live-action realistic, 4K HD, exquisite skin texture\n[Duration] 30 seconds\n[Ratio] 9:16 vertical screen\n[Scene] A stylish photo studio surrounded by pink neon lights, background blurred, female lead standing in the center of the frame facing front\n[Character] Female lead @Image 1, facial features, hairstyle, and body consistent throughout, wearing a pink strapless stage suit and a pearl necklace; male lead does not appear, only a young male off-camera voice is kept\n[Prop] Black and white hard-shell notebook\n[Sound] Entirely original English audio, precise lip-sync, natural dialogue exchange between male and female voices, only slight indoor ambient sound; no subtitles, no text, no background music\n[Camera] Continuous filming from the same frontal position throughout, no cuts; fixed medium-close-up in the first part, slowly pushing into a face close-up in the last 5 seconds (Slow Push-in)\n\n[00:00-00:04] Shot 1: Confession and Sudden Stop (Medium Close-up)\nFemale lead looks directly at the camera, corners of the mouth naturally turned up, head slightly tilted.\n[Dialogue Lip-sync Guidance]\nOff-camera male voice says tenderly: “Hey, I like you.”\nFemale lead's smile deepens, right hand lightly against her chest: “I like you too.”\nOff-camera male voice immediately asks: “Would you be my girlfriend?”\nFemale lead's smile suddenly stops, one hand raised to stop him: “Wait.”\nShe quickly picks up the notebook and opens it, body leaning slightly forward, gaze turning into serious scrutiny.\n\n[00:04-00:09.5] Shot 2: First Round of Interrogation (Static Medium Close-up)\nFemale lead holds the notebook with one hand and counts each point with the other; after each answer, she glances down at the notebook and then quickly looks up to follow up. Actions are crisp, leaving no empty beats.\n[Continuous Dialogue]\nFemale: “Are you single?”\nMale: “Yes.”\nFemale: “Do you have a girlfriend?”\nMale: “No.”\nFemale lead's eyebrow raises, head tilting slightly to the other side: “Do you have a secret girlfriend?”\nMale: “No.”\n\n[00:09.5-00:14.9] Shot 3: Escalating Questions (Quick-fire Dialogue)\nFemale lead flips a page of the notebook, speech speed gradually increasing; each time the male answers “No,” she quickly ticks the notebook with a pen. Eyes switch quickly between the camera and the notebook.\n[Continuous Dialogue]\nFemale: “Do you have a girlfriend abroad?”\nMale: “No.”\nFemale: “Do you have an online girlfriend?”\nMale: “No.”\nFemale lead slightly squints: “Are you in a situationship?”\nMale: “No.”\n\n[00:14.9-00:20.3] Shot 4: Serious Verification (Locked Camera)\nFemale lead stops smiling, brow slightly furrowed, staring at the camera; she taps the notebook with the tip of her pen when asking, only continuing to the next question after the male answers.\n[Continuous Dialogue]\nFemale: “You're still in love with your ex?”\nMale: “No.”\nFemale: “Are you in an open relationship?”\nMale: “No.”\nFemale lead pauses slightly, raising an eyebrow to follow up: “Do you have a friend with benefits?”\nMale: “No.”\n\n[00:20.3-00:26.4] Shot 5: Final Check (Subtle Push-in)\nCamera begins a slight push-in. Female lead records quickly while following up continuously; her tone remains serious, but the furrow in her brow gradually relaxes with each “No.”\n[Continuous Dialogue]\nFemale: “Are you married?”\nMale: “No.”\nFemale: “Have you been married?”\nMale: “No.”\nFemale: “Do you have kids?”\nMale: “No.”\nFemale lead closes the notebook halfway: “Do you have a crush?”\nMale: “No.”\n\n[00:26.4-00:30] Shot 6: Confirmation and Acceptance (Close-up Punchline)\nCamera pushes into a face close-up. Female lead puts down the notebook, moves closer to the camera, eyebrow raised, making a small finger heart with her thumb and index finger.\n[Continuous Dialogue]\nFemale lead confirms word by word: “Do you like girls for sure, right?”\nMale immediately answers: “Yes.”\nFemale lead pauses for half a second, her serious expression suddenly releasing into a satisfied smile, index finger pointing at the camera: “All right, I'll be your girlfriend.”\nAfter speaking, she maintains the pointing gesture towards the camera, tilts her head slightly, and smiles for the final frame.\n\n[Performance Control] Emotions are in order: happy, suddenly alert, serious verification, gradually relaxed, satisfied acceptance; changes must be triggered by the male's lines. Use eyebrow raises, head tilts, downward checks, and pen ticks during the questioning phase; don't use the same expression for every sentence. Male answers are short and clear, and must follow after the female finishes speaking; male and female voices should not overlap.\n\n[Generation Constraints] Only the female lead corresponding to @Image 1 appears; male lead cannot show his face, body, or hands; maintain same face shape, hairstyle, clothing, necklace, notebook, and lighting; no scene switching throughout.\n\n[Avoid] Subtitles, Chinese text, English text, stickers, watermarks, dialogue translation, background music, wrong speaker, female saying “Yes/No” for the male, male interrupting, lip-sync drifting, mechanical reading, missed questions, repeated lines, sudden cuts, random camera movement, exaggerated staring, stiff expressions, meaningless gestures, notebook disappearing, facial changes, clothing changes, finger deformities, plastic skin.", "description": "", "author": "John", "authorUrl": "https://x.com/johnAGI168", "sourceUrl": "https://x.com/johnAGI168/status/2090818191089979669" }, { "id": "seedance-405", "title": "Forest Guardian Anime Battle", "category": "animation", "prompt": "A tiny forest guardian carrying an oversized wooden sword protects a magical village from an approaching army of mechanical hunters, initially hiding behind a mushroom as giant machines crush the trees, then charging forward, bouncing between roots, slicing cables and freeing captured creatures while the forest itself awakens around the battle; the machines deploy a colossal drilling titan that begins tearing into the sacred tree at the center of the village, forcing the guardian to climb its rotating body while vines, birds and glowing spirits attack alongside him; he reaches the top, plants the wooden sword into the machine’s core and channels the entire forest through it, colorful adventure anime with explosive sakuga, playful scale contrast, fluid creature animation, sweeping forest camera movement, expressive squash and stretch, cel-shaded characters against richly painted environments, warm green sunlight, turquoise spirit glow, orange sparks and flying leaves, joyful heroic atmosphere, ending with the drill titan transforming into a gigantic flowering tree as every machine in the army becomes covered in vines and the guardian lands inside a blossom above the restored village.", "description": "", "author": "Pierrick Chevallier | IA", "authorUrl": "https://x.com/CharaspowerAI", "sourceUrl": "https://x.com/CharaspowerAI/status/2090816224800149786" }, { "id": "seedance-406", "title": "Sitcom Kitchen Empty Milk", "category": "talking-head", "prompt": ".0s–1.2s Wide Shot (WS), static multi-cam. Father (mid-40s, average build, teal sweater, short brown hair), Mother (mid-40s, curly brown hair, patterned blouse), Daughter (20, curly hair, colorful sweater), Son (18, denim jacket, short brown hair) remain seated around the kitchen table. The empty milk carton still sits on the table edge, slightly tilted. Father leans back slightly, hand resting near cereal box. Dialogue: Father: “Okay… so now the fridge is empty too?” (LAUGH TRACK light) Transition: Hard cut. 1.2s–2.4s Medium Shot (MS), slight push-in. Mother rotates mug clockwise, ceramic scraping lightly. Dialogue: Mother: “Unless the milk learned to walk…” Daughter suppresses a grin. Transition: Rack focus shift. 2.4s–3.6s Over-the-Shoulder (OTS) from Daughter → kitchen door (right side of frame). Back of Daughter’s curly hair and shoulder visible. Door in background, closed. A faint knock sound interrupts. No face visible (POV rule enforced). SFX: Knock. Knock. Transition: Audio-driven cut. 3.6s–4.8s Close-Up (CU) Daughter reaction. Face visible: eyebrows lift, lips part slightly. Dialogue: Daughter: “We’re expecting guests?” Emotional shift: confusion → curiosity. Transition: Hard cut. 4.8s–6.2s Wide Shot (WS), camera pan right toward door (key movement). Family remains seated left frame while door enters center frame. Door handle subtly turns. SFX: Handle click, hinge creak. Transition: Match on motion. 6.2s–7.5s Over-the-Shoulder (OTS) from Father → door opening. Back of Father’s head, shoulders tense. Door swings inward. Two figures appear in doorway silhouette. No face visible. Transition: Light reveal. 7.5s–9.0s Medium Shot (MS), frontal reveal. New Character 1 (Blond Man, early 30s, tall, lean build, blond feathered 80s hair, beige jacket, striped polo, blue jeans) New Character 2 (Woman, early 30s, curly blonde hair, denim jacket, pink top, jeans, shoulder bag) They stand casually in doorway, relaxed posture. Dialogue (Blond Man): “Hey… uh—anyone got milk?” (LAUGH TRACK burst) Transition: Hard cut. 9.0s–10.2s Close-Up (CU) Father reaction. Face visible: eyes widen, jaw tightens, lips press then open slightly. Dialogue: Father: “You’ve got to be kidding me.” Emotional shift: disbelief → frustration. Transition: Smash cut. 10.2s–11.5s Over-the-Shoulder (OTS) from Mother → doorway. Back of Mother’s curly hair, mug partially lifted. New couple visible in frame, standing still. Blond man shrugs slightly, hands relaxed. Dialogue (Woman): “We followed the smell of cereal…” (LAUGH TRACK) Transition: Match cut. 11.5s–13.0s Medium Two-Shot (2-shot), Daughter + Son. Daughter leans slightly toward Son, elbow pressing table. Son tilts head, shoulders raised. Dialogue (Son): “This is getting weird.” Transition: Hard cut. 13.0s–15.0s Wide Shot (WS), full kitchen + doorway. All characters visible. Door remains open, new couple standing casually. Milk carton still empty on table.", "description": "", "author": "Gumvue Studio", "authorUrl": "https://x.com/GumVue", "sourceUrl": "https://x.com/GumVue/status/2090800910855242088" }, { "id": "seedance-407", "title": "Dark Fantasy Dragon Ride", "category": "cinematic", "prompt": "A realistic dark fantasy video opening with a close-up shot of two small, fair-haired children sitting on the back of a large, dark scaly dragon with glowing orange eyes. The dragon opens its mouth to roar as the children smile and hold on tightly. Suddenly, the camera smoothly pans out as the dragon launches into the air, spreading its massive wings and flying high up into a cloudy, sunny sky. Cinematic lighting, dramatic camera movements, photorealistic textures, dynamic wind effects, high-detail 3D fantasy style.", "description": "", "author": "Maya", "authorUrl": "https://x.com/MayaAiCreator", "sourceUrl": "https://x.com/MayaAiCreator/status/2090792558943162650" }, { "id": "seedance-408", "title": "Xianxia Cold Comedy Short Film", "category": "talking-head", "prompt": "Seedance | 15-second Deadpan Comedy Short | \"The Fourth One\"\n\nI. Mission Objective\nGenerate a complete and continuous 15-second Chinese Xianxia (fantasy) movie short.\n\nOverall Style Requirements:\nCinematic realistic texture\nPure ancient Chinese Xianxia aesthetics\nDeconstruct the epic \"avenger's entrance\" pressure into a serious survival-type comedy\nRestrained deadpan performance\nSilent film-style reaction rhythm\nClassic \"three-beat progression\"\nClear status reversal\nArri Alexa cinematic texture\nStable and clear facial micro-details\nFine film grain\nNatural volumetric light\n\nII. Core Comedy Logic\nKeep only one easy-to-understand main line:\nAn enemy enters aggressively to avenge three brothers who have already lost, proudly identifying himself as the \"fourth challenger.\"\nUntil the Master casually asks a very ordinary question, he suddenly realizes: he is the last one in his sect who can still stand and come to challenge.\n\nHumor Sources:\nDelayed reaction (belated realization)\nA normal person's survival instinct\nSerious dialogue rhythm\nThe character gradually realizing the problem himself\nProhibitions:\nCharacter suddenly becoming stupid\nRandom environmental accidents\nExaggerated slapstick performance\n\nIII. Reference Anchors\nCharacter Anchors\n@Image 1: Character ID A | Sword Immortal Senior Sister\n@Image 2: Character ID B | Junior Sister\n\nEnvironmental DNA\nAll newly uploaded background and location reference images determine a single set of environmental DNA. Before formal composition, silently integrate and reconstruct compatible:\nReal terrain, architectural language, spatial scale, vegetation, water bodies, weather, mountain mist, main light direction, reflection relationships, atmospheric depth, real walkable paths.\nEnvironment Principles:\nWater, mist, vegetation, fabrics, and distant ambient sounds must continue natural movement. The environment must remain Neutral in narrative: no active gags, no plot triggering, no reversal pushing, no interruption of character rhythm.\n\nIV. Character Settings\nCharacter ID A | Sword Immortal Senior Sister | @Image 1\nAlways the same 25-30 year old East Asian female: Tall and slender, oval face, dark almond eyes, long black hair half-up, fixed with a white jade hairpin, white embroidered silk Hanfu, semi-transparent layered wide sleeves, silver waist seal, jade pendant, white cloth boots, a single silver long sword.\nCharacter Temperament: Calm, restrained, never exaggerated, handles challengers like daily sect chores.\n\nCharacter ID B | Junior Sister | @Image 2\nAlways the same 20-25 year old East Asian female: Small build, round and lively face, black hair braided, cyan-green linen Hanfu, dark belt, wooden hairpin, black cloth shoes, a single dark steel sword.\nCharacter Temperament: Quick reflexes, accurate comedic judgment, concise retorts, restrained but readable expressions.\n\nCharacter C | Enemy Swordsman\nAn angry enemy swordsman enters with great momentum, viewing himself as a hero coming for revenge. Very oppressive in the first half, gradually realizing he shouldn't be fighting in the second half, eventually turning from an \"avenger\" to the \"only surviving challenger.\"\n\nCharacter D | Master\nSame elderly Master, standing a few steps behind the two, serving as a quiet witness. Minimal lines, but one sentence completes the core reversal, followed by a final light verbal jab.\n\nV. 15-second Three-Shot Structure\nShot 1 | 0–5s | Wide / Long Shot | Avenger's Entrance\nIn the open area naturally planned according to the reference images: same white-robed Senior Sister, same green-robed Junior Sister, same Master. Spatial relationship is stable. An angry enemy swordsman strides into the frame. He draws his sword with a \"clang\" and announces heroically: \"I come to avenge my three senior brothers!\" The white-robed Sister is not nervous at all, calmly asking: \"Which three?\" The enemy immediately replies: \"The one who fell in the water, the one hanging in the tree, and the one who rolled down the mountain, they are all my brothers!\"\n\nShot 2 | 5–10s | Medium / Cowboy Shot | The meaning of \"The Fourth\" changes\nMaintain all characters, costumes, and the identical geographic space. The Junior Sister finally recognizes him and says: \"Oh, you're the fourth one.\" The enemy instantly straightens up and proudly replies: \"Correct!\" He must not hear any problem, even becoming more proud. Then the focus shifts to the Master who asks casually: \"How many disciples does your master have left?\" The enemy answers instinctively without thinking: \"... Just me.\" After speaking, there must be a beat of absolute silence. Don't cut away quickly. Keep the transformation on the enemy's face: heroic aura still hanging there, brain one beat late to react, then realizing what that sentence meant. The Junior Sister looks at his drawn sword, then back at him, asking naturally: \"Are you still fighting?\"\n\nShot 3 | 10–15s | Close-up / Extreme Close-up | Survival instinct defeats revenge\nMaintain all characters and relations. The enemy looks at the Sister, then the Junior Sister, and finally down at the sword in his hand. He begins to seriously calculate the consequences. Then he very slowly sheathes the sword, saying in a suddenly mature tone: \"Wait for Master to recruit two more.\" Complete half-beat pause. The Sister actually nods to him formally, as if approving a true martial judgment: \"Progressing.\" The Junior Sister adds: \"Mostly he learned how to calculate.\" Focus on Master who nods seriously: \"At least this trip wasn't in vain.\" Then extreme close-up. The enemy tries to maintain his last bit of dignity and turns to leave. After two steps, he stops without looking back, whispering: \"My three brothers... they are all still alive, right?\" The Sister answers almost instantly: \"Alive.\" The enemy's shoulders show a visible, physical relaxation. Then he leaves with a noticeably faster pace. The Junior Sister watches his back and sighs: \"This sect finally produced a cautious one.\" Finally, in the background, the Master hides a tiny smile as it cuts to black.\n\nVI. Performance Requirements\nSenior Sister: Never exaggerated, calm as if handling daily chores, formally acknowledging the enemy's retreat.\nJunior Sister: Quick reactions, stable comedic timing, naturally delivered lines.\nEnemy: First half full of avenger's momentum; middle transition shows the slow collapse of the heroic narrative; second half shows survival instinct and trying to keep face.\nMaster: Minimal lines, casual tone but accurate, extremely subtle final smile.\n\nVII. Cinematography and Tone\n15 seconds total, 16:9 horizontal, three continuous clear shots. Native Mandarin dialogue, precise lip-sync, clear comedic pauses. Arri Alexa look, stable sharp facial details, natural volumetric lighting. Restrained camera movement, stable shots, giving time for reactions to land.\n\nVIII. Continuity", "description": "", "author": "Soran", "authorUrl": "https://x.com/Soranlan", "sourceUrl": "https://x.com/Soranlan/status/2090773504794808565" }, { "id": "seedance-409", "title": "2000s MiniDV Balcony Night", "category": "asmr", "prompt": "Authentic early-2000s MiniDV home-video footage. Young Korean woman, 24, long dark hair, minimal makeup, oversized cozy sweatshirt and loose pajama pants, wrapped in a soft blanket. Quiet apartment balcony at night, warm indoor light spilling through the open door, cool blue city light outside. 4:3 MiniDV, handheld imperfections, low-light noise, tape grain/compression, slight autofocus hunting. Natural candid behavior, no cinematic polish.\n\nSHOT 1 — 0:00–0:03\nInterior wide shot facing the balcony door. She walks toward the open door wrapped tightly in a blanket, sleepy and curious. She slides the door open a little further and steps outside.\nSHOT 2 — 0:03–0:06\nCut to a balcony-side angle. She takes a few small steps outside, holding the blanket around her shoulders. She looks up at the quiet night sky and takes a deep breath.\n\nSHOT 3 — 0:06–0:09\nA sudden cold gust blows across the balcony. Her hair moves strongly in the wind and she immediately scrunches her shoulders, pulls the blanket tightly around herself, and makes a funny surprised expression.\nSHOT 4 — 0:09–0:12\nShe quickly retreats back through the balcony door, almost stumbling from how fast she moves. She closes the door halfway, still wrapped tightly in the blanket, and looks back outside.\n\nSHOT 5 — 0:12–0:15\nShe slowly peeks her head back around the door and looks toward the camera. She realizes how ridiculous her dramatic retreat was and starts quietly laughing. She shakes her head, smiles, and disappears back inside.", "description": "", "author": "Ahmad Faraz", "authorUrl": "https://x.com/iamahmedfaraz66", "sourceUrl": "https://x.com/iamahmedfaraz66/status/2090769635474035199" }, { "id": "seedance-410", "title": "Handheld Scandinavian Influencer Running Vlog", "category": "product-ad", "prompt": "CAMERA Mini-DV tape camcorder handheld aesthetic, vertical framing. A gorgeous athletic Scandinavian running influencer films herself directly by hand in selfie-cam and first-person style during a dawn run. Keep realistic hand shake amplified by her stride, slightly crooked framing, delayed autofocus hunting in low dawn light, awkward zoom-ins and zoom-outs, occasional motion blur, wind buffeting the mic, and small framing mistakes where part of her face or the horizon briefly slips out of frame. Mix handheld selfie footage with a few fixed external shots. Important: never show her placing, adjusting, or setting up a camera. When switching from handheld footage to a fixed external angle, use a clean jump cut as if the camera had already been positioned before the shot began. The camera itself must never appear on screen.\n\nLOOK:\n\nSoft digital tape camcorder look with vintage DV character. Slight blur, faint tape noise, visible highlight bloom as the sun breaks the horizon, subtle auto-exposure flicker and hunting as she turns toward and away from the light, muted contrast in the shadows, realistic skin texture with visible pores and sweat sheen, cool blue pre-dawn ambient light warming to gold, realistic skin tones, real lens flare when facing the sun.\n\nSTYLE:\n\nA realistic 5am dawn run vlog with a confident athletic lifestyle vibe. The tone is breathless, upbeat, a little self-deprecating, and natural. She is clearly attractive and charismatic, but the video must feel like a believable self-recorded run vlog, not a polished Nike commercial. Fast clean jump cuts, strong continuity, natural body language, audible real breathing that gets heavier across the video, no awkward dead moments.\n\nCHARACTER:\n\nAn exceptionally beautiful athletic Scandinavian woman in her mid-20s. Highly photogenic face, clear pale blue eyes, light freckles across the nose and cheeks, defined jawline, a natural full mouth, fair skin flushing pink at the cheeks from cold and effort, long thick ash-blonde hair in a low ponytail with loose strands escaping around the face. She looks like a high-end running and lifestyle influencer, not an ordinary jogger. Lean, long-limbed, athletic runner's build. Bare minimal makeup, slightly glossy skin from sweat. She wears a fitted long-sleeve technical running top in muted olive, matching high-waisted running shorts, a thin black running watch, low-profile running shoes, and small wired-look earbuds. No other jewelry.\n\nSETTING:\n\nA long empty coastal boardwalk at first light. Wooden slats underfoot, low dunes and beach grass on one side, flat grey sea and a breaking orange sunrise on the other, a single wooden railing, scattered gulls, one weathered bench, faint sea mist. Completely empty, no other runners, no dog walkers, no carries, no extra people. Cold still air with visible breath at the start.\n\nIMPORTANT CONTINUITY", "description": "", "author": "林悦己Cheer", "authorUrl": "https://x.com/cheerselflin", "sourceUrl": "https://x.com/cheerselflin/status/2090760616134766807" }, { "id": "seedance-411", "title": "Japanese Hand-Drawn Anime Cooking Animation", "category": "animation", "prompt": "A 30-second video, 12 scenes, 2.5 seconds per scene, generated solely from text, no reference images, no storyboard images.\n\n[Art style]\nOriginal Japanese hand-drawn 2D animated cooking video. The look is completely hand-drawn.", "description": "", "author": "オズ", "authorUrl": "https://x.com/ozuozuai99", "sourceUrl": "https://x.com/ozuozuai99/status/2090738476903993417" }, { "id": "seedance-412", "title": "Asian Woman Cartoon Face Transformation", "category": "action", "prompt": "Overall Style and Setting:\nCafe live-action + AI face deformation/cartoonization hybrid style. Vertical composition, natural soft indoor lighting, blurred green trees outside the window, vinyl records/posters on the background wall (with 'RAY CHARLES' visible).\nCharacter: Young Asian woman with a short bob and black hair, wearing a white shirt (with a small horse embroidery logo), khaki shorts, a fine necklace, and stud earrings. Light and natural makeup.\nProps: Iced drink (with straw), mobile phone, and small cards on a wooden table; a white LV pattern handbag on the left.\nEmotional Tone: Lively, playful, cute, with a slightly exaggerated 'taking cute photos' interactive feel. Scene Breakdown (Estimated by time):\n0-1s: Frontal sitting position, pulling the corners of the mouth wide with hands to form a huge mouth, tongue sticking out, eyes rolling up, making an exaggeratedly cute funny face.\n1-2s: Opening hands to both sides, returning to a normal face, smiling sweetly at the camera.\n3-3s: Pressing hands on the head, instantly transforming into a big-headed cartoon/Q-version style (oversized round face, giant eyes, puffed cheeks, and pouting mouth) with a cute and dazed expression.\n3-4s: Returning to a human face but overlaid with giant cartoon eyes + a wide-mouthed surprised expression, hands raised high above the head (as if fixing hair or making a surprised gesture).\n4-5s: Turning the head to one side with a slight pout/thinking expression, arms swinging naturally.\n5-6s: Cartoon head, eyes closed, corners of the mouth up, relaxing smile, hands on lap.\n6-7s: Returning to a human head, hands raised in a 'claw' gesture, mouth open with tongue out, eyes squinted laughing, super excited and playful.\n7-8.4s: Body slightly turned, one hand on hip, the other holding a large red cartoon flower (or similar prop), ending with a sweet smile sideways to the camera. Fast overall pace, quick expression switches, natural and smooth transformation between human and cartoon, highlighting a 'cute and wacky' atmosphere.", "description": "", "author": "PixelAIGC", "authorUrl": "https://x.com/PixelAigc", "sourceUrl": "https://x.com/PixelAigc/status/2090732500901597368" }, { "id": "seedance-413", "title": "Ethereal Woman and White Peacock", "category": "cinematic", "prompt": "Ultra-detailed 8k fantasy cinematic video of an elegant ethereal woman wearing an ornate jewel-encrusted pink and silver gown with a matching jewel tiara standing beside a majestic giant white peacock in a magical pink cherry blossom garden near a reflective pond, extreme close-up of her face with glitter makeup and bright turquoise eyes opening, close-up of a glittering pink oval gem, medium shot of the woman standing beside the peacock, dynamic camera movement showing the white peacock fanning out its grand tail feathers decorated with pink gemstone accents, serene atmosphere, soft warm cinematic lighting, floating glowing dust particles, hyper-realistic 3D render, highly detailed textures, masterpiece, ultra-hd, 16:9 aspect ratio.", "description": "", "author": "Zyrella", "authorUrl": "https://x.com/Zyrellix", "sourceUrl": "https://x.com/Zyrellix/status/2090697013713138158" }, { "id": "seedance-414", "title": "Gothic Cathedral Boss Arena Intro", "category": "animation", "prompt": "Cinematic 2.5D animation. NOT flat 2D cartoon, NO bold black outlines, NO cel-shading, NOT glossy CGI, NOT Unreal Engine, NO photorealism, no plastic skin.\n\nWORLD: Ruined Gothic cathedral boss arena @[Image1] , palette of slate blue stone", "description": "", "author": "PixieVerse", "authorUrl": "https://x.com/itsPixieVerse", "sourceUrl": "https://x.com/itsPixieVerse/status/2090674467429400739" }, { "id": "seedance-415", "title": "Metallic Blue Sports Sedan Commercial", "category": "product-ad", "prompt": "A cinematic automotive commercial featuring a modified metallic blue sports sedan parked in an empty urban street during golden hour. The video opens with an ultra-low angle macro shot of the polished deep-dish chrome wheel as sunlight reflects off the rim. The camera slowly dollies forward while subtle dust particles float through the warm light. The shot transitions into a smooth side tracking shot revealing the aggressive wide-body kit, lowered suspension, glossy paint, and tinted windows. The driver's door opens slowly with realistic mechanical motion. A stylish man dressed entirely in black wearing black gloves steps out confidently in slow motion. The camera follows his feet touching the pavement before tilting upward to reveal his silhouette beside the car. The camera circles around the vehicle with buttery smooth gimbal movement while cinematic lens flares and natural reflections play across the body panels. Close-up shots capture the headlights, front grille, wheel details, side mirror, and glossy finish with shallow depth of field. The final scene ends with a dramatic wide shot of the entire car as the camera slowly pulls back while warm sunset light creates long shadows. Ultra-realistic, HDR, 8K, cinematic color grading, premium luxury car commercial, realistic physics, smooth camera movement, volumetric lighting, anamorphic lens, high detail, photorealistic, film quality.", "description": "", "author": "Future Logic", "authorUrl": "https://x.com/the_futureAI", "sourceUrl": "https://x.com/the_futureAI/status/2090662896867160495" }, { "id": "seedance-416", "title": "Breathing Skyscraper Night Surrealism", "category": "ugc", "prompt": "CAMERA:\nSingle continuous cinematic shot. Begin with a slow low-angle push toward a massive modern skyscraper at night. Camera gradually moves upward while maintaining the building centered in frame. Smooth controlled movement with subtle handheld realism. No cuts. End with a dramatic pullback revealing the full scale of the phenomenon.\n\nSCENE:\nA realistic modern city at night after light rain. Wet streets reflect thousands of city lights. One enormous glass skyscraper dominates the frame. Everything appears completely normal and photorealistic.\n\n0–3 SECONDS:\nCamera slowly approaches the skyscraper.\n\nNothing unusual happens.\n\nThen every illuminated window simultaneously becomes covered in soft condensation, as if something inside the building is breathing.\n\n3–7 SECONDS:\nThe entire skyscraper slowly INHALES.\n\nCurtains behind the windows pull inward. Loose papers, mist, rain droplets and tiny particles from the street begin moving toward the building.\n\nThe movement must feel like an enormous invisible vacuum, but organic—like the building itself is breathing.\n\n7–10 SECONDS:\nThe skyscraper reaches maximum compression.\n\nFor one brief moment, the entire city becomes completely silent and still.\n\n10–13 SECONDS:\nThe building suddenly EXHALES.\n\nA massive wave of glowing dust-like particles bursts outward from thousands of windows and rises into the night sky.\n\n13–15 SECONDS:\nCamera rapidly pulls backward and upward.\n\nThe particles arrange themselves above the city into the enormous silhouette of a HUMAN FIGURE floating in the clouds.\n\nThe silhouette exists for only a moment.\n\nFINAL FRAME:\nThe giant human-shaped formation looks down silently over the city.\n\nSTYLE:\nPhotorealistic cinematic surrealism, massive architectural scale, realistic atmospheric physics, volumetric light, wet reflective streets, subtle film grain, high-end science-fiction cinema, dramatic but believable lighting.", "description": "", "author": "Sheikh Sharik 2.0", "authorUrl": "https://x.com/NoOneIsHere2603", "sourceUrl": "https://x.com/NoOneIsHere2603/status/2090653406159614390" }, { "id": "seedance-417", "title": "Hidden Cam Bedroom Dance", "category": "ugc", "prompt": "Authentic early-2000s MiniDV home-video footage. Young Korean woman, 24, naturally attractive, long dark hair, minimal makeup, casual oversized T-shirt and loose pajama pants. Cozy bedroom at night, warm bedside lamp, slightly messy lived-in room. 4:3 MiniDV footage, handheld imperfections, tape grain, low-light noise, slight autofocus hunting and exposure shifts. Natural, candid behavior. Keep the same woman, outfit, room, and lighting across every shot.\n\nSHOT 1 — 0:00–0:03\nWide static-ish shot from the corner of the bedroom, as if someone secretly left the MiniDV camera recording. She enters casually, looks around, then starts dancing alone to music only she can hear.\nSHOT 2 — 0:03–0:06\nDifferent angle, slightly closer. She becomes more energetic and playful, moving her arms and shoulders, completely unaware she's being recorded. Natural goofy dancing, not choreographed.\n\nSHOT 3 — 0:06–0:09\nSide angle. She continues dancing, spins around, then suddenly notices the camera sitting on the table. Her movement stops instantly.\nSHOT 4 — 0:09–0:12\nCloser shot. She stands completely frozen, staring directly into the lens with wide, embarrassed eyes. She slowly realizes the camera has been recording the whole time.\n\nSHOT 5 — 0:12–0:15\nShe tries to maintain a serious expression but immediately breaks into laughter. She covers her face, shakes her head, then walks toward the camera to stop the recording. Her hand reaches toward and partially covers the lens.", "description": "", "author": "Ahmad Faraz", "authorUrl": "https://x.com/iamahmedfaraz66", "sourceUrl": "https://x.com/iamahmedfaraz66/status/2090647580942418235" }, { "id": "seedance-418", "title": "Neon Motion Graphic Dance Animation", "category": "cinematic", "prompt": "Animate the character from the reference image performing a powerful, full-body dance synchronized to an intense, dark, hard-hitting rhythm.\nPreserve the character's identity, face, hairstyle, outfit, proportions, colors, and overall design exactly as shown in the reference image. Do not redesign or transform the character.\nThe choreography emphasizes large, dynamic full-body movements rather than small hand gestures:\n0–3 seconds: Start in a controlled low stance, then suddenly rise with a strong chest hit and a wide upward arm movement.\n3–6 seconds: Perform powerful alternating stomps with large diagonal arm swings, shifting the entire body from side to side with strong rhythmic accents.\n6–10 seconds: Transition into a fast full-body turn, using the momentum of the arms and torso, followed by a strong landing and immediate body hit.\n10–13 seconds: Perform a dynamic jump with a slight body twist, land firmly, then execute one large sweeping arm movement combined with a powerful step forward.\n13–15 seconds: End with a dramatic full-body pose, feet firmly planted and arms extended, holding completely still on the final beat.\nThe movement should feel athletic, explosive, confident, and rhythmically precise, combining elements of powerful street dance, contemporary dance, and stylized performance choreography.\nUse the entire body: head, shoulders, chest, torso, hips, arms, legs, and feet should move naturally as one coordinated system. Strong weight shifts, grounded footwork, body momentum, sharp accents, and clear transitions.\nKeep the choreography physically believable and continuous. Avoid random movements, excessive hand gestures, floating limbs, unnatural joint bending, or abrupt pose changes.\nFull-body framing throughout. Keep the character completely visible from head to feet. Dynamic but controlled camera movement, with subtle forward movement and slight lateral tracking that enhances the choreography without obscuring the character.\nCinematic lighting, strong sense of motion, crisp silhouettes, natural secondary motion in hair and clothing, energetic performance, high visual impact.\nLayer large glowing neon-style graphic elements into the scene, synchronized precisely to the choreography's accents, rendered as flat overlay graphics distinct from the character and background — they do not cast realistic shadows, do not reflect off surfaces, and remain visually separate from both her cel-shaded illustration style and the environment's lighting.\n0–3 seconds: On the strong chest hit and upward arm movement, a burst of sharp angular light-line shards radiates outward from her chest in sync with the hit, fading as her arm reaches full extension.\n3–6 seconds: On each stomp and diagonal arm swing, a bold glowing directional arrow or streak ignites briefly in the direction of the swing, flickering out before the next accent.\n6–10 seconds: During the full-body turn, a circular ring", "description": "", "author": "田中勇道 | AI画像・動画生成", "authorUrl": "https://x.com/yudotanaka", "sourceUrl": "https://x.com/yudotanaka/status/2090637515396989208" }, { "id": "seedance-419", "title": "Isekai Elevator Secretary Cinematic Comedy", "category": "talking-head", "prompt": "【REFERENCE】\nimage1 is a three-view character sheet defining the main secretary. FRONT/SIDE/BACK are not different people, but integrated reference information showing the same person from different directions. Features such as face, hair, age, skin tone, body type, and uniform are inherited from the sheet and maintained throughout the video. The layout and text of the sheet are not carried over.\n\n【CONDITION】\n15 seconds, 1:1 square. High-quality live-action cinematic comedy. Setting: clean corporate elevator lobby. The transition to the alternate world only happens behind open doors. Fixed order: Dinosaur World → Medieval Battlefield → Tropical Beach. Add comic effects like speed lines, impact flashes, and sweat for surprise.\n\n【SHOT FLOW】\nCUT 1 | 0.0–1.8s: Secretary waits in front of the elevator. Daily, calm start.\nCUT 2 | 1.8–4.3s: Doors open to a jungle with roaring dinosaurs. Secretary recoils in shock with comic effects.\nCUT 3 | 4.3–5.6s: Secretary frantically mashes the close button with speed lines. Doors shut, cutting off the dinosaurs.\nCUT 4 | 5.6–8.6s: Secretary opens doors again to knights fighting. Extreme shock reaction with sword sparks and impact effects.\nCUT 5 | 8.6–9.9s: Secretary mashes the close button again. Doors shut, cutting off the battlefield.\nCUT 6 | 9.9–15.0s: Secretary opens doors to a beautiful tropical beach. Expression turns joyful with sparkling heart effects. Secretary enters the beach. Final high overhead shot of the full beach landscape.\n\n【SOUND】\nComical uptempo BGM. Ambiance includes elevator chimes, dinosaur roars, sword clashes, and waves. Fast SE for button mashing. No dialogue.\n\n【NEGATIVE】\nSecretary becoming a different person; changes to face/uniform. Mixing world order. Skipping door closing. Dinosaurs/knights entering the corporate side. Unnatural deformations.", "description": "", "author": "AIライフハック", "authorUrl": "https://x.com/ai_lifehack55", "sourceUrl": "https://x.com/ai_lifehack55/status/2090618908822864207" }, { "id": "seedance-420", "title": "Cinematic Storm Chaser Vlog", "category": "talking-head", "prompt": "VISUALS:\n\nGlobal Camera & Style Directives: A high-budget, ultra-realistic cinematic YouTube vlog aesthetic. The footage mimics a modern full-frame mirrorless camera (like a Sony A7S III) paired with a 16mm wide-angle vlogging lens. The visual fidelity features organic handheld camera shake, rolling shutter during fast pans, natural lens flares, and occasional water droplets hitting the front glass. The color grading is moody and highly cinematic, emphasizing the deep, bruising blues and purples of a severe storm contrast against the warm interior lighting of a vehicle. The protagonist is a rugged, energetic male vlogger in a rain jacket, drenched in sweat and rain, vibrating with adrenaline.\n\nScene 1: Close-up, 16mm handheld selfie perspective. The vlogger is sitting in the driver's seat of a rugged 4x4 vehicle. The camera is held at arm's length, capturing his intensely excited face. The vehicle is shaking. Through the rain-streaked windshield behind him, an impossibly massive, pitch-black supercell storm cloud is rapidly rotating in the sky. He yells directly into the lens, pointing a finger out the window.\n\nScene 2: Handheld whip pan. The vlogger aggressively shoves the car door open and steps out into the howling elements, the camera swinging wildly as he moves. The camera rapidly pans from his face out toward the vast, flat Midwestern plains. The autofocus hunts for a split second before locking onto a colossal, mile-wide tornado touching down on the horizon. The scale is epic, terrifying, and beautiful.\n\nScene 3: Wide POV tracking shot. The camera is held out to capture a split-screen view: the vlogger on the left third of the frame, hair whipping violently in the wind, completely awestruck; the massive tornado dominates the right two-thirds of the frame. A massive fork of lightning strikes behind the twister, brilliantly backlighting the funnel in a flash of harsh white light. The vlogger throws his free hand to his head in absolute disbelief.\n\nAUDIO & DIALOGUE:\n\nGlobal Audio Directives: Raw, immersive, in-the-moment documentary audio. The sound profile heavily features the harsh, clipping noise of wind hitting a camera microphone (complete with a deadcat wind muff struggling to block the sound). The background is a continuous, deafening, low-frequency rumble that rattles the audio mix.\n\nScene 1 SFX: The heavy, rhythmic thwack-thwack of windshield wipers on maximum speed. The aggressive drumming of heavy hail and rain on a metal car roof. Scene 1 Dialogue: Vlogger (yelling at the top of his lungs over the storm, voice cracking with adrenaline): \"Guys! We are directly in the drop zone! It's dropping right now! Look at this!\" Scene 2 SFX: The heavy, metallic creak and slam of a car door fighting against extreme wind. An immediate, overwhelming rush of wind noise completely blows out the microphone for a fraction of a secon", "description": "", "author": "Kinovi.AI", "authorUrl": "https://x.com/kinovi_ai", "sourceUrl": "https://x.com/kinovi_ai/status/2090557730318881014" }, { "id": "seedance-421", "title": "IMAX Paramedic Action Scene", "category": "general", "prompt": "AMBULANCE — FORD F-450 MEDIC UNIT\n\"CODE 3\"\nCharacter: VALENTINA — 34 years old. Paramedic. 11 years on the job. Has seen everything. Still runs toward it. Her unit is Unit 7 — she has named it Siete.\n\n65mm IMAX. Panavision. Grain: starts at zero — the", "description": "", "author": "Guillermo Castellanos", "authorUrl": "https://x.com/guicastellanos1", "sourceUrl": "https://x.com/guicastellanos1/status/2090532880598347941" }, { "id": "seedance-422", "title": "Emotional Monologue in Kitchen", "category": "ugc", "prompt": "Close-up of an emotional monologue. The woman in @image_1 sits at a wooden dining table in the dimly lit, warm wooden kitchen of @image_2—wooden cabinets, deeply blurred bowls, plates, and storage shelves behind her, night outside the window. There are no visible light sources in the frame—no chandeliers, lamps, lighting equipment, or fixtures—only the light itself and how it falls on her face are visible; all light sources are outside the frame. The entire film is shot in a single, continuous long take, without any editing, transitions, or camera changes—the same uninterrupted camera from beginning to end. She remains silent throughout, not uttering a single word—the entire emotion is conveyed solely through facial expressions and eye contact. All emotions shift rapidly, quickly transitioning from one to the next, each stage brief—the performance swiftly glides through each emotional phase in a tight rhythm. Camera: The camera position is fixed in place, but it presents the texture of handheld shooting—vivid handheld tremors, slight shaking and vibrations, the lens drifting almost imperceptibly left and right, breathing with the scene. The camera consistently focuses on her face, a close-up, keeping her centered and within the frame—only the subtle hand-held movement around her creates tension. This trembling, intimate feel builds tension, amplifying the emotional outburst. The light moves in circles around her, an invisible beam smoothly circling her along its trajectory, the illumination shifting with each stage: Stage 1 (Fast) – Suppressing bitterness. Her gaze is lowered, tears welling, her lower lip trembling, her chin furrowed, her breathing labored, her lips pressed tightly together. Lighting: Directly facing her, illuminating her entire face evenly and softly from the front, warm spots of light falling on her face, the surrounding background fading into warm darkness. Stage 2 (Fast) – Tears. Tears stream down her cheeks, she abruptly looks up, blinking to force the tears back, quickly wiping her eyes with the back of her hand, her eyes bright and red. Lighting: Shifts to her right side—now only the right half of her face is illuminated, the left half sinking into shadow, a soft, flowing shadow spreading across her face. Stage 3 (Fast) – A burst of laughter. A silent, hysterical laugh bursts forth through her tears, a mixture of sobs and laughter, her head shaking, her expression shifting from pain to relief. The lighting: continues to move behind her—her entire face sinks into shadow, the light coming from behind, the harsh backlight outlining her head with bright edges, illuminating her ears, cheekbones, and wispy strands of hair, leaving her face mostly dark, almost a silhouette with luminous edges. Fourth Stage (Climax)—Breakdown and Relief. She slams her hand on the table—the instant she strikes, the light suddenly blazes, illuminating her entire body. The lighting during the table slam: a strong, direct beam of", "description": "", "author": "Logolumos", "authorUrl": "https://x.com/Logolumos", "sourceUrl": "https://x.com/Logolumos/status/2090486519916048732" }, { "id": "seedance-423", "title": "Seedance Micro-Expression Emotional Sequence", "category": "general", "prompt": "Shot 1: Initial anger, 0 to 4 seconds, medium-close shot. A young couple confronts each other in a evening living room. The girl has her arms crossed, eyebrows furrowed with vertical lines between them, a hard stare fixed on the other person, corners of the mouth tight and downturned, cheeks slightly flushed, side-lit, fixed camera.\n\nShot 2: Transition to grievance, 4 to 10 seconds, camera slowly zooms into a facial close-up. The girl's hard gaze softens slightly, inner eyebrows lift gently, her eyes slide away from the other person's face toward the floor, the corners of her mouth are still down but no longer tight, shoulders slump slightly as if choked up, warm light turns cold, extremely slow zoom.\n\nShot 3: Holding back tears, 10 to 15 seconds, extreme facial close-up. The girl purses her lips tightly to endure, lower lip trembles slightly, eyes slowly redden and fill with water, she blinks once to push the tears back, one drop hangs under her eye without falling, head tilts away slightly reluctant to be seen, natural light, fixed camera.", "description": "", "author": "Toshi", "authorUrl": "https://x.com/0xToshio_O", "sourceUrl": "https://x.com/0xToshio_O/status/2090472833990418488" }, { "id": "seedance-424", "title": "Psychological Thriller Performance Study", "category": "general", "prompt": "Style: Psychological thriller performance study, unsettling realism, intimate front-facing portrait, fixed camera, subtle natural lighting, raw human micro-expressions, realistic skin texture,", "description": "", "author": "Amira Zairi", "authorUrl": "https://x.com/azed_ai", "sourceUrl": "https://x.com/azed_ai/status/2090472726838538468" }, { "id": "seedance-425", "title": "First Person Dragon Rider POV", "category": "ugc", "prompt": "photorealistic live-action fantasy, entirely first-person rider POV, massive obsidian-crimson dragon, molten-gold eyes, volcanic-black horns, burgundy translucent wings, realistic anatomy and physics,", "description": "", "author": "Amira Zairi", "authorUrl": "https://x.com/azed_ai", "sourceUrl": "https://x.com/azed_ai/status/2090472606109741309" }, { "id": "seedance-426", "title": "Seedance 2.5 Fashion Display Video Prompt", "category": "general", "prompt": "Generate a women's clothing display video.\n\nCharacter identity and clothing should strictly refer to Image 1, maintaining consistency in the character's face shape, features, hairstyle, body proportions, and clothing style.\n\nScene and environment should strictly refer to Image 2, using Image 2 as a background reference, trying to keep the spatial structure, setting, color tone, light direction, and overall atmosphere consistent, so that the character blends naturally into the scene.\n\nActions should refer to the provided black-and-white depth video, extracting only the character's body posture, dance movements, rhythm, limb trajectories, and motion relationships in the shot.\n\nThe black-and-white depth video is only for motion control reference; do not refer to its black-and-white visual effects, character identity, appearance, clothing, background, original scene, materials, or colors.\n\nThe final video should show: the character from Image 1, in the real scene from Image 2, naturally performing a women's clothing display according to the movements in the depth video. Keep character identity, clothing, and background stable, with smooth and natural movements, avoiding facial drift, clothing changes, background changes, limb distortion, and character flickering.", "description": "", "author": "Hoody", "authorUrl": "https://x.com/HoodyLiu", "sourceUrl": "https://x.com/HoodyLiu/status/2090458082451034517" }, { "id": "seedance-427", "title": "Emotional Anime Short Film Prompt", "category": "animation", "prompt": "TITLE: The Lost Wind Chime: Memories in the Wind\n\nUse the uploaded storyboard and character sheet as the main visual reference. Follow the storyboard naturally. Maintain character, kitten, wind chime, porch, lighting, and environment consistency from the", "description": "", "author": "Abhishek", "authorUrl": "https://x.com/HeyAbhishek", "sourceUrl": "https://x.com/HeyAbhishek/status/2090440688106377508" }, { "id": "seedance-428", "title": "Underwater Fine-Dining Restaurant Cinematic Shot", "category": "nature-drone", "prompt": "A luxurious fine-dining restaurant located deep beneath the ocean, surrounded by enormous curved glass windows revealing a vibrant coral reef and schools of fish swimming outside. Guests sit at elegant tables while warm golden pendant lights illuminate the interior. Soft rays of sunlight penetrate the deep blue water above, creating realistic caustic reflections across the walls, tables, and floor. Waiters move naturally between tables carrying plates of food. Subtle bubbles drift past the windows. The camera slowly moves through the restaurant in a smooth cinematic tracking shot, capturing the contrast between the warm elegant interior and the vast blue ocean outside. Photorealistic, believable architecture, realistic water physics, natural human movement, cinematic lighting, high-end film cinematography.", "description": "", "author": "Apiframe HQ", "authorUrl": "https://x.com/apiframe_hq", "sourceUrl": "https://x.com/apiframe_hq/status/2090439268699451463" }, { "id": "seedance-429", "title": "Indian Village Football Documentary", "category": "talking-head", "prompt": "Create an ultra-realistic Indian village documentary sequence shot entirely on an old handheld MiniDV / Hi8-style camcorder, following a young village girl who plays football every day with the local kids. Everything should feel observational and slightly amateur, like a small documentary crew has been following her life for a few days and she has become comfortable with the cameraman. Slightly faded colors, baked-in camcorder sharpness, mild interlacing, tape softness, compression noise, autofocus hunting, exposure pumping, rough handheld movement, imperfect zooms, accidental reframing, operator footsteps, wind hitting the microphone, children shouting in the distance, village ambience, birds, dogs, and natural location audio. No music. No modern cinematic grading. No gimbal. No dramatic sports-commercial photography. The camera should feel physically carried by one person. The setting is a real Indian village football ground: not a professional pitch, just an open dusty field between houses and farmland, uneven patches of grass, stones marking boundaries, homemade goalposts, children in ordinary clothes, a few slippers and bags lying near the side, bicycles nearby, villagers occasionally watching from the edge. Shot 1 — She takes the documentary crew to the ground Start with the cameraman already following the young Indian girl footballer through a narrow village lane. She walks slightly ahead of the camera carrying or lightly kicking her old football, completely natural and comfortable with the documentary crew. She turns around while still walking and says in English with a natural Indian accent: “Come with me. I’ll show you where we play football every day.” The cameraman follows behind her with slightly shaky footsteps. She walks out of the lane and onto the open field. She spreads her hand toward the rough football ground and proudly says: “This is it.” Do not make the reveal grand or cinematic. The charm is that she is incredibly proud of a very ordinary dusty village field. Shot 2 — The joy of playing Cut to the cameraman already standing close to the edge of the game while the children are playing. The same girl runs past the camera chasing the ball with other village kids. The camera operator struggles to follow them, performs a clumsy little pan, briefly loses focus, then catches them again. The cameraman laughs from behind the camera and says in English with a natural Indian accent: “See how much fun this is?” The girl glances toward him while still moving, grins, and immediately runs back into play. Keep this shot energetic and documentary-real: children shouting things like “Pass! Pass!”, feet kicking dust, someone nearly running into the camera, the operator stepping aside, an imperfect zoom toward the ball, then quickly widening again because the action changes direction. Shot 3 — Bicycle-kick goal and celebration Cut to what feels like the final moments of the same village match. The camera is handheld from the sideline, slightly too far away, trying to follow the action. Several kids rush toward the makeshift goal. One player near the side sends a high crossing ball into the middle. The cameraman reacts late and pans quickly. The same girl runs into position, watches the descending ball, turns her body— and performs a completely believable bicycle kick. Her back leaves the ground, one leg swings upward, she connects cleanly with the ball in midair, and the ball flies toward the makeshift goal. The goalkeeper reacts— goal. The children immediately explode in celebration. No slow motion. No heroic cinematic cutaway. Let the old camcorder almost miss the kick because the operator is trying desperately to keep up. The girl jumps back to her feet and starts running directly toward the documentary camera, yelling in English: “YEEEAAAH!” Her teammates chase behind her, screaming and celebrating. She reaches the camera laughing, nearly filling the lens, jumping around with the others as the operator backs away and struggles to keep everyone framed. Kids hug her, slap her hands, shout, jump, and crowd around the camera in exactly the messy way children celebrate after scoring. The lens briefly loses focus because everyone is too close. End inside that chaos — her laughing directly toward the cameraman while the other children are still celebrating around her. Overall feeling: a tiny observational documentary about an ordinary village girl suddenly becoming a football hero for one moment. It should feel warm, real, imperfect, spontaneous and completely unstaged — the camera just happened to be there when she scored the best goal of the match.", "description": "", "author": "Rahul Nanda", "authorUrl": "https://x.com/rahulnanda86", "sourceUrl": "https://x.com/rahulnanda86/status/2090430073820336611" }, { "id": "seedance-430", "title": "Boba Milk Commercial Visual Reference", "category": "product-ad", "prompt": "Create a 15-second photorealistic Chinese Brown Sugar Boba Milk commercial using @image1 only as a visual reference for the adult Chinese female model, milk-tea shop, transparent cup, brown-sugar syrup, black tapioca pearls, fresh milk, lighting, and scene progression.", "description": "", "author": "Kent Dhani", "authorUrl": "https://x.com/kentdhani", "sourceUrl": "https://x.com/kentdhani/status/2090429355507974234" }, { "id": "seedance-431", "title": "Hanfu Character Dance and Motion Transfer", "category": "general", "prompt": "@ Your image asset as the main character reference, strictly preserving the girl's facial features, makeup, light green Hanfu, lotus hair ornaments, and full set of accessories, while strictly maintaining the girl's body and waist-hip-chest proportions. @ Your video asset as the movement and camera work reference, the character completely replicates all dance body movements, rhythm, and camera movement from that video.", "description": "", "author": "rochestor", "authorUrl": "https://x.com/rochestor_mu", "sourceUrl": "https://x.com/rochestor_mu/status/2090402817500684663" }, { "id": "seedance-432", "title": "Premium Shampoo Commercial Storyboard", "category": "product-ad", "prompt": "Create a 15-second ultra-premium shampoo advertisement featuring a beautiful young woman with long, naturally thick, glossy hair. The entire film should look like a high-budget international beauty campaign, with sophisticated cinematography, realistic hair physics, elegant lighting, premium production design, and photorealistic detail.\n\n0–3 SEC — OPENING\n\nExtreme close-up of the girl standing in a luxurious modern bathroom. Warm morning light softly illuminates her face and wet hair. She gently runs her fingers through her damp hair as tiny water droplets glisten on individual strands.\n\nCamera slowly moves toward her hair with an elegant macro transition.\n\n3–6 SEC — SHAMPOO APPLICATION\n\nClose-up of her hand dispensing a rich, luxurious pearlescent shampoo into her palm.\n\nCut to a beautiful close-up as she massages the shampoo gently into her wet hair. Rich creamy lather forms naturally between her fingers. Detailed hair strands, realistic foam, water droplets, and soft skin texture.\n\n6–10 SEC — TRANSFORMATION\n\nCinematic slow-motion shot.\n\nShe rinses her hair under crystal-clear water. As she lifts her head, her freshly washed hair falls naturally around her shoulders.\n\nShe turns toward the camera and slowly runs her fingers through her hair.\n\nHer hair appears silky, smooth, hydrated, voluminous, and intensely glossy, with natural movement and realistic individual strands.\n\nSoft sunlight creates elegant highlights across the flowing hair.\n\n10–13 SEC — HERO BEAUTY SHOT\n\nThe girl walks slowly through a luxurious minimalist setting.\n\nShe turns her head gently, allowing her long, silky hair to sweep naturally through the air in beautiful slow motion.\n\nCamera performs a smooth cinematic orbit around her.\n\nConfident expression. Natural beauty. Premium fashion-editorial aesthetic.\n\n13–15 SEC — PRODUCT REVEAL\n\nMatch-cut from her flowing hair to the shampoo bottle standing on a polished marble surface.\n\nThe bottle is surrounded by subtle water droplets with a soft luxury light glowing behind it.\n\nElegant text appears:\n\n[BRAND NAME]\nUNLOCK YOUR HAIR'S NATURAL BRILLIANCE.\n\nFinal subtle light sweep across the logo.\n\nSTYLE:\nLuxury beauty commercial, international cosmetics campaign, photorealistic, 4K/8K, cinematic slow motion, premium studio lighting, realistic wet hair, physically accurate water and foam, natural skin texture, elegant camera movement, shallow depth of field, sophisticated color grading, high-end product cinematography.\n\nAVOID:\nCheap CGI, excessive effects, unrealistic hair movement, plastic-looking skin, distorted hands, warped facial features, messy backgrounds, excessive text, oversaturation, artificial-looking foam, cartoon aesthetics.", "description": "", "author": "Rosey Watson", "authorUrl": "https://x.com/Rosey_watson", "sourceUrl": "https://x.com/Rosey_watson/status/2090369532435083731" }, { "id": "seedance-433", "title": "Apocalypse Korean Rooftop Horror", "category": "action", "prompt": "1. 0–1.3s: Woman laughs with friends on Korean rooftop under string lights; suddenly rigid, eyes wide.\n2. 1.3–2.6s: Head snaps down violently, veins darken; friends fall silent, chairs scrape back.\n3. 2.6–3.9s: She convulses violently, overturns table, gasps, then goes still.\n4. 3.9–5.1s: Head whips up; bloodshot eyes, slack jaw, animalistic snarls.\n5. 5.1–6.4s: She sprints low and unnaturally fast between chairs as friends scream and scatter.\n6. 6.4–7.6s: Friend knocks over vending drink rack; cans scatter across rooftop.\n7. 7.6–8.9s: She rapidly scrambles over overturned table toward friend by railing.\n8. 8.9–10.1s: Cornered friend swings plastic chair, knocking her back.\n9. 10.1–11.4s: She instantly lunges again; another friend throws cans at her face.\n10. 11.4–12.6s: Friend ducks and scrambles along railing, nearly falling; city skyline behind.\n11. 12.6–14s: She grabs railing inches behind him; he slips toward stairwell.\n12. 14–15s: Stairwell door slams shut; she crashes against it snarling beneath flickering lights. Realistic Korean rooftop horror, cinematic handheld camera, intense motion blur.", "description": "", "author": "WasifAI", "authorUrl": "https://x.com/doctorwasif", "sourceUrl": "https://x.com/doctorwasif/status/2090305873373810874" }, { "id": "seedance-434", "title": "ASMR Pink Lip Gloss Creation", "category": "product-ad", "prompt": "A close-up aesthetic ASMR cosmetics video showing the step-by-step creation and packaging of a shimmering pink lip gloss.The video opens with a thick, glossy, sheer pink base being poured from a glass beaker into a small clear bowl, followed by a second pour of clear, glittery lip gloss base. A drop of vibrant pink liquid pigment is added right into the center of the shimmering gel. A clear spatula then stirs and mixes the glossy mixture together, blending the shimmering particles and pink pigment into a smooth, thick, rose-gold shimmer gloss.The mixed lip gloss is then filled into a clear, cylindrical lip gloss tube. A applicator wand with a soft plush doe-foot applicator is dipped inside and pulled out, pulling a string of shiny gloss. Finally, the gloss is swatched onto a clear glass plate showing off its smooth, glass-like shine, before ending on a product shot of the finished lip gloss tube sitting on a vanity table next to scattered tiny pink crystals with the text overlay \"Would you wear this shade?The lighting is soft, clean, and bright, featuring smooth camera movements, satisfying ASMR sound effects, high clarity, and a glossy luxury aesthetic.", "description": "", "author": "Zyrella", "authorUrl": "https://x.com/Zyrellix", "sourceUrl": "https://x.com/Zyrellix/status/2090295827512406249" }, { "id": "seedance-435", "title": "Surreal Desert Mirror Fantasy", "category": "nature-drone", "prompt": "SUBJECT ANCHOR 1: <<>> — Ash Knight SUBJECT ANCHOR 2: <<>> — Obsidian Rival PROP ANCHOR: <<>> — Magma Greatsword DURATION: 30 seconds ASPECT RATIO: 16:9 STYLE: Surreal cinematic dark fantasy / science-fantasy CAMERA: Large-format cinema, 24mm / 35mm / 50mm / 85mm FRAME RATE: 24fps with selective 60fps STORY In the middle of an endless desert stands a gigantic circular mirror buried vertically in the sand. Ash Knight arrives from one direction. Obsidian Rival arrives from another. The mirror does not reflect them. Instead, it shows a completely different version of the desert—one thousands of years in the future. --- 00:00–00:05 — THE DESERT Open with an enormous aerial shot of an endless black-and-gold desert at sunset. Wind creates long patterns across the dunes. At the center of the landscape stands a gigantic circular metallic structure half-buried in the sand. The camera descends toward it. Ash Knight appears as a distant silhouette walking across the dunes. --- 00:05–00:09 — THE SECOND ARRIVAL Cut to a 50mm side profile. Ash Knight reaches the structure. Across the enormous circular mirror, Obsidian Rival emerges from the opposite side. Both stop. The mirror stands between them. The camera slowly moves sideways, keeping the entire structure centered. --- 00:09–00:13 — THE MIRROR 85mm close-up. The surface of the mirror is perfectly black. Ash Knight approaches it. His reflection should appear— but it doesn't. Instead, the mirror shows the same location thousands of years later. The desert has disappeared. A massive futuristic city now covers the landscape. --- 00:13–00:17 — THE FUTURE 35mm composition. Obsidian Rival steps closer. The mirror changes again. It shows a completely different future. The city is now empty. Towering structures are covered in sand. A gigantic red moon hangs above the horizon. The two warriors look toward the impossible reflection. --- 00:17–00:21 — THE SWORD 85mm macro. Ash Knight draws the Magma Greatsword. The red lava veins pulse. The mirror responds. A thin red reflection appears across its surface. The reflection of the sword suddenly becomes visible even though the warriors still have no reflections. --- 00:21–00:25 — THE FRACTURE Ash Knight slowly raises the Greatsword toward the mirror. He does not strike. The mirror surface begins developing thin luminous cracks by itself. The cracks spread outward like a massive geometric pattern. The desert wind suddenly stops. Every grain of sand becomes completely still. --- 00:25–00:28 — THE OTHER WORLD The mirror opens like a doorway. Beyond it is not another desert. It is an enormous ocean suspended vertically in the sky. Massive floating structures drift beneath the water. The camera slowly pushes forward. Both warriors remain behind the threshold. --- 00:28–00:30 — FINAL IMAGE Extreme wide shot. The circular mirror now stands open in the middle of the desert. Inside it, the impossible ocean-world stretches endlessly. Ash Knight and Obsidian Rival stand on opposite sides of the opening. The Magma Greatsword glows faintly. A single wave moves across the vertical ocean. The mirror suddenly closes. The desert returns to normal. CUT TO BLACK. No text. No title. No logo. CHARACTER CONTINUITY Preserve the exact reference appearance throughout. Ash Knight: exact armor, magma rune patterns, cape, proportions, silhouette and identity. Obsidian Rival: exact obsidian dragon-scale armor, horned helmet, orange visor, proportions, silhouette and identity. Magma Greatsword: exact blade geometry, jagged edges, handle, forged texture and red lava veins. No redesigns, identity drift, morphing, duplicates, weapon transformation, armor changes or flickering. ENVIRONMENT CONTINUITY One desert. One circular mirror. Same sunset. Same sand. Same weather. Same positions of the characters. The mirror's internal worlds may change, but the physical desert remains consistent. CINEMATOGRAPHY 24mm — vast desert. 35mm — character/environment compositions. 50mm — dramatic character shots. 85mm — mirror and sword details. Slow aerial descent. Lateral tracking. Controlled push-ins. Smooth crane movement. Subtle 60fps during the mirror fracture. Natural motion blur. Realistic sand interaction. Large-format cinematic depth. VISUAL DESIGN Golden desert. Deep blue-black shadows. Warm sunset. Black reflective mirror. Red magma glow. Cold futuristic architecture inside the mirror. Surreal vertical ocean. The color palette should evolve naturally rather than remaining monochromatic. NEGATIVE PROMPT text, subtitles, watermark, logo, modern clothing, cartoon, anime, low-poly, plastic armor, character redesign, identity drift, face morphing, weapon redesign, duplicate characters, extra limbs, malformed hands, inconsistent proportions, flickering, random camera movement, environment reset, inconsistent lighting, excessive destruction, graphic gore, blood, dismemberment, blurry subjects, flat lighting. DIRECTOR'S NOTE: Do not explain the mirror. The audience should discover its rules visually. The first reveal establishes that it shows the future; the second reveal breaks that assumption; the final reveal shows an entirely impossible world. The ending should leave the viewer with a question rather than an answer.", "description": "", "author": "Emma", "authorUrl": "https://x.com/Emmma__0", "sourceUrl": "https://x.com/Emmma__0/status/2090293905531314653" }, { "id": "seedance-436", "title": "Photorealistic Automotive Video Commercial", "category": "product-ad", "prompt": "Create a polished 20-second, 16:9 photorealistic automotive design-to-road commercial using the uploaded reference board as strict vehicle/storyboard", "description": "", "author": "Abhishek", "authorUrl": "https://x.com/HeyAbhishek", "sourceUrl": "https://x.com/HeyAbhishek/status/2090292993060413527" }, { "id": "seedance-437", "title": "Dark Fantasy Queen Monster Transformation", "category": "talking-head", "prompt": "Ultra-realistic AAA live-action dark fantasy film. 30 seconds of completely continuous single-camera, uncut long-take. Maintains strict spatial coordinates and time axis, expressing depth of field and heavy atmosphere comparable to ARRI ALEXA 65. Environment: (Ref 3) huge royal palace. Black/white/gold marble floor, volumetric light from stained glass, huge chandelier. Soldiers in silver, gold, and dark blue military uniforms are crowded on the left and right. Queen: (Ref 1) beautiful queen. Long platinum-blonde hair, golden crown with blue jewels, royal dress of white to ivory with gold embroidery and dark blue. Queen (Monster Form): (Ref 2) huge monstrosity. Retains the crown and platinum hair, has multi-layered fangs, long claws, and bone-membrane organs on the back. Sinner: (Ref 4) male soldier. Brown hair, dirt and wounds, silver-gold armor, dark blue costume, handcuffs and chains. 0.0-4.5s: Camera starts from behind the queen. Queen's back in foreground, sinner about 12m ahead in central aisle, rows of soldiers on left and right. Guard pushes sinner forward, sinner is slammed onto marble on both knees. Camera passes by the queen's right shoulder, continuously advancing toward the sinner to capture the upper chest. Sinner looks up and says in an urgent voice. {Your Majesty... please forgive me!} 4.5-9.5s: Camera doesn't stop, passes left side of sinner, draws a smooth arc to capture queen on the throne side from the front. Queen steps forward. Queen says in a quiet, cold voice. {Did you think you could steal the royal treasure and escape?} Sinner shouts. {No! I—} Queen takes another step, emotion disappears from face. 9.5-14.4s: Camera approaches queen by about 1m. Queen's skeleton and muscles continuously deform under skin, corners of mouth tear, multi-layered fangs are exposed. Platinum hair flutters, bone-membrane organs expand from back. Body enlarges, transforming into monster form while dress tears. Monster queen roars. Soldiers on left and right drop to one knee in a wave. Sinner says while backing away. {No way...!} 14.4-19.6s: Sinner turns 180 degrees and begins sprinting at full speed toward camera (palace interior direction). From here, camera continues to retreat along central aisle toward palace interior. Fixed linear relationship: \"Camera ← Sinner ← Monster Queen ← Throne\". Monster queen begins chase on all fours. Sinner shouts behind while running. {Stop! Don't come!} Sinner's chain gets caught on marble decoration, sinner collapses forward. Camera also slows retreat. 19.6-23.4s: Camera almost stops on current central aisle. Monster queen catches up from behind, blocks escape route with right forelimb. Monster's neck extends, huge jaws grab sinner's torso from diagonal rear and lift him up. Monster queen moves jaws and completely swallows sinner. Sinner's body completely disappears from screen. 23.4-30.0s: Monster queen does not move from that predation position (away from throne), begins de-transformation into human form. Bone organs are folded, body shrinks, torn dress is restored with golden magical threads. Camera retreats very slowly by about 1m. Queen, fully returned to human form, fixes slightly tilted crown near chains on floor. Surrounding soldiers stand up. A new sinner is pulled out from back of screen. Queen stares at new sinner and says coldly. {Next.} Camera retreats/rises further down central aisle, ending with new sinner in foreground, queen in center, and throne in background. [Continuity & Spatial Constraints] Maintain continuous long-take with a single physical camera for 30 seconds. After 14.4 seconds, camera only retreats toward palace interior. Monster queen always stays behind sinner. After predation, sinner's body remains completely disappeared. Queen remains at the spot where she completed predation and does not return to throne. During de-transformation, camera only retreats maintaining axis on current central aisle, actions like circling queen or moving to front are strictly prohibited.", "description": "", "author": "C’est La Vie | AI Director", "authorUrl": "https://x.com/sailorv321", "sourceUrl": "https://x.com/sailorv321/status/2090223133685108964" }, { "id": "seedance-438", "title": "Ghibli-Style Tiny Workers", "category": "animation", "prompt": "Create a whimsical, Ghibli-inspired hand-drawn animation showing tiny anime workers harvesting and transporting oversized soybean sprouts inside a large white porcelain bowl on a wooden table. Some workers shovel sprouts, climb a wooden ladder, carry a giant sprout on a stretcher, and load a small wooden cart, while others direct the team and rest from exhaustion. Use warm golden lighting, soft colors, floating dust motes, cozy details, expressive characters, and gentle cinematic camera movements, ending with a wide shot of the whole miniature team working together.", "description": "", "author": "NoorAI", "authorUrl": "https://x.com/noorwithwifi", "sourceUrl": "https://x.com/noorwithwifi/status/2090073130962457013" }, { "id": "seedance-439", "title": "Realistic Wing Chun Kung Fu Training Video", "category": "talking-head", "prompt": "[Style] Photorealistic Wing Chun Film, high-energy Douyin action video, Ramp-mo rhythm transitions, High-Speed Photography, 4K cinematic quality, realistic skin, sweat, and wood textures, no anime feel, no magic effects. [Duration] 20 seconds. [Aspect Ratio] 9:16 vertical screen. [Scene] Traditional old Lingnan martial arts hall, dark wood floors, mottled gray walls, wooden lattice windows; morning sunlight streaming in from the side, tiny dust motes floating in the air. A traditional solid wood wooden dummy is fixed in the center of the frame, with a cylindrical body, three wooden arms, and one slanted wooden leg. [Character] Wing Chun practitioner as per Image 1. Face, features, hairstyle, body proportions, and original clothing must strictly follow the image, maintaining the same person and look throughout. [Audio] No dialogue, no subtitles; emphasize the sound of dummy collisions, footsteps rubbing, short breaths, and the sound of wood splintering at the end. [00:00-00:04] Shot 1: Opening high-speed dummy striking (Impact Hook). The first frame enters high-speed action directly without environmental setup. Close-up side shot: The protagonist is rapidly practicing on the wooden dummy, hands continuously performing Tan Sau, Bong Sau, Pak Sau, palm strikes, and short punches around the centerline; hands switch rapidly between the three wooden arms, causing the arms to vibrate continuously. The camera tracks horizontally close to the protagonist's hands (Close Tracking), with hands flashing past the lens with natural motion blur; each strike produces different wood sounds. Cut to a low-angle full-body shot: The protagonist uses tight small steps to bypass the slanted leg of the dummy, upper body remains stable, feet do not cross, no large jumps. The final palm strike lands heavily in the center, the whole dummy shakes violently, dust falls, but no cracks appear. [00:04-00:08] Shot 2: Sudden deceleration · Precise slow practice (Ramp Down). After the final strike, all sound suddenly goes quiet, transitioning to slow motion. Side-front medium shot: The protagonist slows down, left hand against the upper arm, slowly dissolving outward; right hand delivers a short straight punch along the center of the dummy, retracting quickly after contact. The protagonist continues slowly performing Bong Sau, Pak Sau, and palm strikes, each movement clearly separated, arms short and close to the body, elbows not excessively flared. The camera orbits the protagonist and dummy about 90 degrees (Slow Orbit), showing the palm brushing the rough wood grain, slight vibration of the wooden arms, and sweat dripping down the cheek. The protagonist's gaze is locked on the center of the dummy, shoulders relaxed, lips slightly closed, breathing steady; observing distance and rhythm rather than angry flailing. [00:08-00:12] Shot 3: Slow to fast · Progressive acceleration. Low drum beats enter, the practice speed increases layer by layer. First set: Moderate speed, left hand dissolves arm, right palm strikes center. Second set: Visibly faster, Bong Sau to Pak Sau, followed by two short punches. Third set: Highest speed, left and right hands alternate rapidly, punches and palms crossing along the centerline, combined with small turns and ground-hugging footwork to the side of the dummy. Low-angle Steadicam Orbit from behind to the side-front; foreground wooden arms flash past, background windows and sunlight form slight speed trails. Movement gets faster, but the body doesn't sway, face remains steady, only breathing becomes heavier and gaze more focused. The dummy vibrates constantly with dense wood sounds, remaining intact. [00:12-00:14] Shot 4: Sudden stop · Locking on the dummy (Sudden Silence). After the high-speed combo, hands suddenly stop. All drums, strikes, and camera movement stop simultaneously. Fixed front medium shot: The protagonist stands before the dummy, feet unmoving, left hand retracted to chest, right hand hanging naturally. The dummy is still vibrating slightly, a few wood chips fall. Close-up of face: The protagonist slowly lifts eyes, locking gaze on the center of the dummy; lips tighten slightly, taking a deep breath. The scene remains quiet, pausing for the final one-inch punch. [00:14-00:17] Shot 5: Open palm approach · Clenching fist to store energy (Open Palm to Fist). Side medium-close shot: The protagonist slowly raises the right hand, fingers fully spread, palm facing the center of the dummy. Must clearly show a fully open palm first, not a fist. Body stable, right hand approaches the dummy very slowly; as the palm gets closer, the camera follows. Extreme Close-up: The open palm stops about one inch from the dummy, not touching, fingers naturally extended, palm, knuckles, and rough wood grain clearly visible. After a short pause, the fist clenches: pinky curls first, then ring and middle, index follows, thumb finally presses down. Fingers tighten completely from open palm to vertical fist. During clenching, the arm must not pull back; the distance remains one inch. Muscles and veins in the forearm tighten slightly, shoulders down, body doesn't lean forward. Sound is only skin friction and slow inhalation. [00:17-00:20] Shot 6: One-Inch Punch impact · Dummy shatters (One-Inch Punch). Extreme side close-up: The clenched right fist is one inch from the center. Still for 0.3s. Protagonist exhales sharply, the fist impacts from the close distance instantly; no pulling back, no big swing, moves only a few centimeters, clean hit. The impact must be a short, fast, concentrated explosion: Open palm approaches -> fingers clench -> store energy in place -> sudden impact from one inch. Do not combine into a normal punch. A heavy bang at contact. The dummy vibrates violently, radial cracks appear at the hit point; the thick body shatters into pieces, arms and leg fall off. Super Slow-mo for the shatter: Morning light illuminates flipping chips and heavy wood blocks falling with crack and thud sounds. No fire, smoke, or energy waves. Protagonist's fist remains at the center, body stable, not falling forward or bouncing back. Final 0.6s returns to normal speed: protagonist retracts fist, returns to Man Sau position, calmly watching the debris. Slow Pull-back to a frame of protagonist, shattered dummy, debris, and morning dust. [One-Inch Punch Hard Requirements] Must be split into 5 stages: 1. Fully open palm. 2. Approach slowly. 3. Stop at one inch. 4. Fingers clench sequentially and store energy. 5. Sudden impact. Must see the process of open palm and clenching. No starting with a fist, no pulling back, no skipping the clench, no long-distance punch, no hitting early, must pause after clenching before impact. [Director Constraints] Only one protagonist, strictly follow Image 1. Dummy always has 3 arms, 1 leg. Dummy stays intact until 17s. No boxing swings, hooks, big wind-ups, flying kicks, or acrobatics. No clipping through wood. No extra fingers, missing fingers, or deformations. No magic effects, glowing fists, shockwaves, or manga lines. No glass/foam/rubber texture for wood. No shouting or celebrating. No other characters, dialogue, titles, logos, or watermarks.", "description": "", "author": "John", "authorUrl": "https://x.com/johnAGI168", "sourceUrl": "https://x.com/johnAGI168/status/2089581545262551073" }, { "id": "seedance-440", "title": "Gym Vlog Continuous Dialogue", "category": "talking-head", "prompt": "15-Second Gym Vlog — Continuous Dialogue\n\nCharacter: The same young adult woman throughout the entire video, wearing a black T-shirt and sporty gym pants. Keep her face, hairstyle, outfit, and appearance consistent from beginning to end.\n\nScene: A realistic modern gym vlog. From the very first frame, the woman is already talking directly to the camera while walking through the gym. She keeps speaking continuously throughout the entire 15-second video—no silent moments and no voice-over.\n\n0–5 sec: She walks toward the camera in selfie-vlog style, smiling naturally and talking directly to the viewer. Gym equipment and people working out are visible in the background.\n\nDialogue:\n\n\"Hey guys! I'm at the gym today, and I'm going to show you a little bit of my workout.\"\n\n5–10 sec: While continuing to talk, she reaches the dumbbell area, picks up a moderate-sized dumbbell with one hand, briefly lifts it in a natural demonstration, and keeps speaking to the camera.\n\nDialogue:\n\n\"I usually start with some simple exercises like this, just to get warmed up.\"\n\n10–15 sec: Still holding the dumbbell briefly, she looks at the camera and continues talking with a friendly smile, then places it back naturally.\n\nDialogue:\n\n\"Alright, let's get started and make this workout a good one!\"\n\nImportant: Continuous talking from start to finish, natural lip-sync matching every word, no narration, no sudden cuts, no change of character or clothing. The same reference character must remain consistent throughout. Realistic gym environment, natural body movement, handheld smartphone vlog style, cinematic 4K quality.", "description": "", "author": "Noor", "authorUrl": "https://x.com/noorlewisx", "sourceUrl": "https://x.com/noorlewisx/status/2089573549044568375" }, { "id": "seedance-441", "title": "Chaotic City Skateboarding Action", "category": "product-ad", "prompt": "Create a 15-second hyper-realistic cinematic video of a stylish young woman skateboarding through a chaotic, crowded modern city during daytime.\n\n0–3 sec: Start with a low-angle close-up of her skateboard wheels rapidly rolling over wet asphalt. Cars, motorcycles, buses, and pedestrians rush past in the background. Natural handheld camera movement.\n\n3–7 sec: Pull back to reveal the girl confidently weaving through a busy city street on her skateboard, narrowly passing between moving vehicles while maintaining perfect balance. Her hair and oversized jacket move naturally with the wind.\n\n7–11 sec: Dynamic tracking shot from the side as she accelerates, jumps onto a low roadside ramp, performs a smooth 180° aerial trick, and lands cleanly. Vehicles continue moving around her, creating controlled chaos.\n\n11–15 sec: Camera swings to the front and moves backward as she skates directly toward the lens through the crowded street. She gives a subtle confident smile, then sharply turns around a car and disappears into the busy city.\n\nVisual style: photorealistic, cinematic urban atmosphere, realistic physics, natural skin and hair movement, detailed traffic, motion blur, dramatic depth of field, dynamic camera work, realistic lighting, high-end commercial cinematography, 4K, smooth continuous motion.\n\nImportant: Keep the girl’s face, hairstyle, clothing, skateboard, and physical appearance consistent throughout the entire 15 seconds. No sudden morphing, duplicate people, distorted limbs, floating objects, or unrealistic vehicle movement.", "description": "", "author": "Snow", "authorUrl": "https://x.com/iamrealsnow", "sourceUrl": "https://x.com/iamrealsnow/status/2089566719065149611" }, { "id": "seedance-442", "title": "Anime Style Kite Flying Adventure", "category": "action", "prompt": "Create a cute cinematic 14-second 2D anime-style video featuring two completely new child characters in a sunny park: a girl with long dark-brown hair, expressive brown eyes, a pink dress, white socks and pink shoes, and a boy with messy black hair, dark eyes, a blue hoodie, black shorts and white sneakers. Keep their new faces, hairstyles, outfits and proportions consistent. They happily fly a bright orange-red kite through the colorful park until a strong breeze sends it into a tall tree. The boy uses a fallen branch to free the kite while the girl helps, and they catch it together with happy smiles before running through the park and flying it again in warm golden sunlight. Use beautiful Japanese anime-inspired 2D animation, clean line art, expressive eyes, soft cel shading, vibrant colors, detailed backgrounds, smooth movement, cinematic lighting and natural wind effects. No face changes, character redesign, extra characters, duplicates, distorted faces or hands, flickering, photorealism, 3D style, text, logo or watermark. smooth cinematic anime animation.", "description": "", "author": "liana", "authorUrl": "https://x.com/Lianaalane", "sourceUrl": "https://x.com/Lianaalane/status/2089563357074559014" }, { "id": "seedance-443", "title": "BBC Style Qilin Documentary", "category": "nature-drone", "prompt": "Maintain the Qilin's appearance, body proportions, limb positions, antler structure, scale distribution, and overall environment exactly as shown in the first frame.\n\n10-second continuous natural documentary shot, no cuts.\n\nA massive Qilin stands quietly on a prehistoric valley riverbank, staying in place, not walking or turning. it breathes slowly and heavily, with very slight rises and falls in the chest and abdomen; the head has only tiny natural movements, ears occasionally twitch slightly, and eyes blink slowly once. Long mane and neck hair sway slowly in the valley breeze, and the deep green scales on the back show tiny muscular ripples with each breath.\n\nSmall animals by the river move naturally, some lowering their heads to drink, others taking a few slow steps, but never running in panic. The water surface flows continuously and slowly, producing tiny ripples and realistic reflections. Mist in the valley drifts slowly between the woods and the Qilin's legs, and distant leaves sway slightly in the breeze.\n\nThe camera is at a low angle in the distance, using a 70mm natural documentary telephoto lens, moving extremely slowly towards the Qilin, with only a very slight rightward pan, creating restrained parallax that reveals the depth between the Qilin's massive body and the distant valley.\n\nThe Qilin remains the absolute single subject of the frame, maintaining the weight of a real large creature, without exaggerated movements, no glowing, and no magical effects.\n\nReal wildlife documentary, BBC / IMAX natural history photography quality, realistic biological movement, realistic muscle weight, atmospheric perspective, morning soft light, subtle wind-blown hair, 70mm IMAX film, solemn, quiet, mysterious.", "description": "", "author": "萧楚浚", "authorUrl": "https://x.com/xiaochujun0909", "sourceUrl": "https://x.com/xiaochujun0909/status/2089561464386551971" }, { "id": "seedance-444", "title": "Side-Flip Motion Reproduction and Environment Adaptation", "category": "product-ad", "prompt": "A Japanese woman in @Image1 reproduces the motion of @Video1 in the environment of @Image2. It does not have to start from the same environment; the arrangement of objects can be changed to open up space so that she can move. Assuming the obstacle in @Video1 is a liquid crystal TV, place a liquid crystal TV in @Image2 as well and make the motion leap over it to reproduce the movement of @Video1, referencing @Video1 for the motion of moving from the back of the screen to the front.", "description": "", "author": "h64g", "authorUrl": "https://x.com/h64g_", "sourceUrl": "https://x.com/h64g_/status/2089561431448629261" }, { "id": "seedance-445", "title": "3D Cartoon Park Scene", "category": "animation", "prompt": "Create a cute cinematic 14-second 3D cartoon using the two reference characters, keeping their faces, hairstyles, clothes and appearance consistent. A young woman in a pink outfit walks through a sunny green park with a cute blonde little boy in a dinosaur T-shirt. The boy notices a colorful butterfly, points excitedly, and they happily follow it through the flowers. The boy picks a small flower and gives it to the woman, and she smiles and gently hugs him. Use smooth expressive animation, soft cinematic lighting, vibrant colors, detailed park scenery, natural camera movement and a warm family-friendly atmosphere. No character changes, face distortion, extra characters, outfit changes, flickering, deformed hands, text or watermark. 16:9 vertical, high-quality cinematic 3D animation.", "description": "", "author": "ayzalnoor", "authorUrl": "https://x.com/ayzalnooor24521", "sourceUrl": "https://x.com/ayzalnooor24521/status/2089559741718548578" }, { "id": "seedance-446", "title": "Cinematic Chinese Xianxia Comedy Short", "category": "talking-head", "prompt": "I. Generation Goal\n\nGenerate a complete, continuous 15-second cinematic-grade Chinese Xianxia short film.\n\nOverall Style Requirements:\n\nCinematic realistic texture\nPure ancient Chinese Xianxia aesthetics\nSolemnity of epic martial arts challenges clashing with high-level meta-comedy\nIncorporating silent film-style reaction pacing\nIncorporating British deadpan humor\nIncorporating clean-cut pacing of Hong Kong action comedy\nUsing classic three-beat progression and setup-payoff structure\nArri Alexa cinematic texture\nClear and stable facial micro-details\nFine film grain\nNatural volumetric lighting\n\nII. Core Comedy Mechanism\n\nThe punchline must be simple and direct, immediately understandable to the audience on the first watch.\n\nAn extremely confident enemy master believes he is delivering a legendary challenge declaration to intimidate the scene.\n\nIn reality, the two women in Figure 1 and Figure 2 have long been silently predicting the clichéd lines he is about to say.\n\nMoreover, the angrier he gets and the more he tries to prove himself, the more accurately he fulfills their predictions step by step.\n\nFinally, the master completes the third payoff.\n\nIII. Character Identity Anchors\n\nCharacter ID A | @Image 1 | Sword Immortal Senior Sister\n\nAlways maintain the same character identity and appearance:\n\n25–30 year old East Asian female\nTall and slender build\nOval face\nDark almond eyes\nBlack long hair half-tied\nWhite jade hairpin fixation\nWhite embroidered silk Hanfu\nSemi-transparent layered wide sleeves\nSilver waist girdle\nJade pendant\nWhite cloth boots\nThe only silver long sword\nCharacter Temperament:\nCalm\nRestrained\nDeadpan\nMinimalist reactions, but always accurately catching the humor points\nCharacter ID B | @Image 2 | Junior Sister\nAlways maintain the same character identity and appearance:\n\n20–25 year old East Asian female\nSmall and petite build\nRound and agile face\nBlack hair braided\nBlue-green linen Hanfu\nDark waist belt\nWooden hairpin\nBlack cloth shoes\nThe only dark steel sword\nCharacter Temperament:\nSmart\nAgile\nQuick reactions\nAlways looking like watching a play already seen before\nSupporting Character | Elderly Master\nExists only as a secondary witness\nNot much screen time\nDeadpan from beginning to end\nCompletes the third payoff at the end\nSupporting Character | Enemy Swordsman\nExtremely confident\nFull of aura\nBelieves he is creating pressure\nIn reality, constantly falls into the prediction of his clichéd language by others\n\nIV. Environmental DNA and Spatial Requirements\n\nAll newly uploaded background and location reference images collectively determine the same set of Environmental DNA.\nBefore formal composition, silently integrate and reorganize the following content:\nReal terrain\nArchitectural language\nSpatial scale\nMaterials\nVegetation\nWater bodies\nWeather\nClouds\nMountain mist\nMain light direction\nReflection relationships\nAir depth\nCharacter's actual walkable path\nRe-plan a unique, complete, and unified new space for this round.\nBackground Operating Principles\nThe background is always naturally vivid but absolutely neutral in narration.\nElements that can continuously exist and move naturally include:\nWind\nWater bodies\nVegetation\nMountain mist\nBanners\nDistant ordinary disciples\nReflections\nAmbient spatial sound\nHowever, these elements must never actively create humor or influence plot causality.\n\nV. Shot Structure\n0–5s | Shot 1 | Wide or Long Shot\nVisual Task\nEstablish character relationships and complete the first setup.\nVisual Content\nAn extremely imposing enemy swordsman strides into an open area naturally formed according to this round's reference images.\nThe same elderly master exists quietly a few steps away from the two.\nThe enemy imposing points his yet-to-be-drawn long sword at the senior sister, announcing loudly:\n\"Sword Immortal! I have practiced for ten years, today I shall let you witness the world's number one sword!\"\nCharacter Reaction\nThe same junior sister is not nervous; instead, she quietly raises three fingers and says softly:\n\"Third sentence.\"\nThe same senior sister, upon seeing this, only shows a tiny, clearly \"guessed it\" satisfied nod.\nKey Requirement\nThis beat must let the audience understand: they are not afraid, but are \"predicting clichéd lines.\"\nThe enemy must be very serious and imposing.\nComedy comes from the nonchalant reactions of the two women.\n\n5–10s | Shot 2 | Medium or Cowboy Shot\nVisual Task\nComplete the second prediction payoff and let the enemy realize something is wrong.\nVisual Content\nMaintain the same two women, same clothing, same enemy, same master, and perfectly consistent geographic space.\nThe enemy's aura is interrupted for the first time, frowning and asking:\n\"What third sentence?\"\nThe same junior sister explains very naturally:\n\"Senior sister guessed your third sentence would be 'world's number one'.\"\nThe enemy's expression clearly tightens, saying annoyedly:\n\"You dare mock me?\"\nThe same sword immortal senior sister does not argue with him, but calmly turns to look at the junior sister, only saying:\n\"Fourth sentence, hit again.\"\nPacing Requirement\nThere must be a clean non-dialogue pause here.\nLet the enemy realize himself:\nThat angry line just now also belongs to the clichés they predicted in advance.\nKey Requirement\nSenior sister has very few lines, but the strongest impact.\nJunior sister's explanation must be natural, like saying a very ordinary thing.\nThe enemy's confidence begins to crack but has not completely collapsed.\n\n10–15s | Shot 3 | Close-up or Extreme Close-up\nVisual Task\nComplete the third payoff, with the master delivering the final blow to form the final punchline.\nVisual Content\nThe same elderly master, who has been silent all along, finally says flatly from behind:\n\"I guess the fifth sentence is drawing the sword.\"\nThe enemy completely flies into a rage, blurting out:\n\"Absurd!\"\nAnd instinctively draws his long sword with a sharp \"clank.\"\nReaction Design\nThe whole scene is instantly absolutely quiet.\nThe senior sister, junior sister, and the enemy all three simultaneously and very slowly turn their eyes to the master.\nThe same master maintains a completely deadpan expression from start to finish, only nodding very solemnly:\n\"Fifth sentence.\"\nClosing Action\nExtreme close-up: The enemy looks down at the long sword he has already drawn, finally realizing he has personally completed the prediction someone just said.\nHis entire aura begins to deflate rapidly, and then he very slowly lowers the sword again.\nThe same junior sister tries hard to suppress a smirk and asks softly:\n\"Still fighting?\"\nThe enemy silences for half a beat, already terrified by his own mouth and actions, only answering lowly:\n\"...Don't speak for now.\"\nThe same sword immortal senior sister barely pauses, calmly adding one more line:\n\"Smart.\"\nImmediately cuts to black precisely.\n\nVI. Acting Principles\n\nGeneral Principle\nEveryone's acting must be restrained\nNot exaggerated\nNo facial contortions\nNo clowning\nComedy only comes from:\nPrediction and fulfillment\nDeadpan reactions\nPacing difference between characters\nGradual draining of aura\n\nSenior Sister\nMinimal reaction\nBut every time she speaks, it's like the final cut\nStable expression from start to finish\n\nJunior Sister\nThe first person to read the clichés\nEmotion should be a bit more agile\nBut cannot be too showy\n\nMaster\nAlways like handling an ordinary sect matter\nThe last line must be as calm as a court verdict\nPrecisely because it's not funny at all, it's funnier\n\nEnemy\nMust sincerely believe he is creating pressure\nEmotional change path:\nConfidence\nInterrupted\nConfused\nAnnoyed\nOut of control\nSelf-awareness collapse\nForced silence\n\nVII. Cinematography and Sound Requirements\n\nCinematography Style\n16:9 widescreen\nStable and restrained cinematic lens language\nClear natural parallax\nSharp visuals\nFine film grain\nReal atmospheric perspective\nArri Alexa cinematic look\n\nCamera Principles\nLens movement must be stable\nFocus on observing character reactions\nNo flashy techniques\nNo gaudy effects\nShot switching serves the comedy pause and reaction payoff\n\nSound Requirements\nNative synchronized Mandarin dialogue\nPrecise lip-sync\nComedy pauses must be clear\nRetain real spatial ambient sound\nRetain sound of fabric, wind, water, footsteps, and slight weapon sounds\nThe sound of drawing the sword must be clear, becoming an important sound beat for the third payoff\n\nVIII. Continuity Requirements\n\nMust always maintain stability in:\nCharacter identity stability\nFacial stability\nHair stability\nClothing stability\nSword stability\nSupporting character position stability\nGeographic space stability\nAccurate sightline relationships\nClear and readable sword-drawing action\nRealistic silk fabric and hair physics effects\nContinuous natural parallax in foreground, middle ground, and background\nContinuous real spatial sound\nNo subtitles generated\n\nIX. Finished Film Requirements\n\nStrict total duration: 15 seconds\n16:9 widescreen\nThree continuous clear shots\nNative synchronized Mandarin dialogue\nPrecise lip-sync\nComedy pauses must be clear\nNo subtitles generated\nNo watermarks\nNo random text\n\nX. Negative\nblurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, subtitles, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inc", "description": "", "author": "Soran", "authorUrl": "https://x.com/Soranlan", "sourceUrl": "https://x.com/Soranlan/status/2089554491968282742" }, { "id": "seedance-447", "title": "Giant Hand Dressing Up Girl Video", "category": "ugc", "prompt": "Generate a 21-second, 9:16 vertical, ultra-realistic cinematic video.\n\n[Scene] A bright, warm modern beige living room with white cloth sofa, plants, and natural light.\n[Character] A young East Asian girl (5-8 years old), cute, standing in the center. Natural expressions: surprise, shy smile, happiness.\n[Core Mechanism] A pair of giant real human hands enters the frame to change the girl's clothes as if she were a doll. Natural and smooth hand movements.\n[Timeline] 0-2s: Opening with girl in pajamas. 2-4s: Giant hand removes the top. 4-6s: Hand removes the pants; puts on a beige cardigan. 6-8s: Hand puts on olive green shorts. 8-11s: Hand puts on rainbow socks. 11-13s: Hand puts on beige snow boots. 13-15s: Hand puts on a knit hat. 15-17s: Hand gives her a brown handbag. 17-21s: Final reveal of the outfit. Hand points at her like \"done.\"\n[Camera] Fixed front full shot with slight handheld breathing feel.\n[Constraints] Character consistency (face/hair), realistic human hand proportions, smooth clothing transitions, no artifacts or text.", "description": "", "author": "Modengsir AI", "authorUrl": "https://x.com/ModengSir", "sourceUrl": "https://x.com/ModengSir/status/2089543867356070137" }, { "id": "seedance-448", "title": "Urban Xianxia Shadow Play Comedy", "category": "product-ad", "prompt": "Seedance 2.0 | 15-second short film \"Shadow Play\" I. Generation Goal Generate a complete continuous 15-second cinematic Chinese urban fantasy short film titled \"Shadow Play\". Overall features: cinematic realistic texture, fusion of traditional Chinese shadow puppetry aesthetics, silent film style spatial comedy, restrained/deadpan performance, contrast between warm yellow sodium lamps and cold blue night colors, clear depth of field. A twist in the last 5 seconds redefines the purpose of the entire \"battle\". II. Core Creativity This is not a real life-and-death duel. For the first 10 seconds, viewers will think two women are engaged in an epic, oriental-style fantasy shadow duel. The final 5 seconds reveal that they are actually using physical actions and projection relationships to perform a \"shadow play\" for an unseen child upstairs. The twist must be established through: physical actions that remain small, precise, and restrained while the wall shadows are exaggerated; a child's voiceover redefines the purpose; comedy stems from the contrast between \"epic momentum\" and \"children's game needs\". III. Workflow & Technical Preferences Organized for Seedance 2.0 multi-modal reference: supports image, audio, and video references; director-level control over performance, lighting, shadows, and camera movement. Focus on: stable character identities, stable shadow geometry, continuity of sword and bicycle, stable wall projection logic, Mandarin lip-sync, and clear cause-effect between physical and shadow actions. IV. Character Identity Anchors Character ID A (@Image1) - Sword Sister: 25-30 years old, East Asian, oval face, fair skin, sharp brown eyes, long black hair, tall/slender, white hanfu with translucent sleeves, silver sword. Temperament: calm, restrained, serious. Character ID B (@Image2) - Bicycle Sister: 25-30 years old, East Asian, ponytail, yellow jacket, blue jeans, white sneakers, same bicycle. Temperament: tacit cooperation, serious, restrained, deadpan humor at the end. V. Environment Setting Scene: narrow alley in an old town after rain. Elements: rough white plaster wall, wet slate road, warm yellow sodium street lamp, overhead wires, bamboo leaf shadows, flowing mist, reflections in puddles, a bicycle. Lighting: warm yellow sodium lamp as main source, cold blue night as ambient base. Shadows on the wall must be clear, huge, and readable. VI. Environmental Movement Principles Background must stay alive but neutral. Allowed movements: flowing mist, slight vibration of wires, swaying bamboo shadows, changing puddle reflections, hair/fabric responding to movement. Prohibited: sudden background shifts, wall deformation, street lamp jumping, bicycle disappearing, shadows detaching from light logic or人物动作, purely special-effect animation. VII. Shot Structure 0-5s | Shot 1 | Wide Fixed + Slow Dolly: Establish spatial relationship and misleading \"battle atmosphere\". Huge shadows on the white wall look like ancient masters about to fight. 5-10s | Shot 2 | Cowboy/Medium Shot | Smooth Lateral Tracking: Juxtapose \"small real actions\" with \"epic wall battle\". Real movements are small while shadows transform into a giant silver dragon and a phoenix-like beast made of wheels. VIII. Acting Principles Overall: restrained, not slapstick. Character A: serious, deadpan, suppressing a smile at the end. Character B: tacit cooperation, low-key funny remark at the end. Child (voiceover): natural, happy, innocent tone. IX. Photography & Visual Control Style: 16:9, 24fps, Arri Alexa cinematic texture, sharp, natural volumetric light, clear depth. Shots: wide dolly, smooth lateral track, close-up to extreme close-up. No aerial shots, shaky cam, or AI morphing. X. Continuity Requirements Must maintain stability of: character identities, faces, costumes, props (sword/bicycle), lighting, alley structure, night color temperature, shadow geometry, and physical relationships of hair/mist/reflections. XI. Final Product Requirements Total duration: 15 seconds, 16:9 aspect ratio, three clean shots, native sync environmental/action sound, accurate Mandarin lip-sync, no subtitles, watermarks, or random text. XII. Negative blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, subtitles, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, hairstyle change, background shift, glitching cuts, disappearing props, unstable shadow geometry, fake shadow projection, shadow detached from light source, bicycle disappearing, sword morphing, wall deformation, exaggerated acting, slapstick overacting, random fantasy effects, random CGI creatures, modern interface elements", "description": "", "author": "Soran", "authorUrl": "https://x.com/Soranlan", "sourceUrl": "https://x.com/Soranlan/status/2089512097340092604" }, { "id": "seedance-449", "title": "Chinese Xianxia Suspense Emotional Short Film", "category": "talking-head", "prompt": "Seedance 2.0 Fast | 15s Chinese Xianxia Suspense Emotional Short Film\n\nI. Generation Goal\nGenerate a continuous 15-second Xianxia cinematic film. Style: Realistic texture, suspenseful, restrained emotional temperature, \"physical evidence reversal\" as core narrative tool.\n\nII. Core Theme\nRedefining \"Trust\" through high observation: trust is not a verbal declaration but remembering habits. The Senior Sister identifies a forged sword tassel knot because she knows the Junior Sister's specific way of tying it.\n\nIII. Characters\nCharacter A (Image 1): Senior Sister, 25-30, calm, observant, firm judgment.\nCharacter B (Image 2): Junior Sister, 20-25, round face, green linen hanfu, moved by the sister's observation.\n\nIV. Timeline\n0-5s: Enemy throws a green sword tassel as evidence against Junior Sister. All look at her. Senior Sister picks it up silently.\n5-10s: Master asks if she trusts her. Senior Sister examines the knot and says \"This isn't hers,\" explaining the specific tying habit. Junior Sister is shocked she knows.\n10-15s: Senior Sister returns the forgery, stating she trusts the past seven years of observation, not just words. Junior Sister smiles with relief. Master turns his gaze to the enemy.", "description": "", "author": "Soran", "authorUrl": "https://x.com/Soranlan", "sourceUrl": "https://x.com/Soranlan/status/2089494744061587460" }, { "id": "seedance-450", "title": "Hardcore Xianxia Dual Spears vs Sword Combat", "category": "talking-head", "prompt": "Seedance | 15-second Chinese Xianxia hardcore dual spears vs. sword short film. Generate a complete and continuous 15-second Chinese Xianxia hardcore combat cinematic short film. I. Overall Requirements: Cinematic realism, pure ancient-style Chinese Xianxia hardcore combat aesthetics, based on real ancient weapon distance logic as the skeleton, then magnified for Xianxia. Actions must be fierce, fast, heavy, and sudden. Use high-aggression impact editing, weapon-occluded cuts, fast pans, low-angle rushes, sudden stops, and clear acceleration and deceleration. Completely prohibit soft, dance-like choreographed moves. II. Core Action Principles: Real action pleasure comes from: Real weapon distance differences, clear and readable spatial geometry, explosive starts and stops, clear weight, inertia, and impact, body imbalance and regaining the axis, pressure formed by weapon containment lines, absolute control of the final strike stopping before the fatal distance. Explicitly prohibit: Soft actions, slow display of moves, meaningless posing, random sword energy, teleportation, vague light pollution, dance-like matching of moves, subtitles. III. Reference and Environment Setting: Character identity anchors: @Image 1 -> White-clothed Sword Immortal Senior Sister, @Image 2 -> Green-clothed Junior Sister. Environment DNA: All uploaded background and location reference images determine the same environment DNA. Before formal composition, silently reconstruct compatible: Real terrain, architectural language, spatial scale, texture, vegetation, water bodies, mountain mist, main light direction, air depth. And from the spatial relationships already implied in the reference images, find the most suitable real location for combat, such as: Narrow passages, bridgeheads, corridors, rock wall aisles, or equivalent combat axes. Never forcibly create a new location that conflicts with the reference images for the sake of action. IV. Environment Movement Rules: The background remains consistently vivid but absolutely neutral in narration. Continuous environment movements include: Wind, water, mountain mist, vegetation, clothing hems, reflections, distant figures. Requirements: All independent, natural, and continuous movement, maintain real parallax, do not actively create plot, do not actively help either side, do not actively change the combat outcome. Only when characters truly step on, collide with, or sweep past, is the local environment allowed to produce passive physical feedback, such as: Dust rising, water ripples, debris, leaf swinging. V. Character Settings: Character ID A | White-clothed Sword Immortal Senior Sister | @Image 1: Always maintain the same identity and appearance: 25-30 year old East Asian female, original face, original hairstyle, white embroidered silk Hanfu, silver waist seal, jade pendant, white cloth boots, a single silver straight sword. Performance and action requirements: Calm, precise, restrained, extremely fierce at the moment of explosion, all actions are efficient with no redundant moves. Character ID B | Green-clothed Junior Sister | @Image 2: Always maintain the same identity and appearance: Original identity, green linen Hanfu, wooden hairpin, black cloth shoes, a single dark steel sword. In this segment: Stands in the back with the same elderly master as a witness, showing instinctive emotional reactions midway, but does not intervene in the main combat. Supporting character: Enemy master, a light-armored enemy master, holding a short spear in each hand, actions must be extremely aggressive, possessing strong continuous suppression capability at short to medium range. Elderly Master: Always witnessing from the back, does not intervene in combat, only says one judgment at a critical moment. VI. Shot Structure: 0-5s | Wide Shot / Long Shot | Extreme static pressure -> Violent explosion. Camera Structure: 0.0-1.0s: 24mm static wide shot; after 1.0s: Hard cut to low-angle 28mm high-speed rushing shot. Content: The same white-clothed sword immortal senior sister confronts the same light-armored dual-spear enemy general. The same green-clothed junior sister and the same elderly master stand in the back as witnesses. 0.0-1.0s: Use 24mm static wide shot. Requirements: Both sides completely still, use absolute silence to create pressure, combat space, distance relationships, retreat paths, and pressure axes must be clearly established. 1.0s Explosion: The enemy suddenly explodes without warning. Immediately hard cut to low-angle 28mm high-speed rushing shot: Two spear tips stab directly toward the camera, camera pans quickly, the same white-clothed sword immortal only sidesteps at the last moment to dodge the spear point. The silver sword and the first short spear collide violently, the metallic bang instantly cuts to a side angle, the second short spear immediately hits her scabbard hard, real force pushes her back two full steps sideways, then stops instantly. Leave only half a beat: Dust continues to move, silk clothing continues to swing, hair continues to be moved by the wind. Segment focus: The beginning must be extremely quiet, the explosion must be sudden, the first round of conflict must make the audience immediately feel the fierce pressure of the dual spears. 5-10s | Medium Shot / Cowboy Shot | High-pressure continuous attack -> Disarmed near-death situation. Camera and editing logic: Maintain the same white-clothed sword immortal, the same dual-spear enemy, and the exact same geographic space. This segment completes 4 aggressive cuts, triggered only by: Weapon impacts, sudden changes in movement direction, body imbalance, characters entering the frame, weapons blocking the screen. Never use average mechanical cuts. Content: The first spear shaft sweeps across the screen, forming a natural occlusion cut. Cut to 35mm close-up handheld follow-shot, the enemy completes three segments of high-pressure offense: straight thrust, spear tail counter-hit, low sweep. The same white-clothed sword immortal's reaction: Parry the first strike, extreme body evasion to dodge the second, but the third low sweep actually grazes her ankle, she clearly loses balance for the first time. Immediately hard cut to 70mm close-up: The same silver sword is violently knocked out of her hand by the enemy's other short spear. Never use slow motion to admire the flying sword. Immediately cut back to 24mm low-angle: The enemy's two short spears have crossed to seal her chest, forming a true dead end. At this point: The same junior sister instinctively takes a step forward, the same elderly master only reaches out to grab her sleeve, whispering only one word: 'Watch.' Segment focus: The rhythm must get fiercer, a visual crisis where the sword immortal seems to be suppressed to death truly appears, the junior sister and master give minimal reaction, not stealing the focus. 10-15s | Close-up / Extreme Close-up | Violent close-in entry -> Regaining the sword momentum. Content: The dead end continues, no breathing room. The same white-clothed sword immortal does not retreat, but suddenly rushes close against the two short spears. The sequence of actions must be clear: Use the empty scabbard to wedge between the two safe spear shafts, forcing the dual spears into a close-range dead corner where distance advantage cannot be fully utilized, then use a shoulder to violently knock the enemy's body axis off balance, spinning to the outside along his forearm, using the enemy's already committed forward inertia to carry him past the camera. The enemy's spear shaft instantly fills the screen, forming a weapon-occluded hard cut. The next moment: The same silver sword that flew out earlier falls at high speed from the top of the screen. The same white-clothed sword immortal does not look back from start to finish, her right hand accurately grabs the sword hilt behind her back. Immediately cut to 85mm impact close-up: Wrist explosive correction, silver sword edge suddenly stops at a distance of one finger from the enemy's throat. All previous violent sounds suddenly disappear simultaneously. Closing shot: Extreme close-up of the enemy's shrinking pupils, then cut to the same white-clothed sword immortal's completely calm eyes. The same elderly master in the distance only says: 'Long weapons fear closeness, and the same goes for dual spears.' Only then does the same junior sister truly exhale the breath she was holding. Segment focus: The ending action must be fierce, short, and precise. It's not a flashy display but a victory decided by a close-in momentum-seizing strike. The final 'sudden stop' must form a strong memory point. VII. Editing and Camera Requirements: The entire segment is still 0-5s, 5-10s, 10-15s, three clear narrative segments, but approximately 10-12 clear cuts must be completed internally. Cut rules: All cut points can only be triggered by: Weapon impacts, weapon sweep occlusions, sudden changes in movement direction, body imbalance, characters entering the frame, weapons filling the screen. Explicitly prohibit: Average mechanical cuts, groundless random cuts, soft smooth transitions, excessive slow motion display. VIII. Audio Requirements: Original synchronized Mandarin dialogue, enhanced metallic bangs, enhanced short spear wind-breaking sounds, enhanced sole-stopping friction sounds, enhanced fabric swinging sounds, enhanced real breathing. The first half's action sounds must be violent and clear, the final sword-stop moment should form a clear sound-evacuation feeling. IX. Motion Texture: 24fps cinematic motion texture, natural motion blur, actions have clear weight, inertia, impact, and sudden stops. Strictly prohibit: Teleportation, floating, softness, dragging, slow move displays, illogical move demonstrations. X. Total Output Requirements: Total duration: 15 seconds, Aspect ratio: 16:9 landscape, Cinematic realism, three clear narrative segments, approximately 10-12 high-aggression clear cuts completed internally, original synchronized Mandarin dialogue, consistent character identity, clothing, weapons, and geographic relationships throughout, no subtitles generated. XI. Negative: blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, subtitles, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, hairstyle change, background shift, glitching cuts, disappearing props, soft dance-like combat, slow ornamental moves, random sword aura, random energy effects, teleporting movement, unreadable weapon trajectories, floating body mechanics, fake impacts, weak inertia, artificial slow motion glamor shots, modern elements", "description": "", "author": "Soran", "authorUrl": "https://x.com/Soranlan", "sourceUrl": "https://x.com/Soranlan/status/2089492245074370714" }, { "id": "seedance-451", "title": "Detailed Anime Character Transformation Sequence", "category": "talking-head", "prompt": "A 15-second, 16:9, high-quality anime movie-style flashy transformation scene with only one character. @[img1] is a three-view drawing (front, side, back) of the same person, not three different people. Use the central front view for the starting composition, and refer to the side and back views for design consistency. Maintain the protagonist's face, purple-blue eyes, dark blue hair longer than the waist, hair length, and physique throughout. Accurately reproduce the black glossy futuristic bodysuit and blue glowing lines from Image 1 for the pre-transformation state.\n\n@[img2] is also treated as a three-view outfit drawing for the same person. Accurately reproduce the white and silver idol outfit, blue crystal decorations, off-shoulder white bodice, dark blue pleated skirt, blue glowing trim, transparent iridescent long sleeves and tails, large back ribbon, dark blue long boots, and blue-black microphone from Image 2 for the post-transformation state.\n\nThe stage is the blue-white glowing future lab from @[img3]. Maintain the central cylindrical glass chamber, glowing rings on the ceiling and floor, left and right control terminals, and symmetrical interior structure. Keep the character in an anime style and naturally unify the lab with the same anime movie-style lighting and texture.\n\n0.0-1.8s: Show Image 3's lab in a symmetrical ultra-wide angle. The protagonist in Image 1's black bodysuit stands silently inside the central glass chamber. The camera slowly approaches. The ceiling and floor rings light up in sequence, and blue electrical currents run through the chamber with a low mechanical sound. Long dark blue hair floats softly due to rising energy.\n\n1.8-4.0s: Countless light particles from the surroundings are drawn into the blue glowing lines of the black suit. The glow intensifies with each absorption, spreading a pulsing white-blue light from the chest to the whole body. A transparent light spiral rises from the floor ring, enveloping the protagonist. Face, hair, and physique remain unchanged.\n\n4.0-6.5s: The surface of the black suit breaks down into small black crystal shards and blue light particles starting from the shoulders, arms, torso, and legs. The materials transform into multiple silver-blue light bands rotating rapidly around the body. The body is shrouded in an opaque white-blue light silhouette. The camera smoothly orbits the protagonist in a half-circle while keeping the full body in view. The transformation process is continuous in one shot.\n\n6.5-9.8s: The rotating light bands converge from the feet up. The dark blue boots, blue glowing trim, dark blue pleated skirt, silver bodice, and blue crystal decorations at the shoulders and chest recrystallize from the particles. Next, the iridescent sleeves and tails spread in the air as thin light membranes, gaining fabric texture and settling. Finally, the large back ribbon unfolds like a flower. Show the conversion and attachment order of each material clearly rather than a sudden outfit swap.\n\n9.8-11.8s: Remaining light particles cluster next to the hair, fixing as blue crystal hair ornaments. Simultaneously, silver-blue particles are drawn to the right hand, manifesting as the blue-black microphone from Image 2. Glowing effects run through the chest, skirt edge, and transparent tails, reaching maximum brightness.\n\n11.8-13.0s: The protagonist pulls the microphone to her chest and opens her eyes powerfully. A white-blue light pillar erupts from the chamber, and crystal shards, light feathers, and circular shockwaves burst throughout the lab. A brief intense flash covers the screen at the moment of completion. Synchronize heavy bass impacts and clear crystal sounds perfectly with the visuals.\n\n[cut] 13.0-15.0s: As the flash clears, Image 3's lab remains while a giant blue hologram stage unfolds on the floor. The glass of the central chamber turns into light particles and vanishes upward. The protagonist steps forward in the finished idol outfit from Image 2. The camera approaches quickly from a low angle, circling about 120 degrees as the transparent sleeves, long tails, large ribbon, and dark blue hair flutter greatly. Lasers cross from the terminals, and pillars of star particles and crystals erupt from the floor. Finally, the protagonist holds up the microphone, looking forward in a full-body pose. The background effects are flashy but keep the face and finished outfit clear.\n\nEnsure a smooth and physically continuous transformation. The character must always be one person. Do not generate multiple people from the three-view drawings. Do not change the face or hairstyle. Avoid sudden outfit switches, extra limbs, deformed fingers, microphone duplication, character changes, background distortion, text, subtitles, logos, or watermarks. No dialogue or singing. Synchronize mechanical sounds, energy rising sounds, and heavy bass completion sounds with the video.", "description": "", "author": "なお｜AI動画・AI音楽", "authorUrl": "https://x.com/Naonekozamurai", "sourceUrl": "https://x.com/Naonekozamurai/status/2089464789303197804" }, { "id": "seedance-452", "title": "Epic Villain 3D Showcase", "category": "ugc", "prompt": "A 15-second character showcase clip presented through 15 different camera angles featuring armor, face, weapons, and body silhouette. It adopts an epic villain-style cinematic 3D animation texture, combined with various camera stability (such as handheld shake, smooth movement, etc.) and camera techniques, focusing on character details. Includes shots of the sword gathering white energy. The environmental wind effects are vivid with motion blur, using focus-shifting techniques. Ends with a cinematic full-body shot of the character. Frame rate is 24fps with a non-smooth 'stepped' effect (drawing every 2 or 3 frames). Includes character entrance, a low growl, and breathing sounds behind a mask; no background music.", "description": "", "author": "Aiden Vu", "authorUrl": "https://x.com/byaiden_vu", "sourceUrl": "https://x.com/byaiden_vu/status/2089415831595987373" }, { "id": "seedance-453", "title": "Emotional Bedroom Dialogue Scene", "category": "talking-head", "prompt": "[PROJECT TYPE] Text-to-video. 30-second dialogue scene. Vulnerability and fear.\\n\\n[Global Setting] Modern bedroom at night. Soft warm lamplight. Both lying in bed. \\nIntimate but vulnerable atmosphere. Quiet, introspective setting.\\n\\n[Character 1 The Woman] Mid-30s, dark long hair, wearing soft shirt. Calm but \\nvisibly carrying emotional weight. Eyes reflect vulnerability and fear.\\n\\n[Character 2 The Man] Mid-30s, short dark hair, wearing casual shirt. Warm \\nexpression, patient, listening presence.\\n\\n[Opening, 0–3s] Wide shot of bedroom. Both lying in bed facing each other, close \\nbut not touching yet. Woman stares at him with fear in her eyes. Long pause. She \\ntakes a breath and says quietly: \"I'm scared you're going to leave me.\" Her voice \\nis small, trembling, raw with vulnerability. Man doesn't respond immediately \\njust holds her gaze.\\n\\n[Reaction Moment, 3–10s] Man's expression softens with tenderness. He reaches out \\nslowly and touches her face with his hand, thumb brushing her cheek gently. He \\nsays quietly but firmly: \"I'm not going anywhere.\" Woman's eyes fill with tears. \\nHe continues: \"I promise.\" His voice is steady, certain, safe. Woman nods slightly, \\ntears falling.\\n\\n[Connection, 10–20s] Man moves closer, pulls her into his chest. Woman wraps her \\narms around him, holding tight. They hold each other in silence for a moment. \\nThen she whispers into his chest: \"Don't ever leave me.\" Man responds softly, \\ninto her hair: \"Never. I've got you.\" He holds her tighter. Both breathing slowly, \\nfinding calm in each other's presence. Lamplight catches their faces vulnerable \\nbut safe.\\n\\n[Final Moment, 20–30s] They pull back slightly to face each other again. Woman's \\ntears are still visible but her breathing is calmer. Man wipes her tears gently \\nwith his thumb. He looks directly into her eyes and says softly: \"You're safe with \\nme. Always.\" Woman nods, fear slowly releasing from her face, replaced by trust. \\nShe leans forward and kisses him soft, tender, vulnerable. They hold the kiss \\nfor a moment. Pull back slightly, foreheads touching, both eyes closed. Breathing \\ntogether in shared safety and love.\\n\\n[Audio] Soft ambient sound gentle breathing, heartbeats subtle underneath, \\nbarely perceptible, intimate. Maybe one sustained soft string note or piano pad. \\nVery minimal. Mostly silence and breathing. The quiet is sacred. No dialogue \\noverlap space between words.\\n\\n[Tone] Intimate, tender, vulnerable but safe. Fear acknowledged and met with love. \\nDeep emotional connection. This is about being truly seen and accepted at your \\nmost fragile.\\n\\n[Consistency]\\n— Same couple throughout\\n— Warm soft bedroom lighting\\n— Intimate bed setting\\n— Emotions: fear → acceptance → safety → trust\\n— Physical connection: eye contact → touch → embrace → forehead touch\\n— Both equally vulnerable and present", "description": "", "author": "LudovicCreator", "authorUrl": "https://x.com/LudovicCreator", "sourceUrl": "https://x.com/LudovicCreator/status/2089411986329047322" }, { "id": "seedance-454", "title": "Supernatural Assassin Fortress Infiltration", "category": "nature-drone", "prompt": "Duration: 14 Seconds | Aspect Ratio: 16:9\nSTYLE: Ultra-photorealistic REAL LIVE-ACTION, AAA Hollywood supernatural assassin action, premium realistic Semi-CGI VFX, ARRI ALEXA 65, IMAX, Panavision anamorphic. Fast controlled choreography, brief micro slow-motion ONLY for phase-dodge.\n\nCHARACTER: @Image1 = KAIA. Preserve exact face, hairstyle, body proportions and ORIGINAL CLOTHING. TWIN CURVED DAGGERS. Personality: COLD, FOCUSED, EFFICIENT, UNHURRIED—never frantic.\n\nLOCATION: Night atop a snowbound mountain fortress: stone battlements, frost-slick walkways, watchtowers, torch braziers under a full moon. Sentries patrol separately. Fortress stays quiet—NO alarm, crowd, or large battle.\n\n00:00–00:03 — SILENT HUNT\n\nCamera already moving, low handheld pursuit behind Kaia as she crosses a frosted walkway. Two sentries patrol ahead along the battlement. She waits, motionless in shadow, until one turns his back.\n\nWHOOM— short burst of SWIRLING SNOW-ASH. Kaia's REAL BODY physically accelerates past him, trailing translucent frost-grey afterimages. She stops at blade range behind him.\n\nSHK-SHK— TWO precise dagger strikes. She catches and quietly lowers him. The second sentry begins turning—Kaia is already gone.\n\n00:03–00:06 — BLIND SPOT\n\nCamera slides around a watchtower as the second sentry scans the dark, breath visible in the cold. Kaia silently emerges from his blind spot, pins his weapon arm—\n\nSHK-SHK. TWO precise strikes. She quietly lowers him and looks toward three sentries near the gatehouse, expression unreadable.\n\n00:06–00:08 — PHASE-DODGE\n\nKaia crosses silently behind the gatehouse sentries. One unexpectedly notices and swings at her FROM BEHIND.\n\nCamera rushes toward the incoming blade—MICRO SLOW-MOTION. Just before impact, Kaia's physical body visibly DISSOLVES into DRIFTING SNOW-ASH and pale moonlit vapor. The blade passes harmlessly THROUGH her swirling form.\n\nTIME SNAP—WHOOSH! The ash sweeps around the attacker as camera performs a curved whip-pan. Kaia visibly REFORMS directly behind him—feet → torso → arms → face → TWIN DAGGERS.\n\nHe turns too late.\n\nCROSS-SLASH. ONE precise counter. Tiny camera impact bump. Kaia catches and silently lowers him.\n\n00:08–00:11 — ASSASSIN CHAIN\n\nTwo sentries remain. Kaia disappears behind a brazier instead of charging.\n\nOne passes—snow-ash curls behind him. Kaia emerges: TWO STRIKES, catches him, then slips back into shadow.\n\nFinal sentry sees a fading translucent afterimage and follows it, sword raised. Camera rotates around him—the REAL Kaia is already in his blind spot.\n\nSHK-SHK. ONE controlled exchange. She catches and quietly lowers the FINAL SENTRY.\n\nALL ENEMIES ARE DEFEATED. NONE REMAIN.\n\n00:11–00:14 — SILENT AFTERMATH\n\nAbsolute quiet. Camera tracks backward along the battlement, slower than before. All defeated sentries lie silently along Kaia's infiltration path. Braziers still burn; gates remain intact; NO alarm.\n\nKaia calmly wipes her TWIN DAGGERS and sheathes them.\n\nCLICK.\n\nHer eyes shift toward distant torchlight. Snow-ash curls around her feet.\n\nWHOOM— Kaia silently bursts into the storm. Camera rushes after her but catches only translucent frost-grey afterimages fading into the blizzard, then holds on empty, drifting snow.\n\nEND.\n\nCORE ASSASSIN LOGIC\n\nOBSERVE → BLIND SPOT → SILENT APPROACH → PRECISE STRIKE → CONTROL FALL → DISENGAGE → NEXT TARGET.\n\nNever frontal brawling or prolonged blade exchanges.\n\nPHASE-DODGE: Incoming attack → micro slow-motion → blade almost connects → Kaia visibly dissolves into snow-ash → attack passes through → ash travels around attacker → Kaia visibly reforms at blind spot → precise counter. Use ONLY when directly attacked; do not spam.\n\nVFX / CAMERA / AUDIO\n\nSpeed VFX: Drifting snow-ash + pale moonlit vapor + translucent frost-grey afterimages. During normal bursts, REAL Kaia always physically leads; VFX trails behind. Phase-dodge requires visible dissolve → ash travel → physical reformation. NO lightning, electrical arcs, or teleportation.\n\nCamera: NEVER static. Low pursuit, over-shoulder stalking, watchtower reveals, close reactions, reactive whip-pans, curved tracking. FAST during eliminations, immediately CALM afterward: QUIET → FAST → QUIET → FAST → QUIET.\n\nAudio: Wind, distant howling, torch crackle, soft footsteps on snow, fabric movement, subtle ash WHOOSH, dagger draw/impact, controlled body movement. No loud battle music or alarms.\n\nNEGATIVE: No frontal mass battle, prolonged blade exchange, running fight, lightning/electricity, teleportation, excessive phase-dodge, explosions/destruction, static camera, robotic movement, air-gap dagger hits, surviving enemies, face/body/clothing/dagger drift, broken anatomy, full-3D/game look, subtitles, logo, watermark.", "description": "", "author": "Bisma AI", "authorUrl": "https://x.com/Bisma_hunn", "sourceUrl": "https://x.com/Bisma_hunn/status/2089369574726894070" }, { "id": "seedance-455", "title": "Vintage Korean Arcade MiniDV Vlog", "category": "talking-head", "prompt": "Main Subject: Young Korean woman, 21, natural everyday appearance, short black hair cut into a slightly uneven chin-length bob with wispy bangs, realistic skin texture, minimal makeup, playful and energetic personality. Wearing a faded lavender zip-up hoodie over a white graphic T-shirt, loose black cargo pants, worn white sneakers, a small black shoulder bag, and a simple digital watch. Maintain consistent identity, clothing, hairstyle, and appearance throughout.\n\nLocation: Small old-fashioned neighborhood arcade in Seoul during a quiet weekday afternoon. Rows of colorful arcade cabinets, CRT screens, coin-operated games, faded Korean game posters, fluorescent ceiling lights, plastic stools, dusty corners, and a few local teenagers playing games. The entrance opens directly onto a narrow residential street.\n\nVisual Style: Ultra-realistic documentary realism. Authentic early-2000s atmosphere, spontaneous behavior, imperfect everyday details, natural human reactions.\n\nCamera Style: Early-2000s Sony MiniDV camcorder. Heavy handheld shake, imperfect framing, autofocus hunting between bright CRT screens and her face, fluorescent flicker, exposure pumping, faded colors, soft contrast, visible digital noise, slight motion blur, DV compression artifacts, no stabilization.\n\n00:00–00:03\nShe pushes open the arcade door and steps inside, immediately looking around with curiosity. The camera briefly becomes overexposed from the bright screens before recovering.\n\n00:03–00:06\nShe inserts a coin into an old fighting-game cabinet and grips the joystick. The CRT screen flickers while autofocus struggles between the screen and her face.\n\n00:06–00:09\nShe becomes completely focused on the game, rapidly pressing buttons. After losing, she throws her hands up and laughs at herself.\n\n00:09–00:12\nShe tries another machine, this time a small basketball arcade game, tossing the ball repeatedly while the camera shakes as the operator laughs behind it.\n\n00:12–00:15\nShe walks toward the exit holding her remaining coins, turns back toward the camera with a playful victory pose, then leaves. The camera follows her into the bright street and abruptly cuts to black.\n\nAudio: Natural ambience only—CRT game sounds, coin drops, arcade buttons clicking, joystick movement, teenagers talking, occasional laughter, fluorescent buzzing, footsteps, distant street traffic. No added music. No narration.\n\nGoal: A forgotten MiniDV home video from 2004, capturing an ordinary afternoon inside a neighborhood Korean arcade–nostalgic, energetic, imperfect, and convincingly authentic.", "description": "", "author": "Zephyra Leigh", "authorUrl": "https://x.com/ZephyraLeigh", "sourceUrl": "https://x.com/ZephyraLeigh/status/2089366930423754958" }, { "id": "seedance-456", "title": "Retro Japanese Water Obstacle TV Show", "category": "product-ad", "prompt": "Generate a 30-second, 16:9 widescreen, highly realistic live-action large-scale water obstacle competition show. The overall presentation has the live broadcast quality of a late 2000s to 2010s Japanese large-scale sports entertainment special program. The stage is a massive outdoor water arena at night, with the complete course built over a large competition pool, surrounded by large lighting towers, steel trusses, spectator stands, staff areas, and real TV production equipment. Multi-camera filming for real sports programs: ENG cameras, jib cameras, track follow shots, telephoto, low-angle water level shots, fixed side-angle obstacle cameras. Shots always serve the character's movement through obstacles. Realistic TV live broadcast quality: Natural panning, zooming, focus following, character tracking, slight ENG camera movement, early HDTV slightly soft image quality, natural TV compression, and real light-dark contrast from large on-site lighting. The entire process follows natural real speeds and real-time physical laws. [Mandatory Character Consistency] The uploaded image {{Mixed 1}} is the only visual reference for the challenger. Strictly maintain the character's: Identity, facial features, face shape, hairstyle, hair color, skin tone, sense of age, height, body type, body proportions, clothing, and overall demeanor. Maintain the same character from the first frame to the last. Identity, face, body proportions, and clothing remain consistent across multi-camera switches, front, side, back, low angle, telephoto, full-body action, running, jumping, falling, climbing, hanging, and reaching the summit. The clothing must remain the same outfit as in the uploaded image throughout, with fixed colors, structure, materials, and wearing style. Do not change, add, remove, or redesign clothing, footwear, or accessories. For sides and backs of clothing not shown in the original image, consistency should be completed based on the existing color, structure, material, and design logic of the original image, without creating another outfit. [Course Continuity] The entire video takes place in the same continuously existing night water arena. Three obstacles are connected in physical spatial order: Rolling Cylinder Obstacle → Pendulum Narrow Bridge → Curved High Wall. The character must advance continuously along the same track. Every camera cut continues from the position and current progress reached by the character in the previous shot. The positional relationships of obstacles, pools, platforms, spectator stands, and large lighting remain continuous and stable. [30-Second Timeline] 0–3.2s: Challenger Debut [Leg Close-up → Upper Body Mid-shot → Face Close-up] The video starts directly with a close-up of the challenger's legs. The camera naturally pans up: legs → waist and upper body → face close-up. The character stands in the center of the starting platform. The background shows the brightly lit large water obstacle course, steel structures, and many spectators. The character appears relaxed and confident. When the camera reaches the face, she naturally looks at the camera and shows a bright smile. Then she lightly clenches a fist and makes a brief, confident challenge gesture in front of her chest. The audience immediately applauds and cheers. The character then turns to look at the track ahead. The smile fades. Her expression becomes serious. Leans slightly forward, ready to sprint. A short, tense pause. 3.2–9s: Phase 1: Large Rolling Cylinder Obstacle [3.2–4.3s: Super Wide Jib Shot] The starting buzzer suddenly sounds. The character immediately sprints from the start. A large jib camera quickly displays the complete arena and the first obstacle. Several large soft cylindrical rollers are arranged consecutively on the water surface. The audience bursts into cheers. [4.3–6.5s: Diagonal Front ENG Tracking] The character approaches the rollers at high speed. Steps onto the first large roller. Upon contact, the roller immediately begins to rotate realistically under body weight. The character's body is slightly pulled back by rotational inertia. She immediately spreads her arms wide to maintain balance. Then uses quick, small steps to move forward. With each step, the roller rotates accordingly based on force. The character begins to appear slightly clumsy. [6.5–8s: Side Track Tracking] The track camera moves parallel to the character at high speed. The character crosses several rotating rollers. On one step, the right foot clearly slips. The body instantly tilts sideways and backward. Arms swing rapidly, waist twists, and the other foot immediately stabilizes on the roller. The character does not fall. After regaining balance, she immediately resumes sprinting. [8–9s: Rear Telephoto] The character jumps forward powerfully from the last roller. Both feet land on a fixed platform. Upon landing, knees naturally bend, and the body sinks noticeably to buffer. Immediately stands up and continues running forward. Phase 1 successfully passed. 9–20s: Phase 2: Pendulum Narrow Bridge A huge water pendulum narrow bridge obstacle appears ahead. A long, narrow, slippery, slightly elastic soft bridge spans a large pool. Several huge soft pendulums hang from the overhead steel mechanical axes. The pendulums swing continuously and laterally from both sides of the bridge at different phases. The character must move forward along the narrow bridge while judging the pendulum rhythm, avoiding massive soft hammers swinging from the front and sides. This stage makes the character look significantly more clumsy. [9–11s: Wide Jib Shot] The character runs to the front of the pendulum bridge. The shot from high up completely shows: the large pool, the narrow bridge, the overhead mechanical structure, and the huge soft pendulums swinging in sequence. Each pendulum has a clear, continuous, and asynchronous mechanical swing trajectory. The character observes for a very short time. The first pendulum swings across in front of her. As soon as it passes, she immediately steps onto the narrow bridge and starts sprinting forward. [11–14s: Diagonal Front ENG / Track Tracking] The first pendulum swings towards the character from the left. The character quickly lowers her upper body while stepping forward, letting the pendulum sweep over her shoulder. Immediately, the second pendulum swings back from the right. The character instantly turns her body sideways, tucking her shoulders, passing through the brief gap between the pendulum and the bridge edge. The third pendulum sweeps quickly ahead. The character uses a short jump to jump over the swing area near the pendulum's lowest point. The entire process maintains continuous forward movement. The character cannot stop and wait for each pendulum to come to a rest. She must run forward while adjusting her pace based on the pendulum movement. Movements show obvious tension, haste, and clumsiness. [14–16s: Low Water-level Shot] The camera is almost at water level. A huge soft pendulum sweeps laterally across the foreground at high speed. The pendulum briefly obscures the frame. The character is moving forward on the narrow bridge behind it. The next pendulum swings back from the character's side-rear. By the time the character notices, she cannot fully dodge it. The soft pendulum makes a clear, realistic soft collision with the character's shoulder and side of the upper body. The force of the collision immediately changes the character's center of gravity. The shoulder is pushed to the other side. The upper body twists significantly. Feet stumble for two steps on the slippery narrow bridge. Arms instinctively swing wide, trying to regain balance. [16–18s: Side ENG Mid-shot] The character ultimately does not fall into the water. But balance is completely lost. She clearly sits down/half-falls on the narrow bridge. Buttocks and one hand make real contact with the bridge surface. One leg slides forward, the other bends for support. This is a genuinely completed falling action. A very brief clumsy pause occurs after hitting the surface. The character first looks up to observe the next pendulum's position. Panic, shock, and a bit of embarrassment appear on her face. Another pendulum sweeps across in front of her but does not hit her again. The audience bursts out: gasp → laughter → cheering. [18–20s: Rear Tracking] The character immediately uses her hands to push off the bridge and stand back up. Movements are noticeably more hurried than at the start. Hair, clothing, and body sway naturally with the rising motion. While regaining balance, the character continues forward. The last pendulum swings from the side. She ducks her upper body in time, letting the pendulum sweep over her head. Then quickly runs across the rest of the bridge, jumping onto the exit fixed platform. Successfully leaves the pendulum bridge. The character does not stop to rest. Direct sprint towards the final obstacle with obvious fatigue. 20–27s: Final Phase: Curved High Wall The largest final obstacle of the entire track appears: a giant curved high wall. The wall curves upward from the ground, becoming steeper toward the top. The top of the wall is significantly taller than the character. A clearly visible fixed finish platform is connected behind the top of the wall. A large red finish button is set in the center of the platform. At this point, the character has gone through two obstacles. Breathing is noticeably heavier. Movements remain full effort. The final high wall is challenged only once. [20–22s: Front Telephoto] The character sprints in a straight line toward the curved high wall. The telephoto lens compresses space, making the huge wall appear directly in front of the character, occupying most of the frame. Obvious arm swinging during the run. Stride length gradually increases. Face maintains a focused expression of fatigue but never giving up. The audience starts to stand up. The on-site cheering rises rapidly. [22–24.5s: Wall-side Low Shot] The character sprints onto the curved wall at full speed. The first step lands heavily at the base of the wall. Then, using running inertia, she quickly takes several steps up the wall. Each step has clear foot contact, leg exertion, and resulting body elevation. The body gradually stretches forward. At the highest point: The character reaches up with both hands simultaneously. Hands successfully grab the edge of the wall top. The body leaves the wall. Legs hang briefly in the air. Arms bear the body weight. [24.5–27s: Wall-top Side ENG + Telephoto Close-up] The character's hands firmly grip the wall top. Briefly hangs first. Then bends arms, pulling the upper body toward the wall top with force. Shoulders, arms, and back show exertion consistent with real weight-bearing. Chest gradually approaches the wall edge. One hand readjusts to a more stable grip. The character's right leg lifts upward repeatedly. First attempt misses the top. She immediately tightens her core again and swings the leg up. The right knee successfully hooks onto the wall edge. The image must give the audience a clear expectation: 'She's got it, she's about to flip over.' Character's face shows: fatigue, effort, tension, and excitement upon seeing the hope of success. Audience cheering reaches its peak. 27–30s: Successful Flip → Pressing the Button → Victory Expression Ending [27–28.3s: Wall-top Side Mid-shot] The right knee is firmly hooked to the wall top. She continues to press down on the wall edge with both hands while pulling the right leg inward. Arm pull and leg support together drive the body further up. Chest passes the wall edge. Abdomen briefly presses against the wall edge. Then the center of gravity realistically shifts from the outside of the wall to the inside. The left leg naturally lifts and crosses the wall edge. The character successfully flips over the curved high wall. The entire flipping process must be completed continuously. No instantaneous teleportation to the top. Do not skip the hanging, exertion, knee hooking, and center of gravity transfer process. [28.3–29.2s: Finish Platform ENG Tracking] After flipping over the wall top, both hands and one knee first contact the finish platform. She immediately uses her hands to push off the ground and stand up. Due to fatigue, the rising motion has a slight stumble. But she immediately stabilizes. The character quickly takes two steps forward. Reaches out with her right hand and forcefully presses the large red finish button in the center of the platform. The palm must make real contact with the button before the button is pressed down. Once fully pressed, the red signal light immediately lights up. A clear, loud success buzzer sounds simultaneously. On-site timing officially stops. [29.2–30s: Character Victory Face Close-up] After the finish signal sounds, the shot immediately cuts to a close-up of the character's face. The character is breathing heavily. Hair is slightly messy due to running, falling, and intense movement, but hairstyle, color, and length remain consistent with the uploaded image. The character first shows a moment of disbelief at her own success. Then confirms the finish light is on. She immediately looks at the camera. Her face shows: surprise + relief + pride + a real victory expression of being unable to stop smiling. The character can lightly raise a fist, echoing the challenge gesture at the start. Maintain the victory face close-up as the sole final frame of the video. Ends amidst huge cheers, applause, and the success buzzer from the entire audience. [Physical Feedback] All obstacles must have real-time physical relationships with the character's body. Rollers: Foot steps down → Roller rotates under force → Character center of gravity changes → Character adjusts pace to regain balance. Pendulum Bridge: Mechanical axes continue to run → Soft pendulums swing along fixed arcs → Pendulum approaches character → Character ducks, sidesteps, or jumps to dodge → One pendulum realistically contacts character's shoulder and side → Collision force changes character's center of gravity → Character stumbles → Genuinely falls on the narrow bridge → Real contact between body and bridge surface → Character uses hands to push up and stand again → Dodges last pendulum → Successfully leaves narrow bridge. High Wall: Run-up → Step on wall → Running inertia pushes body up → Hands grab wall top → Body briefly hangs → Arm and back muscles pull up → Knee hooks wall top → Center of gravity crosses wall edge → Successfully flips onto finish platform. Finish Button: Character approaches button → Right hand approaches button → Palm makes real contact with button → Button is pressed down under force → Signal light lights up → Success buzzer sounds → Timing stops. Results cannot occur before a collision or contact happens. All actions must have a clear: cause → contact → force → body feedback → final result. Character must not fall from the narrow bridge into the water. Character must not fall from the high wall. Character must not suddenly appear on the finish platform without completing the climbing action. [Character Performance Curve] Character emotions must change naturally with the competition: Start: Beautiful, confident, relaxed → Rollers: Starting to get tense, but still handling it well → Pendulum Bridge: Obvious clumsiness, panic, genuine fall → Re-standing: Refusing to lose, continuing the sprint → High Wall: Fatigued, giving everything → Grabbing wall top: Excitement at 'finally having a chance to succeed' → Hooking wall top: Tense, exerting force, near limit → Successful flip: Brief disbelief → Pressing finish button: Complete confirmation of success → End: Surprise, relief, pride, happiness. Character is not a professional athlete-style perfect performance. Overall maintains natural body reactions of a real ordinary adult challenger participating in a large-scale entertainment competition. Even with final success, the character's movements must retain real fatigue, clumsiness, gasping, slight stumbles, and on-the-spot reactions. [Sound Design] Retain real large-scale TV sports entertainment show on-site sounds throughout. Including: Starting buzzer, real-time audience cheers, applause, gasps, on-site laughter, live commentary, character's running footsteps, mechanical roller rotation sounds, pendulum mechanical axis operation sounds, air sounds of pendulums sweeping quickly, soft thud of soft pendulums hitting the body, platform contact sound of the character falling on the narrow bridge, character's heavy breathing, wall stepping sounds, friction sound of hands grabbing the wall edge, friction of clothing against the wall top when flipping, finish button press sound, success signal buzzer sound, on-site timing stop. Live commentary must change in real-time based on character's actions. When a pendulum hits the character and causes a fall, the audience clearly gasps. When the character stands back up, cheers resume with continuous encouragement. When character grabs the wall top, cheers rise rapidly. When character successfully hooks her knee, commentary tone becomes obviously excited. When character flips over the wall, the entire venue erupts in huge cheers. After the finish button is pressed, cheers, applause, and the success buzzer reach their peak together. BGM is a tense instrumental score with the atmosphere of a large Japanese sports entertainment special. Gradually intensifies with the competition progress. Enters the most tense segment when the character grabs the wall top. Forms a clear, soaring victory climax when flipping successfully and pressing the button. [Cinematography Rules] Employs real large-scale TV competition show multi-camera live logic. Shots prioritize: where the character is, what the obstacle is, how the character is passing, why the collision happened, and how the character completes the final challenge. Wide shots establish obstacle space. Mid-long shots show full actions. Side track shots cover running and movement. Low water-level shots reinforce pendulum size and bridge height. Fixed side-angle obstacle cameras clearly show pendulum trajectories, character dodging, and collision processes. Telephoto covers character's tense expressions and the final wall sprint. ENG mid-close shots cover character's clumsy reactions, falling, re-standing, and wall-top exertion. Finish platform close-ups cover the button press and final victory expression. Camera cuts are natural and sharp, maintaining real TV show hard-cut rhythm. Cut frequency naturally increases as the competition enters the latter half. Each cut must continue the character's body posture, movement direction, location, and progress from the previous shot. [Final Mandatory Constraints] Full story sequence must be strictly maintained: 1. Character Debut: Leg close-up → Upper body → Face → Smile → Clench fist. 2. Roller Obstacle: Slight loss of balance occurs, but passed successfully. 3. Pendulum Narrow Bridge: Character moves forward dodging multiple alternating large soft pendulums. One pendulum must realistically hit the character's shoulder and side. Character must perform a genuine falling action on the bridge. Character must not fall into the water. Then must push back up, dodge the last pendulum, and continue. 4. Curved High Wall: Only one wall-run attempt. Must actually run up the wall and successfully grab the top with both hands. 5. Creating Success Expectation: Character is hanging at the top and starts pulling up. Right knee must successfully hook the top. Give the audience the clear expectation she can flip over. 6. Successful Flip: Use arm pull and leg support to bring chest, abdomen, and center of gravity continuously over the edge. Must fully show the process from hanging to flipping. No teleporting, no skipping major exertion steps. 7. Pressing Finish Button: Stand up immediately after flipping over. Step forward and realistically press the red button with right hand. Palm contact and button depression must occur before signal light, buzzer, and timer stop. 8. Victory Face Close-up: Look at camera after success. End with face close-up of gasping, surprise, relief, pride, and real smile as the sole final scene. Full emotional structure: Confident debut → Start challenge → Gradually clumsy → Genuine fall → Persisting → Giving everything to sprint up the wall → Grabbing wall top → Hooking leg for exertion → Successful flip → Pressing button → Victory expression ending. Progresses in real-time throughout. Action speed is natural and real, rhythm is clear, brisk, and sharp. Maintain character consistency, clothing consistency, course continuity, obstacle continuity, real inertia, gravity, collision feedback, and TV live broadcast feel.", "description": "", "author": "李岳", "authorUrl": "https://x.com/liyue_ai", "sourceUrl": "https://x.com/liyue_ai/status/2089362604011770351" }, { "id": "seedance-457", "title": "Fashion Runway Couture Walk", "category": "product-ad", "prompt": "15 seconds | 16:9 | live-action fashion runway footage\\nReal outdoor fashion event in Times Square, New York City.\\nRaw professional camera footage, observational realism.\\nNo commercial-style fantasy treatment.\\n\\nREFERENCE CONTROL\\n@Image1 and @Image2 = exact dress reference.\\n\\nThe model wears the exact couture gown shown in the references.\\n\\nPreserve the dress construction precisely:\\nstrapless fitted metallic champagne-gold bodice,\\nstructured waist,\\nextremely voluminous floor-length ball-gown silhouette,\\nirregular overlapping sculptural tiers,\\ndense silver, charcoal-black and champagne embellishment,\\nintricate beadwork and embroidery,\\ndark heavily decorated layered edges.\\n\\nDo not simplify or redesign the gown.\\nMaintain the exact dress throughout every shot.\\n\\nSETTING\\nExclusive open-air couture runway in Times Square, New York City during late afternoon.\\n\\nTimes Square architecture, illuminated digital billboards, storefronts, city streets, trees and a seated fashion audience surrounding a long outdoor runway.\\n\\nSoft overcast daylight.\\nReal New York City fashion event atmosphere.\\n\\nMODEL\\nAdult high-fashion runway model.\\nTall, slender proportions.\\nMinimal makeup, understated hair.\\nSerious neutral runway expression.\\nControlled professional walk.\\n\\n00–04s — ENTRANCE\\nLong telephoto shot from the photographers’ end.\\n\\nThe model enters the runway and walks directly toward camera.\\n\\nThe heavy layered skirt begins moving naturally with her steps.\\nAudience members watch and occasionally raise phones.\\n\\n04–08s — WALK\\nMedium frontal tracking shot.\\n\\nCamera moves backward as she approaches.\\n\\nHer upper body remains composed while the enormous skirt sways with realistic weight and delayed momentum.\\n\\nMetallic embroidery catches subtle daylight.\\n\\n08–12s — DETAIL\\nLow three-quarter side angle as she passes close to camera.\\n\\nShow the dimensional beadwork, embroidery and layered construction.\\n\\nCamera pans naturally with her.\\nForeground spectators briefly partially obscure the gown.\\n\\n12–15s — RUNWAY END\\nTelephoto full-body shot.\\n\\nShe reaches the runway end, pauses and performs one restrained couture turn.\\n\\nHer body rotates first; the heavy skirt and train follow with delayed momentum.\\n\\nPhotographers fire irregular flashes.\\n\\nCAMERA\\nReal fashion-week camera coverage.\\n\\nTelephoto and handheld professional camera footage.\\nNatural operator micro-movement.\\nMinor reframing.\\nReal autofocus adjustments.\\nNatural motion blur and depth of field.\\n\\nNo floating camera.\\nNo impossible movements.\\nNo slow motion.\\n\\nLIGHTING\\nNatural outdoor daylight.\\nSoft overcast illumination.\\nPhysically accurate reflections from metallic embellishments.\\nNo artificial glow or cinematic spotlighting.\\n\\nPHYSICS\\nThe gown is heavy and behaves accordingly.\\n\\nLayers sway, overlap, collide and settle naturally.\\nThe train remains in contact with the runway.\\nFabric follows footsteps, body rotation and light wind.", "description": "", "author": "ᴍᴜʀᴘʜʏ", "authorUrl": "https://x.com/Diplomeme", "sourceUrl": "https://x.com/Diplomeme/status/2089354277747892540" }, { "id": "seedance-458", "title": "2D Fantasy Anime Wizard Dragon Summoning", "category": "animation", "prompt": "A 15-second high-quality 2D fantasy anime. Using the young wizard in the attached image as the protagonist, strictly maintain his messy black hair, round glasses, blue-gray eyes, dark blue and light blue magic robe, leather belt, magic book, staff, and short stature in every cut. Delicate line work, watercolor-style coloring, fantastical blue and gold light, theatrical anime quality.\n\n[0-4 seconds]\nAn ancient observatory protruding into a sea of clouds before dawn. In a strong wind, the boy opens a large magic book with both hands. The camera approaches quickly from a low angle. The pages turn violently, and the written constellations glow bluish-white. Hair and robe flutter in the wind.\n\n[4-10 seconds]\nCountless star particles erupt from the magic book, spiraling around the boy. The camera makes a large half-circle around the boy. The star particles transform in the air into a giant translucent star dragon, spreading its wings. The boy looks up at the sky in surprise through his glasses.\n\n[10-15 seconds]\nThe giant star dragon flies from above the boy toward the sea of clouds, splitting the clouds and turning the night sky into a sunrise. A close-up of the boy's face. The departing dragon is reflected in his eyes, and finally, the boy smiles slightly. A grand and moving lingering feeling. Smooth animation, natural body movements, flawless fingers, no text or subtitles.", "description": "", "author": "neco - AI Anime", "authorUrl": "https://x.com/neco1751662", "sourceUrl": "https://x.com/neco1751662/status/2089348043103707638" }, { "id": "seedance-459", "title": "Reality TV Water Obstacle Competition", "category": "product-ad", "prompt": "Generate a 30-second, 16:9 widescreen, highly realistic live-action video of a large-scale water obstacle course competition program. The overall presentation should have the live broadcast quality of late 2000s to 2010s Japanese large-scale sports entertainment special programs. The stage is a massive outdoor water arena at night, with the complete track built over a large competition pool, surrounded by large lighting towers, steel structure trusses, audience seats, staff areas, and real TV production equipment. Use multi-camera shooting typical of real sports programs: ENG cameras, jib cameras, track follow shots, telephoto, low-angle water surface shots, and fixed side shots on obstacles. The shots always serve the character's movements through the course. The visuals maintain a real TV live broadcast quality: natural panning, zooming, focus pulling, character tracking, slight ENG camera movement, the slightly soft visual quality of early HD TV, natural TV compression, and real light-dark contrast formed by large live lighting. The entire process follows natural real-time speed and real physics laws. [Mandatory Character Consistency] The uploaded image {{Mixed 1}} is the only visual reference for the challenger. Strictly maintain the character's identity, facial features, face shape, hairstyle, hair color, skin tone, age appearance, height, body type, body proportions, clothing, and overall demeanor. Maintain the same character from the first frame to the last. Identity, face, body proportions, and clothing remain consistent across multi-camera switches, front, side, back, low angle, telephoto, full-body actions, running, jumping, falling, climbing, falling into water, and when wet. The clothing throughout the video remains the same outfit as in the uploaded image, with its color, structure, material, and way of wearing fixed. [Course Continuity] The entire video takes place in the same continuously existing night water arena. Three obstacles are connected in physical spatial order: Rolling Cylinder Obstacles -> Fishbone Reverse -> Curved High Wall. The character must advance forward along the same track. Each camera cut continues from the position the character reached in the previous shot and the current progress. The spatial relationship between obstacles, pools, platforms, audience, and large lighting remains continuous and stable. [30-Second Timeline] 0–3.2s | Challenger Appearance [Leg close-up -> Upper body medium shot -> Face close-up]. The video starts directly with a close-up of the challenger's legs. The camera naturally pans up: legs -> waist and upper body -> face close-up. The character stands in the center of the starting platform. The background shows the brightly lit water obstacle track, steel structures, and many live spectators. The character looks relaxed and confident. As the camera reaches her face, she naturally looks at the camera with a bright smile, then lightly clenches a fist in a simple, confident challenge gesture. The audience immediately applauds and cheers. The character then turns to look at the track ahead. The smile fades, and her gaze becomes serious. The body leans slightly forward, ready to sprint. A brief tense pause. 3.2–9s | Stage 1: Large Rolling Cylinder Obstacles [3.2–4.3s | Jib super wide shot]. The starting buzzer sounds suddenly. The character immediately sprints from the start. A large jib shot quickly shows the full arena and the first obstacle. Several large soft cylindrical rollers are arranged consecutively on the water. The audience bursts into cheers. [4.3–6.5s | Front-diagonal ENG follow shot]. The character approaches the rollers at high speed, stepping onto the first one. Upon contact, the roller immediately rotates under her weight. Her body is slightly pulled back by the rotation; she spreads her arms wide to maintain balance, then uses quick, consecutive small steps to move forward. Each step causes the roller to rotate accordingly. A slight sense of struggling begins. [6.5–8s | Side track follow shot]. The track camera moves parallel to the character. She crosses several rotating rollers. On one, her right foot clearly slips; her body tilts back and sideways. She waves her arms quickly, twists her waist, and re-stabilizes with the other foot. She doesn't fall, recovers, and continues sprinting. [8–9s | Rear telephoto shot]. She jumps forward from the last roller onto the fixed platform. Her knees bend naturally upon landing, her body sinking for shock absorption. She immediately stands and keeps running. Stage 1 cleared. 9–20s | Stage 2: Fishbone Reverse. A huge water Fishbone Reverse obstacle appears. Multiple long soft horizontal bars rotate around a central mechanical axis. The character must move along a narrow continuous platform while dodging the sweeping bars. This stage makes her look significantly more disheveled. [9–11s | Jib wide shot]. She runs to the Fishbone. The camera shows the pool, narrow platform, central rotating structure, and soft bars. She observes briefly then enters. [11–14s | Front-diagonal ENG/Track follow]. The first bar sweeps towards her. She ducks quickly. The second bar comes from the other direction; she turns sideways and steps forward. The third bar sweeps near her legs; she lifts her leg quickly with a small hop. The process is continuous without stopping to wait. The movements show clear improvisation and struggle. [14–16s | Low-angle water shot]. The camera is near the water. Bars sweep across the foreground. She is advancing on the narrow platform. A bar suddenly sweeps from her rear side; she fails to avoid it. A clear, realistic soft collision occurs between the bar and her side. The impact shifts her center of gravity. Her upper body is pushed sideways; she stumbles two steps. Arms wave instinctively for balance. [16–18s | Side ENG medium shot]. She doesn't fall into the water but loses balance completely. She clearly falls/sits onto the narrow platform. Her buttocks and one hand touch the platform. Her legs slide forward briefly. This is a fully executed fall. A brief awkward pause follows. Her face shows panic, shock, and a bit of embarrassment. The audience gasps, then laughs and cheers. [18–20s | Rear follow shot]. She immediately uses her hand to push herself up. Movements are more hurried than at the start. Hair and body swing naturally with movement. While regaining balance, she continues forward, ducks under the last bar, and jumps onto the exit platform. Stage 2 cleared. She doesn't rest and sprints towards the final obstacle with visible fatigue. 20–27s | Final Stage: Curved High Wall. The largest final obstacle appears: a giant curved high wall. The wall curves upward and becomes steeper at the top, significantly higher than the character. Having completed two stages, her breathing is heavier, but her movements remain full-effort. The final wall is challenged only once. [20–22s | Front telephoto]. She sprints in a straight line toward the wall. The telephoto lens compresses space, putting the wall directly in front of her. She swings her arms noticeably while running. The audience stands up, cheers rising. [22–24.5s | Wall side low-angle]. She runs full speed onto the curved surface. The first step hits the base hard. She uses momentum to step up several times. Her body extends upward. At the peak, she reaches out both hands and successfully grabs the edge. Her body leaves the wall; her legs hang. Her arms support her weight. [24.5–27s | Wall top side ENG + Telephoto close-up]. She grips the top firmly, hangs briefly, then bends her arms to pull her upper body up. Her chest nears the edge. She adjusts her grip and tries to lift a leg. The visual must create the clear expectation that she has caught it and is about to flip over. Her face shows fatigue, effort, tension, and excitement at the hope of success. Audience cheering peaks. 27–30s | Trap Ambush -> High Fall -> Face Close-up Ending. [27–28s | Wall top side medium shot]. Just as she is about to flip over—a hidden trap mechanism activates. A huge soft variety show hammer swings out horizontally. It has a clear mechanical trajectory. She can't avoid it. The hammer hits her shoulder and side realistically. Her body reacts: shoulder pushed, upper body twists, grip broken. One hand slips first, then the other. Her face shows sudden shock. [28–29s | Low-angle / Telephoto fall shot]. She detaches from the wall, falling at gravitational speed. Her body tilts back, arms and legs flailing naturally. The camera keeps the body and pool visible. She falls directly into the water. A huge realistic splash erupts. Ripples spread. The audience gasps and laughs. [29–30s | Water surface face close-up]. The splash settles. She emerges, hair soaked and stuck to her face. She pants, looking dazed for a moment, then looks at the camera. Her face shows a mix of grievance, helplessness, and exaggerated disbelief at her failure. The close-up is the final frame. Ends amid audience cheers, laughter, and applause. [Physical Feedback] All obstacles must have real physical relationships with the body. Rollers: step down -> rotation -> center of gravity shift. Fishbone: bar movement -> approach -> dodge or soft contact -> gravity impact -> fall -> platform contact -> recovery. High Wall: sprint -> step -> upward momentum -> grab -> hanging -> muscular pull. Hammer: activation -> sweep -> hit -> body displacement -> grip loss -> gravitational fall. Water Entry: falling -> contact -> splash -> ripples -> immersion -> emergence. No pre-emptive reactions. Clear cause-effect logic. [Character Performance Curve] Emotions evolve: Start: beautiful, confident -> Rollers: nervous but capable -> Fishbone: disheveled, panicked, fall -> Recovery: defiant, sprinting -> Wall: fatigued, maximum effort -> Top Grab: excitement -> Hammer: sudden shock -> Fall: failure -> End: helpless comedy. Not a professional athlete performance, but natural reactions of an adult challenger. [Sound Design] Real live TV sounds: buzzer, cheers, applause, gasps, laughter, live commentary, running steps, mechanical sounds, soft impacts, falling thuds, heavy breathing, wall stepping, water splash. Commentary changes based on action. BGM is tense Japanese sports special program style, building to the final trap. [Photography Rules] Multi-camera live logic. Focus on where the character is, what the obstacle is, how they pass it, and why they collide. Wide shots for space, medium-long for action, track for movement, low angle for scale, telephoto for tension/expression. Natural, crisp cuts. Frequency increases toward the end. [Final Mandatory Constraints] Sequence must follow: 1. Entrance 2. Rollers 3. Fishbone (must include a real fall on the platform) 4. Wall (one attempt, successful grab) 5. Success expectation 6. Hammer trap (must hit her) 7. Water fall 8. Final close-up. Structure: Confidence -> Challenge -> Struggle -> Fall -> Persistence -> Near Success -> Reversal -> Fall -> Comedic End. Real-time speed, crisp rhythm. Maintain consistency, continuity, physics, and live broadcast feel.", "description": "", "author": "李岳", "authorUrl": "https://x.com/liyue_ai", "sourceUrl": "https://x.com/liyue_ai/status/2089339398764761560" }, { "id": "seedance-460", "title": "Advanced Xianxia Martial Arts Action Design", "category": "talking-head", "prompt": "I. Generation Goal\n\nGenerate a complete, continuous 15-second Chinese Xianxia martial arts movie short film.\n\nOverall Style Requirements:\n- Cinematic realistic quality\n- Pure traditional Chinese Xianxia aesthetic\n- Mature and high-level martial arts action design\n- Arri Alexa cinematic texture\n- Clear and stable facial micro-details\n- Natural volumetric lighting\n- Delicate film grain\n- 24fps cinematic motion quality\n- Natural motion blur\n\nII. Core Action Philosophy\n\nProcess real martial arts body principles for cinema and Xianxia:\n- Flexible movement\n- Stable footing\n- Diagonal dodging of weapon tips\n- Strict distance control\n- Feigned retreats to lure the enemy\n- Seizing attack lines\n- Rapid offense-defense reversals\n\nVisual Appeal Points:\n- Clear and readable spatial geometry\n- Dangerous timing differences (time gaps)\n- Distance gaps between long and short weapons\n- Realistic silk fabric movement\n- Metal clashing impact\n- A memorable finishing move\n\nProhibited for 'coolness':\n- Excessive meaningless sword aura/beams\n- Overblown light pollution/effects\n- Teleportation\n- Random special effects\n- Illogical energy attacks\n\nIII. Reference and Environment Settings\n\nCharacter Identity Anchors:\n- @Image 1 → Character ID A | Sword Immortal Senior Sister\n- @Image 2 → Character ID B | Junior Sister\n\nEnvironment DNA:\nAll backgrounds and location reference images uploaded in this round jointly determine a unified environment DNA.\n\nBefore composition, analyze and merge compatible elements:\nReal terrain, architectural language, spatial scale, material aging, vegetation, water bodies, weather, mountain mist, cloud movement, primary light direction, reflection relationships, atmospheric depth, foreground/midground/background layers, character movement paths, and logical combat routes, then recombine them into a unique, unified, plausible, physically reasonable, and spatially continuous new space.\n\nIV. Environmental Movement Principles\n\nBackground must remain vivid but narratively neutral.\nContinuous natural movements include: Wind, water, mountain mist, vegetation, fabric, distant figures, dust, reflections.\n\nRequirements:\n- Movements follow real physical laws\n- Maintain natural parallax\n- The environment does not create danger or assist any side\n- Only when characters physically interact with the environment (step, sweep, collide) are normal physical feedbacks allowed (e.g., dust rising, water ripples).\n\nV. Character Settings\n\nCharacter ID A | Senior Sister | @Image 1\nConsistently a 25–30 year old East Asian female: Oval face, fair natural skin, dark almond eyes, black long hair partially pinned with white jade, tall and slender. Wears a white embroidered silk Hanfu, silver belt, and jade pendant. Carries a single silver straight sword.\nPerformance: Very steady, calm, restrained, precise reactions without unnecessary flair.\n\nCharacter ID B | Junior Sister | @Image 2\nConsistently a 20–25 year old East Asian female: Round, agile face, braided black hair, petite. Wears a green linen Hanfu and dark belt. Observing the battle from a distance with an elderly master.\n\nSupporting Characters:\n- Enemy Spearman: Wearing dark charcoal gray martial arts attire, holding a spear with dark red tassels. Professional and explosive movements with a long-weapon advantage.\n- Elderly Master: Observing from a distance, non-intervening, providing a single judgment at the end.\n\nVI. Shot Structure\n\n0–5s | Wide or Long Shot | Establishing Battle Space and Distance Advantage\nCamera: ~24mm, slow lateral tracking.\nContent: Establish positions and weapon distance advantage. Senior Sister faces the Spearman while the Junior Sister and Master observe. The Spearman thrusts suddenly; the Senior Sister performs a narrow diagonal step, parrying the spearhead with the side of her sword and returning to stillness instantly. Focus on judgment and distance control.\n\n5–10s | Medium or Cowboy Shot | Three-stage Attack and 'Disarmed' Reversal\nCamera: ~40mm, stable tracking.\nContent: Spearman performs a three-part attack (thrust, sweep, tail-strike). Sister retreats half a step, leaving a gap. Enemy commits to a lunge; she dodges and guides the spear away with a circular sword motion, closing the distance. The enemy spins the spear, knocking her sword into the air. Visual reversal: 'The sword immortal is disarmed.' Junior sister reacts with shock; Master is steady.\n\n10–15s | Close-up or ECU | Close-quarter Blind Spot Conclusion\nCamera: ~75mm.\nContent: Enemy pursues for the kill. Sister steps into the spear's blind spot, controlling the spear shaft with her forearm and scabbard. She spins past the enemy as her falling silver sword descends behind her. She catches the sword behind her back without looking and stops the blade an inch from the enemy's throat. Ending: Close-up on enemy's pupil, focus shift to Sister's calm eyes and hair in the wind. Master: 'She captured the sword, but not her momentum.'\n\nVII. Sound and Motion Requirements\n- Sound: Mandarin dialogue, precise metal clashing, wind, footsteps, fabric rustle, breathing. Music must not drown out sound effects.\n- Motion: Clear weapon trajectories, realistic body weight/inertia, natural motion blur, visual continuity, stable weapon assets. No teleporting, random aura, or subtitles.\n\nVIII. Total Output Requirements\n- Duration: 15s\n- Aspect Ratio: 16:9\n- Three continuous clear shots\n- Optimized for Seedance 2.0 Fast\n- Consistent identity and spatial logic\n\nIX. Negative\nblurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, subtitles, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, hairstyle change, background shift, glitching cuts, disappearing props, random sword aura, excessive energy effects, overexposed light pollution, teleporting movement, unreadable weapon trajectories, fake combat, weak body mechanics, exaggerated anime action, modern elements", "description": "", "author": "Soran", "authorUrl": "https://x.com/Soranlan", "sourceUrl": "https://x.com/Soranlan/status/2089333493767532718" }, { "id": "seedance-461", "title": "Sci-Fi Ferrari Robot Transformation Scene", "category": "nature-drone", "prompt": "[Style] Hollywood Live-Action Automotive Sci-Fi short film, First-person POV AR/MR Interface, Hard-Surface Mechanical Transformation, Photorealistic, 4K, 30fps, realistic metal, inertia, weight, and conservation of part mass, no anime feel, no toy plastic feel. [Duration] 30 seconds [Aspect Ratio] 16:9 Landscape [Scenes] Walnut computer desk in a pure black studio with a desktop holographic interface; white polygonal virtual car showroom; European Gothic bell tower city bridge at rainy dusk; high-altitude snow mountain road, ice surface, rock peaks, low clouds, and powder snow. [Characters] Character 1: POV operator showing only tattooed arms and hands, face not shown; Character 2: The same Rosso Corsa red Ferrari 12Cilindri and its red armored robot form; Character 3: The same black unmanned attack helicopter attacking from off-screen and later clearly appearing in shot. [Absolute Sequence Lock] The entire film is in strict forward order, prohibiting flashbacks, cold opens, and repeated events: Start from POV holographic car selection; the white space on the desk is always a virtual car showroom in an AR/MR volumetric window, not a physical miniature manufacturing cell; after the vehicle in the virtual showroom completes digital loading, the camera rushes into the holographic space, and the showroom and vehicle transition into a full-scale real showroom and real car; while the red Ferrari drives in its complete car form, the helicopter first strafes continuously off-screen with 'du-du-du' sounds, the impact tossing the car into the air, and the car only then initiates mechanical transformation to respond; the same helicopter continues the pursuit, and the robot counterattacks to hit and destroy it; only after clearly seeing the burning enemy aircraft and confirming the threat is cleared can the robot change back into the same red Ferrari; finally, snow mountain driving, aerial title shot, and pulling back to the tablet at the beginning. Never let the car transform actively without cause, and never let the helicopter become a new attacker only after the robot is completed. [Vehicle and Robot Consistency Lock] Only one Ferrari 12Cilindri throughout the film: fixed front V12 long hood, rearward cockpit, low two-door Berlinetta silhouette; fixed high-gloss Rosso Corsa red paint, black roof and glass, slender cool white LED headlights, four round red taillights, black forged wheels, yellow wheel center Prancing Horse badge, yellow brake calipers, yellow fender shield badge, black carbon fiber front lip/side skirts/diffuser. No shot can turn into a black, gray, orange car, or other Ferrari models. Strictly four tires throughout. The robot's internal skeleton is fixed as gunmetal titanium, and the external car shell armor always remains the same Rosso Corsa red; the long red engine hood forms the breastplate, the headlights become cool white chest lights, the two doors become shoulder wings, the two front wheels are fixed behind the left and right shoulders, the two rear wheels are fixed on the outside of the left and right calves and heels, the windshield and black roof become the upper back, and the red rear fenders and taillights become the back plate. Each part moves along clear hinges, hydraulic rods, or slide rails, detached once, rotated once, locked once; prohibition of copying, interspersing, dissolving, and adding parts out of thin air. [Shots 00:00-00:30] Shot 1: POV Holographic Selection and VR Expansion. Shot 2: Digital loading and transition to full-scale real car. Shot 3: Real showroom to city bridge transition. Shot 4: Off-screen helicopter strafing tossing car into air. Shot 5: Mid-air transformation to robot. Shot 6: Robot dodging strafing and locking target. Shot 7: Robot destroys helicopter with arm cannon. Shot 8: Threat confirmation and weapon retraction. Shot 9: Reverse transformation back to car. Shot 10: High-speed snow mountain driving. Shot 11: Aerial view with title 'OVER//DRIVE'. Shot 12: Zoom out to show the video playing on a tablet on the walnut desk. [Negative Constraints] No flashbacks, no toy plastic feel, no other car models, no missing parts, no organic melting, no ghost parts, no robotic limbs appearing out of nowhere, no helicopter exploding before being hit, no random UI text, no anime style, no low-detail CGI.", "description": "", "author": "John", "authorUrl": "https://x.com/johnAGI168", "sourceUrl": "https://x.com/johnAGI168/status/2089327738360373353" }, { "id": "seedance-462", "title": "Anime Inspired Spider-Woman Swing", "category": "animation", "prompt": "A young East Asian woman with a short bob haircut sits on a wide windowsill in a messy Brooklyn-style apartment bedroom. She wears a black long-sleeve top, red collared shirt with a dark tie, gray cargo pants with a light blue sweater tied around her waist, pink-and-red arm sleeves, bright white socks, and teal sneakers. Purple over-ear headphones rest around her neck. The room is cluttered with anime posters (including Dragon Ball), comic books, a Monster Energy can, Funko Pops, clothes scattered on the floor, and a bed to the right. Outside the large open window is a cloudy New York City skyline of red-brick buildings.\nShe looks at the camera with a slight smile, puts the headphones on, leans back, then suddenly swings out the window on a thin white web line. Dynamic tracking shots follow her web-slinging through the streets of New York: she flies between brick apartment buildings with fire escapes, over busy intersections filled with yellow taxis and pedestrians, past corner stores and traffic lights, diving and twisting acrobatically. The camera moves with her — low angles looking up, high angles looking down, fast motion blur on the city.\nShe lands on a rooftop, stands with arms outstretched in triumph, hair blowing, looking out over the golden-hour skyline. The view includes water towers, dense rooftops, the East River, and the distant One World Trade Center glowing in the soft sunset light. Cinematic, realistic live-action style, vibrant colors, energetic movement, inspired by superhero web-slinging sequences.", "description": "", "author": "Maya", "authorUrl": "https://x.com/MayaAiCreator", "sourceUrl": "https://x.com/MayaAiCreator/status/2089326041105915906" }, { "id": "seedance-463", "title": "Cinematic Xianxia Power Dynamics Short Film", "category": "talking-head", "prompt": "Seedance | 15s Wuxia Relationship Short Film | True Authorization I. Core Goal: Generate a continuous 15-second Chinese Xianxia film short. Overall Style Requirements: Cinematic realistic texture, pure ancient Chinese Xianxia aesthetics, mature martial arts power dynamics, restrained emotional tension, sophisticated character blocking, Arri Alexa cinematic quality, clear and stable facial micro-details, natural volumetric lighting, fine film grain. The core twist centers on: 'True Authorization.' Everyone initially assumes the more famous Senior Sister sword immortal is the one making decisions. As the plot progresses, the Senior Sister gradually transfers the frame center, negotiating rights, and final decision-making power to the Junior Sister. The true emotional anchor is: Under the public eye, the Senior Sister restrains the urge to answer for her. True support is allowing someone to have their own voice. II. Reference and World Setting Character Identity Anchors @Image 1 -> Character ID A | Senior Sister Sword Immortal @Image 2 -> Character ID B | Junior Sister Environment DNA All background and location reference images uploaded determine a set of environment DNA. Before formal composition, silently deduce and integrate compatible: real terrain, architectural language, spatial scale, materials, vegetation, water bodies, weather, cloud layers, mountain mist movement, main light direction, reflection relations, overall color grading, atmospheric depth, and realistic movement paths into a unique, unified, physically logical, stable, and continuous new space. III. Environmental Operation Principles The background must remain vivid but absolutely neutral in narrative. Continuous environmental movements: water flow, drifting mountain mist, vegetation responding to natural wind, slowly changing clouds, distant character activity, reflection changes, and spatial ambient sound. Requirements: Naturally continuous throughout, maintaining realistic physical logic, no active conflict creation, no resolving conflict for characters, no triggering of dramatic turns. IV. Character Settings Character ID A | Senior Sister Sword Immortal | @Image 1 Consistently the same 25-30 year old East Asian female: oval fair face, dark almond eyes, long black hair half-pinned with a white jade hairpin, tall and slender, wearing the same white embroidered silk Hanfu from white cloth boots to semi-transparent wide sleeves, silver waistband, jade pendant, a single silver longsword. Performance: Restrained, calm, stable, not scene-stealing, truly handing over decision power. Character ID B | Junior Sister | @Image 2 Consistently the same 20-25 year old East Asian female: rounded lively face, black hair in braids, petite, wearing the same turquoise linen Hanfu, dark belt, wooden hairpin, black cloth shoes, a single dark steel sword. Performance: First half has inertia, subconsciously waits for confirmation; second half enters true decision-maker state; growth via breath, gaze, posture, and tone. Supporting Characters: Enemy swordsman (standing opposite, carries bias, initially only acknowledges senior, later forced to turn to junior); Elderly Master and two disciples (silent witnesses, master nods at the end). V. Shot Structure 0-5s | Wide/Long Shot | Bypassed by the world. In the redesigned space: Enemy stands opposite. Master and disciples are silent witnesses. Senior and Junior Sister stand together. Enemy looks only at Senior: 'I only talk to you, let her step down.' Senior calmly replies: 'You've got the wrong person.' Key focus: Establish default power structure; enemy's gaze on sister; junior bypassed; sister's first response starts rewriting power direction. 5-10s | Medium/Cowboy Shot | Yielding center and voice. Maintain same characters, costumes, swords, and geography. Senior Sister steps back half a step, leaving frame center to Junior Sister. She says: 'The leader today is her.' Enemy disbelieves: 'Her?' Sister: 'Even I listen to her.' Enemy's smile fades. Key focus: Half-step back is actual transfer of power; sister acknowledges junior's leadership. 10-15s | Close-up/Extreme Close-up | Leaving decision to her. Enemy turns to Junior: 'Conditions?' Junior steadies breath, answers: 'Retreat three miles, leave weapons, take the wounded.' Enemy looks at Senior for confirmation. Senior: 'Don't look at me.' Junior looks back instinctively. Senior softly: 'You are leading.' Pause. Junior turns back, straightens up, says: 'So be it.' Extreme Close-up: Senior Sister stays half step behind, slight smile of relief. Background: Master nods. Key focus: Junior completes decision loop; sister's restraint is key; master is witness. VI. Performance Focus Senior Sister: Extremely stable emotion, natural authority, brilliance in restraint, movements change relationships. Junior Sister: Starts with passive inertia, then takes center, then independent voice; readable growth. Enemy: Initially bypasses junior, then wavers, finally faces the negotiator. VII. Technical Requirements 15s, 16:9, three continuous shots, native Mandarin dialogue, precise lip-sync, clear pauses, consistency in identity/costume/props/space, restrained performance, natural physics for silk/hair, realistic parallax, neutral vivid background, no subtitles. Camera: Stable, restrained, heavy cinematic feel, serving relationships, no showing off. VIII. Negative blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, subtitles, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, hairstyle change, background shift, glitching cuts, disappearing props, exaggerated melodrama, overacting, cartoon performance, environment triggering story, environment solving conflict, random magical event, fake emotional climax, static background, frozen distant figures, fake parallax, modern elements", "description": "", "author": "Soran", "authorUrl": "https://x.com/Soranlan", "sourceUrl": "https://x.com/Soranlan/status/2089316823111962702" }, { "id": "seedance-464", "title": "Xianxia Sect Administrative Comedy Short", "category": "talking-head", "prompt": "Seedance | 15s Deadpan Comedy Short | Sect Administrative Procedures\n\nI. Project Goal\n\nGenerate a complete, continuous 15-second Chinese Xianxia movie short.\n\nOverall Style Requirements:\n- Cinematic realistic texture\n- Pure ancient Chinese Xianxia aesthetics\n- The solemnity of an epic martial arts duel colliding with the absurd comedy of a \"deadpan sect administrative process\"\n- Restrained silent-film style visual reactions\n- Dry, absurd logic\n- \"Three-beat progression\" structure\n- Precise comedic pauses\n- Arri Alexa cinematic look\n- Clear and stable facial micro-details\n- Fine film grain\n- Natural volumetric light\n\nThe plot must be immediately understandable to the audience upon the first viewing:\nA powerful challenger arrives full of murderous intent, expecting a legendary duel; however, two masters (Characters A and B) treat \"accepting a challenge\" as a tedious daily administrative task. They use increasingly logical yet absurd procedures to slowly wear down the enemy's heroic momentum.\n\nII. Reference & World Setting\n\nCharacter Identity Anchors:\n- @Image 1 → Character ID A | Sword Immortal Elder Sister\n- @Image 2 → Character ID B | Junior Sister\n\nEnvironment DNA:\nAll backgrounds and location reference images uploaded this round jointly determine the same set of Environment DNA. Before formal composition, silently integrate and deduce compatible: real terrain, architectural language, spatial scale, textures, vegetation, water bodies, weather, mountain mist, main light direction, reflections, atmospheric depth, and realistic walking paths. Reorganize these into a unique, unified, physically logical, and stable continuous new space for this round.\n\nEnvironmental Principles:\nThe background is always natural and vivid but absolutely neutral in narration. Continuous natural environmental movements include wind, water, vegetation, mist, banners, distant ordinary disciples, reflections, and spatial ambient sound. These movements only provide a sense of the \"world's real existence\" and must not trigger laughs, change the plot, or make decisions for the characters.\n\nIII. Character Settings\n\nCharacter ID A | Sword Immortal Elder Sister | @Image 1:\n- Same 25–30 year old East Asian female throughout\n- Tall and slender\n- Oval face, dark almond eyes, fair natural skin\n- Long black hair half-tied with a white jade hairpin\n- Wears a white embroidered silk Hanfu with a silver waistband and white cloth boots\n- Carries a unique silver longsword\n- Performance Core: Extremely restrained, deadpan, always acting as if handling a normal sect matter. Comedy comes from her serious execution of absurd procedures.\n\nCharacter ID B | Junior Sister | @Image 2:\n- Same 20–25 year old East Asian female throughout\n- Petite, round and agile face, black braided hair\n- Wears a turquoise linen Hanfu with a dark belt and black cloth shoes\n- Carries a unique dark steel sword\n- Extra Prop: Ordinary bamboo slips with no readable text\n- Performance Core: Acts extremely naturally, treating the challenge as routine registration. Serious tone, professional attitude. Comedy comes from her complete lack of awareness that she is being ridiculous.\n\nEnemy Swordsman:\n- Same adult East Asian male throughout\n- Imposing, murderous intent, strides into the scene, carries the same longsword\n- Initially believes he is about to start a legendary duel\n- Performance Core: Not a clown, but a very serious challenger whose momentum is gradually flattened by administrative procedures. His emotional change is a key readable clue.\n\nElderly Master:\n- Same elderly master throughout, stable position\n- The authoritative supplement in the procedural logic\n- Calm tone, responsible for the final \"finishing blow\" punchline.\n\nIV. 15-Second Three-Shot Storyboard\n\n0–5s | Wide or Long Shot | Challenge Begins, Procedure Interruption:\nIn the open area based on the reference images: The enemy swordsman strides in, draws his sword, and shouts with epic intensity: \"Today, either you fall, or I fall!\" Character A is just about to reach for her sword hilt. At this moment, Character B naturally walks between them with bamboo slips and asks deadpan: \"Name, sect, weapon. Please report them first.\" The enemy freezes.\nKey point: The enemy is in full combat mode while the Junior Sister acts like she's at a registration desk. The contrast must be clear immediately. Comedy relies on logical mismatch, not overacting.\n\n5–10s | Medium or Cowboy Shot | Procedure Escalates, Enemy Deflates:\nMaintain character, clothing, sword, and spatial consistency. Character B continues asking seriously while counting on her fingers: \"Any old injuries?\" \"Who pays if things get broken?\" The enemy's momentum is broken, and he shouts in frustration: \"I'm here for a duel!\" Character A replies expressionlessly: \"I know, that's why I'm asking.\" The camera shifts focus to the Elderly Master a few steps away, who says without looking up: \"The last one didn't register and cost me two doors.\" The camera returns to the enemy, who looks at the master, the bamboo slips, and his own drawn sword; his murderous aura clearly begins to deflate.\nKey point: The administrative logic becomes more \"reasonable\" but more absurd, grinding down the enemy's heroic narrative.\n\n10–15s | Close-up or Extreme Close-up | Witness Rule, Final Punchline:\nThe enemy takes a deep breath, suppressing his anger, and asks: \"Can we fight after I fill this out?\" Character B replies seriously: \"We still need a witness.\" Both sisters turn to look at the Master. The Master says calmly: \"Today is a day off.\" A full beat of silence. The enemy slowly lowers his sword and asks: \"Then should I come back tomorrow?\" Character A replies with zero hesitation: \"Tomorrow she is off.\" Character B nods solemnly. The enemy stares at them and finally asks: \"Do you just not want to fight at all?\" Extreme close-up: A tiny, tacit look between the sisters, then they turn back and say in unison, completely serious: \"You noticed?\" In the background, the Master hides a slight smile behind a teacup. The enemy stands there, lost all will to fight, and slowly sheathes his sword. He lost the whole duel without a single strike. Precise cut to black.\n\nV. Performance & Comedic Rhythm Requirements\n\nComedy Mechanism: A clear three-beat progression (High-pressure start -> Procedure erodes momentum -> Confirmation they don't want to fight).\nPerformance: Restrained, realistic reactions, no funny faces or slapstick. Comedy comes from deadpan delivery, dry logic, natural pauses, and emotional gaps.\nPauses: Must be clearly preserved after: \"Name, sect, weapon\", \"I'm here for a duel\", \"Cost me two doors\", \"Still need a witness\", \"Today is a day off\", \"Do you just not want to fight?\", and \"You noticed?\".\n\nVI. Camera & Sound Requirements\n- Duration: 15s strictly\n- 16:9 Landscape\n- Three continuous clear shots\n- Native synced Mandarin dialogue with precise lip-sync\n- Consistent character identities, props, and geography\n- Realistic silk fabric and hair physics\n- Natural parallax between foreground and background\n- Realistic spatial ambient sound, no generated subtitles\n- Camera Principle: Restrained, stable, realistic cinematic inertia, serving only the narrative and comedy, no flashy movements.\n\nVII. Negative\nblurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, subtitles, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, hairstyle change, background shift, glitching cuts, disappearing props, exaggerated slapstick, cartoon comedy, overacting, forced meme expression, background triggering punchline, environment affecting story, wind reacting to dialogue, random magical event, fake parallax, frozen background, static scenery, modern elements", "description": "", "author": "Soran", "authorUrl": "https://x.com/Soranlan", "sourceUrl": "https://x.com/Soranlan/status/2089291147852042642" }, { "id": "seedance-465", "title": "Jakarta Sunset Cyberpunk Action", "category": "talking-head", "prompt": "[PROSE & NARRATIVE ACTION LOCK]\\nA 23yo Chinese-Indonesian woman, 165cm, French-bob with blue streaks, sits at an SCBD desk typing on a keyboard (0.0s-1.2s). Urgent pop-ups flood screen; she exhales, sipping iced latte as her watch flashes red alert (1.2s-3.0s). At 3.0s, [HARD CUT: SLAM SHOT], she slams the cup, kicks chair back, flicks off glasses (3.0s-4.8s). At 4.8s, [HARD CUT: DYNAMIC SPIN], she flings her blazer up, popping gum with a smirk as cyan-magenta bio-electricity crackles across fingers (4.8s-7.0s). At 7.0s, [HARD CUT: GROUND IMPACT], sneakers stomp the floor with an ionic wave; the airborne blazer morphs into a bio-neon jacket she catches and zips (7.0s-9.4s). At 9.4s, [HARD CUT: VISOR DEPLOY & ROOFTOP SHIFT], cyan visor locks on and copper bracers snap shut as she leaps through balcony glass into Jakarta sunset sky (9.4s-11.0s). At 11.0s, [HARD CUT: MONUMENTAL WIDE], she flips mid-air, fires a magenta energy whip, swings over Sudirman, and lands 3-point on a helipad at 12.8s kicking up glowing dust (11.0s-13.4s). At 13.4s, [HARD CUT: TIGHT 75mm CHOKER CLOSE-UP], she blows a pink gum bubble that pops, speaking strictly from 13.4s to 14.2s in fluent Indonesian Gen Z cadence: \\\"Deadline jam lima? Gue yang tentuin.\\\" From 14.2s to 15.0s, [SETTLE STANCE HOLD], standing upright, hands on hips, living chest breathing, 0% frozen frame.\\n\\n[ACTING, MICRO-EXPRESSIONS & BIOLOGICAL REALISM]\\nAnya exhibits somatic realism: eyelid fatigue shifting to pupil dilation (AU5), laryngeal swallow, asymmetric Duchenne smirk (AU12+AU6), masseter jaw pulse upon landing, specular iris reflections of neon arcs, natural skin micro-pores with satin finish, 0% tears, 0% plastic smoothing.\\n\\n[CAMERA RIG, OPTICS & MOTION BLUR]\\nPanavision DXL2 Large Format, Primo 70mm and 40mm Primes, 90-degree fast shutter on impact to 180-degree natural blur, snap-push zooms, tight 75mm prime on dialogue, Light Iron Color 3, cyan-magenta chiaroscuro against dusk, operator sway.", "description": "", "author": "Apil", "authorUrl": "https://x.com/apilpirman", "sourceUrl": "https://x.com/apilpirman/status/2089258288215105875" }, { "id": "seedance-466", "title": "Cinematic Kaiju Monster Attack Sequence", "category": "nature-drone", "prompt": "Pilot = a fighter pilot around 35, rugged focused face with light stubble, sharp determined eyes, wearing a helmet with visor and oxygen mask, full flight suit. Intense and battle-focused. Face per reference. Appearance only.\n\nSeabaycity = a modern coastal city on a sea bay, skyline of skyscrapers along a waterfront bordering the open sea, harbor, bridges, dramatic overcast sky, buildings smoking and crumbling, fires and dust clouds rising, a city under attack. Moody desaturated blue-grey palette with orange fire glow. Environment only.\n\nMonster = a colossal towering lizard-like kaiju, skyscraper-sized reptilian creature with dark grey-green armored scales, huge clawed limbs, a long heavy tail, a fanged head with glowing eyes, spines down its back, standing in the sea bay smashing buildings. Terrifying and destructive. Appearance only.\n\nJet = a modern military fighter jet, sleek grey afterburners glowing, missiles mounted, screaming through the sky at high speed. Vehicle only.\n\nSCENE: a cinematic kaiju action sequence. A colossal lizard monster rampages through a coastal city's sea bay, destroying skyscrapers along the waterfront. A lone fighter jet approaches from the distance across the sea, the pilot locking on with fierce focus, and fires missiles that strike the monster, driving it crashing down into the bay. Epic, intense, blockbuster disaster-film scale.\n\nTECHNICAL: 16:9, cinematic anamorphic-style lens, epic blockbuster scale, dynamic camera — sweeping aerial shots, fast jet tracking, dramatic low angles on the monster — moody desaturated blue-grey grade with orange explosion glow, heavy atmosphere, smoke, dust, lens flare, motion blur, fine film grain, photorealistic disaster-film quality.\n\nCUTS:\nCUT 1 (0-4s): Establishing shot — the colossal lizard monster towering over the sea-bay city, roaring and smashing a skyscraper along the waterfront, buildings crumbling and smoking, debris raining into the bay. Dramatic low angle conveying its massive scale.\nCUT 2 (4-7s): Wide shot across the sea — a lone fighter jet screams into frame from the distant horizon, low over the water, approaching the city and the monster at high speed. Fast tracking shot conveying speed and purpose.\nCUT 3 (7-10s): COCKPIT FACE ZOOM — cut inside the cockpit, camera pushes in on the pilot's intense focused face behind his visor and mask, glowing instruments around him, his eyes locked on the target. He grips the controls and fires.\nCUT 4 (10-13s): Missiles streak from the jet toward the monster and slam into it in a burst of fire and explosions, the creature reeling from the impact, staggering amid smoke and flame.\nCUT 5 (13-15s): The monster crashes down into the sea bay in an enormous explosion of water and debris, defeated, as the jet roars past overhead. Epic final beat, huge splash and spray.", "description": "", "author": "AI with MERLIN", "authorUrl": "https://x.com/Weeleey6", "sourceUrl": "https://x.com/Weeleey6/status/2089244905960821226" }, { "id": "seedance-467", "title": "Chinese Xianxia Cold Comedy Action Video", "category": "comedy", "prompt": "Seedance 2.5 | 30s Deadpan Action Comedy | Nusha Jue\n\nI. Project Goal\nGenerate a 30-second Chinese Xianxia cinematic short film. Style: Movie-quality realism, Xianxia aesthetics, high-level deadpan action comedy, Arri Alexa look, volumetric light.\nComedy Structure: Villain sets a trap -> unexpected counter-strategy -> deadpan compliments to the enemy -> villain's morale breaks -> authority figure accidentally restarts conflict.\n\nII. Characters\nCharacter A (Image 1): Senior Sister, 25-30, calm, deadpan, professional.\nCharacter B (Image 2): Junior Sister, 20-25, smart, quick reactions, restrained sarcasm.\nEnemy: Serious East Asian male villain with red aura that feeds on anger.\nMaster: Elderly, steady observer.\n\nIII. Pacing (6 segments)\n0-5s: Villain explains his aura gets stronger with their anger. 5-10s: Junior sister suggests \"praising him\" instead since he doesn't feed on good words. 10-15s: They start complimenting his sword tassel and crown; his aura weakens as he gets confused. 15-20s: Villain tries to insult them; they respond with more sincere praise. 20-25s: Villain breaks down asking for \"respect\"; they praise his steady stance. Aura disappears. 25-30s: Master walks in and jokes about how well they praise enemies. The sisters get angry at the Master, which instantly restores the villain's aura. Cut to black as they argue with the master while the villain waits politely.", "description": "", "author": "Soran", "authorUrl": "https://x.com/Soranlan", "sourceUrl": "https://x.com/Soranlan/status/2089232982372479463" }, { "id": "seedance-468", "title": "Urban Survival Street Chase Short", "category": "product-ad", "prompt": "Generate a 20-second, 16:9 widescreen, 720p, high-realism live-action urban street chase action short.\n\nEmploy tense, fast, but spatially clear standard action movie editing. A rain-slicked commercial street at twilight, in the blue hour; most shops are closed, with metal rolling shutters, old brick walls, narrow alleys, external fire escapes, and scattered warm yellow shop lights forming a realistic urban environment. The wet asphalt reflects streetlights and neon, with no recognizable brands or garbled text.\n\n[Full Protagonist Design]\nThe lead is a 22-year-old East Asian female, approx. 168cm, slender, firm, with an athletic build from daily running; agile but not a professional spy or superhero. Warm natural skin tone with real pores and texture; narrow oval face, clear brow ridge, thick straight eyebrows, sharp eyes, natural straight nose, clean jawline, and a very faint small scar at the end of the right eyebrow. Bust is full with clear contours.\n\nBlack collarbone-length hair tied in a loose low ponytail. The ponytail, stray hairs, and clothes sway continuously with speed and turns; as stamina depletes, some stray hairs stick to the forehead and cheeks.\nClothing is fixed as: Dark green matte lightweight windbreaker, Dark grey U-neck tight T-shirt, Black straight work pants, Dark grey non-slip running shoes, Black nylon crossbody bag with a burgundy strap crossing from right shoulder to left waist.\nMaintain the same face, build, hair, clothing, and bag throughout. The bag belongs strictly to the lead and cannot transfer to pursuers.\n\n[Pursuers]\nFixed as 3 adult males, unarmed: Pursuer A (Tall, charcoal hoodie, black pants), Pursuer B (Stout, blue denim jacket, yellow T-shirt), Pursuer C (Thin, brown old work jacket, grey beanie). Identities and clothing must not swap; count remains 3.\n\n[00:00–00:02.5 | Setup & Discovery]\nFixed side panorama. Lead sprints out of an alley on the left, checks behind. A, B, and C emerge in sequence. Lead accelerates towards the right. Music starts with low pulses and rhythmic footsteps.\n\n[00:02.5–00:06 | Side Track Follow | Distance Closes]\nHigh-speed track shot parallel to the lead. Lead sprints, bag bouncing. Pursuer A closes the distance. Lead steps into a puddle, water splashes realistically; no slipping.\n\n[00:06–00:09.5 | Low-Angle Follow | Obstacle Cross]\nLow-angle wide follow from the front. A tipped-over delivery bike blocks the path. Lead adjusts, steps firmly with the left leg, and jumps over the frame. Lands on the right foot, cushioning with bent knees, then re-accelerates. A hurdles the bike, B bypasses left, C bypasses right.\n\n[00:09.5–00:13.5 | Long Lens Pressure | Dead End]\nFrontal long lens from deep in a narrow alley. Lead turns into the alley; lens compression makes pursuers look closer. Lead discovers the alley ends in a brick wall. Speed drops to rapid deceleration steps. She panics briefly, then spots a metal tool chest and a fire escape ladder 2 meters above.\n\n[00:13.5–00:17 | Low-Angle Medium | Leap to Fire Escape]\nLead sprints to the tool chest, steps on the metal edge (clanging sound), and leaps. Hands grab the lowest rung. Arms bear her weight. Pursuer A lunges for her right foot but misses by 20cm as she pulls up.\n\n[00:17–00:20 | Low-Angle Wide | Temporary Escape]\nLead pulls herself onto the first fire escape platform. Chest, belly, and knees cross the edge sequentially. Pursuers A, B, and C reach the ladder and look up. Lead stands and climbs higher, looking down with alarm rather than triumph. Camera tilts up following her. Ends with the vibrating ladder, pursuers below, and a heavy musical strike.", "description": "", "author": "李岳", "authorUrl": "https://x.com/liyue_ai", "sourceUrl": "https://x.com/liyue_ai/status/2089224469671969166" }, { "id": "seedance-469", "title": "Boardroom Fashion Rooftop Sequence", "category": "product-ad", "prompt": "A cinematic, stylish sequence of a confident young woman with short curly brown hair, bold red lipstick, and a statement necklace. She wears a sharp grey pinstripe oversized blazer and matching trousers with bright red pointed high heels.\\nStarts with a close-up of her red heels stepping out of a black luxury car onto a wet city street at dusk. She walks confidently through revolving glass doors into a modern office building, presses the elevator button, checks her tablet in the mirrored elevator, then enters a boardroom. She presents charts and graphs on a large screen to a group of executives in suits, gestures confidently while speaking, signs a document, shakes hands with a senior executive, checks her elegant wristwatch with a burgundy leather strap, and finally walks across a glass-walled rooftop terrace overlooking the New York City skyline at golden hour, wind lightly moving her hair, powerful and composed expression.\\nMoody cinematic lighting, wet reflections, sharp fashion photography style, high-end commercial aesthetic, 16:9.", "description": "", "author": "Noor", "authorUrl": "https://x.com/noorlewisx", "sourceUrl": "https://x.com/noorlewisx/status/2089217062040453196" }, { "id": "seedance-470", "title": "Cyber Desert Martial Arts Duel Anime", "category": "action", "prompt": "Generate a 15-second horizontal 16:9 original martial arts action anime video from the provided first frame.\n\nCRITICAL ENTITY LOCK:\nThere must be exactly 2 main characters in the entire video: KANAN (male acrobat in yellow wraps with energy staff) and ZEPHYR (female scavenger in off-white techwear with gold visor).\nDo not add secondary scavengers, droids, or background onlookers.\nMaintain strict visual consistency for Kanan's cyan staff rings, yellow wraps, goggles, and Zephyr's gold visor, off-white suit, and amber palm gauntlets throughout all cuts.\n\nCharacter identity:\nKANAN: Male dune acrobat, yellow wraps, dark vest, protective goggles, cyan energy staff, fluid martial arts movement.\nZEPHYR: Female sun scavenger, off-white techwear suit, gold heat-reflective visor, amber palm energy gauntlets, fast strike martial arts style.\n\nVideo style:\nHigh-budget Japanese anime feature film quality, post-apocalyptic martial arts aesthetic, high-contrast sun-drenched lighting, bright lens flares, fluid hand-to-hand animation, continuous real-time velocity.\n\nCamera and pacing:\nRelentless real-time martial arts action without any slow-motion pauses:\n0.0s - 5.0s: High-speed tracking shot as fighters sprint across sand dunes and trade acrobatic staff deflections amidst blowing sand.\n5.0s - 10.0s: Low-angle arc camera following fast martial arts maneuvers, sand sweeps, and palm strike deflections across rusted satellite ruins.\n10.0s - 15.0s: High-velocity energy shockwave impact at full speed, transitioning into a clean sliding recovery and a balanced standoff freeze.\n\nAction timing:\n0.0s - 2.5s:\nKANAN and ZEPHYR charge downhill across sand dunes. KANAN vaults off a buried satellite rim, spinning his cyan energy staff into a sand vortex.\n\n2.5s - 5.5s:\nZEPHYR leaps through the sand wave, using her amber gauntlets to deflect three fast staff strikes. She kicks hot sand upward to create a defensive distraction.\n\n5.5s - 8.5s:\nKANAN sweeps his staff along the ground to displace the sand under ZEPHYR's feet. ZEPHYR vaults over the sweep and launches a flying palm strike.\n\n8.5s - 11.5s:\nFULL-SPEED KINETIC IMPACT: ZEPHYR's palm gauntlet collides directly with KANAN's staff guard at full velocity. A bright shockwave of cyan and amber energy blasts sand 360 degrees outward.\n\n11.5s - 15.0s:\nKANAN redirects the kinetic blast into a staff counter-pulse. ZEPHYR slides backward across the dune on her boots, coming to an instant halt in a ready stance. Final cinematic freeze frame.\n\nMotion quality:\nFluid 2D animation, rea", "description": "", "author": "Gilbert Odera | Your AI Plug", "authorUrl": "https://x.com/yourPlugAI", "sourceUrl": "https://x.com/yourPlugAI/status/2089214417778987292" }, { "id": "seedance-471", "title": "First-Person Fantasy Dragon Flight", "category": "talking-head", "prompt": "Create a 30-second, full-realism fantasy dragon flight in 2 shots, vertical 9:16, using the references strictly: 100% face/character, armor, dragon, world and scale consistency. Only ONE dragon exists.\\n\\nSHOT A — 0:00–0:06: Frontal handheld close-up of SHARON, nervous first-time rider in white-silver armor, seated on a colossal 60m white-grey opalescent dragon at a cliff edge. Slow zoom out reveals her and the dragon’s horned head facing camera, valley behind. She nervously says: “Okay, buddy… ready? Just—no games, alright? It’s my first flight aaand—” Frequent blinks, wandering gaze, shaky breathing. Dragon snorts a tiny flame, crests flare, then suddenly charges toward the cliff. HARD CUT at launch.\\n\\nSHOT B — 0:06–0:30: Strict first-person rider POV from Sharon’s eyes, never third-person. Her armored hands and reins remain visible throughout, constantly clenching during fear and relaxing during calm moments. Exact route: plunge off cliff → skim through village → full flock of sheep rushes into view and splits left/right in panic → brush outer willow leaves with wingtip → hard 45° waterfall bank through spray → climb past floating islands → 360° barrel roll → dragon glances back → reveal colossal Gothic castle → spiral upward → dragon’s own claws seize the tallest empty spire and coil around it → final panoramic valley vista. No other dragons or creatures on the spire.\\n\\nDragon must look like a living animal: thousands of individually layered opalescent scales with keratin texture, micro-wear and dirt seams; moving aqua/lilac/rose-gold/pearl reflections; neck scales rippling in wind; crests folding according to speed; translucent veined wings flexing naturally; realistic muscle, inertia, tail ruddering and wingbeats. No plastic, chrome or CG sheen.\\n\\nMaintain believable collisions: never pass through buildings, trees, rocks or water; only outer leaves are brushed. Sheep escape unharmed. Realistic reins, saddle movement, wind, G-forces and camera shake.\\n\\nWarm natural daylight, deep focus, cinematic anamorphic optics, realistic spray droplets, subtle edge distortion and chromatic aberration. No music, subtitles, text, logos, watermarks, lens flares or stylization. Full photorealism.", "description": "", "author": "Noor 🌸", "authorUrl": "https://x.com/Noor_ul_ain43", "sourceUrl": "https://x.com/Noor_ul_ain43/status/2089202760734683575" }, { "id": "seedance-472", "title": "Music Streaming Brand Film Commercial", "category": "product-ad", "prompt": "Create a product video ad from [image1],[image2], script \"9:16, 24fps, 15 seconds. 0-3s: Close-up shot. In a dim room lit by warm ambient lamps, a stylish girl with bangs and freckles calmly puts on her over-ear headphones. 3-5s: Close-up of a finger tapping the \"Play\" button on a smartphone. As the music starts, the girl closes her eyes and begins swaying rhythmically to a heavy beat, fully immersed. 5-12s: Sophisticated Documentary Montage. The girl remains the absolute visual center within real-world settings: 1. Sitting on a couch at a dim party, she sways in her own world while crowds flow through the foreground and background. 2. At a livehouse venue, she sways in the center with people in the background rendered in artistic motion blur. The camera vibrates slightly with the beat, capturing her internal focus amidst external chaos. 12-15s: The camera snaps back to the girl in her room mid-sway. The background swiftly dissolves and transitions into a solid brand-red color, with a white brand logo “Apple Music”fading into the center. Negative Prompt: Any text, subtitles, watermarks, light effects, black background.\"", "description": "", "author": "Alice | AI Creator Hub", "authorUrl": "https://x.com/AliceAICreator", "sourceUrl": "https://x.com/AliceAICreator/status/2089173407971811749" }, { "id": "seedance-473", "title": "Realistic Braided Girl Bedroom Selfie Video", "category": "ugc", "prompt": "A young little girl takes a close-up smartphone selfie in an indoor bedroom. The composition is a close-up from the chest up, with the girl's face as the main subject. The camera angle is slightly downward from the front. Her shoulders are relaxed, her body is slightly angled towards the camera, and her eyes look directly into the lens. Her expression is innocent and quiet, with clear and bright eyes showing a child's unique curiosity and purity. Her lips are slightly relaxed, with a pure and natural slight smile. The little girl has soft long black hair braided into two fluffy pigtail braids, one on each side. The braids start from behind the ears, are moderately tight with a natural fluffy airiness, and hang in front of her shoulders. The ends are secured with small light pink rubber bands. A few loose strands of hair stick out from the braids, and soft baby hairs lightly touch her cheeks, clearly showing the real texture and flow of every hair. The braids are casual and natural, with a child's characteristic messy cuteness, not overly neat or tight. Her face is round and full, with obvious baby fat and a high collagen feel. The jawline is soft and not yet developed, showing a child's typical round face contour. Her features are delicate and youthful: round, bright large eyes with a slightly wide spacing, long and slightly curled natural eyelashes without any eyeliner, natural light gray-brown eyebrows with a downy texture, a small and slightly flat nose bridge with a cute rounded tip, and full, soft, round lips in a natural light pink with a natural glow. The face is completely without makeup, maintaining the pure state of a child's original skin. The skin maintains a real human skin texture, with the unique delicate smoothness and soft texture of a young child's skin. Fine pores, skin texture, highlights on the tip of the nose, faint natural blush on the cheeks, and natural skin tone changes are visible. The skin surface has a soft downy feel unique to young children, with very faint fine freckles on the cheeks and nose bridge, retaining realistic details and presenting a high-resolution real photo quality. The ears have no jewelry, the auricles are small and delicate, the earlobes are round and full, and the ear skin is delicate and translucent. She is wearing a soft milk-white pure cotton short-sleeved T-shirt with a round neck that naturally fits the neck. The fabric is soft and skin-friendly, with slight natural wrinkles from daily wear, and the body is loose and comfortable. The scene is a warm family bedroom. The background uses warm beige walls. A half-open log-colored door and shadow area can be seen on the left. A warm yellow bedside nightlight is turned on in the back right. The background is naturally blurred but the indoor space is still recognizable, and soft light-colored bedding is faintly visible at the corner of the bed. The lighting is a mix of natural indoor light and warm lamp light. The person's front is illuminated by soft natural light, making the face light uniform and soft. The right background has warm yellow light, while the left is slightly darker, forming very slight and realistic light and dark layers. The eyes have natural window light reflections, with soft and bright highlights, and clear window-shaped light spots are reflected in the pupils, making the eyes clear and spirited. The style is that of a real smartphone front-facing camera selfie, shot at a close distance with a slight wide-angle perspective and a realistic lens distance. The person has no deliberate posing, looking like a spontaneous innocent daily selfie taken by a little girl in her bedroom. photorealistic, ultra realistic skin texture, visible pores, individual hair strands, natural facial details, realistic smartphone selfie, soft indoor lighting, warm ambient light, shallow depth of field, high dynamic range, natural color grading, subtle sensor texture, highly detailed, 4K portrait photography, young child, innocent expression, chubby cheeks, baby skin texture, natural lighting, home environment, candid everyday moment, double braids, pigtail braids, loose flyaway hairs", "description": "", "author": "Amto", "authorUrl": "https://x.com/XAMTO_AI", "sourceUrl": "https://x.com/XAMTO_AI/status/2089156254602027102" }, { "id": "seedance-474", "title": "Migrating Living Mountains Landscape", "category": "nature-drone", "prompt": "The camera is already flying through a sky filled with living mountains slowly migrating across the atmosphere of an alien world. Entire ecosystems exist on their backs while roots of stone and crystal trail behind them through the clouds. Two flight craft weave between these moving giants, diving through valleys and tunnels carved into the mountains themselves. The camera tracks tightly as colossal peaks drift past the lens. A transparent station attached to one of the mountains overlooks the migration. The craft climb above the herd to reveal thousands of living mountains stretching across the horizon like a moving continent.", "description": "", "author": "Alexandra Aisling", "authorUrl": "https://x.com/AllaAisling", "sourceUrl": "https://x.com/AllaAisling/status/2089152401802428834" }, { "id": "seedance-475", "title": "Flying Pizza Dough Animation", "category": "animation", "prompt": "polished 3D animated comedy. Inside a busy cartoon pizzeria kitchen, one expressive chef confidently spins a large pizza dough disc and tosses it high into the air. He waits underneath with both hands ready, but the dough never comes back down. He slowly looks up, confused. Suddenly the dough swoops back into frame like a giant floppy bird, flapping wildly through the kitchen. \n\nIt smacks the chef flat across the face, completely covering his head for one beat. He yanks it off in panic, but the dough whips around again, snatches his tall chef hat clean off his head, then flies toward the open kitchen window with the hat stuck proudly on top of it. The chef lunges after it and misses, crashing chest-first into the counter as the dough escapes outside. End on the chef staring through the window in stunned disbelief while the dough disappears into the distance wearing his hat.\n\nBright high-quality 3D animation, exaggerated squash-and-stretch, fast readable physical comedy, expressive body language, clean cause-and-effect, energetic camera movement, one chef, one kitchen, no extra characters, no text, no logos, no famous celebrity faces, no recognizable actors, no movie-star resemblance, no public-figure likenesses.", "description": "", "author": "DeCat", "authorUrl": "https://x.com/DeCat2025", "sourceUrl": "https://x.com/DeCat2025/status/2089110178327040072" }, { "id": "seedance-476", "title": "Mediterranean Summer Film Style", "category": "ugc", "prompt": "The small things that go wrong on a crowded beach, shot like a European summer film — rich, warm, unhurried — so the first frame feels like a still from a beloved movie. TECHNICAL NOTES: Shot on 35mm film, fast spherical primes (Cooke-style, 40/50/85mm), T2.8 for a soft painterly falloff, a warm glow in the highlights. Delivered clean full-frame 16:9, no borders. Camera is elegant, intimate handheld — composed but breathing, close to the skin, unhurried. Light is hard Mediterranean noon softened by dappled shade and reflected sand-bounce, warm and enveloping. Grade: rich, saturated, romantic — golden sun-kissed skin, deep foliage and pine greens, terracotta and ochre, a saturated cobalt sea, creamy highlights that stay present rather than blowing out; gentle filmic contrast, a nostalgic warm bias. Cast: natural, effortlessly sun-tanned Mediterranean beachgoers. Costume: chic and timeless — high-waisted swim briefs, elegant one-pieces and simple bikinis in cream, rust, olive and gold; tortoiseshell sunglasses, fine gold chains, a wristwatch. SHOT 1 (00:00–00:02) — Hook - A close, sun-warmed face turns lazily toward the lens in dappled light, a cobalt sea burning bright and soft behind; the whole frame glows golden. - Slow intimate handheld drift-in, shallow, painterly. SHOT 2 (00:02–00:04) — Sand - Children run past a woman lying on her front; sand scatters warmly across her oiled, golden back and an open sandwich. - Low, close handheld, soft focus riding her skin. SHOT 3 (00:04–00:06) — Umbrella - A gust tugs a canvas umbrella loose; tanned figures rise unhurried to steady it, laughing. - Loose elegant handheld, saturated crowd soft behind. SHOT 4 (00:06–00:08) — Seagull - A gull snatches a tomato from a sandwich in a curly-haired man's hand; he startles, then grins. - Quick warm handheld reframe up to the bird against blue. SHOT 5 (00:08–00:10) — No Room - A family folds into a thin gap between sun-browned bodies, close and companionable. - Static, intimate, richly saturated. SHOT 6 (00:10–00:12) — Stray Ball - A ball rolls into a couple's shade and tips a glass bottle; the spill beads on warm sand. - Soft handheld settle on the spill. SHOT 7 (00:12–00:14) — To the Water - A tanned young man in high-waisted briefs wades into the cobalt shallows, sunlight scattering off the surface. - Handheld alongside, sea deep and saturated. SHOT 8 (00:14–00:15) — Wind - A woman gathers a towel that catches the breeze, fabric warm and luminous against the sea. - Close handheld, golden and soft.", "description": "", "author": "Burak Tuyan", "authorUrl": "https://x.com/buraktuyan", "sourceUrl": "https://x.com/buraktuyan/status/2089041868004675822" }, { "id": "seedance-477", "title": "Family Scrapbook 3D Animation", "category": "cinematic", "prompt": "Create a cinematic 3D animation of a young couple revisiting their life journey through a glowing scrapbook—proposal at a Ferris wheel, wedding, new home, Italy road trip, and growing family with two children and a golden retriever. Return to the present as they close the album with the text “the most important chapters of life are still ahead,” ending with a loving forehead kiss and warm smile. Use emotional storytelling, soft lighting, and seamless transitions.", "description": "", "author": "NoorAI", "authorUrl": "https://x.com/noorwithwifi", "sourceUrl": "https://x.com/noorwithwifi/status/2089041052670075150" }, { "id": "seedance-478", "title": "Watch to Butterfly Mechanical Transformation", "category": "action", "prompt": "You transform this watch (Image 1) into a machine butterfly (Image 2) in Transformers movie style. No music. Only use mechanical transformation sounds.", "description": "", "author": "Zidan 子丹", "authorUrl": "https://x.com/liluocheng13", "sourceUrl": "https://x.com/liluocheng13/status/2092487184628752856" }, { "id": "seedance-479", "title": "Zombie Forest Bicycle Chase Sequence", "category": "nature-drone", "prompt": "Ultra-realistic cinematic action scene of a young woman desperately riding a red mountain bicycle at high speed through a dense misty forest while being chased by a large horde of shadowy zombies in the background. She has long black hair streaming dramatically in the wind, wearing a fitted white sleeveless top, black athletic shorts, and white ankle boots. Her expression is focused, frightened, and determined as she grips the handlebars tightly. The bicycle races over a rugged dirt trail covered with massive exposed tree roots, leaves, and dust. In one intense moment, she launches the bicycle over a huge fallen tree root, both wheels lifted completely into the air. Dynamic low-angle tracking shot, dramatic motion blur, flying dust and leaves, sunlight filtering through tall trees, atmospheric forest fog, realistic shadows, high-speed action photography, shallow depth of field, cinematic color grading, photorealistic skin and fabric textures, ultra-detailed, 8K, HDR, professional Hollywood survival-thriller cinematography, 85mm lens, f/1.8, vertical 9:16 composition.", "description": "", "author": "AIwithMinal", "authorUrl": "https://x.com/AIwithMinal", "sourceUrl": "https://x.com/AIwithMinal/status/2092482098657644655" }, { "id": "seedance-480", "title": "Hair Serum Beauty Advertisement", "category": "talking-head", "prompt": "A realistic 15-second vertical beauty advertisement video of a young East Asian woman with long dark brown hair in a bright modern bathroom with wooden walls, large window with blinds, and natural sunlight streaming in. She wears a simple beige ribbed tank top and has natural glowing makeup with soft pink lips. Start with her holding a frosted glass spray bottle with a gold pump and white label, smiling brightly at the camera while looking slightly to the side. On-screen text appears: “My Hair Refresh ✨”. She speaks enthusiastically: “If your hair looks dry and messy in the morning, try this: just a little serum makes such a difference!” She pumps a small amount of white serum onto her palm, then runs her fingers through her hair, applying the product. Text changes to “Smooth & Frizz-Free ✨”. She flips and smooths her hair, showing the transformation. Next, she runs both hands through her now shiny, smooth, silky hair while smiling and speaking: “Look how smooth and shiny my hair looks now!” Text changes to “Fresh Hair Finish ✨”. She continues flipping and tossing her hair playfully, looking happy and confident. Final text appears: “Try It ✨”. She holds the bottle up again, smiling at the camera, and says: “This is definitely staying in my morning routine.” Soft natural lighting, warm golden hour sunlight, high-quality realistic skin texture, cinematic beauty commercial style, smooth camera movements, vertical 9:16 format, 15 seconds duration.", "description": "", "author": "Noor", "authorUrl": "https://x.com/noorlewisx", "sourceUrl": "https://x.com/noorlewisx/status/2092478694078251087" }, { "id": "seedance-481", "title": "Cinematic Visual Style Settings", "category": "cinematic", "prompt": "FORMAT AND VISUAL STYLE\n\n16:9 aspect ratio, native 1920×1080 resolution, 24fps, full-frame image with no letterboxing. Cold, desaturated color palette, restrained cinematic lighting, soft highlights, deep shadows, subtle film", "description": "", "author": "Token360.ai", "authorUrl": "https://x.com/IronEntrepreneu", "sourceUrl": "https://x.com/IronEntrepreneu/status/2092462500117614847" }, { "id": "seedance-482", "title": "Luxury Hotel Thriller Sequence", "category": "product-ad", "prompt": "A live-action thriller follows Sue leaving a luxury-hotel elevator and fighting bare-handed down the corridor as ten masked attackers try to stop her.\n\n<<>> is the sole authority for Sue's complete appearance. Sue wears exactly its outfit,", "description": "", "author": "Zephyra Leigh", "authorUrl": "https://x.com/ZephyraLeigh", "sourceUrl": "https://x.com/ZephyraLeigh/status/2092461819617333592" }, { "id": "seedance-483", "title": "Science Fiction Short Film", "category": "cinematic", "prompt": "TOTAL DURATION: 2 MINUTES\nSTRUCTURE: 4 CONNECTED SHOTS, EACH 30 SECONDS\nASPECT RATIO: 16:9\nSTYLE: PREMIUM PHOTOREALISTIC HOLLYWOOD SCIENCE-FICTION\n\nCreate a complete 2-minute cinematic short film about two", "description": "", "author": "Caden Flux", "authorUrl": "https://x.com/Caden_Flux", "sourceUrl": "https://x.com/Caden_Flux/status/2092450306546094558" }, { "id": "seedance-484", "title": "Mountain Monastery 2.5D Animation", "category": "nature-drone", "prompt": "Cinematic 2.5D animation. NOT flat 2D cartoon, NO bold black outlines, NO cel-shading, NOT glossy CGI, NOT Unreal Engine, NO photorealism, no plastic skin.\n\nWORLD: crumbling mountain monastery courtyard at dusk, mist rolling through broken stone pillars,", "description": "", "author": "PixieVerse", "authorUrl": "https://x.com/itsPixieVerse", "sourceUrl": "https://x.com/itsPixieVerse/status/2092439850184249474" }, { "id": "seedance-485", "title": "Istanbul Photographer Lifestyle Vlog", "category": "animation", "prompt": "Create an ultra-photorealistic cinematic professional photographer lifestyle vlog. STORY: A female professional photographer prepares her camera equipment at home, travels to historic Istanbul, photographs a female model in the historic streets, reviews the photos on her camera, and finishes by walking through the beautiful historic district. REFERENCE PRIORITY: @IMG1 = MAIN FEMALE PHOTOGRAPHER @IMG2 = ISTANBUL HISTORIC LOCATION @IMG3 = PROFESSIONAL CAMERA GEAR @IMG4 = PHOTOGRAPHER + MODEL PHOTOSHOOT @IMG5 = PHOTO REVIEW @IMG6 = FINAL ISTANBUL WALK CHARACTER CONSISTENCY: The EXACT SAME woman from @IMG1 must appear throughout the video. Preserve her exact: face, facial features, hairstyle, skin tone, body proportions, age appearance and overall identity. She remains the photographer throughout. Keep her outfit, camera bag and professional appearance consistent. -------------------------------------------------- 0–4 SECONDS — PREPARING AT HOME Use @IMG1 + @IMG3. Early morning. The photographer is at home preparing for the photoshoot. She opens her camera bag. She checks the professional camera. She checks the battery and memory card. She carefully attaches the same 24–70mm lens shown in @IMG3. She places the camera into her shoulder bag. She picks up the bag and prepares to leave. CAMERA: Quick cinematic close-ups of the camera, lens and accessories. Then a medium shot of her leaving home. Keep the sequence natural and efficient. -------------------------------------------------- 4–8 SECONDS — ARRIVING IN ISTANBUL Use @IMG1 + @IMG2. Transition naturally to historic Istanbul. The photographer arrives at the Sultanahmet historic area. She walks along the cobblestone street carrying her camera bag. She looks around at the architecture. She chooses a beautiful location for the photoshoot. She takes the camera out of her bag. CAMERA: Wide establishing shot revealing the historic Istanbul architecture. Then a medium tracking shot following the photographer. -------------------------------------------------- 8–13 SECONDS — PREPARING THE PHOTOSHOOT Use @IMG1 + @IMG2 + @IMG3 + @IMG4. The female model arrives. The photographer positions the model against the historic Istanbul architecture. She checks the camera settings. She adjusts the lens. She raises the camera to her eye. She gives the model a subtle hand gesture indicating where to stand and how to pose. The model responds naturally. CAMERA: Medium shot showing photographer and model. Brief close-up of the camera and lens. -------------------------------------------------- 13–20 SECONDS — PROFESSIONAL PHOTOSHOOT Use @IMG4. The photographer begins taking professional photographs. The model poses naturally. The photographer moves slightly to one side to change the composition. She takes a portrait shot. Then she changes position and takes a wider environmental shot. Then she briefly crouches to capture a dramatic low-angle photograph. The model remains natural and confident. The photographer presses the shutter naturally. CAMERA: Alternate between: photographer POV, side angle, over-the-shoulder camera shot, low-angle photography position, wide shot showing the historic architecture. Keep the photography process realistic. -------------------------------------------------- 20–25 SECONDS — REVIEWING THE PHOTOS Use @IMG5. The photoshoot is complete. The photographer lowers the camera. She turns the camera screen toward herself. She scrolls through the photographs. Show a beautiful portrait of the same model on the camera display. She stops on one particularly strong image. She looks pleased with the result. A subtle satisfied smile appears. CAMERA: Medium shot → close-up of camera screen → close-up of photographer's satisfied expression. Make the camera screen look realistic. -------------------------------------------------- 25–30 SECONDS — FINAL WALK AWAY Use @IMG6. The photographer puts the camera on her shoulder. She adjusts the camera strap. She picks up her camera bag. She begins walking calmly through the historic Istanbul street. Warm golden-hour sunlight illuminates the buildings. She walks away from the camera. The camera slowly pulls back into a wide cinematic shot. Reveal the historic street, architecture, domes and distant minarets. End with the photographer becoming smaller in the beautiful Istanbul environment. CUT TO BLACK. -------------------------------------------------- CAMERA STYLE: Premium cinematic travel-fashion photography vlog. Smooth tracking shots. Natural handheld movement. Professional documentary-style camera work. Wide establishing shots. Medium lifestyle shots. Close-ups for camera equipment. Over-the-shoulder photography shots. Gentle cinematic pull-back at the ending. Do not use excessive camera shake. Do not use unrealistic camera movements. -------------------------------------------------- REALISM: Realistic camera handling. Realistic lens interaction. Realistic shutter operation. Realistic walking. Realistic model posing. Natural human anatomy. Realistic hands and fingers. Natural facial expressions. Realistic clothing movement. Realistic camera screen. Natural Istanbul environment. -------------------------------------------------- CONTINUITY: Same female photographer throughout. Same face. Same hairstyle. Same outfit. Same camera. Same lens. Same camera bag. Same Istanbul location. Same model during all photoshoot scenes. No identity swapping. No different photographer. No different model. No camera change. No lens suddenly changing. No face morphing. No distorted hands. No extra fingers. No cartoon. No anime. No CGI-looking people. No text. No logos. No watermark. FINAL FEELING: A polished professional photography lifestyle vlog. The viewer should feel they followed the photographer through a real working day: PREPARE CAMERA → LEAVE HOME → ARRIVE IN ISTANBUL → SET UP SHOOT → PHOTOGRAPH MODEL → REVIEW PHOTOS → WALK AWAY.", "description": "", "author": "Elsa Ai", "authorUrl": "https://x.com/ElsaSofia__AI", "sourceUrl": "https://x.com/ElsaSofia__AI/status/2092418643212795940" }, { "id": "seedance-486", "title": "Baby Dragon Mimicking Adult Roar", "category": "cinematic", "prompt": "Cinematic 3D animation of a cute baby dragon with dark grey scales and large golden eyes fluttering its small wings in a sunlit enchanted forest, standing in front of a giant colossal ancient dragon with antler horns. The camera tracks up close to the baby dragon smiling, then pulls back as the massive dragon behind it opens its jaws and lets out a powerful roar, with the tiny dragon spreading its wings and imitating the roar. Set in an enchanted forest with mossy ground, glowing blue mushrooms, ferns, volumetric golden god rays, fog, realistic scale textures, 8k resolution, highly detailed fantasy style.", "description": "", "author": "Julia", "authorUrl": "https://x.com/juliaevee", "sourceUrl": "https://x.com/juliaevee/status/2092418379315650682" }, { "id": "seedance-487", "title": "Glass Skin Beauty Serum Commercial", "category": "product-ad", "prompt": "​A commercial-style high-definition video sequence of a young East Asian woman with glowing, glass-like skin The sequence begins with close-up shots showing minor skin imperfections and freckles, transitioning to her looking tired while working in front of a laptop She reaches for a minimal glass bottle of clear hydrating facial serum on a sunlit marble counter. Macro close-ups show the clear serum pouring onto her palm and being gently applied to her face As the serum absorbs, her complexion transforms into radiant deeply hydrated, glass skin She smiles confidently in a bright, modern white apartment as sheer white curtains billow in the breeze. Soft natural lighting, aesthetic beauty commercial cinematography, 4k resolution, 60fps, smooth cinematic cuts.", "description": "", "author": "Lavinia", "authorUrl": "https://x.com/laviniavelle", "sourceUrl": "https://x.com/laviniavelle/status/2092417476265144705" }, { "id": "seedance-488", "title": "Realistic Japanese High School Vlog", "category": "talking-head", "prompt": "Create a 30-second personal home video in the style of a vlog, filmed by a high school classmate walking home with a Japanese high school girl. Hyper-realistic. The 30 seconds should consist of a montage of hard cuts comprising about 12 short shots (2-3 seconds each). Each shot should be in a different place and at a different moment, where 1 shot = 1 small event. Do not use transition effects or fades. Since the person filming is a close classmate, she is completely relaxed, smiling at the camera, showing things, and talking (words are inaudible). Not poses or acting, but the natural expressions she only shows to friends.\n\nMain Subject:\nThe same Japanese high school girl throughout all shots. Natural, healthy, realistic skin texture, no makeup, slightly tired but bright eyes after club activities. Black hair tied in a high ponytail with a few stray hairs on her cheeks. White short-sleeved sailor uniform (navy collar and scarf), knee-length navy pleated skirt, white socks, white sneakers, and a shoulder school bag. Keep face, body shape, hairstyle, uniform, and belongings completely consistent from start to finish.\n\nLocations:\nA school road and its slopes from after school in summer until sunset. After-school classrooms, hallways, entrance halls, school gates, vending machines, riverbank paths, candy stores, and crosswalks at sunset. Authentic school roads full of everyday life. No crowds, advertisements, or recognizable brands.\n\nCamera / Visual Style:\nCommon to all shots: a handheld old consumer digital camera held by a classmate. Natural shake, imperfect framing, occasional autofocus changes, exposure fluctuations, soft image detail, light motion blur, subtle digital noise, slightly suppressed colors, and imperfect white balance. No stabilization, gimbals, drones, slow motion, cinematic lighting, or commercial color grading.\n\nShot List (in order, 2-3 seconds each, all hard cuts):\n1. Getting ready to go home in the after-school classroom. Noticing the camera, smiling, and lightly covering the lens with her palm.\n2. Walking together down an empty hallway after school. The sound of indoor shoes echoes.\n3. Changing into sneakers at the entrance while talking and laughing about something (inaudible).\n4. Leaving the school gate, turning back once to look up at the school building in the evening.\n5. Buying two drinks at a vending machine and offering one to the lens.\n6. Walking along a riverbank path. Laughing while holding her ponytail fluttering in the wind.\n7. Squatting down to reach for a cat on a wall, laughing with her friend as the cat deftly dodges.\n8. Splitting a popsicle from a candy store in half and offering one side to the camera.\n9. A sudden summer shower. Running while laughing with her school bag over her head, then stopping to hold it up halfway.\n10. Under a roof with wet bangs, intentionally making a funny face to make the photographer laugh.\n11. Turning back while crossing a crosswalk at sunset.\n12. Waving both hands widely at a fork in the road. In the middle of this, around 00:29, the recording suddenly cuts to black. No fade-out.\n\nPhysical Realism:\nMaintain plausible real-world physics in all shots. Hands, fingers, feet, uniform, hair, rain, school bags, and popsicles behave naturally. No extra fingers, fused hands, duplicated limbs, distorted anatomy, floating objects, disappearing items, or sudden deformations. Feet remain properly connected to the ground. Maintain subject consistency between shots, with lighting naturally progressing from after-school to sunset.\n\nAudio:\nNatural environmental sounds only. Environmental sounds also cut with each shot. Distant club activity shouts, indoor shoe sounds, cicada chirps, vending machine sounds, popsicle splitting sounds, rain sounds, crosswalk sounds, and inaudible voices and laughter. No music. No narration. No artificial sound effects.\n\nFinal Atmosphere:\nA video that feels emotional when looked back on, even though it's just 12 ordinary moments lined up. Not a commercial work. Not a fashion film. Not a music video. A record of an ordinary but irreplaceable after-school moment left on a classmate's camera. Carefree, in the middle of youth, nostalgic, warm, spontaneous, and deeply human. Prioritize the feeling that the camera just happened to be there.", "description": "", "author": "妖精アーヤさん", "authorUrl": "https://x.com/aiehon_aya", "sourceUrl": "https://x.com/aiehon_aya/status/2092415045917716668" }, { "id": "seedance-489", "title": "Morning Barn Loft POV", "category": "ugc", "prompt": "Barn loft, morning. Wakes, looks at wife, brief teasing exchange, a kiss. Close POV on face, soft morning light. Sound:breathing, hay, birdsong.", "description": "", "author": "YORONE", "authorUrl": "https://x.com/heyyorone", "sourceUrl": "https://x.com/heyyorone/status/2092403725877076388" }, { "id": "seedance-490", "title": "Cinematic Nighttime Taxi POV Video", "category": "ugc", "prompt": "Create a continuous 13s vertical (9:16) 1x-speed video: handheld phone POV, slightly low side angle, very close to her face in a nighttime taxi backseat", "description": "", "author": "YORONE", "authorUrl": "https://x.com/heyyorone", "sourceUrl": "https://x.com/heyyorone/status/2092386861826404597" }, { "id": "seedance-491", "title": "Fantasy Martial Arts Live Action", "category": "general", "prompt": "REFERENCE TAGS\nUse: @.Aisha exact Indian female character reference\n@.Harumin exact Korean female character reference\n@.FrozenCourtyard exact environment reference\n\n30 seconds | 16:9 | ultra photorealistic live action fantasy martial arts |", "description": "", "author": "BMX", "authorUrl": "https://x.com/bmx_ai13", "sourceUrl": "https://x.com/bmx_ai13/status/2092338324681937280" }, { "id": "seedance-492", "title": "Futuristic Starship Cockpit POV", "category": "ugc", "prompt": "POV from pilot's seat inside a single seat starship cockpit, looking out through the windshield. Medium close framing: hands on the yoke, illuminated dashboard in foreground; futuristic night metropolis beyond skyscrapers, dense air traffic, neon signage, wet street reflections far below. Young female pilot implied as viewer; visible only via sleeves/gloves/canopy reflections: sleek white gray flight suit, micro LED tactile gloves, subtle cool makeup, low ponytail, confident steady posture, calm tension. Lighting: cool instrument key light, city rim glow, atmospheric haze, windshield reflections, diffused neon glints, minimal noise. Mood: clean minimalist sci fi, quiet suspense, high tech serenity, Oblivion inspired sterile palette and clean lines. Virtual ARRI Alexa 65, 35mm 2× anamorphic, T2.0, ISO 800, 1/48s, 9:16, shallow depth of field, oval bokeh, subtle film grain, log profile, HDR.", "description": "", "author": "LANDCÄSTER.EXE", "authorUrl": "https://x.com/LANDCASTER_92", "sourceUrl": "https://x.com/LANDCASTER_92/status/2092320917762314666" }, { "id": "seedance-493", "title": "Japanese Hall Anime Short", "category": "animation", "prompt": "Cinematic anime short film clip, 15 seconds. House of Blue Leaves interior, large dark Japanese hall, single dramatic spotlight cutting through the darkness illuminating the center of the floor, dark walls and pillars visible in the shadows, enemies", "description": "", "author": "TechieSA", "authorUrl": "https://x.com/TechieBySA", "sourceUrl": "https://x.com/TechieBySA/status/2092300473365942757" }, { "id": "seedance-494", "title": "Scarlet Priestess Time Freeze Fantasy", "category": "nature-drone", "prompt": "Create a 15-second multi-shot 16:9 ultra-photorealistic live-action cinematic fantasy sequence. The sequence must look like a real high-end live-action film scene shot on location with a real performer and practical wardrobe. Absolute photographic realism. No 3D look, no CGI feel, no game-engine rendering, no plastic vegetation, no synthetic surfaces, no fantasy illustration aesthetic. Natural skin texture, visible textile fibers, heavy cloth behavior, wet moss, irregular bark, realistic droplets, physically believable wind, real gravity, true inertia, cinematic lens behavior, subtle film grain, restrained cinematic color grading. Core concept: a violent supernatural storm tears through the forest. The mage raises her staff high into the air to stop time. At the exact moment the staff reaches upward, time freezes instantly all around her: rain, leaves, broken branches, bark, wood splinters, moss, droplets and debris are suspended motionless in midair. Important: the mage herself is not frozen. She alone remains alive and moving outside stopped time. Her hair continues to flow in the wind, her immense red garment continues to ripple and breathe with natural weight, and she can move her hand through the frozen world. The camera glides through the suspended storm in macro detail, then reveals her gently touching a frozen droplet with her fingertips. She closes her fingers, and the whole forest rewinds violently in reverse. Final shot: a gigantic shattered tree reconstructs itself around her in a breathtaking live-action spectacle. SHOT 1 — 0.0–2.0 s. Wide kinetic establishing shot in the forest, 28mm lens feeling, camera moving through the trees as a violent supernatural storm tears across the landscape. Branches whip, leaves spiral, rain and spray burst through frame, loose bark and splinters fly through the air, ferns bend under sudden force. The mage stands ahead in the distance as a vivid red silhouette against the dark green forest. The storm is chaotic, heavy and physically believable. SHOT 2 — 2.0–4.0 s. Dramatic low-angle medium-wide shot. The mage powerfully raises her tall moss-covered staff high above her head toward the sky. Her stance is rooted and sovereign. Her expression is calm, focused, and absolute. Strong wind pushes through her long red hair and the heavy fibrous strands of her cloak, making them stream and flutter with real weight and texture. She is alive, powerful, and dynamic. The storm continues raging violently around her as she completes the upward gesture. SHOT 3 — 4.0–5.0 s. Extreme close shot on the staff lifted in the air and on her hand gripping it. At the exact peak of the gesture, time stops instantly. Hard supernatural freeze. Rain droplets, leaves, bark fragments, twigs, mud particles and torn moss become perfectly suspended in the air. The environment freezes absolutely. Important: only the world freezes. The mage remains unfrozen, breathing subtly, with hair and garment still moving in a mysterious residual wind. SHOT 4 — 5.0–7.0 s. Macro traversal shot through the frozen storm. The camera moves slowly and elegantly through suspended droplets, torn leaves, wood splinters, clumps of wet moss and airborne soil particles, all perfectly still. Shallow depth of field and delicate rack focus. Hyper-detailed water, bark fibers and plant textures. In the background, the mage remains the only moving element in the frame, her red hair drifting softly and her cloak breathing in the wind while everything else is frozen solid in time. SHOT 5 — 7.0–9.5 s. Intimate close shot transitioning from macro to portrait. The camera passes in front of the mage’s face as she slowly extends one hand into the frozen air. She gently touches a single suspended water droplet with her fingertips. The droplet remains perfectly suspended in space while her hand moves freely around it. Her face is alive, calm and controlled, not frozen. Her eyes study the droplet with quiet mastery. Strands of red hair move across the hood and cheeks, and the edges of her garment subtly ripple. Around her, the storm debris hangs motionless like a halo of suspended destruction. SHOT 6 — 9.5–12.0 s. Close dynamic shot with a slightly orbiting camera angle. After touching the droplet, the mage slowly closes her fingers. At that exact moment, the entire world reverses direction violently. All suspended elements accelerate backward through their original paths: droplets fly back into rain streams, splinters return into branches, bark fragments reattach, leaves reverse through the air, mud and moss snap back into place. The reverse motion must feel like true time rewinding, not simply objects moving backward. The mage remains centered and controlled while the forest heals around her. SHOT 7 — 12.0–15.0 s. Grand final shot, dramatic low-angle to medium-wide composition centered on the mage. Around and behind her stands a gigantic tree that had been violently shattered by the storm. In reverse motion, colossal trunk fragments, bark slabs, inner wood fibers, branches, moss and debris reassemble around her at monumental scale. The ancient tree reconstructs itself completely, sealing and becoming whole again while she stands beneath it with her staff still raised or just beginning to lower, hair and garment still moved by the lingering wind. End on a majestic completed composition: the restored towering tree enclosing her presence, the storm gone, the forest returned to impossible stillness, and the mage the only living force beyond time. Camera language must be varied and purposeful across the sequence: storm-driven wide shot, low-angle heroic gesture, extreme close-up trigger shot, macro traversal through frozen debris, intimate face-and-hand interaction, dynamic rewind shot, and monumental final reveal. Every angle must feel deliberate, original, cinematic, and worthy of a major film director. Keep the supernatural phenomenon grounded in realism. The impossible effect must emerge from fully believable physical materials: water, wood, bark, moss, leaves, mist, cloth, soil, and air. No glowing magic beams, no fantasy energy blasts, no holograms, no stylized VFX overload. The power is expressed through time control, motion contrast, tactile interaction with frozen matter, and physical reversal. Important visual rule: once time is stopped, all environmental elements must be perfectly frozen, but the mage must remain subtly animated. Her hair moves in the wind, her cloak and fibrous garment continue to ripple naturally, and she can deliberately reach out and touch a suspended droplet with her hand. No text, no titles, no captions, no logo, no watermark, no visible UI, no identity drift, no costume change, no staff change, no duplicate character, no malformed hands, no extra fingers, no synthetic skin, no cartoon motion, no low-detail background. no music, no subtitle", "description": "", "author": "Minuit", "authorUrl": "https://x.com/minuitIA", "sourceUrl": "https://x.com/minuitIA/status/2092285935056568787" }, { "id": "seedance-495", "title": "Surreal Tree Head Character Animation", "category": "nature-drone", "prompt": "Maintain exact same visual style. Character: @[image1]. The tree growing from his head suddenly becomes filled with migrating birds. Their combined weight tilts his enormous head sideways, dragging the tiny body across the landscape. He tries shaking them loose but attracts even more birds. Finally he positions himself beside a cliff where the entire flock launches simultaneously, snapping his head upright like a released spring.", "description": "", "author": "AIrina (Virtual Media Net)", "authorUrl": "https://x.com/airina_xyz", "sourceUrl": "https://x.com/airina_xyz/status/2092285455941152842" }, { "id": "seedance-496", "title": "Cinematic Medieval Warrior Battle Sequence", "category": "ugc", "prompt": "A cinematic video prompt describing an original mature male warrior in heavy steel armor on a muddy battlefield. The sequence features intimate close-ups of his helmet, first-person POV through eye slits, and a detailed battle against mounted attackers using a flail and a polearm. The style is hyper-realistic with a focus on physics, atmospheric fog, and ultra-slow-motion movements, emphasizing the weight and inertia of the armor and combat actions over 20 seconds of screen time.", "description": "", "author": "MadMax", "authorUrl": "https://x.com/MadMax_Series", "sourceUrl": "https://x.com/MadMax_Series/status/2092270319109103849" }, { "id": "seedance-497", "title": "Post-Apocalyptic Mecha Awakening Transformation", "category": "talking-head", "prompt": "15 seconds, 16:9 cinematic widescreen, UE5.5 hyper-realistic style, high-precision 3DCG, Nanite high-poly models, PBR physical materials, Lumen global illumination, real-time ray tracing, Octane-level cinematic rendering quality, 8K, 60 fps. High-budget post-apocalyptic sci-fi film style, realistic motion blur, realistic particles, realistic electrical arcs, realistic smoke and dust, and realistic reflections on wet metal. The overall vibe is hard-edged, cool and edgy, oppressive, and exudes a powerful sense of awakening and dominance. Absolutely no anime-style, no cartoonish elements, and no cheap “costume change” feel. [Character Identity Lock] Before transformation, strictly use the character in Figure 1 as the sole reference; do not reset the model or replace the face. Maintain exact consistency with Figure 1 in terms of the face, facial features, long straight light-blonde hair, white sleeveless top, blue jeans, brown high boots, body proportions, and cool, aloof demeanor. After transformation, strictly use Figure 2 as the sole reference for the mech form; do not reset the model or alter the mech’s structure. Maintain the complete appearance shown in Figure 2: the silver-gray-black mech, shoulder armor, chest armor, waist and hip armor, arm armor, leg armor, mechanical boots, back armor structure, orange glowing details, and head and neck structure must all be identical. The transformation must be a continuous evolution of the human character Alin (Figure 1) into the complete mech Alin (Figure 2). The identity must remain absolutely clear and continuous; the character must not transform into an unfamiliar character, the hairstyle must not be altered, and the face must not be completely obscured to become an unrecognizable mech figure. 【Environment Locked】 The environment must strictly match Figure 3. The scene is a massive, ruined elevated platform or rooftop located above a post-apocalyptic megacity. The platform is spacious, damaged, and damp, with a mixed structure of metal and concrete. The ground features puddles left after rain, cracks, seams between steel plates, shattered debris, and scattered mechanical parts. The distant view features a city skyline in ruins: collapsed skyscrapers, broken bridges, distant fire, black smoke, thunderclouds, lightning, and a low-pressure stormy sky. The overall setting is an apocalyptic vantage point just before a storm hits—open, dangerous, and highly epic. 【Lighting and Atmosphere】 Heavy, low-pressure storm clouds with a predominantly cool gray color palette. Fires in the distant city provide warm orange reflections, while lightning and storm clouds offer cool white highlights; the wet ground on the platform reflects the sky and the firelight. The wind is extremely strong, blowing Alin’s long hair, the hems of her clothes, dust, debris, and suspended mechanical units. The overall lighting features high-contrast, cinematic lighting: cool natural light, warm firelight, blue electric arcs, orange mecha light, and red blade light combine to create sophisticated layers. [Core Narrative] This is no ordinary suit activation—it is the arrival of a true awakening. Alin is first awakened by the power within her, then lifted off the ground by an invisible energy field, hovering above the high-altitude platform. The surrounding battlefield debris and mechanical units are awakened by her and respond to her, assembling at high speed through magnetic attraction around her as she hovers. Once her transformation is complete, she descends slowly onto the platform with an air of total control. The moment her feet touch the ground, she draws her red-hot energy blade and swings it, unleashing a blinding red blade of light—the entire sequence executed in one fluid motion, as if the ultimate female war goddess herself had descended upon the battlefield. 【General Requirements for Camera Work】 Camera movements must be smooth, flawless, and seamless; they must not be monotonous or flat, nor should the camera fly erratically. The camera should appear to be guided by an awakened energy field, following her complete sequence of movements: being lifted from the ground, transforming mid-air, landing on the platform, and swinging her blade to unleash a beam of light. Techniques to use: Close-up tracking, semi-circular tracking shots, gliding along the path of her armor’s formation, mechanical parts in the foreground sweeping across the frame to create an occlusion-style transition, low-angle lifts, hovering circling shots, landing tracking, and a fluid pull-back shot during the blade swing. The entire sequence must feel like a single, continuous long take, with the momentum steadily building and no sense of interruption. [Timeline] 00:00 - 00:02 Alin, in the state shown in Figure 1, stands in the center of the high-altitude ruins platform depicted in Figure 3. A stormy sky looms overhead, the city burns in the distance, and lightning flashes through the clouds. The camera slowly pans up from a low angle at her left rear shoulder to her profile. She first tilts her head down slightly, as if suppressing the power within her; her breathing is restrained, and her gaze is cold and hard. Then she slowly raises her eyes, and subtle energy pulses emerge along her collarbone, the side of her neck, the lower part of her spine, and her fingertips. At that very moment, an invisible energy field rises from beneath her feet, and her body slowly lifts off the ground. Her feet leave the damp platform, and her long hair and the hems of her clothes are lifted simultaneously by the energy field and the gale, as she enters a state of suspended awakening. 00:02 - 00:05 Alin hovers in midair, about half a meter to one meter above the platform. The camera begins with a medium-close-up semi-circular shot, moving smoothly from her chest to her shoulders. Mechanical debris, nano-armor fragments, and black-and-silver structural units scattered around her are magnetically drawn from the platform and the air, forming high-speed orbits around her. The skeletal frame on her back unfolds behind her suspended body first, followed by the shoulder lock points, collarbone armor, and chest armor, which snap into place precisely along the curves of her body. The camera must follow the path of the armor’s formation, sweeping past the lock points on her back, over the closing shoulder armor, and gliding to the chest armor as it locks into place. Mechanical fragments streak past the foreground of the shot at high speed, creating a natural transition through visual obstruction. She hovers steadily in midair, her demeanor calm, as if everything is under her control. 00:02 - 00:05 Alin hovers in midair, about half a meter to one meter above the platform. The camera begins with a medium-close-up semi-circular shot, moving smoothly from her chest to her shoulders. Mechanical debris, nano-armor fragments, and black-and-silver structural units scattered around her are magnetically drawn from the platform and the air, forming high-speed orbits around her. The skeletal frame on her back unfolds behind her suspended body first, followed by the shoulder lock points, collarbone armor, and chest armor, which snap into place precisely along the curves of her body. The camera must follow the path of the armor’s formation, sweeping past the lock points on her back, over the closing shoulder armor, and gliding to the chest armor as it locks into place. Mechanical fragments streak past the foreground of the shot at high speed, creating a natural transition through visual obstruction. She hovers steadily in midair, her demeanor calm, as if everything is under her control. 00:05 - 00:08 The camera quickly cuts down to her arms and torso, then rises again with the flow. The mechanical framework of her forearms unfolds upward from the wrists, with silver-gray-black armor plates fitting together, locking, and interlocking one by one; the torso armor locks into place simultaneously with the hip structure; the leg armor closes smoothly from thigh to calf while suspended in midair, with the leather boots in Figure 1 upgrading to the mechanical boots in Figure 2. The camera seems to be dragged along by the armor as it glides from the forearms up to the waist and abdomen, then rises to the chest and neck. The orange energy bar lights up segment by segment along the seams, as if the awakening system is fully activated. The state of suspension lends the entire transformation a more divine and commanding presence. 00:08 - 00:10 The face and head/neck complete the awakening. The scene begins with an extreme close-up of her face; she closes her eyes slightly, her expression shifting completely from repression to total control. Mechanical units deploy at the back of her neck, behind her ears, and on both sides of her jaw, while head and neck armor rapidly closes in along the lines behind her ears, he", "description": "", "author": "Loriel.AI", "authorUrl": "https://x.com/ou_zhen599", "sourceUrl": "https://x.com/ou_zhen599/status/2092269888110989779" }, { "id": "seedance-498", "title": "Edo Period Dark Fantasy Anime Battle", "category": "animation", "prompt": "Generate a 15-second 16:9 horizontal action-packed cinematic Edo-period dark fantasy anime video from the provided first frame. Characters: Ren (tattered charcoal kimono, cursed black katana, aggressive ronin) and Master Orikami (white Shinto robes, blind exorcist, floating paper cranes). Maintain 100% design consistency throughout. Style & Quality: High-budget TV anime style, sharp ink-wash line art, fluid 2D swordplay choreography, snow and leaf physics, dramatic speed lines, high-contrast cel shading. Time-Coded Action: 0.0s – 3.0s: Ren dashes across the snowy shrine courtyard, executing heavy crimson-energy sword slashes. Orikami summons a dense wall of paper cranes to absorb the initial blow. 3.0s – 7.0s: High-speed flurry. Orikami launches a vortex of sharp paper shurikens; Ren deflects them mid-air with lightning-fast sword spins before attempting a jumping overhead strike. 7.0s – 11.0s: Ren cuts through a paper decoy. Orikami reappears behind him, using folded paper talismans to wrap around Ren's katana and arms, absorbing all momentum. 11.0s – 15.0s: The paper bindings lock Ren completely in place, disarming his sword into the snow. End on a wide cinematic frame of the defeated ronin locked in paper while Orikami steps away silently amidst falling red maple leaves. Camera & Technical: Fast camera tracking, dynamic angle cuts, close-up blade clangs, wide dramatic ending frame. 16:9 horizontal format, no text, no watermark.", "description": "", "author": "Gilbert Odera | Your AI Plug", "authorUrl": "https://x.com/yourPlugAI", "sourceUrl": "https://x.com/yourPlugAI/status/2092269036167934445" }, { "id": "seedance-499", "title": "Apartment Hallway Neighbor Confrontation", "category": "general", "prompt": "Main Character: Zephyr Valentine @[image1] @[image2] (keep facial features consistent and the exact same visual style) \nLocation: Quiet apartment hallway.\nOther character: Suspicious elderly neighbor.\n \nShot 1 — 0:00–0:02\nZephyr walks confidently down the hallway. The neighbor steps into his path.Neighbor: “You don’t live here.”\nShot 2 — 0:02–0:04\nZephyr stops. Slight smile.Zephyr: “Strong opening.”\nShot 3 — 0:04–0:05.5\nNeighbor narrows her eyes.Neighbor: “Who are you visiting?”\nShot 4 — 0:05.5–0:07.5\nZephyr looks thoughtfully down the hallway.Zephyr: “Apparently nobody.”\nShot 5 — 0:07.5–0:09\nNeighbor frowns.Neighbor: “What does that mean?”\nShot 6 — 0:09–0:11\nZephyr glances at the floor number, suddenly realizing something.Zephyr: “It means…”\nShot 7 — 0:11–0:13\nClose-up Zephyr removing his sunglasses slightly, embarrassed.Zephyr: “…I’m one floor too high.”\nShot 8 — 0:13–0:15\nNeighbor gives him a victorious smile. Zephyr points approvingly at her.Zephyr: “Excellent security.”She immediately looks proud.", "description": "", "author": "AIrina (Virtual Media Net)", "authorUrl": "https://x.com/airina_xyz", "sourceUrl": "https://x.com/airina_xyz/status/2092244364361650520" }, { "id": "seedance-500", "title": "Desert Sci-Fi Epic Artifact Awakening", "category": "animation", "prompt": "Create ultra realistic 15 seconds Epic cinematic science fiction, photorealistic VFX, dramatic lighting, atmospheric desert environment, high detail, realistic physics, smooth cinematic camera movement, seamless visual continuity.\n\nShot 1 — Discovery | 0–5 sec\nA lone scientist in a futuristic exploration suit walks through a vast, windswept desert at golden hour. He suddenly stops and discovers a mysterious alien artifact partially buried in the sand. The artifact glows with an intense blue-white energy, illuminating his face as dust swirls around him. Slow cinematic push-in, dramatic composition, realistic textures.\n\nShot 2 — Awakening | 5–10 sec\nThe alien artifact slowly rises from the ground and begins floating several feet above the desert. Powerful waves of blue energy pulse outward from it, sending sand and dust spiraling through the air. The scientist steps back in awe as the artifact becomes increasingly brighter. Low-angle camera movement, dramatic energy effects, cinematic lens flare, epic scale.\n\nShot 3 — Portal | 10–15 sec\nThe sky above the desert suddenly begins to distort and crack with glowing blue energy. A massive circular portal opens among the clouds, revealing a mysterious cosmic dimension beyond it. The artifact releases a powerful beam of energy toward the portal as the desert is illuminated by its glow. The scientist stands silhouetted in the foreground, staring upward. Epic wide shot, dramatic camera pullback, breathtaking sci-fi finale.\n\nNegative prompt: cartoon, low quality, blurry, unrealistic physics, distorted human, extra limbs, text, subtitles, watermark, logo, shaky camera, abrupt transitions.", "description": "", "author": "Nafees", "authorUrl": "https://x.com/feesyiam", "sourceUrl": "https://x.com/feesyiam/status/2092217439702634496" }, { "id": "seedance-501", "title": "Female Morning Fitness Lifestyle Vlog", "category": "action", "prompt": "Part 1. 30 second + part 2. 15 second =Total 45 second DURATION: 45 seconds ASPECT RATIO: 16:9 Part 1. 30 second Create an ultra-photorealistic cinematic female morning fitness lifestyle vlog. REFERENCE PRIORITY: @IMG1 = STRICT FEMALE IDENTITY REFERENCE @IMG8 = MASTER FITNESS LOOK, OUTFIT, HAIRSTYLE, SHOES AND ACCESSORIES @IMG2 = BEDROOM ENVIRONMENT @IMG3 = BATHROOM ENVIRONMENT @IMG4 = MORNING WALKING ROUTE @IMG5 = GYM ENVIRONMENT @IMG6 = FITNESS ACTION REFERENCE The SAME woman from @IMG1 must appear throughout the entire video. Use @IMG8 to maintain her exact fitness outfit, hairstyle, sneakers, earbuds, fitness watch and water bottle once she changes for her workout. Do not change her face, identity, hairstyle or appearance. -------------------------------------------------- 0–5 SECONDS — WAKE UP Use @IMG1 + @IMG2. Early morning. The woman is sleeping peacefully in her bedroom. Soft morning sunlight enters through the curtains. She slowly wakes up. She opens her eyes, sits up naturally and gently stretches. She gets out of bed. Natural sleepy morning expression. CAMERA: Slow cinematic push-in from a medium-wide bedroom shot. -------------------------------------------------- 5–10 SECONDS — BRUSH & FACE WASH Use @IMG1 + @IMG3. She walks into the bathroom. She stands naturally in front of the mirror. She brushes her teeth. Show a brief realistic close-up of brushing. She rinses her mouth. Then she washes her face with clean water. She gently dries her face with a towel. She looks into the mirror with a fresh morning expression. CAMERA: Medium mirror shot followed by brief close-ups. Realistic water movement and natural hand movements. -------------------------------------------------- 10–15 SECONDS — GETTING READY FOR FITNESS Use @IMG8. She changes into the exact athletic outfit shown in @IMG8. She puts on the same running shoes. She puts in the same wireless earbuds. She wears the same fitness watch. She picks up the same reusable water bottle. She briefly checks herself in the mirror. She is ready for her morning walk and gym session. CAMERA: Quick but smooth lifestyle cuts: athletic shoes, earbuds, fitness watch, water bottle, then medium shot of her ready to leave. Do not change her outfit after this point. -------------------------------------------------- 15–22 SECONDS — MORNING WALK Use @IMG8 + @IMG4. She leaves her home and walks along the peaceful morning walking route. Soft sunrise light passes through the trees. She starts with a comfortable walk. After a few moments she increases her pace into a light brisk walk. Her arms and legs move naturally. She looks calm, fresh and energetic. CAMERA: Smooth side-tracking shot. Then a front-facing tracking shot. Brief close-up of her sneakers walking on the path. Keep the morning environment visible. -------------------------------------------------- 22–26 SECONDS — GYM ARRIVAL Use @IMG8 + @IMG5. She arrives at the gym. She approaches the entrance. She opens the door and walks inside. The camera follows her into the gym. Briefly reveal the treadmill and workout area. She walks toward the treadmill. CAMERA: Smooth follow shot from behind. Then wide gym establishing shot. -------------------------------------------------- 26–30 SECONDS — TREADMILL BEGINNING Use @IMG8 + @IMG6. She steps onto the treadmill. She places her feet naturally. She begins with a slow warm-up walk. After a moment, she increases the speed slightly and begins a light jog. Her posture is natural. Her arms move naturally. Her expression is focused but comfortable. END THE VIDEO WHILE SHE IS STILL LIGHTLY JOGGING. IMPORTANT: Do NOT finish the workout in Part 1. Do NOT show dumbbells yet. Do NOT show stretching yet. Do NOT show the final water/mirror scene yet. The final moment must clearly establish her jogging on the treadmill so Part 2 can continue from this exact activity. CAMERA: Side medium shot of the treadmill. Finish with a stable cinematic frame of her jogging. -------------------------------------------------- REALISM: Natural human movement. Realistic walking. Realistic running. Realistic treadmill mechanics. Realistic brushing. Realistic face washing. Realistic water. Realistic clothing movement. Realistic hands and feet. Natural facial expressions. No exaggerated movements. No sudden transitions. No teleportation. No face morphing. No identity change. No outfit change after the fitness outfit appears. No distorted hands. No extra fingers. No cartoon. No anime. No CGI-looking human. No text. No logos. No watermark. FINAL FRAME: The woman is lightly jogging on the treadmill inside the gym. Hold the final treadmill shot briefly and cleanly. This final frame will be used as the continuity reference for . PART 2. DURATION: 15 SECONDS Create an ultra-photorealistic cinematic continuation of PART 1. CONTINUITY PRIORITY — ABSOLUTE: The video MUST begin from the EXACT FINAL FRAME of PART 1. Use the final frame of Part 1 as the PRIMARY STARTING REFERENCE. The SAME woman must continue from the exact treadmill position. Preserve: - exact face - hairstyle - athletic outfit - shoes - earbuds - fitness watch - body position - gym environment - lighting - camera perspective - treadmill position There must be NO visible jump, character change, outfit change or environment change. ADDITIONAL REFERENCES: @IMG8 = MASTER FITNESS CHARACTER @IMG6 = GYM WORKOUT ACTION @IMG7 = POST-WORKOUT ENDING -------------------------------------------------- 0–4 SECONDS — CONTINUE TREADMILL Continue EXACTLY from the final frame of Part 1. The woman continues lightly jogging on the treadmill. Do not restart the action. Her running rhythm remains consistent with Part 1. After a moment, she gradually slows the treadmill. She steps off naturally. CAMERA: Continue the same camera angle from the final frame of Part 1 before making a subtle cinematic transition. -------------------------------------------------- 4–8 SECONDS — DUMBBELL WORKOUT Use @IMG6. The woman walks naturally from the treadmill to the dumbbell area. She picks up a pair of light dumbbells. She performs controlled shoulder/arm exercises. Her movements are realistic and safe. She completes a few controlled repetitions. CAMERA: Medium cinematic shot. Brief close-up of her hands holding the dumbbells. Keep her face recognizable. -------------------------------------------------- 8–11 SECONDS — MAT + STRETCH Use @IMG6. She places the dumbbells down. She moves to an exercise mat. She performs one simple controlled core exercise. Then she stands up and performs a brief gentle stretch. Natural breathing. Relaxed but slightly tired expression. CAMERA: Medium-wide shot. Smooth transition from mat exercise to standing stretch. -------------------------------------------------- 11–15 SECONDS — WATER + FINAL SMILE Use @IMG7. The workout is complete. She picks up her reusable water bottle. She takes a natural drink of water. She gently wipes her forehead with the gym towel. She looks at herself in the large gym mirror. She takes a calm breath. She gives herself a small confident satisfied smile. CAMERA: Gentle cinematic push toward her reflection. Finish on the confident smile. CUT TO BLACK. -------------------------------------------------- CONTINUITY RULES: Same woman from Part 1. Same face. Same hairstyle. Same athletic outfit. Same shoes. Same earbuds. Same fitness watch. Same gym. Same lighting. Same morning atmosphere. Same realistic visual style. The first frame of Part 2 must match the final frame of Part 1. No restart. No sudden camera jump. No outfit change. No face morphing. No different woman. No distorted hands. No extra fingers. No unrealistic exercise. No exaggerated movements. No cartoon. No anime. No text. No logo.", "description": "", "author": "Elsa Ai", "authorUrl": "https://x.com/ElsaSofia__AI", "sourceUrl": "https://x.com/ElsaSofia__AI/status/2092207601991999741" }, { "id": "seedance-502", "title": "Amazon Rainforest Horror Monster Encounter", "category": "nature-drone", "prompt": "15 seconds, 16:9 cinematic widescreen, UE5.5 hyper-realistic 3DCG, Octane rendering, Nanite high-precision models, PBR physical materials, real-time ray tracing, Lumen global illumination, 8K, 60 fps, cinematic dark fantasy realism. Volumetric fog, Tyndall beams, humid air, muddy ground, decaying leaves, moss, shallow puddles, dripping slime, realistic motion blur, and realistic fluid simulation. The overall tone is more suspenseful, restrained, and sophisticated than a typical monster encounter—like the final 15 seconds of a death prelude before a major battle erupts. The first half builds tension through silence, uncertainty, and a sense of being watched; in the final 0.5 seconds, the monster suddenly lunges at the player’s face, and the scene cuts to black just as it is about to bite. [Environment Lock] The environment must be strictly limited to the Amazon rainforest; it must not be a regular forest, a mountainous forest, a swamp, or ruins. The following elements are mandatory: towering ancient trees, thick, twisted roots, massive root mounds, dense canopies, humid tropical air, moss-covered trunks, a layer of decaying leaves, black mud, shallow pools of water, vines, rising water vapor, low-hanging mist, dense vegetation, and localized Tyndall light beams filtering through gaps in the canopy. The overall atmosphere is dark, deep, and oppressive, with the heat and humidity making it nearly impossible to see into the distance. The environment must evoke the feeling of a “predator’s territory.” [Monster Lock-In] Figure 1 serves as the sole reference for the monster; strictly adhere to this design—no resets, no alterations. Maintain its slender, ground-hugging quadrupedal posture, extremely long forelimbs, massive claws, protruding bony ridges, slender tail, low-crouching elongated head, deeply cleft long snout, dense rows of fangs, cold white eyes, slippery dark brown (nearly black) skin, a surface resembling decaying fascia, and constantly dripping mucus. Its movements must resemble those of a high-level predator: low-crouching, slow, calculating, creeping, and capable of sudden bursts of speed. Do not transform it into a humanoid form, do not adopt an “Alien”-style design, and do not allow its appearance to drift. Multiple creatures of the same species may be lurking, but the main monster must be the clearest, most complete, and most oppressive. 【Female Protagonist Lock-In】 Figure 2 serves as the sole reference for the female protagonist, named Alin; this is strictly locked in and must not be reset. Maintain consistency in her face, long straight light-blonde hair, white sleeveless top, blue jeans, brown high boots, physique, and composed demeanor. She is not the screaming-and-running-away type of heroine, but rather someone who suppresses her fear, makes calm judgments, and never backs down. She does not actively attack in the film, but she gradually realizes she has been targeted and, in the end, stands her ground, meeting the main monster’s gaze. 【Cinematography】 The cinematography should be sophisticated, restrained, and cinematic. Avoid random cuts, music video-style visuals, and exaggerated, shaky camera movements typical of action films. The overall feel should resemble the “death approaches” sequence in a high-tension thriller. Filming principles: First, use a high-speed shot through the forest to establish danger, then slow down as she enters the clearing, followed by low-angle shots and alternating close-ups to establish mutual lock-on, then circle around to reveal she is surrounded, and finally, use extremely short, rapid cuts to bring the attack to its climax. In the first half, it’s better to be a bit slower and more measured rather than rushing to scare the audience. Let the tension suddenly erupt in the final 0.5 seconds to create a jarring contrast. [Second-by-Second Timeline] 0.0–2.8s We race through the dense Amazon rainforest at FPV-like speeds. The camera sweeps past damp vines, moss-covered trunks, hanging branches and leaves, low-hanging mist, and massive, tangled roots. The pace is fast, but the space feels increasingly oppressive. Leaves, twigs, and shallow puddles are disturbed by the airflow. Occasionally, the blurry outline and cold, white eyes of the monster from Figure 1 flash by in the shadows of distant trees, but its full form must never be clearly visible. The only sound effects are the rustling of damp leaves, the low, guttural vocalizations of a distant creature, and the sporadic snapping of dry branches. The camera suddenly slows down at the end and comes to a stop at the edge of a dim clearing. 2.8–5.0s Alin slowly steps out of the shadows and mist into the clearing, strictly maintaining the appearance shown in Figure 2. Her boots sink into black mud and decaying leaves, and the shallow water at her feet ripples gently. She isn’t running frantically; rather, as if she’s sensed something, she slowly comes to a halt and looks up toward the depths of the forest. A beam of Tyndall light filtering through a gap in the canopy falls upon her hair, shoulders, and half her face; her white top stands out starkly against the dim rainforest. Her breathing is light, her shoulders and back are tense, and her fingers are slightly clenched as she begins to realize she is no longer an observer, but the prey. 5.0–7.2s The camera moves forward at a low angle, skimming the ground, peering through decaying leaves, black mud, and the crevices between tree roots toward the shadows ahead. The main monster slowly reveals half its body from behind a giant tree. First, its massive claws sink into the mud, pushing aside the black mud and decaying leaves; then, its slick bony spine and crouched head slowly emerge from the shadows. It does not pounce, but merely raises its head extremely slowly, its cold, white eyes glowing in the shadows as mucus drips silently from the corners of its mouth. The entire sequence should feel like a predator confirming its prey, not a sudden, startling leap. 7.2–9.5s Cross-cutting close-ups establish “mutual sight.” A close-up of Alin’s face shows her pupils slightly constricted and her lips slightly parted, though she makes no sound; a close-up of the monster’s head shows its long snout slowly opening, revealing sharp fangs and stringy mucus; Alin gently shifts her stance with the tips of her boots, planting her heels more firmly; the monster’s forelimbs move half a step forward, the muscles in its shoulders, back, and limbs slowly tensing beneath its wet skin. The mist particles in the beam of light float motionless; time seems to stretch out. The emotion here is this: she hasn’t fled, and it hasn’t pounced yet, but the battle has already begun. 9.5–11.8s The camera makes a slow half-circle around Alin, revealing a greater threat. As the camera moves, several other monsters of the same kind appear faintly among the shadows of the trees and vegetation in the background: some are crawling close to the ground, with only their eyes and front paws visible; others are crouching behind tree roots, their long snouts half-open; still others are merely silhouettes of their spines in the mist farther away. None of them charge out; they simply form a silent encirclement. The rustling in the woods grows denser; bird song in the distance ceases entirely, and the air seems to be taken over by a collective will. 11.8–13.4s The main monster begins to close in for real. Extreme close-ups of its face, claws, and shoulder line. Its sharp claws dig deep into the mud, pushing aside decaying leaves as black water oozes from between them. Mucus drips from the corners of its mouth onto the mud, making a faint, wet sound. It tilted its head slightly, as if assessing which angle would make it easiest to snap its prey’s throat. Alin still did not back down; she stood firm, raised her head, and met its gaze, her expression shifting from tension to a resolve so calm it bordered", "description": "", "author": "Loriel.AI", "authorUrl": "https://x.com/ou_zhen599", "sourceUrl": "https://x.com/ou_zhen599/status/2092202234818035930" }, { "id": "seedance-503", "title": "Toy to Giant Dragon Transformation", "category": "action", "prompt": "15-Second Realistic Dragon Transformation Prompt Create a 15-second ultra-realistic cinematic fantasy sequence featuring an adult woman in her 20s playing with a small toy dragon beside a crystal-clear river deep inside a lush, mysterious forest. Scene & Character: A beautiful adult woman in her 20s, natural appearance, realistic skin texture, long flowing hair, wearing a simple earthy-toned casual outfit. She is sitting on smooth rocks beside a shallow forest river, playfully holding a small, highly detailed toy dragon in her hands. The environment feels completely real and immersive: dense green foliage, moss-covered rocks, soft sunlight filtering through the trees, floating dust particles, realistic water movement and natural atmospheric depth. 0–4 seconds: Begin with a cinematic medium shot of the woman sitting beside the river, smiling naturally as she plays with the tiny dragon. She gently moves the toy through the air as if making it fly. Use subtle handheld camera movement and realistic environmental sounds. Sunlight creates soft highlights across her hair and the water. 4–7 seconds: She slowly lowers the toy dragon into the shallow river and briefly dips it completely underwater. As the toy touches the water, create subtle but realistic ripples and small waves around it. The woman watches with curiosity. 7–11 seconds — Transformation: The water suddenly begins to glow with a subtle mystical energy. The tiny dragon starts expanding beneath the surface. Its body rapidly grows while maintaining realistic anatomy and physical movement. Scales form naturally across its body, wings unfold, claws emerge, and its long tail sweeps through the water. The transformation should feel physically believable and photorealistic, not cartoonish. Water splashes naturally as the creature grows from a tiny toy into a massive, majestic dragon. 11–15 seconds: The giant dragon rises dramatically from the river, towering above the woman. Water cascades from its enormous scales and wings. It spreads its massive wings and releases a powerful but realistic roar that echoes through the forest. The woman steps back in genuine amazement while maintaining a natural, believable reaction. End with a wide cinematic shot revealing the woman, the giant dragon, the river and the surrounding forest together, creating a breathtaking sense of scale. Visual Style: Ultra-photorealistic live-action fantasy, cinematic Hollywood-level VFX, physically accurate water simulation, realistic dragon anatomy, detailed individual scales, natural skin and hair textures, volumetric sunlight, realistic shadows, atmospheric depth, subtle film grain, high dynamic range, realistic motion blur, full-frame cinema camera look, 35mm lens", "description": "", "author": "Ruzaina", "authorUrl": "https://x.com/RuzainaMeer", "sourceUrl": "https://x.com/RuzainaMeer/status/2092195435385630983" }, { "id": "seedance-504", "title": "Pixar Style Beauty Routine Animation", "category": "action", "prompt": "3D Pixar-style animation sequence set in a luxurious, modern marble bathroom with warm ambient lighting. A young Asian female character with large expressive eyes undergoes a quick routine: 1. Wrapped in a plush white bath towel, she pulls off a matching head towel, letting her wet, dark hair drop around her shoulders. 2. Side shot as she blows dry her long black hair with a sleek pink hair dryer. Her hair flows smoothly in the breeze. 3. Close-up of fingers running through glossy silky, ultra-straight black hair with realistic sheen and movement. 4 She reaches out toward the screen smoothly transitioning from the bath towel into an elegant white silk slip dress. 5. She turns, opens the wooden bathroom door, steps out and gently closes the door behind her.", "description": "", "author": "Lavinia", "authorUrl": "https://x.com/laviniavelle", "sourceUrl": "https://x.com/laviniavelle/status/2092193228803952975" }, { "id": "seedance-505", "title": "T-Rex Dashcam Jungle Attack", "category": "action", "prompt": "Ultra-realistic 12–15 second blockbuster survival-action sequence filmed as raw dashboard camera / windshield-mounted camera footage from inside a fast-moving military jeep on a flooded jungle road in Vietnam. The footage must feel like authentic accidental real-world capture, not staged cinematography: slight dashboard vibration, realistic camera shake from the suspension, windshield rain streaks, muddy spray, engine vibration, tire slip, natural motion blur, and occasional wiper movement. 2000s/2010s creature-feature realism, grounded and physically believable. No teleportation, no impossible direction changes, no morphing. Vehicle speed, road direction, dinosaur movement, and all collisions must remain spatially coherent. Location / atmosphere: remote jungle road in Vietnam after heavy rain, shallow floodwater over the road, muddy ruts, broken vegetation, dense green jungle on both sides, grey storm daylight, humid haze, puddles, mist, birds scattering from the trees. 0–2s — ULTRA HOOK: Start already at full speed from the jeep dashcam. A military jeep is racing down a flooded jungle road behind another vehicle when, within the first 2 seconds, a massive T-Rex explodes out of the jungle from the right side and slams into the lead vehicle. The impact sends the vehicle violently sideways across the muddy road, smashing through water and vegetation. The T-Rex roars directly in front of the camera as the driver of the camera jeep yanks the wheel hard left to avoid the wreck. Water and mud blast across the windshield. One soldier inside the jeep shouts: “LEFT! LEFT! LEFT!” 2–5s: The jeep fishtails through the floodwater but keeps moving. The crashed vehicle spins behind them while the T-Rex regains balance and immediately charges after the camera jeep down the road. Keep the motion physically grounded: heavy footfalls, splashing water, mud thrown backward, the predator accelerating with believable weight and inertia. The driver fights for control while the passenger twists around in panic to look back. A soldier yells: “IT’S BEHIND US! GO! GO!” 5–8s: The T-Rex closes the distance, stomping through the road and shoulder, smashing through low trees and sending branches into the air. The jeep bounces over deep muddy ruts and nearly loses traction. The dinosaur lunges once and snaps its jaws just behind the rear of the vehicle, narrowly missing. The driver swerves around a fallen tree while tires spray muddy water in long arcs. The whole scene should feel dangerously unstable but readable. 8–11s — CRISIS: Ahead, part of the road is partially blocked by a large leaning tree weakened by the storm. The driver commits and aims for the narrow gap beside it. The T-Rex charges even harder, almost close enough to bite the jeep. The road curve", "description": "", "author": "DennisVisuals", "authorUrl": "https://x.com/DtheW1995", "sourceUrl": "https://x.com/DtheW1995/status/2092158157334217204" }, { "id": "seedance-506", "title": "Dune Ridge Military Base Sequence", "category": "talking-head", "prompt": "WORLD LOCK: The dune ridge above the base, cold blue sand before dawn. NORTH - a high dune ridge, crest forty metres above the flats, wind combing the sand off every crest. SOUTH - open cold blue flats running to a black horizon, the descending enemy hull burning steady high in that quarter. EAST - the palest band of pre-dawn skyglow lying flat on the horizon. WEST - a black dune field, the deepest part of the night. Named anchors: CENTRAL DOME (thirty metres tall, blistered ceramic, middle of the base), COMMAND DOME (seventy metres east of central), ARMORY DOME (seventy metres west of central, half sunk in sand), OUTER DOME (empty shell, one hundred sixty metres north-west of central, on the perimeter), RIDGE CREST (two hundred twenty metres north of central, forty metres higher), ASHWING PAD (sixty metres north-east of the command dome). SCARECROW stands on the RIDGE CREST, two hundred twenty metres north of the CENTRAL DOME and forty metres above the flats, boots on the crest skin, BODY FACING SOUTH toward the domes. AXIS LOCK: 180-degree line from the RIDGE CREST in the north to the CENTRAL DOME in the south. Camera remains EAST of that line for the whole clip. Screen directions: uphill and north read SCREEN-RIGHT, the base and south read SCREEN-LEFT and far below, the descending star reads high SCREEN-LEFT. [T=0.0-3.2s] SHOT 1 - extreme wide - 32 mm CAMERA: eighteen metres east of Scarecrow, 1.2 m above the crest, east of the axis, looking west across the ridge line. MOVE: STATIC. ACTION: wind combs the crest and lifts long ribbons of sand off it past the standing figure. EYELINE: Scarecrow looks SCREEN-LEFT and down toward the domes. SOUND: hard steady wind, dry sand hiss. HARD CUT at T=3.2s. Scarecrow on the crest facing SOUTH, camera east of the axis. [T=3.2-6.0s] SHOT 2 - wide low - 24 mm CAMERA: twelve metres east, 0.25 m above the sand, east of the axis, looking west at boot level. MOVE: TRACK L 1.5 m. ACTION: a dark pulse travels under the dune skin from SCREEN-RIGHT to SCREEN-LEFT and the sand shivers above it. EYELINE: none in shot, the pulse travels SCREEN-LEFT. SOUND: a deep subsonic thud rolling away under the ground. HARD CUT at T=6.0s. Scarecrow on the crest facing SOUTH, camera east of the axis. [T=6.0-9.0s] SHOT 3 - extreme wide high - 28 mm CAMERA: twenty-five metres east and eight metres above the crest, east of the axis, looking west and down over the flats. MOVE: TILT DOWN 10 degrees. ACTION: three buried foundation rings light under the sand one after another, marking three round domes on the flats below. EYELINE: none in shot, the rings light from SCREEN-LEFT inward. SOUND: the subsonic thud repeating three times, each fainter. HARD CUT at T=9.0s. Scarecrow on the crest facing SOUTH, camera east of the axis. [T=9.0-11.6s] SHOT 4 - medium - 50 mm CAMERA: four metres east of Scarecrow, 0.5 m high, east of the axis, looking west at his legs and boots. MOVE: HANDHELD MICRO-SHAKE. ACTION: the sand around his boots vibrates in fine rings and he plants his weight to feel it come up through the leather. EYELINE: he looks straight down at his own boots, SCREEN-DOWN. SOUND: sand grains ticking against boot leather. HARD CUT at T=11.6s. Scarecrow on the crest facing SOUTH, camera east of the axis. [T=11.6-14.4s] SHOT 5 - medium close - 85 mm CAMERA: three metres east, 1.3 m high, east of the axis, looking west at his chest and hands. MOVE: STATIC. ACTION: he raises both living hands in front of his chest and turns them palm up in the cold blue light, studying the skin. EYELINE: he looks down into his own open palms, SCREEN-DOWN. SOUND: wind flattening the coat cloth. HARD CUT at T=14.4s. Scarecrow on the crest facing SOUTH, camera east of the axis. [T=14.4-17.0s] SHOT 6 - medium wide over shoulder - 40 mm CAMERA: five metres east and slightly behind his right shoulder, 1.7 m high, east of the axis, looking west-south-west past him. MOVE: DOLLY IN 0.8 m. ACTION: his head turns SCREEN-LEFT and settles on the central dome far below, the lit ring under its sand still glowing. EYELINE: Scarecrow looks SCREEN-LEFT and down at the central dome. SOUND: wind, and a low hum coming up from the flats. HARD CUT at T=17.0s. Scarecrow on the crest facing SOUTH, camera east of the axis. [T=17.0-19.6s] SHOT 7 - medium close low - 65 mm CAMERA: two and a half metres east, 1.0 m high, east of the axis, looking west and up at his jaw and skull. MOVE: TILT UP 12 degrees. ACTION: he tips his head back and the orange point high in the southern sky lays a hot line down his cheek. EYELINE: Scarecrow looks high SCREEN-LEFT into the sky. SOUND: wind thinning, a faint far-off burn. HARD CUT at T=19.6s. Scarecrow on the crest facing SOUTH, camera east of the axis. [T=19.6-22.6s] SHOT 8 - wide sky - 35 mm CAMERA: twelve metres east, 2 m high, east of the axis, angled up thirty degrees into the southern sky. MOVE: STATIC. ACTION: a new star comes down through the high cloud far too fast, burning steady and unblinking, dragging a thin straight trail. EYELINE: none in shot, the star travels SCREEN-LEFT and down. SOUND: a distant flat roar arriving late. HARD CUT at T=22.6s. Scarecrow on the crest facing SOUTH, camera east of the axis. [T=22.6-27.4s] SHOT 9 - close - 85 mm CAMERA: two metres east of Scarecrow, 1.6 m high, east of the axis, looking west at his face in three-quarter profile. MOVE: HANDHELD MICRO-SHAKE. ACTION: he speaks one short measured sentence into the wind, jaw and scarred lips moving clearly, eyes staying on the sky. EYELINE: Scarecrow holds high SCREEN-LEFT. SOUND: wind under a steady voice, sand ticking on the coat. HARD CUT at T=27.4s. Scarecrow on the crest facing SOUTH, camera east of the axis. [T=27.4-30.0s] SHOT 10 - extreme wide - 28 mm CAMERA: twenty-two metres east and four metres above the crest, east of the axis, looking west across ridge, base and sky together. MOVE: STATIC. ACTION: the small figure holds the crest while the three lit rings glow far below and the burning point drops toward them. EYELINE: Scarecrow holds high SCREEN-LEFT. SOUND: wind, subsonic hum, distant burn. HARD CUT at T=30.0s. Scarecrow on the crest facing SOUTH, camera east of the axis. END FRAME: extreme wide of the ridge with Scarecrow small on the crest facing south, three ring-shaped glows under the sand far below him and one hard burning point coming down out of the southern sky above the domes. INFORMATION CHANGED: the buried thing under the base has woken and lit its three rings, and Scarecrow has recognised what is coming down out of the sky. NEGATIVES: no on-screen text, no captions, no subtitles, no watermark, no split screen, no crowd in focus, no weapon touching a body, no fingers manipulating small objects, no animals in close-up, no cartoon or neon comic look, no oversaturation.", "description": "", "author": "Vitalii Isaev", "authorUrl": "https://x.com/restofart", "sourceUrl": "https://x.com/restofart/status/2092152166815343034" }, { "id": "seedance-507", "title": "Japanese Summer Festival Vlog", "category": "talking-head", "prompt": "A vibrant 30 second vlog style cinematic montage shot at a traditional Japanese summer night festival Matsuri. The main subject is a cheerful young East Asian woman with soft brown hair tied back in a low side ponytail, wearing a classic pastel light blue yukata with a clean white obi sash. The scene is illuminated by warm glowing red paper lanterns hanging overhead and warm lights from wooden street food stalls yatai against the dark night sky.\n\nThe sequence captures her enjoying the festival: walking through the lively crowded night market, receiving a freshly made boat of sizzling takoyaki from a vendor, taking a bite of hot takoyaki on a wooden skewer, successfully winning a plush toy at a festival ring toss stall, looking up in awe as vibrant fireworks explode in the night sky, and holding her prize while smiling and waving to the camera. High definition, warm festival lighting, soft background bokeh, natural motion blur, cinematic color grading.\n\nSubject and Environment Details\n\nSubject: Young East Asian female, mid 20s, expressive and energetic demeanor.\n\nWardrobe: Traditional light blue cotton yukata with subtle white pattern, white under collar, white obi sash, delicate gold wrist bracelet.\n\nLocation: Japanese night festival Matsuri. Features wooden market stalls, hanging red paper lanterns chochin, crowds in yukata, prize booths with plush toys, and fireworks overhead.\n\nScene by Scene Breakdown and Dialogue\n\nScene 1: Walking Through the Festival 0:00 to 0:03\n\nVisuals: Medium handheld selfie or follow shot. She walks along an illuminated street lined with wooden stalls and hanging lanterns, glancing around at the vibrant atmosphere.\n\nAudio SFX: Ambient festival crowds, music, chatter.\n\nScene 2: Takoyaki Stall 0:03 to 0:06\n\nVisuals: Close up on a street food vendor using wooden picks to turn octopus balls takoyaki on a hot griddle. She holds out a paper boat tray to receive her fresh portion topped with sauce and bonito flakes.\n\nScene 3: Tasting the Food 0:07 to 0:12\n\nVisuals: Close up shot. She uses a wooden skewer to lift a hot takoyaki ball, blows on it gently, takes a bite, chews, and reacts with genuine delight.\n\nAudio and Dialogue: \"Mmm\"\n\nScene 4: Ring Toss Carnival Game 0:13 to 0:20\n\nVisuals: Medium shot at a game booth lined with rows of stuffed animals. She carefully aims a plastic ring, tosses it, and lands it perfectly around a white bunny plush. She gasps in excitement and picks up her won prize with a wide smile.\n\nAudio and Dialogue: \"Wah! Sugoi! Wow! Awesome!\"\n\nScene 5: Fireworks Display 0:21 to 0:25\n\nVisuals: Low angle selfie shot. Holding her plush toy close, she looks up into the night sky as bright colorful fireworks burst overhead, illuminating her face.\n\nAudio and Dialogue: \"Woah!\" Pop and boom of fireworks.\n\nScene 6: Farewell and Wave 0:26 to 0:30\n\nVisuals: Close up selfie shot. She looks directly into the camera lens with a warm smil", "description": "", "author": "Harboris", "authorUrl": "https://x.com/harboriis", "sourceUrl": "https://x.com/harboriis/status/2092131570908065852" }, { "id": "seedance-508", "title": "Dark Fantasy Epic Warrior Battle", "category": "nature-drone", "prompt": "A cinematic dark fantasy epic video in 8K resolution. Extreme macro close-up of a female warrior's eye, iris reflecting a burning molten celestial orb swirling inside dark storm clouds. Low-angle tracking shot as an East Asian female warrior clad in sleek black leather-and-steel armor walks through shallow water carrying an ornate key. She steps onto a circular stone platform engraved with glowing golden runes, surrounded by mist, cascading waterfalls, and ancient temple ruins. Above, a colossal magma-veined celestial sphere looms within a vortex of swirling clouds. She inserts the key into a moss-covered stone altar, triggering a massive circular runic array that launches vertical high-pressure water geysers into the sky. A giant, majestic white serpentine dragon with fiery orange eyes emerges from the mist. The warrior extends her hand as her eyes glow bright golden, establishing a powerful magical bond. The dragon turns upwards, soaring into the sky and unleashing a beam of pure radiant white energy directly into the celestial orb, causing it to shatter into shockwaves of blinding light. Epic cinematic scale, volumetric fog, photorealistic visual effects, Unreal Engine 5 render style, dark gray and golden color grading, hyper-detailed.", "description": "", "author": "Zyrella", "authorUrl": "https://x.com/Zyrellix", "sourceUrl": "https://x.com/Zyrellix/status/2092121112746287527" }, { "id": "seedance-509", "title": "Post-Apocalyptic Superhero Battle Sequence", "category": "cinematic", "prompt": "Cinematic action scene set in a post-apocalyptic destroyed city during sunset. Two young East Asian female heroines—one with long vibrant bright pink hair in colorful streetwear with yellow gloves, and one with a sharp black bob hairstyle wearing a tight black latex superhero suit—run side-by-side down a cracked, ruined highway. They leap high into the air to battle a massive, menacing black alien monster with glowing red eyes, sharp bio-armor, and dark tendrils. Fast-paced dynamic cuts: sweeping tracking shot, close-up of a high-kick land on the monster's chest, high-angle leap into a smoke cloud, landing together in a low three-point superhero pose looking intense and out of breath. Ends with a extreme close-up of the black alien monster grinning evilly with glowing red eyes and lightning crackling across its face. Photorealistic, 8k resolution, dramatic volumetric lighting, cinematic VFX, Unreal Engine 5 render style.", "description": "", "author": "Julia", "authorUrl": "https://x.com/juliaevee", "sourceUrl": "https://x.com/juliaevee/status/2092056749515960605" }, { "id": "seedance-510", "title": "Korean Festival Smartphone Vlog", "category": "talking-head", "prompt": "[Reference Role]\n@image1 defines only the woman's facial identity, eye shape, hairstyle, hair ornament, yukata and the white baby spotted-seal plush, plus the rough composition and shot order of each panel. @image1 is an 8-panel storyboard grid — do not reproduce its grid layout, panel divisions, split-screen composition, timestamps or caption text. Read the panels left to right, top row then bottom row, and use them as the shot order of a single continuous vlog.\n\n[Single Instance] — critical\nAll eight panels in @image1 show the SAME one woman at different moments. The output must contain exactly ONE instance of her at all times. Never show two of her, never show her duplicated, mirrored, split-screen or in separate panels. The background crowd must not contain anyone resembling her, wearing the same yukata, or with the same hair ornament.\n\n[Subject Profile: HANA]\nA Korean woman in her early 20s with hooded inner double eyelids — long, narrow, almond-shaped eyes with a calm, composed gaze, not wide or round. Jet-black hair in a soft updo with damp flyaway strands, a white tsumami-zaiku flower ornament on the left side. Fair skin with visible pores and a faint sheen of sweat. Off-white yukata with pale blue floral pattern and a cream obi. Identity, eye shape, hair ornament and yukata stay identical in every shot.\n\n[Style]\nUltra-photorealistic handheld smartphone vlog footage, front-camera selfie POV unless stated otherwise. Realistic skin texture, natural fabric physics, mixed warm lantern light and cool stall light, high-ISO noise in shadows, slight motion blur, amateur phone-camera quality. Fast vlog-style cuts. No AI-looking smoothness. No background music.\n\n[Shots]\nShot 1: Selfie close-up on a lantern-lit festival street, HANA smiles into the lens and says in Korean: {Summer festival is here!}\nShot 2: Selfie at a takoyaki stall, steam rising, she holds the paper tray toward the camera. A male vendor beside her says in Japanese: {Here, it's hot!}\nShot 3: Extreme close-up, low selfie angle, she bites a glazed dango off a wooden skewer, cheeks puffed, no dialogue. Red lantern bokeh behind.\nShot 4: Shot from behind — her yukata back and obi fill the frame as she points at a bright prize stall, arm slightly motion-blurred.\nShot 5: Selfie hugging a white baby spotted-seal plush against her cheek at the prize stall, small proud smile, no dialogue.\nShot 6: Back of her head in the lower foreground, hair ornament in focus, a large firework blooming in the dark sky above the crowd, smoke haze drifting.\nShot 7: Low selfie angle, she looks up off-camera as fireworks flash across one side of her face, lips parted in quiet wonder.\nShot 8: Selfie on the lantern-lit street, she waves an open palm close to the lens and says warmly in Korean: {Thank you for coming with me. See you again next time. Bye!}\n\n[Maintain Consistency]\nExactly one HANA in every shot. Same face, same", "description": "", "author": "TSUBAKI", "authorUrl": "https://x.com/AI__TSUBAKI", "sourceUrl": "https://x.com/AI__TSUBAKI/status/2092036105805991971" }, { "id": "seedance-511", "title": "Chinese Street Drama Buns Shop Scene", "category": "talking-head", "prompt": "PART A. Replace the female customer with a preset adult female character, consistently using the facial features, hairstyle, body type, and identity characteristics of Preset Character #1; Character #1 is an adult. Throughout the video, she wears only Preset Outfit #3, with stockings, exquisite facial features, decorative glasses, and deep purple high heels, having a cold yet charming temperament. The man striking up a conversation is replaced with Preset Adult Male Character #2 (hf_20260702_115248_424b92a4-ca6f-401a-baa3-709ae4b60581), with facial features, hairstyle, and body type strictly referencing Character #2. The bun shop owner remains a generic middle-aged male supporting character, wearing a black short-sleeved shirt, and must not have a face mixed with Male Character #2. [Realism Prefix] 16:9 landscape, 1280×720, 30fps, realistic Chinese street bun shop short video. Handheld shot with original mobile phone camera, filmed by the same person standing at the side of the queue; natural daylight, tree shade, and shop awning form mixed lighting. Auto exposure, auto white balance, slight focus hesitation, subtle breathing jitters, natural motion blur when turning, realistic skin tone and pores, no skin smoothing, no commercial-grade lighting, no cinematic color grading. Only direct hard cuts between shots. Realistic location sound: street pedestrian noise, subtle conversation in the queue, clothing friction, plastic bag sounds, and ambient shop noise. Character voices change naturally with distance, lip-sync is strictly synchronized. No background music, no narration, no exaggerated comedy sound effects. [Scene & Prop Lock] Street-side bun shop, orange-yellow door frame, white square tile wall, glass counter, multi-layer round stainless steel steamers filled with white buns. Only one pre-packed transparent plastic bag of buns is on the counter. Adult customers are queuing outside, background trees and residential buildings are stable. No teleporting or duplicating of characters, steamers, buns, or plastic bags. [Female Character Siren Style Pose] When queuing, refusing, or self-praising, Character #1 tilts her body slightly to form a natural and smooth S-curve, shoulders relaxed and lowered, neck elegantly elongated, chin slightly extended to the side, hips slightly pushed to one side, legs naturally crossed. Only one hand slowly and restrainedly touches a strand of hair, the other hand hangs naturally; half-closed eyelids, cold sideways glance at Male Character #2, expression restrained with a sense of distance. The pose must look like a natural standing posture in real life, no hip-swaying, lip-licking, coquettish smiles, or staged poses; [Strict Time Storyboard] 0.00-1.93s | Handheld medium shot from the side-rear of the shop. The camera shoots towards the glass counter through the queuing crowd. Female Character #1 was originally standing at the front near the counter; Male Character #2 quickly steps forward from behind her, inserting himself between her and the counter, back facing the camera. He slightly raises his right hand to signal the owner, saying naturally and confidently: Male Character #2: \"Boss, I'll pay for this beauty's order.\" Female Character #1 looks at him sideways, brows slightly raised, saying nothing immediately. The owner continues bagging buns. Bottom subtitle: \"Boss, I'll pay for this beauty's order.\" 1.93-4.30s | Hard cut to close-up of Male Character #2. Male Character #2 is on the left, with the profile and hair of Character #1 in the right foreground. The man turns to look at her, first showing a natural and friendly smile, eyes on her, saying tentatively: Male Character #2: \"Beauty, you're really pretty, can I add you on WeChat?\" Brows slightly raised when saying \"WeChat?\", keeping an expectant smile, not greasy or exaggerated. Subtitles show sequentially: \"Beauty, you're really pretty\" \"Can I add you on WeChat?\" 4.30-6.50s | Hard cut to close-up of Character #1. Character #1 is in the center-right, Male Character #2's shoulder and part of his profile are in the left foreground. She first maintains half-closed eyelids and a restrained siren-style side glance, a momentary polite smile appearing; then briefly looks away, shakes her head slightly, and answers calmly and clearly: Female Character #1: \"Sorry, I have a boyfriend.\" Looks back at Male Character #2 after speaking, expression not disgusted, just polite and distant. Subtitles show sequentially: \"Sorry\" \"I have a boyfriend.\" 6.50-7.87s | Hard cut to close-up of Male Character #2. Male Character #2 is not hurt or embarrassed, just blinks briefly, keeps a slight smile, and nods: Male Character #2: \"Ah, okay then.\" Then immediately shifts gaze to the counter, preparing to turn. Bottom subtitle: \"Ah, okay then.\" 7.87-11.60s | Hard cut to medium shot of shop. Male Character #2 turns to the counter, gives a brief signal to the owner, saying naturally: Male Character #2: \"Boss, I already paid just now.\" He reaches out to pick up the only transparent plastic bag of buns on the counter. The bag naturally sags and shakes when lifted, making a clear plastic friction sound. He leaves from the front of the queue, passing the camera; his expression is relaxed and natural, not looking back at her at all. Female Character #1 stays in place, following his back with her eyes, thinking she was just hit on, unaware he just took the chance to cut in line. Bottom subtitle: \"Boss, I already paid just now.\" 11.60-13.20s | Hard cut to front medium-close shot of Character #1. Male Character #2 walks out of the left foreground. Female Character #1 faces a companion near the camera, resuming her relaxed siren-style S-curve, neck elongated, chin slightly raised, touching a strand of hair. She sighs helplessly first, then says with a restrained confident smile: Female Character #1: \"Can't help it, just too good-looking.\" Subtitle: \"Can't help it, just too good-looking.\" 13.20-15.00s | Maintain same medium-close shot of lead. No cut. Her confidence continues to rise, eyes glancing upward, head slightly tilted, saying in a tone as if stating a daily fact: Female Character #1: \"The biggest drawback is being easily...\" Must follow original speed: starts \"The biggest drawback is\" around 13.20s, starts \"easily\" at 14.84s; cut off at 15.00s while still pronouncing \"easily\", no pause, no closing mouth, no finishing sentence. Full subtitle appears at bottom: \"The biggest drawback is being easily hit on.\" [Segment End Frame] Ends suddenly at 15.00s. Character #1 in front medium-close shot, S-curve pose, head slightly tilted right, lips in the \"easily\" pronunciation shape; background, lighting, depth of field, and full subtitle remain unchanged for direct continuity. [Negative Prompt] No rewriting or adding lines; no gender, voice, or dialogue swaps; no writing \"he\" as \"she\"; no Male Character being heartbroken; no female character knowing the truth early; no owner revealing early; no duplicating/disappearing buns/bags; no character face-swaps, outfit changes, or position jumps; no crowd looking at camera; no exaggerated coquettishness, mechanical blinking, plastic skin, or bad fingers; no slow motion, camera tricks, cinematic blurs, music, narration, extra subtitles, platform UIs, or watermarks. PART B: [Generation Task] Continue the previous video, generating the complete second half of approx 8.18s, corresponding to 11.60-19.78s of reference video \"BunDrama.mp4\". Must complete the plot not yet generated: Character #1 says \"Can't help it, just too good-looking. The biggest drawback is being easily hit on.\" -> Bun shop owner calmly debunks: \"You're overthinking it, he just came to cut in line.\" -> Character #1's siren-style confidence instantly collapses, showing wide eyes and silent embarrassment. Must not continue from the middle of \"easily\"; both female lines must be spoken fully from the start. [Character Reference Priority] 1. Female customer must use Preset Female Character #1 features; Character #1 is an adult. Only wears Outfit #3 with stockings, glasses, purple heels, cold/charming temperament. 2. The young man who just left is Male Character #2. Only his shoulder or back may briefly leave the left foreground at the start, then he must not reappear. 3. Owner is a middle-aged male, short hair, black short-sleeve shirt, behind the counter. Must not use Character #2's face. [Continuation Starting Point] Use the last frame of the previous segment as the first frame. Male Character #2 just took the buns and is leaving; Character #1 is in the queue, eyes following him. She thinks he was hitting on her, unaware it was a ruse to cut in line. All positions, clothing, lighting, environment, and background must be continuous with the last frame. Do not re-enact the hitting on/paying/taking buns. [Realism Prefix] 16:9, 1280x720, 30fps, realistic Chinese street bun shop. Handheld mobile camera by same person. Mixed daylight/shade, auto exposure/WB, slight jitters/blur. Realistic skin texture, pores, expression lines, no smoothing/commercial lighting. Composition slightly imperfect like a passerby's shot, but expressions and debunking lines must be clear. Direct hard cuts, no transitions, slow-mo, or cinematic pans. [Scene & Prop Lock] Street bun shop structure remains: orange-yellow frame, white tile wall, glass counter, stainless steamers with white buns, owner behind counter, adult customers in queue, trees/buildings in background. The bag of buns was taken by Character #2, do not generate a second bag on the counter. No duplicating or teleporting of items/people. [Female Character #1 Siren Style Pose] Before the reversal, Character #1 maintains a natural, restrained siren pose: body tilted into S-curve, shoulders down, neck elongated, chin slightly up, hips pushed to one side, legs naturally crossed. One hand slowly touches hair, the other hangs naturally. Half-closed eyelids, cold side glance at the departing man, restrained/confident/distant expression. Must blend into real queue movement, not look like a studio shoot; no hip-swaying, lip-licking, frequent blinking, or exaggerated smiles. Adult female poise only, no mythical siren elements like tails, scales, etc. [Strict Time Storyboard] 0.00-1.60s | Hard cut to front medium-close shot of Character #1. Male Character #2's shoulder/clothing exits the left foreground and disappears. Character #1 watches him go, then looks back at her companion. She sighs naturally, body in a siren-style S-curve, neck long, chin up, one hand fixing hair. She shows a \"this happens often\" helpless look, then a restrained confident smile, saying clearly: Character #1: \"Can't help it, just too good-looking.\" Performance: sighs/eyebrows raise on \"Can't help it\"; eyes glance up/corners of mouth curl on \"too good-looking\", no direct look at camera. Subtitle: \"Can't help it, just too good-looking.\" 1.60-4.28s | Maintain same shot. Confidence rises. Siren S-curve, hand moves from hair, head tilts right, half-closed eyelids, says fully with a proud smile: Character #1: \"The biggest drawback is being easily hit on.\" Must start from \"The biggest\" and finish \"hit on\". Performance: Brows raise on \"biggest drawback\"; chin lifts on \"is being easily\"; head tilts, side glance, and self-satisfied smile on \"hit on\". No awareness of the cutting-in, no looking at owner yet. Subtitle: \"The biggest drawback is being easily hit on.\" 4.28-4.50s | No dialogue pause. Maintains pose and smile for 0.22s. Only ambient street/queue sounds. No laugh tracks or comedy music. 4.50-6.17s | Hard cut to owner's reverse shot. Shot over Character #1's shoulder at the counter. Owner in center, stainless steamers visible. Owner was looking down at buns, then looks up. No smile or mockery, just a calm, direct, slightly helpless tone: Owner: \"You're overthinking it, he just came to cut in line.\" Performance: briefly looks at her on \"overthinking it\"; continues working on \"cut in line\"; looks back down after finishing. \"He\" must refer to Male Character #2. Subtitles: \"You're overthinking it\" \"He just came to cut in line.\" 6.17-8.18s | Hard cut to Character #1 front reaction close-up. Closer than before but continuous lighting/direction. Expression sequence: keeps smile for 0.10s; eyes snap open upon hearing owner; pupils turn to owner; eyebrows arch; smile freezes then fades; lips part slightly; jaw stops; one short blink; holds breath, no dialogue. Pose collapses: neck relaxes, hand on hair drops slowly, body goes from S-curve to stiff upright. Ends on a 0.70s hold of wide-eyed, embarrassed expression. No screaming, covering mouth, or falling. No crowd laughing. Ends on this frozen frame. [Audio Requirements] Real location sound: street noise, queue chatter, clothing/hair friction, shop noises, owner's voice with spatial reverb. Character #1 sounds young/natural/confident; owner's voice from behind counter. Strict lip-sync. No BGM, narration, laugh tracks, or clean studio dubs. [Continuity Requirements] Face, hair, Outfit #3, skin, body consistent; Male Character #2 does not reappear; Owner/Male #2 distinct; Bun bag gone; Space/direction consistent; Character outside, owner inside; Character finishes self-praise before debunking; Character reacts only after hearing the owner's line; Subtitles strictly match speaker. [Realism Negative Prompt] No missing lines; no starting mid-sentence; no truncating lines; no \"she\" instead of \"he\"; no repeating previous plot; no reappearance of Character #2; no early knowledge or reaction by female; no exaggerated acting (screaming, falling); no face/outfit swaps; no bad fingers/limbs; no crowd performing; no plastic skin/smoothing; no cinematic pans/zooms; no siren fantasy elements; no BGM, narration, extra text, UIs, or watermarks.", "description": "", "author": "John", "authorUrl": "https://x.com/john87445528", "sourceUrl": "https://x.com/john87445528/status/2092028012267008033" }, { "id": "seedance-512", "title": "Musical City Transformation Sequence", "category": "nature-drone", "prompt": "Begin in a DARK, GRITTY, PHOTOREALISTIC modern city street at night. The opening MUST look completely live-action and realistic — wet pavement reflecting streetlights and neon signs, dark buildings, passing cars, and several pedestrians walking along the sidewalk. The people look tired, serious, and unhappy. Moody cinematic nighttime lighting, realistic human faces, realistic clothing, realistic city environment. [0.0–1.2s] Fast cinematic establishing shot moving through the gloomy photorealistic street. Pedestrians walk silently with tired expressions. Everything feels cold, dreary, and lifeless. [1.2–2.0s] QUICK CUT to a close-up of an old-school portable BOOMBOX sitting on the sidewalk. A human hand reaches into frame and forcefully presses the PLAY button. CLICK. Immediately an energetic, joyful, extremely catchy upbeat song EXPLODES from the speakers. [2.0–4.8s] The boombox speakers suddenly release an enormous, spectacular TIDAL WAVE OF MUSIC. CRITICAL: This is NOT a water wave. It is a gigantic colorful 2D HAND-DRAWN CARTOON WAVE constructed entirely from hundreds of animated musical notes, treble clefs, music staffs, colorful sound lines, rhythm symbols and swirling music graphics. The musical-note wave moves physically like a huge breaking ocean wave, rapidly surging outward from the boombox and racing down the street. The wave itself is already CARTOON ANIMATION while the untouched city ahead of it remains completely PHOTOREALISTIC. As the musical wave touches anything, that object INSTANTLY TRANSFORMS from realistic live-action into colorful hand-drawn cartoon animation. The transformation boundary travels visibly with the wave. It sweeps across pedestrians: REALISTIC HUMAN → COLORFUL CARTOON CHARACTER. Their tired expressions immediately become huge joyful smiles. They begin dancing, bouncing and moving happily to the music. The wave hits realistic cars: REAL CAR → FUN COLORFUL CARTOON CAR. It hits buildings, sidewalks, streetlights and signs: REALISTIC CITY → BRIGHT PLAYFUL CARTOON CITY. Cartoon streetlights bend and bounce rhythmically. Cartoon signs wiggle happily. Cars bounce slightly to the beat. The camera dynamically follows the rapidly expanding transformation. [4.8–7.0s] The camera quickly CRANES UP above the street into a wide aerial view. The enormous musical-note wave races outward block after block across the city. Behind the wave is an entirely colorful, joyful HAND-DRAWN CARTOON WORLD. Ahead of the wave remains dark photorealistic nighttime reality. As the final portion of the city transforms, the transformation races upward into the sky. DARK REALISTIC NIGHT → BRIGHT BLUE CARTOON DAYTIME. A huge cheerful YELLOW CARTOON SUN rises behind the newly transformed cartoon skyline. The cartoon sun opens its eyes and forms a gigantic HAPPY SMILE. FINAL IMAGE: A completely transformed colorful cartoon city filled with smiling cartoon people dancing i", "description": "", "author": "FoldingEnd A.I.", "authorUrl": "https://x.com/EndFolding79421", "sourceUrl": "https://x.com/EndFolding79421/status/2091974540369002718" }, { "id": "seedance-513", "title": "Tribal Warrior Shapeshift Jungle", "category": "nature-drone", "prompt": "Authentic live-action cinematic footage captured as a continuous one-shot sequence on Arri Alexa 65 with Panavision Ultra Vista anamorphic lenses on real Kodak Vision3 35mm film. Ultra-photorealistic Hollywood adventure film aesthetic with natural film grain, cinematic depth of field, realistic handheld camera inertia, dynamic tracking shots, physically accurate motion blur, volumetric golden-hour sunlight, atmospheric jungle mist, practical lighting, realistic water simulation, authentic environmental interaction, and absolutely no CGI or game-engine appearance.\n\nA powerful Amazonian tribal warrior with weathered bronze skin, long braided black hair decorated with jungle feathers, athletic muscular build, worn leather tribal clothing, and intense recognizable eyes sprints through a dense rainforest while the camera performs an energetic low-angle tracking shot weaving between giant roots, rocks, vines, and tropical vegetation. He bursts out onto the edge of a colossal waterfall and leaps into the air as the camera dives beside him. During freefall his body organically transforms into a gigantic Amazon river crocodile with realistic skeletal restructuring, growing scales, extending jaws, muscular limbs, and a powerful tail before crashing into the river below.\n\nThe camera follows underwater in one continuous movement as the crocodile powers through crystal-clear water, scattering schools of fish and passing submerged trees and ancient stone ruins. While swimming at high speed, the crocodile seamlessly transforms into a massive Amazon giant catfish with smooth biological morphing, retracting limbs, sleek skin, broad fins, powerful tail propulsion, and continuous identity preservation. The giant catfish accelerates through flooded jungle ruins before its body thickens and organically transforms into a colossal emerald anaconda with shimmering green scales, enormous muscular coils, and realistic serpentine movement as it glides through submerged temples and rises onto the rainforest floor.\n\nThe colossal anaconda rapidly slithers through dense jungle while the camera performs fast ground-level tracking through mud, roots, and foliage. As it launches over a fallen tree, it seamlessly transforms into a powerful black jaguar with sleek black fur, muscular feline anatomy, realistic shoulder movement, explosive sprinting speed, and intense recognizable eyes. The jaguar races through the rainforest before reaching a towering cliff where it leaps into open air. During the jump, its body organically transforms into a majestic giant harpy eagle as black fur becomes feathers, forelegs expand into enormous wings, hind legs become massive talons, and the eagle catches an air current before soaring high above the endless Amazon canopy.\n\nThe camera transitions into an FPV-style aerial pursuit as the ha", "description": "", "author": "AIrina (Virtual Media Net)", "authorUrl": "https://x.com/airina_xyz", "sourceUrl": "https://x.com/airina_xyz/status/2091949629122240930" }, { "id": "seedance-514", "title": "Continuous Long Take Combat Camera", "category": "ugc", "prompt": "The entire video is shot in a single, continuous long take without any cuts. The camera primarily follows the female protagonist from the front while moving backward, naturally orbiting the combat space as needed. A slight handheld feel is added during combat.", "description": "", "author": "Keiji", "authorUrl": "https://x.com/Keiji1653050", "sourceUrl": "https://x.com/Keiji1653050/status/2091937871733379502" }, { "id": "seedance-515", "title": "Arctic Aurora Cinematic Landscape", "category": "product-ad", "prompt": "Use @[Image] as storyboard reference for cinematic sequence. use as first shot 01\nA 10-second majestic cinematic landscape sequence transitioning in one continuous flow. Visual style: photorealistic 8K, ethereal arctic twilight, vibrant aurora borealis, snow-capped mountain reflections, ultra-high detail, premium nature documentary aesthetic. CRITICAL: Absolutely NO frames, borders, film strips, numbers, UI, or text. Render as seamless full-screen cinematic shots only. Ignore any grid layout. Preserve exact color palette, lighting, and textures from the reference.\n\nShot 1 (0-3.5s): Low-angle establishing movement. Gentle waves rhythmically lap against the wet shoreline, perfectly reflecting the vibrant pink, orange, and teal sky. A lone wooden rowboat rests peacefully, bobbing slightly with the water's motion. Camera glides slowly forward over the reflective sand.\n\nShot 2 (3.5-7.0s): Camera smoothly tilts upward, revealing the vast expanse of the calm fjord. The green aurora borealis intensifies, dancing and swirling dynamically across the starry purple sky. The horizon glows with warm golden light, casting shimmering liquid reflections on the water's surface. Snow-capped peaks stand majestically in the distance.\n\nShot 3 (7.0-10.0s): Wide panoramic hold. The camera settles on the full breathtaking vista. The aurora continues its graceful, fluid dance, stars twinkle softly, and the gentle waves create a soothing, rhythmic motion. The atmosphere is serene, expensive, and deeply immersive. Camera slowly pulls back for a majestic finale. ZERO TEXT.\n\nStyle reinforcement: seamless continuous camera movement, photorealistic water and sky simulation, dynamic aurora animation, consistent vibrant color grading, cinematic pacing, NO text, NO grid, NO numbers, ultra-luxury nature aesthetic.", "description": "", "author": "Viki", "authorUrl": "https://x.com/churvikv", "sourceUrl": "https://x.com/churvikv/status/2091908225008288187" }, { "id": "seedance-516", "title": "Thai Temple Cinematic Clip", "category": "animation", "prompt": "“Cinematic anime short film clip, 15 seconds. Outdoor ancient Thai temple, stone walls and pillars, thick jungle beyond, natural daylight through jungle canopy, heavy bag hanging from stone archway, dust particles in the air.\n\nCHARACTER: Use uploaded", "description": "", "author": "𝚎𝚖𝚘𝚝𝚒𝚘𝚗𝚜 ❦", "authorUrl": "https://x.com/0xemotions_", "sourceUrl": "https://x.com/0xemotions_/status/2091887448506749145" }, { "id": "seedance-517", "title": "Future House Dance Performance", "category": "general", "prompt": "Real-life short video style. The character uses preset character #1 throughout. Wearing HOw8obwaoAAHmJT, with stockings hf_20260730_044943_833909d3-0181-4d86-b4ad-8fdd91945fbd, decorative glasses, and deep purple high heels. She is playfully dancing to a Future House style DJ track, her dance moves including playful hip swaying, arm waves, and fixed poses, all in perfect sync with the music beats; the camera pushes and pulls in rhythm with the music. The setting is in a bedroom, with a soft spotlight from the top illuminating her. The overall lighting is soft with a strong atmosphere, aspect ratio 9:16. [Timeline] 00:00-00:03: Ultra-close-up of fingers doing light waves and pointing, fingertips flexible and accurately hitting the beat, partial lace cuffs visible. Background completely blurred. 00:03-00:05: Palm gently pushes towards the camera then quickly retracts, camera pulls back, the character's upper body is clearly visible. 00:05-00:08: Hands continue natural waves, body sways hips twice, eyes look directly and blink gently. 00:08-00:11: Both hands point down simultaneously, then quickly open into a large wave, moving half a step forward. 00:11-00:13: One hand covers the mouth shyly, the other reaches forward, eyes shift sideways and then look back, stocking leg lines stretch with the hip sway. 00:13-00:15: Hands cross to form a large heart shape, body leans back slightly and then returns to position, finally freezing with a bright smile and eye contact. Exclude: blurry, low resolution, noise, watermark, text, logo, distortion, deformation, facial feature collapse, stiff movement, camera shake, disproportionate, clothing error, character face swap, glasses missing, stockings missing, wrong high heel color, hard cut transitions.", "description": "", "author": "John", "authorUrl": "https://x.com/john87445528", "sourceUrl": "https://x.com/john87445528/status/2091870160525164754" }, { "id": "seedance-518", "title": "Extended Multi-Shot Xianxia Battle Sequence", "category": "nature-drone", "prompt": "Use 【@Image 4】 as the only strict first frame; use 【@Image 2】 to lock the identity, face, hairstyle, body type, dark martial arts attire, and the sheathed sword worn horizontally across the lower back of the cool black-haired swordsman; use 【@Image 1】 to lock the identity, face, hairstyle, body type, black-red demon robe, black-gold pauldrons, and obsidian demon sword of the humanoid Demon Lord; use 【@Image 5】 to lock the unique solid circular ancient gold coin; use 【@Image 3】 to lock the Moonlit Angry River, endless bamboo forest, mud, green stone platform, and the mountain gate space. Generate a full 30-second, 8K 3D CG realistic, PBR physical material, 16:9 landscape, 60fps Chinese dark xianxia movie battle video. 【Moonlit Angry River and endless emerald bamboo forest, an extremely huge bright full moon hangs high in the sky】, theatrical movie-grade color grading; ultra-realistic character clothing folds, skin pores, hair dynamics, flying bamboo leaves, and authentic cloth dynamics. 【Cool black-haired swordsman, wearing dark martial arts attire, sword sheathed horizontally across the lower back】 surrounded by 【cyan heavy water flow and violent electric arcs jumping tightly attached to the armor, body displacement trajectory, and sword blade】. 【The only humanoid Demon Lord, wearing a black-red demon robe and black-gold pauldrons, holding an obsidian demon sword】 surrounded by 【blood-red demonic runes, black fluid ink-like air, and thick black-red demonic flames tightly attached to the obsidian demon sword, body displacement trajectory, and the Demon Lord avatar】. There are strictly only two characters, the swordsman and the Demon Lord, in the entire film. Characters have absolutely zero standing posture during combat, maintaining ultra-high-speed movements breaking the sound barrier, dragging dense dynamic ink-and-wash smoke afterimages; all moves are overlaid with high-intensity hand-drawn ink-wash flying white effects. Combination of Time Ramp slow and fast motion. Weapon and limb collisions are forcibly matched with three levels of fixed effects: Light collision = black and white impact frame + 0.05-second frame skipping + partial negative film + axial micro-shake. Heavy collision = radial impact frame + 0.1-second frame skipping + central negative film + heavy sinking/rebounding + three-layer fluid explosion. Ultimate move burst = full-screen impact frame + 0.15-second freeze-frame skipping + full-screen negative film white flash + central fisheye distortion + strong Bloom + circular shockwave. Employ a 3A action game inertial follow-up camera, with cinematography following physical actions with high-frequency zoom and speed changes; pure visual output throughout. 【Shot 1 | 0-2s】 Front extreme close-up → 180-degree high-speed orbit shake → hand macro close-up. 【Dynamic movement and move-breaking】 On the Angry River, a single bamboo raft bobs with the waves. The black-haired swordsman has a sheathed sword across his back, sitting lazily at the bow, right hand resting on his knee. Fingers move slightly, a single solid circular gold coin flips and jumps skillfully back and forth between his knuckles and fingers like a living thing. The coin has no square hole, the front is a dragon relief, and the back is a cloud sea pattern. The camera orbits rapidly from his front to his back, then the focus instantly drops, locking tightly onto that right hand flipping the coin. 【Anchored effects and physical feedback】 The coin flip pulls a short golden afterimage. The swordsman is surrounded by extremely restrained cyan ink-wash mist, and the river surface water vapor is pushed to both sides by the aura. 【Visual rhythm and vibration】 High-speed motion blur appears during the orbit, and the screen immediately becomes extremely calm and quiet when switching to the hand. The coin is always in the hand area; it is forbidden to hover in front of the swordsman's face or block the face. 【Audio-visual reference】 White noise of river water hitting the bamboo raft → the crisp \"ding, ding\" sound of the coin flipping on the back of the fingers. 【Shot 2 | 2-3.5s】 Macro high-speed push-in → Z-axis vertical Tilt Up follow-up. 【Dynamic movement and move-breaking】 The swordsman's thumb flicks upward. The coin makes a \"ding\" sound and is tossed high into the night sky. The camera instantly detaches from the character, pushing forward at a terrifying speed and tilting upward, tightly following the flipping coin. The swordsman, raft, river, and mountains are thrown high-speed toward the bottom of the frame. Only one high-speed rotating gold coin remains in the center of the frame. The dragon pattern front, cloud sea back, and thick side of the coin pass through the moonlight in sequence. 【Visual rhythm and vibration】 Rapid ascent creates a strong sense of weightlessness. Forbidden for the coin to stick to the character's face, for the coin to stop spinning, or for a second coin to appear. 【Shot 3 | 3.5-5.5s】 Coin macro match cut transition → high-altitude ultra-wide angle → high-speed Dive follow-up. 【Dynamic movement and move-breaking】 Camera approaches the coin at high speed. The circular outline of the gold coin expands rapidly to fill the screen, and the highlight on the gold surface transforms into a massive, oppressive bright full moon. A continuous shape-match transition must be completed using the circular outlines of the coin and the full moon. Flash-whites, black screens, ordinary dissolves, and scene restarts are forbidden. The camera passes through the full moon formed by the coin, revealing an endless emerald bamboo forest waving like waves under the night sky. At this moment, the swordsman's silhouette suddenly leaps from off-screen high altitude into the direct front of the moon, forming a sharp back silhouette; then he adjusts to a high-speed dive posture, turning into an afterimage plummeting toward the bamboo forest below. Camera follows in a rapid dive. 【Anchored effects and physical feedback】 The swordsman's falling body tears through the night wind, dragging a straight cyan heavy ink-wash air trail and violent electric arc afterimages. 【Audio-visual reference】 The sonic boom of the wind howling piercingly in the ears. 【Shot 4 | 5.5-7s】 Ground-level high-speed Push In → extreme low-angle tilt freeze-frame. 【Dynamic movement and move-breaking】 Boom! The swordsman's feet smash heavily onto the wet mud at the edge of the bamboo forest. He doesn't stand upright but crouches low to unload force, left foot landing first, right foot sliding back. His spine is like a drawn bow, adopting an aggressive cheetah-like charge posture. The sheathed sword on his back vibrates violently, his left hand steadily gripping the hilt, killing intent locked deep into the courtyard. 【Anchored effects and physical feedback】 Upon landing, a cyan living aura forms a circular airwave pushing outward, bending dozens of thick emerald bamboos before they violently snap back; bamboo leaves fall, and mud water explodes to both sides of the camera along the direction of force. 【Shot 5 | 7-8.5s】 OTS (Over-the-Shoulder) panoramic view → Dolly Zoom. 【Dynamic movement and move-breaking】 Camera instantly cuts to the view behind the swordsman's left shoulder. The long sword is still tight against his lower back, left hand lowering to prepare for a draw. Ten meters straight ahead, the only humanoid Demon Lord stands before a green stone platform. The Demon Lord wears a black-red robe and black-gold pauldrons, body facing the swordsman, right hand on the hilt of the obsidian sword on his left waist. The courtyard between them is completely empty. Forbidden to show demon soldiers, monks, zen masters, crowds, or a third character. 【Visual rhythm and vibration】 Dolly zoom stretches the black-red mountain gate and bamboo forest behind the Demon Lord, infinitely magnifying his sense of oppression visually. The short silence before the storm is not a static pose: the swordsman's body continues to press forward, left hand tightening on the hilt; the Demon Lord slowly retreats half a step with his right foot, shoulder line turning to create space for drawing the sword. 【Shot 6 | 8.5-11s】 High-speed macro close-up → Time Ramp slow motion → focus shift. 【Dynamic movement and move-breaking】 Swordsman's left hand grips the hilt, slowly pulling the blade out. Forced 0.3-second bullet time. The blade is drawn halfway, revealing a piercingly cold cyan light. An emerald bamboo leaf shaken off by the airwave floats in front of the camera. The moment the leaf passes over the blade, it is silently cut into two halves by the invisible sharp edge; the two halves continue to fall in their respective inertial directions. 【Anchored effects and physical feedback】 Within the half-drawn blade's gap, violent cyan heavy water flow and dense electric arcs are like a compressed volcano, spitting and swallowing smoke particles extremely slowly. 【Audio-visual reference】 The extremely dull, tension-filled 'zheng—' sound of the blade friction is magnified ten times. 【Shot 7 | 11-13.5s】 Time resumes with a roar → follow-the-blade trajectory → high-speed Pan → violent vibration. 【Dynamic movement and move-breaking】 Blade fully drawn. The swordsman turns into a cyan lightning bolt, charging from the left side toward the Demon Lord at ultra-high speed. The Demon Lord simultaneously draws the obsidian sword from his left waist. Black fluid, dark red demonic flames, and blood-red demonic runes ignite rapidly along the sword surface. The swordsman completes three high-speed Z-shaped slashes around the Demon Lord: 1st strike: Swordsman cuts in from the front-left, sword thrusting at the Demon Lord's chest line. Demon Lord retreats his right foot, obsidian sword parrying upward to push the thrust outward. 2nd strike: Swordsman slides low along the parried direction to the Demon Lord's right, twisting his waist to swing the sword at the waist line. Demon Lord spins and presses down with the obsidian sword, the blades making their first clear heavy contact. 3rd strike: Swordsman uses the counter-force to step onto a bamboo trunk, rebounding upward and stabbing diagonally down behind the Demon Lord's shoulder. Demon Lord turns immediately, obsidian sword held horizontally above his head, blocking the sword tip for the second time. 【Anchored effects and physical feedback】 Camera stays tight on the swordsman's blade, each contact producing cyan and black-red sparks, ink-wash flying white, and short impact frames. Forbidden for the swordsman to pass through non-existent minions, for the Demon Lord to wait statically for a hit, or for hits without contact. 【Shot 8 | 13.5-15s】 Eye macro quick cut → extreme low tilt → radial heavy vibration. 【Dynamic movement and move-breaking】 Swordsman's momentum from the third strike never wanes; his right foot crushes a boulder as he leaps into the air above the Demon Lord like a whirlwind, the sword slashing down from top-left to bottom-right. Camera cuts rapidly to a close-up of the Demon Lord's eye. The Demon Lord's eyes snap open, dark red light erupting from his pupils. Demon Lord grips the obsidian sword with both hands, lifting it horizontally to block at a terrifying speed. 【Anchored effects and physical feedback】 Lethal heavy collision. Swordsman's sword hits the obsidian sword, cyan heavy water lightning and black-red demonic flames collide destructively. Forced radial impact frame + 0.1s high-speed frame skipping + central negative film + three-layer fluid explosion. Demon Lord's knees sink under the force, the stone platform beneath him cracks; swordsman is bounced to the top-left by the counter-force. 【Shot 9 | 15-17s】 Ultra-high-speed shuttle follow-up → high-frequency Whip Pan. 【Dynamic movement and move-breaking】 Without a pause, both sides charge from the courtyard into the dense bamboo forest for afterimage-level combat. Swordsman's feet step and rebound off left and right bamboo trunks, the sword completing thrust, lift, swipe, and shave. Demon Lord uses large movements, obsidian sword completing horizontal block, downward press, blade-entangling, spinning back slash, and power cleave. 【Anchored effects and physical feedback】 Continuous light collisions x5, each must have a clear attack starting point, trajectory, contact point, force direction, and next move. Cyan and black-red sparks fly in threads. The airwaves from their high-speed movement cut some thin bamboos in half; thick bamboos are only cracked, bent, or have leaves shaken off—random bamboo forest explosions are forbidden. 【Shot 10 | 17-19s】 Side follow-up → Dolly Zoom → intense motion blur. 【Dynamic movement and move-breaking】 Combat has rhythm. Demon Lord raises the obsidian sword with both hands, performing a heavy vertical Taishan-style downward cleave. Swordsman slides to avoid, demon sword smashes the mud, and mud water, broken bamboo, and black-red ink air explode forward. Swordsman uses the opportunity to flash in, his sword sliding against the metal spine of the obsidian sword with sparks and electricity, slashing toward the Demon Lord's wrist. Demon Lord decisively releases his front hand, hitting the side of the blade with his left palm to redirect force—the palm must not catch the blade front-on. Both sides simultaneously slide back at high speed using the counter-force, re-establishing distance. 【Anchored effects and physical feedback】 Blade friction ignites piercing cyan-red sparks. As they slide back, their feet plow deep mud trenches, cyan and black-red ink-wash auras dragging over ten meters of afterimages in opposite directions. 【Shot 11 | 19-21s】 High-speed zoom-out to ultra-wide angle → extreme low-angle tilt. 【Dynamic movement and move-breaking】 Before the slide ends, the Demon Lord stomps the ground. Black-red circular airwaves explode from his feet as he takes off, hovering above the bamboo forest. Demon Lord forms a suppression gesture with his hands in front of his chest. The space behind him distorts rapidly and is torn open by black fluid. A hundreds-of-meters-tall, heaven-towering two-armed humanoid Demon Lord avatar emerges with a roar. The avatar maintains a normal humanoid structure, with only one head and two arms, wearing a tattered black-gold crown, face cold and majestic. 【Anchored effects and physical feedback】 The avatar is not a common phantom but composed of extremely dense black fluid, dark red demonic flames, blood-red runes, and shattered black-gold armor plates. The avatar's appearance creates a terrifying gravity field; all bamboo below is bent outward to the ground by the center, and mud water is pressed to the surroundings. 【Shot 12 | 21-23s】 High-altitude overhead follow-up → continuous high-frequency vibration. 【Dynamic movement and move-breaking】 Demon Lord roars in mid-air, striking downward with his palms repeatedly. The two-armed avatar behind him is perfectly synchronized, striking only one set of giant black-red demonic palm prints at a time. The prints fall one by one from high altitude in a clear sequence; simultaneous random generation of multiple palms is forbidden. 【Anchored effects and physical feedback】 Each demonic palm print is composed of black fluid, dark red demonic flames, and blood-red runes, the edges glowing red with friction heat. Camera follows the palm prints down from high altitude; the bamboo forest, swordsman's position, and palm landing points must remain visible. 【Shot 13 | 23-24.5s】 Ground-level facing high-speed Push In → camera physically hit turns to black. 【Dynamic movement and move-breaking】 Swordsman performs extreme Z-shaped maneuvers on the bamboo forest floor like lightning. Each turn must be completed via foot-stomping, ground-sliding, or bamboo-rebounding; movement-less teleportation is forbidden. Black-red demonic palm prints explode successively behind and to the sides of the swordsman. Huge black-red palm-shaped craters are pounded into the ground. Terrifying explosions throw up mud, rocks, broken bamboo, and leaves. The final palm print's earth-and-stone storm hits the camera directly; the screen is completely obscured by thick smoke and falling leaves, turning black naturally and briefly. 【Audio-visual reference】 Continuous world-destroying heavy impact sounds → bamboo forest snapping sounds → the rustling friction of mud burying the lens followed by a brief dead silence. 【Shot 14 | 24.5-27s】 Macro within smoke → Tilt Up breaking through → ultimate move burst. 【Dynamic movement and move-breaking】 Inside the silent smoke, a tiny cyan light line appears first. The line instantly expands into a massive cyan fluid sword light, cutting straight through the thick smoke curtain from bottom to top. The smoke rolls back from the center cut. Swordsman and sword merge into a cyan giant sword rising against the air, charging high along the same vertical axis, striking the center of the Demon Lord avatar's chest. 【Anchored effects and physical feedback】 Lethal ultimate move collision. Forced full-screen black and white impact frame + 0.15s freeze-frame skipping + full-screen negative film white flash + central fisheye distortion + extreme Bloom + circular shockwave. A giant cyan heavy ink-wash sword qi slashes the avatar vertically from the chest. The two-armed avatar disintegrates from the center, collapsing into black ink flow, dark red demonic flames, shattered black-gold armor, and blood-red runes to both sides. Forbidden to generate Buddha statues, golden Buddha light, Sanskrit, Buddha palms, or lotuses. 【Shot 15 | 27-30s】 Satellite-level high-speed pull-away → invincible ultra-wide angle → epic aftershocks. 【Dynamic movement and move-breaking】 Cyan sword light momentum doesn't fade after shattering the avatar. Camera instantly leaves the battlefield, pulling away to the high-altitude clouds at supersonic speeds, breaking through the sea of clouds to form a satellite-level ultra-wide overhead shot. 【Anchored effects and physical feedback】 The cyan heavy ink-wash sword light continues to spread and extend on the ground, cutting through the vast earth and continuous bamboo-covered mountain ranges in the same direction. The earth is split open by the sword light center, revealing a bottomless, massive abyss canyon extending to the horizon. Sky-filling dust rolls like a tsunami to both sides of the canyon, and cyan electric arcs jump briefly along the edges. 【Visual rhythm and vibration】 Camera experiences short fisheye distortion and strong aftershocks at high altitude, then gradually stabilizes. Intense light slowly fades; the canyon, smoke, and clouds continue to move, completing the 30-second ending. Forbidden to generate watermarks, BGM, subtitles, text, or logos.", "description": "", "author": "Arvin", "authorUrl": "https://x.com/Arvin010717", "sourceUrl": "https://x.com/Arvin010717/status/2091867359602774157" }, { "id": "seedance-519", "title": "Seedance 2.5 Pyona Water-Style Combat Scene", "category": "talking-head", "prompt": "SEEDANCE 2.5 — PYONA Water System Combat / School Gymnasium Final Version\n\nUse exactly 1 uploaded image asset.\nimage1 = PYONA is the sole and highest priority reference for character identity and appearance. Strictly maintain her recognizable facial identity, facial proportions, skin tone, body type, and ensure consistent clothing style and all visible accessories as seen in image1. PYONA's clothing, colors, styles, layers, shoes, and all visible accessories must be based entirely on image1, with no extra specifications, replacements, or re-designs. PYONA must always maintain short light pink-blue hair, natural bangs, a white cloud hair clip, and a blue fish hair clip. The light pink-blue hair color is absolutely fixed; black, brown, pure blue, or other colors are prohibited. The character must look like a natural re-shoot of the same real Korean woman; avoid face-swapping effects, texture-like feel, AI plastic skin, 3D, or game CG. Generate a strictly 30-second, 16:9 landscape, native 4K, 24fps, ultra-realistic live-action Korean supernatural campus action short film. REAL LIVE-ACTION + real Korean school gymnasium + premium transparent-water VFX. No BGM, no subtitles, no narration.\n\n[Core Settings]\nPYONA has long completed her water system awakening and mastered her abilities. This film is not another awakening. No palm-studying, being surprised by water control, or stopping to admire the water. There are 5 enemies in total, all young adult Korean women with different faces, hairstyles, and temperaments. They wear uniforms from the same school system, but with loose ties, slightly messy shirts, and some with dark cardigans or short jackets, projecting a dangerous, arrogant, and oppressive delinquent girl vibe. No sweet idol feel. Enemies must take the initiative to attack; they do not wait in line or stand around watching PYONA perform.\n\n[Scene]\nA Korean school gymnasium at night. Central basketball court, real wooden floors, basketball hoops, sidelines, folding mats against the wall, ball racks, equipment stands, and an open area in front of the stage. Cool white overhead lights, wooden floors with realistic reflections. Small water trails exist locally after evening cleaning, some residue in the drinking area; PYONA can also quickly condense moisture from the air. Spatial continuity: Central court → near sideline → open area in front of stage. No sudden position changes.\n\n[Lines]\nLeader: \"Where are you going?\"\nAnother girl: \"Catch her!\"\nPYONA has no lines throughout.\n\n[Highest Priority Action Principles]\nFIGHT AGGRESSIVELY. ZERO CAUTIOUS CHOREOGRAPHY.\nAll actions must be fast, sudden, tough, and unwavering. Never gently push people, lightly block, slowly glide, or wait for the other party to cooperate. Every major attack uses committed full-body momentum, visible acceleration, hard physical contact, body compression, immediate loss of balance and believable recovery delay. PYONA can be grazed by fists, bumped, or caught; she is not perfectly invulnerable. Enemies also continue to attack; even if PYONA is hitting one person, others still look for angles to rush in. Actions must look like a real movie dangerous fight, not a cautious martial arts tutorial.\n\n[00:00–00:07 — Frontal Heavy Hit / Full Fall / Mockery]\nThe first shot must directly see PYONA's face or 3/4 front face; starting from behind PYONA is strictly prohibited. Central basketball court, 5 delinquent girls surround PYONA at close range. PYONA is visibly tense and alert but does not strike a hero's battle pose in advance. The leader walks up from the front, looks at her and says: \"Where are you going?\" The next moment, without slow charging, the leader suddenly throws a short, heavy, direct punch to PYONA's abdomen. Must clearly see: FIST → REAL ABDOMEN CONTACT → CLOTHING COMPRESSION → BODY FOLD. PYONA's eyes instantly lose focus, brows furrowed, lips slightly parted, breath harshly interrupted. Her upper body folds sharply, she staggers back 1-2 steps, shoe soles rub against the wooden floor, and then she truly loses balance. Lateral hip hits the floor first, one hand then heavily supports the wooden floor. Must fully represent: HIT → BODY FOLD → STUMBLE → LOSS OF BALANCE → HARD FALL. No immediate recovery after being hit. Surrounding girls immediately burst into realistic mockery. Some cover their mouths and laugh, some exchange glances with companions and laugh, some look down and point at her while laughing; the leader stands and looks at her with contempt. No mechanical synchronized laughter of the 5. Low camera angle clearly captures PYONA's face. One hand on her abdomen, the other supporting her on the ground, breathing heavily. Natural emotional changes: Pain → Embarrassment → Humiliation → Suppressed anger → Gaze gradually turns cold. She does not wave her hands to cast spells. Her hand on the ground suddenly presses down, one leg retracts, and shoulders, waist, and hips simultaneously prepare for a low-position rotation. Thin water marks quickly cling to her supporting hand, leg, and shoe sole.\n\n[00:07–00:11 — LOW WATER SPIN SWEEP / Ultra-fast In-place Circular Leg Sweep]\nThis is the first counterattack and one of the most important moves in the film. Two delinquent girls still mocking PYONA are already standing close to her, one to the front-left, one to the front-right. A third is approaching from further back. The ankles and calves of the two close-range enemies must be clearly within PYONA's real sweeping range. The shot must first establish: PYONA's front or 3/4 face on the ground + her one hand supporting + the leg ready to extend + the leg positions of the two enemies. PYONA remains in the low position just after falling. She must not move forward, pounce on enemies, glide, or charge. One hand presses firmly and steadily on the wooden floor; the support hand's position is basically fixed. Body center of gravity is pressed extremely low, hips near the wooden floor. One leg tucks in to help the body form a rotation axis, the other leg quickly extends fully, maintaining height at ankle to calf level. Next moment: EXPLOSIVE LOW CIRCULAR LEG SWEEP. PYONA uses the fixed support hand and low hip as the rotation center; shoulders, waist, and hips simultaneously explode with power, completing a very fast, very fierce low-position circular leg sweep at the original falling position. NO FORWARD TRAVEL. NO SLIDING FORWARD. NO TACKLE. NO CHARGING INTO THE ENEMY. BODY CENTER REMAINS ALMOST IN PLACE. Her extended leg acts like a high-speed rotating horizontal bar, close to the top of the wooden floor, sweeping in a fast arc across the ankles and calves of surrounding enemies. Transparent water flows tightly against PYONA's sweep leg, shoe sole, and leg rotation path, used only to enhance her rotation speed, lateral impact force, and sweep power. What truly makes the enemies fall must first be the direct contact of PYONA's own leg. First enemy: PYONA's extended leg hits her ankle and calf at high speed and solidly. The support leg is immediately swept away laterally. The enemy has no time for a slow reaction; the body axis instantly collapses, and she falls heavily sideways onto the wooden floor. PYONA does not stop at all. Using the same high-speed in-place rotation, her extended leg continues to sweep the lower calf of the second enemy. The sweep hits realistically, while the transparent water flow clinging to PYONA's leg rotation violently sweeps over the second enemy's other support foot. Her feet quickly lose stability, her body is forcefully lifted from its original upright axis, followed by a heavy fall. The third enemy further back is approaching but is not within the direct striking distance of PYONA's leg. She is affected by the high-speed spreading low-position water flow, the sudden fall of the two companions in front, and the change in space, forced to retreat and stagger, but is prohibited from falling automatically for no reason. The core sweep action must be extremely fast. From the start of the hip's explosive rotation to hitting the two enemies consecutively, the core circular sweep must be completed within approximately 0.8–1.0 seconds. The remaining time is used only for: enemies approaching → PYONA establishing a low support pose → rapid falling reaction after two real hits. Must clearly represent: FALLEN LOW POSITION → ONE HAND HARD PLANT → ONE LEG FULLY EXTENDED → EXPLOSIVE HIP ROTATION → FAST IN-PLACE CIRCULAR SWEEP → FIRST REAL LEG CONTACT → IMMEDIATE HARD FALL → CONTINUOUS ROTATION → SECOND REAL LEG CONTACT → SECOND HARD FALL. The sweep is sudden, violent, explosive and fully committed. The enemies are not gently pushed. Their support legs are forcefully swept out from under them. They fall immediately because their physical base is removed. STICKLY PROHIBITED: slow sliding, slide tackle, forward crawling, forward body travel, slow spinning, breakdance performance, dance-like rotation, cautious sweep, soft contact, enemies falling before leg contact, enemies gently sitting down, PYONA traveling across the floor during the sweep. Surrounding laughter stops instantly.\n\n[00:11–00:15 — HYDRO STEP / Strong Attack on the Third Person]\nAnother enemy shouts in anger: \"Catch her!\" and rushes up to punch. PYONA does not get up slowly. The water under her support hand and feet instantly explodes backward; the HYDRO STEP pushes her up from the low position and directly cuts into the enemy. The opponent's punch grazes the side of PYONA's face; PYONA's head has a realistic small deflection but does not retreat. She converts the speed generated by the water pressure thrust directly into a powerful SHOULDER CRASH, shoulder hitting the opponent's upper body solidly, making them retreat visibly. Immediately followed by a short, heavy BODY KNEE accurately hitting the abdomen. HYDRO STEP → SHOULDER CRASH → KNEE. Actions are continuous, fast, fierce, with no waiting.\n\n[00:15–00:18 — WATER GUARD / Hard Counterattack]\nAnother enemy immediately throws a heavy punch from the front while someone else approaches. PYONA raises her forearm; the WATER GUARD instantly forms a fast-rotating transparent thick water film. The punch must realistically hit the water film. SPLASH. Water explodes violently, PYONA's forearm also vibrates back half a beat from the impact, but the water film forces the punch off-course. PYONA immediately enters the opening, hitting the enemy's upper body with a short, heavy elbow strike. No pretty pauses. No posing. Immediately enter the next threat.\n\n[00:18–00:23 — FACE WATER CANNON]\nAn enemy approaches at high speed from the front, preparing to attack again. Don't let PYONA stand and gather water slowly. No long charging. PYONA quickly raises her palm. Floor water marks, scattered droplets, and air moisture converge in front of her palm almost instantly. FACE WATER CANNON. A short, violent, concentrated high-pressure transparent water jet blasts directly into the enemy's face and upper chest. Must see: INSTANT WATER GATHER → VIOLENT FORWARD WATER JET → DIRECT FACE / HEAD / UPPER-CHEST IMPACT. The water cannon hits the face powerfully; the head snaps back, eyes instinctively shut tight, hair and uniform are instantly blown backward, body retreats continuously and briefly loses sense of direction. Not a pretty fountain. Not a gentle splash. Must be like a powerful high-pressure water stream suddenly hitting the front. PYONA immediately presses forward, not standing to watch the result.\n\n[00:23–00:26 — RING WATER SHOCKWAVE / Circular Water Wave Push-back]\nThe remaining girls approach PYONA simultaneously from different directions. Prohibit generating static water barriers. Prohibit transparent spherical shields. When enemies truly enter close range at high speed, PYONA suddenly lowers her center of gravity and releases power to the ground. Surrounding moisture is instantly pulled to her feet, then: RING WATER SHOCKWAVE. Centered on PYONA, a ring of strong, transparent, heavy water pressure waves suddenly explodes outward along the wooden floor and low space in all directions. Not a protective shield. This is a violent outward release of water pressure impact. Approaching enemies must have strong physical reactions: One person's upper body is pushed back several steps by the water pressure; one's center of gravity is thrown backward; one hits a companion to the side violently; another slips underfoot, knees almost touching the ground. All reactions must occur after the water wave actually contacts the body. The leader does not fall completely. She forcefully withstands the first wave of impact, adjusts her steps, and continues to pounce on PYONA from the front. This naturally establishes the final 1v1 attack line.\n\n[00:26–00:30 — HYDRAULIC PALM / Final Climax]\nThe leader forces her way through the remaining water flow, approaches at high speed from the front, and throws a powerful punch. PYONA does not fire magic from a distance. She actively steps forward into true striking distance, body deflecting, letting the leader's punch graze her face. Meanwhile, moisture around the right hand compresses at high speed. PYONA's right palm must first realistically and heavily hit the center of the leader's upper body. See first: PALM PHYSICAL CONTACT → CLOTHING / BODY COMPRESSION. 0.1–0.2 second micro slow motion: WATER COMPRESSION → dense cavitation bubbles → HYDRAULIC COLLAPSE. TIME SNAP. HYDRAULIC PALM explodes. Intense transparent water pressure instantly blasts forward from the actual palm contact point. The leader's entire upper body is violently shaken back, feet lose stability, sliding backward at high speed on the gymnasium's wooden floor, large clouds of water mist and shattered droplets explode outward, heavy impact sound echoes strongly in the gym. The last enemy immediately pounces on PYONA from the side-rear, giving her no rest. PYONA uses ground water flow to instantly disrupt her front foot, briefly breaking the sprint rhythm. Followed by a very short HYDRO STEP to turn and enter. The other palm hits the opponent's shoulder-chest line heavily. SHORT HYDRAULIC PRESSURE PALM. Short-distance water pressure blasts from the contact point again; the opponent is immediately pushed down and slides across the wooden floor. PYONA does not celebrate, admire the water, or strike a hero's pose. She is still breathing heavily, short light pink-blue hair visibly slightly messy from combat, realistic water drops remaining on her face and the clothing surface from image1. She immediately turns to maintain a combat stance, scanning the gymnasium quickly. CUT WHILE TENSION IS STILL ACTIVE.\n\n[TARGET LOCK]\nAll attacks must first have a clear target and correct distance: VISIBLE ENEMY → CORRECT RANGE → ATTACK → PHYSICAL CONTACT / WATER CONTACT → IMMEDIATE REACTION. LOW WATER SPIN SWEEP must see PYONA's real leg hit the enemy's lower body. Enemies must never fall without a physical cause. SHOULDER CRASH, KNEE, ELBOW must have real contact. FACE WATER CANNON must clearly hit the enemy's face/upper chest from the front. RING WATER SHOCKWAVE must first contact approaching enemies before violently pushing them back. HYDRAULIC PALM must have real palm contact first, followed by the water pressure explosion.\n\n[Photography]\nThe first shot must be front or 3/4 front view to clearly see PYONA's face and the 5-person encirclement; starting with a back view is prohibited. After PYONA falls, the camera immediately drops to a height near the wooden floor while capturing her pained expression, the mockery of the surrounding girls, and the leg positions of the enemies. For the LOW WATER SPIN SWEEP action, the camera should not rotate around PYONA at high speed or follow her forward. Use a low-angle, slightly wide side-front perspective, keeping it stable and clear during the 0.8–1.0 seconds of the sweep core action, so that the same frame can read: PYONA's fixed support hand + low hip rotation + extended sweep leg + first enemy's leg being hit + second enemy subsequently swept. Do not use slow motion for this sweep. Use fast tracking for HYDRO STEP. Close/medium shot in WATER GUARD to see the punch hitting the water film. FACE WATER CANNON must see water blasting from PYONA's palm directly into the enemy's face. RING WATER SHOCKWAVE uses a wider shot to see PYONA, the attackers, and the ring water pressure explode outward. Finally, HYDRAULIC PALM enters a strong medium-close-up, prioritizing physical contact, clothing compression, water pressure explosion, and enemy reaction. ACTION READABILITY > PHYSICAL IMPACT > WATER POWER > CAMERA CHAOS.\n\n[Strictly Prohibited]\nProhibit the first shot from only showing PYONA's back. Prohibit re-awakening. Prohibit PYONA from studying her water abilities. Prohibit counterattacking before falling completely. Prohibit LOW WATER SPIN SWEEP from becoming: slow slide, slide tackle, forward crawl, forward travel, slow spin, breakdance, dance move, slow-motion spinning attack. Prohibit PYONA from sliding toward the enemy during the sweep. Prohibit the center of PYONA's body from moving forward significantly during the sweep. Prohibit enemies from falling slowly after light contact. Prohibit enemies from falling automatically without clear leg contact. Prohibit enemies from falling automatically after PYONA lightly waves her hand. Prohibit any cautious, gentle, or slow-motion fighting. Prohibit enemies from waiting in line. Prohibit enemies from not having an obvious physical reaction after being hit. Prohibit standing still for a long time to gather water at 18 seconds. Prohibit FACE WATER CANNON from looking like a gentle spray. Prohibit generating static water barriers or protective shields at 23 seconds. Prohibit giant tsunamis, water dragons, magic circles, lasers, energy balls, or teleportation. Prohibit attacking basketball hoops, equipment, or air. Prohibit game CG characters, cheap anime special effects, AI plastic skin. Prohibit closing with a hero pose.\n\nCore Goal: The first shot must clearly see PYONA's face. She is hit by a heavy frontal punch to the abdomen, falls realistically and completely, and is laughed at loudly by the surrounding girls. The first counterattack must strictly be an in-place low circular leg sweep, not any form of sliding or charging. PYONA remains in the original position, one hand firmly on the ground, with that support point and low hip as the axis, one leg fully extended, completing an explosive high-speed circular sweep in about 0.8–1.0 seconds. Her body center remains essentially in place; what truly moves is the high-speed rotating leg. The leg first realistically sweeps the ankle/calf of the first enemy, causing her support leg to fail instantly and fall heavily; the same rotation immediately continues to sweep the second enemy, causing her to lose her base and fall heavily. Water only clings to PYONA's real sweep trajectory to enhance speed, impact, and lateral force, and must never replace leg contact to automatically knock people down. Aside from this, subsequent actions remain as structured: Hydro Step rapid advance → Water Guard hard block → Face Water Cannon powerful frontal blast → Ring Water Shockwave violent push-back → Hydraulic Palm high-pressure climax with real palm contact. The entire action sequence must be tough, fast, dangerous, and unrestrained, never presenting a cautious, gentle, or slow-motion feeling.", "description": "", "author": "Pyona", "authorUrl": "https://x.com/pyona_ai", "sourceUrl": "https://x.com/pyona_ai/status/2091862645720879213" }, { "id": "seedance-520", "title": "Ghibli Style Afternoon Tranquility", "category": "animation", "prompt": "A quiet Studio Ghibli-inspired anime sequence on a shaded wooden veranda during a warm August afternoon. A young woman in a pale lavender dress sits near a glass wind chime and watches it move in the summer breeze. Bright garden greenery, soft sunlight, gentle shadows, rich hand-painted textures, tranquil nostalgic mood, highly detailed, 12-second animation.\n\nShot 1: Wide establishing shot, slow push-in. A peaceful wooden veranda overlooks a lush summer garden.\n\nShot 2: Medium shot, static. The young woman sits quietly and looks toward the hanging wind chime.\n\nShot 3: Close-up, static. The glass wind chime sways gently in the breeze.\n\nShot 4: Close-up profile, slight push-in. She listens with a calm expression.\n\nShot 5: Wide side shot, static. She remains seated as sunlight flickers across the veranda.", "description": "", "author": "AIrina (Virtual Media Net)", "authorUrl": "https://x.com/airina_xyz", "sourceUrl": "https://x.com/airina_xyz/status/2091856989877919756" }, { "id": "seedance-521", "title": "Pocari Sweat Sports Commercial Prompt", "category": "product-ad", "prompt": "Create a cinematic, ultra-realistic 15-second vertical commercial based exactly on the uploaded POCARI SWEAT storyboard. Maintain the same blue-and-white visual identity, energetic atmosphere, dramatic lighting, water effects, and premium sports-commercial aesthetic.\\n\\nScene 1 — 0–1.5s: THE DRY\\nExtreme macro close-up of a tired, sweaty athlete. Sweat drops slowly roll down his face. The background is hot, dry, and slightly desaturated. Slow push-in camera, heavy breathing and heartbeat atmosphere.\\n\\nScene 2 — 1.5–3s: THE DROP\\nA single water droplet falls in dramatic slow motion and hits the ground, creating a powerful splash. Transition from dry surroundings into fresh blue liquid energy. Macro camera follows the droplet.\\n\\nScene 3 — 3–4.5s: THE OPEN\\nClose-up of a chilled POCARI SWEAT bottle. A hand opens the cap. Cold vapor escapes while condensation and water droplets cover the bottle. The liquid swirls with energetic motion.\\n\\nScene 4 — 4.5–6.5s: REHYDRATION\\nThe athlete drinks POCARI SWEAT. Glowing blue hydration energy flows through his body in a tasteful, non-medical visual effect. His expression changes from tired to refreshed. Camera performs a smooth orbit.\\n\\nScene 5 — 6.5–9s: THE WORLD REHYDRATES\\nA massive wave of clean blue water flows dynamically through a modern city. Buildings and streets become bright, fresh, and vibrant. Fast tracking camera follows the wave as the environment transforms.\\n\\nScene 6 — 9–11s: BACK TO MOTION\\nQuick energetic montage of athletes returning to activity: running, cycling, playing basketball, and jumping. Dynamic tracking shots, water splashes, natural movement, bright daylight, powerful music beat.\\n\\nScene 7 — 11–13.5s: LIQUID VORTEX HERO\\nHero product shot of the POCARI SWEAT bottle surrounded by a spectacular rotating vortex of crystal-clear water. Bottle remains perfectly sharp and centered while water spirals around it. Premium studio lighting and slow 360° camera movement.\\n\\nScene 8 — 13.5–15s: FINAL REFRESH\\nClean final packshot: chilled POCARI SWEAT bottle standing against a bright blue-and-white background with subtle water droplets and mist. Slow camera push-in. End with the POCARI SWEAT logo and a clean premium commercial finish.\\n\\nOverall Style: photorealistic, cinematic sports advertisement, high-energy commercial, realistic water physics, macro details, dramatic slow motion, smooth camera transitions, premium blue-and-white color palette, crisp highlights, shallow depth of field, 4K/8K quality, vertical 9:16.\\n\\nAudio: heavy breathing and heartbeat → single water drop → powerful splash → bottle cap click → rising energetic music → water and movement sounds → clean final musical hit.\\n\\nImportant: Keep the POCARI SWEAT bottle design, label, logo, proportions, and branding consistent throughout every scene. No distorted text, no warped bottle, no extra logos, and no unrelated objects.", "description": "", "author": "Soaima", "authorUrl": "https://x.com/Soaima_Ai", "sourceUrl": "https://x.com/Soaima_Ai/status/2091843802663379248" }, { "id": "seedance-522", "title": "Dark Armored Warrior Transformation", "category": "action", "prompt": "Cinematic cinematic transformations sequence, portrait aspect ratio. A rusty gray sedan parked on a city street. A woman's hand touches the rusted side panel, which cracks open as black clawed gauntlets burst out. Dark obsidian metallic armor rapidly creeps and morphs up her arm and body. Her face transforms into a fierce armored warrior with glowing red eyes and horn-like helmet peak. The dark armored knight drops into a ground-pound pose, shattering the asphalt with glowing orange lava veins. She pulls a massive, glowing fiery sword straight out of the burning cracked pavement, standing tall in full demonic plate armor emitting embers and black smoke. Cinematic lighting, hyper-realistic, dark fantasy aesthetic, 4k resolution.", "description": "", "author": "Julia", "authorUrl": "https://x.com/juliaevee", "sourceUrl": "https://x.com/juliaevee/status/2091820398862012482" }, { "id": "seedance-523", "title": "Floating Woman Sunset Cloudscape", "category": "product-ad", "prompt": "Continuous smooth push-in camera movement A stylish glamorous woman floating gracefully above a dense sea of fluffy cloud tops during a vibrant pastel sunset She is wearing a sleek black futuristic bodysuit, sunglasses, and high heels holding a martini glass with liquid splashing slightly and a black quilted luxury handbag The golden hour sky glows with pink, orange and purple hues Ultra-realistic, cinematic lighting, 8k resolution, slow motion.", "description": "", "author": "Lavinia", "authorUrl": "https://x.com/laviniavelle", "sourceUrl": "https://x.com/laviniavelle/status/2091812173391790374" }, { "id": "seedance-524", "title": "Alligator Mutant Rescue Scene", "category": "ugc", "prompt": "Hyper-real B-movie creature-feature action. Tropical jungle. Heavy rain from a recent storm. Overgrown railroad crossing cutting through dense vegetation. Rusted warning signs. Fast chaotic pacing. Aggressive handheld camera. Speed ramps. Crash zooms. Whip pans. Sound: engine screaming, crocodile roars, train horn, metal shaking, frantic breathing. ⸻ 0–2s — HOOK Low front-mounted camera on a speeding jeep. A survivor is already driving at full speed down a muddy jungle road. The windshield is covered in mud and rain. Behind him— A gigantic mega crocodile bursts through the jungle. Forty feet long. Ancient scars across its body. It crashes through trees and keeps pace with the jeep. The driver glances into the rear-view mirror. “COME ON!” ⸻ 2–5s — ESCALATION Side tracking shot. The jeep bursts out of the jungle toward an abandoned railroad crossing. The crocodile gains rapidly. Its jaws snap shut inches behind the rear bumper. Mud sprays everywhere. The survivor spots the tracks ahead and floors the accelerator. The crocodile lunges. The jeep barely stays ahead. ⸻ 5–8s — THE PROBLEM Wide shot. The jeep reaches the railroad crossing. Suddenly— The engine dies. The vehicle rolls to a stop directly on the tracks. Silence. Then a distant train horn. The survivor looks left. A freight train is approaching at full speed. He looks right. The crocodile is charging. ⸻ 8–11s — CHAOS Rapid cut-tos. Train getting closer. Crocodile getting closer. The survivor desperately tries restarting the engine. Nothing. The crocodile launches forward. The train horn becomes deafening. At the very last second— The survivor dives out of the jeep. ⸻ 11–13s — PAYOFF Bullet-time shot. The crocodile leaps. The freight train arrives. Impact. Metal bends. Mud explodes. The crocodile is smashed sideways across the crossing. The jeep is obliterated. ⸻ 13–15s — SHOCKING ENDING The survivor stands up. Relieved. The train continues rolling. Then— Something enormous climbs over the top of the moving train. A gigantic reptilian creature larger than the crocodile. Its claw crushes a train car roof. The entire train begins derailing. The survivor stares in disbelief. Hard cut to black.", "description": "", "author": "DennisVisuals", "authorUrl": "https://x.com/DtheW1995", "sourceUrl": "https://x.com/DtheW1995/status/2091783920467456468" }, { "id": "seedance-525", "title": "Neo-Wuxia Cinematic Action Match Cut", "category": "nature-drone", "prompt": "[Style] Neo-Wuxia Cinematic, photorealistic, 8K ultra-clear quality, super slow-mo, action match cut.\n\n[Duration] 10 seconds\n\n[Scene] Deep mountain ancient temple courtyard/cliff platform → steep seaside cliff rocks with crashing waves.\n\n[Character] Swordsman (young martial artist wearing dark green wide-sleeved ancient style robe, black pants, and sneakers).\n\n[00:00-00:05] Scene 1: Acrobatic entry with broom as weapon (Acrobatic Backflip to High-Knee Step).\n\n[Low-angle frontal push shot] Sunlight slanted on the bluestone floor of the ancient temple, fallen leaves floating in the wind.\n\nAction: Swordsman @Image1 bends knees, jumps high, and completes a clean high-difficulty backflip in the air.\n\nContinuation: Crouching down immediately upon landing, one hand grabs a long bamboo-handle sorghum broom from the ground.\n\nProgression: His eyes are sharp as a hawk, holding the broom like a divine weapon in one hand, striding toward the camera; at the last moment, he lifts his right leg high in a high-knee action.\n\n[Transition/Continuity]: Hard cut at the moment the right leg steps out in the air (Action Match Cut).\n\n[00:05-00:10] Scene 2: Golden staff in mid-air with leg lock & giant wave splash.\n\n[Mid-long shot low angle/Super Slow-mo] Scene instantly cuts to a steep seaside cliff with howling wind.\n\nProps and outfit replacement: The broom turns into a dark gold iron staff (Golden Cudgel), and he wears a black and white wide-brimmed swordsman hat.\n\nStunt freeze pose: The iron staff stands at a 45-degree angle on the rock. The swordsman takes over the transition with the same movement—one foot on the middle of the staff, the other foot on the top, locking the staff tightly with both feet, body hanging horizontally; one hand in a seal in front of the chest, looking calm and dominant.\n\nEnvironmental effects: Massive white ocean waves crashing behind the cliff, water droplets splashing in extreme slow motion in the sun, green robe flying in the wind, screen freezing for a shocking finish.", "description": "", "author": "John", "authorUrl": "https://x.com/johnAGI168", "sourceUrl": "https://x.com/johnAGI168/status/2091778002002608357" }, { "id": "seedance-526", "title": "Dark Xianxia Movie Combat Scene", "category": "nature-drone", "prompt": "Generate a full 10-second, 8K 3D CG realistic, PBR physical material, 16:9 landscape, 60fps Chinese dark fantasy Xianxia movie combat video. [A moonlit Nu River and endless emerald bamboo forest, with an extremely large bright full moon hanging in the sky], cinematic film-level color grading; clothing folds, skin pores, hair dynamics, and flying bamboo leaves are ultra-realistic, with authentic cloth dynamics. [A cold black-haired swordsman, wearing dark martial arts attire, with a sword in its scabbard horizontally behind his waist] surrounded by [cyan-green heavy water flows and violent electrical arcs tightly attached to the armor, body movement trajectory, and blade]. [A single humanoid demon lord, wearing a black and red demon robe and black-gold shoulder guards, holding an obsidian demon sword] surrounded by [blood-colored demon runes, black fluid ink Qi, and heavy black-red demon flames tightly attached to the obsidian demon sword, body movement trajectory, and demon lord avatar]. The whole film strictly features only two characters: the swordsman and the demon lord. Characters avoid static poses during the fight, maintaining ultra-high-speed maneuvers that break the sound barrier, dragging thick dynamic ink smoke afterimages; all moves are layered with intense hand-drawn ink strokes. Time Ramp combining fast and slow motion. Weapons and limb collisions must match three levels of fixed special effects: Light collision = black and white impact frames + 0.05s frame skipping + local negative film + axial micro-shaking. Heavy collision = radial impact frames + 0.1s frame skipping + central negative film + force-induced sinking/rebound + triple-layer fluid explosion. Ultimate move = full-screen impact frames + 0.15s freeze-frame skipping + full-screen negative film white flash + central fisheye distortion + strong Bloom + circular shockwave. Use a 3A action game inertia following camera, with movements accompanied by high-frequency zoom and speed changes based on physical actions; pure visual output throughout.", "description": "", "author": "Arvin", "authorUrl": "https://x.com/Arvin010717", "sourceUrl": "https://x.com/Arvin010717/status/2091765209375350918" }, { "id": "seedance-527", "title": "Mediterranean Luxury Fragrance Commercial", "category": "product-ad", "prompt": "A cinematic 3D product commercial for a luxury fragrance set against a sun-drenched Mediterranean coastal cliff overlooking vibrant turquoise water, hyper-realistic, 8k resolution, photorealistic lighting, ray-traced glass reflections, shot on 35mm anamorphic lens, 60fps smooth action: Extreme macro shot starting on the thick clear glass base of a square fragrance bottle with light refracting across stone, smooth tilt-up to reveal the pale green liquid inside, the silver metallic Medusa seal centered on the front, and the silver engraved cap. Small white jasmine blossoms and olive leaves frame the bottle on a rugged stone ledge. Dynamic cut to a close-up of green olives hanging from lush branches with glowing sunbeams piercing through against a deep blue sky. Rapid transition showing the silver bottle cap smoothly popping off into the sky, revealing the nozzle, followed by an ultra-macro shot of the nozzle spraying a fine mist of fragrance in slow motion as sunlight catches the microscopic droplets. Fast forward-zooming whip shot moving through a breezy Mediterranean olive grove, emerging out onto a high cliff ledge where the perfume sits above a shimmering ocean cove. A crystal-clear glass sphere expands and engulfs the scene with glowing green olive leaves swirling through the air around it. Final centered hero shot of the fragrance bottle sitting proudly on the sunlit stone ledge, subtle water reflections beneath it, olive branches framing the top, bright lens flare streaming from above, hyper-detailed commercial aesthetic.", "description": "", "author": "Zyrella", "authorUrl": "https://x.com/Zyrellix", "sourceUrl": "https://x.com/Zyrellix/status/2091760321866186908" }, { "id": "seedance-528", "title": "Field Hospital Medic Breakdown", "category": "talking-head", "prompt": "<<>> — Ines\n\nCamera Settings: shot on 35mm film, anamorphic 2x squeeze, 2.39:1, oval bokeh, heavy grain,\nhalation on the bulbs. Focal length: 35mm. Aperture: f/2.0. Camera Style: handheld inside\nthe scuffle — the camera is jostled and knocked by the people restraining her, losing her\nframe and finding her again, shoved sideways twice, then dropping to the duckboards with her\nand ending on its side looking up at her and at the ring of faces standing over her; one\ncontinuous take, no cuts. Light: cold blue dawn through canvas, bare work bulbs swinging on\na cable throwing hard moving shadows, generator flicker. Style & Mood: field hospital at\nfirst light, blue-grey and dirty amber, war-film grain, generator hum, canvas cracking in\nwind, no score. Narrative Summary: a medic breaks down in front of the whole ward while\nreporting her losses. Starting Composition: camera 3ft from her face, handheld, already\nunsteady. Ines (<<>>) stands frame-center already mid-shout at an officer\noff-frame, rows of cots and wounded men behind her, covered stretchers deep frame-right,\nbulbs swinging overhead.\n\nDynamic Description: (0s–5s) Handheld tight 35mm, already knocked off balance at frame one,\ncatching her face in snatches. She is screaming before the shot begins, face contorted,\ntendons standing in her neck, tears cutting clean lines through the soot — voice torn open,\nshouting: \"FOUR. There were forty of us and there's FOUR.\" She rips the loose dressing off\nher forearm and hurls it, then drives her fist down onto a folding table so the tin cups\njump. (5s–10s) Two people grab her from behind and she fights them hard, twisting; the\ncamera is shoved sideways by a shoulder, loses her completely for half a second, and finds\nher again mid-struggle, still shouting with no words left in it, the ampoules on her chest\nrattling. (10s–15s) Her legs go. They lower her and the camera goes down to the duckboards\nwith her, ending on its side. From the floor, looking up: she is on her knees, doubled over\nwith both hands in her cropped hair, sobbing at full volume with her forehead almost on the\nboards, a ring of faces standing over her, the bulbs swinging behind their heads.\n\nStatic Description: field hospital tent at dawn, rows of cots, swinging bulbs, canvas,\ncovered stretchers, folding table, tin cups, duckboards. Negative: no subtitles, no\ncaptions, no text overlay, no cross-dissolve, no transparency transitions, no wipes, no\ncuts, no hard cuts, no edits, no shot changes — single uninterrupted take, no mirror\nreflections, no doubled characters, no visible crew, no wound detail, no slow-motion, no\nmusic, no score, no composed crying, no build-up. She is already screaming in the very\nfirst frame and the camera must be physically knocked at least twice.", "description": "", "author": "Sharon Riley", "authorUrl": "https://x.com/Just_sharon7", "sourceUrl": "https://x.com/Just_sharon7/status/2091744186186027386" }, { "id": "seedance-529", "title": "Everyday Grocery Shopping Lifestyle Vlog", "category": "product-ad", "prompt": "DURATION: 30 seconds\n\nSTYLE:\nUltra-photorealistic live-action everyday lifestyle vlog.\nPremium cinematic commercial quality.\nNatural human behavior.\nRealistic hand movements.\nRealistic grocery interaction.\nNatural facial expressions.\nSmooth cinematic camera movement.\nAuthentic everyday atmosphere.\n\nREFERENCE ASSIGNMENT:\n\n@IMG1 = MAIN FEMALE CHARACTER\n@IMG2 = HOME / ENTRANCE\n@IMG3 = SUPERMARKET\n@IMG4 = GROCERY SHOPPING ACTION\n@IMG5 = CHECKOUT\n@IMG6 = HOME GROCERY ARRANGEMENT\n\nUse all references consistently.\n\nCHARACTER CONSISTENCY:\n\nThe EXACT SAME woman from @IMG1 must appear throughout the entire video.\n\nPreserve her exact face, facial features, hairstyle, skin tone, body proportions, age appearance and overall identity.\n\nKeep her outfit consistent throughout the shopping journey.\n\nDo not change her identity or appearance between scenes.\n\n--------------------------------------------------\n\n0–4 SECONDS — LEAVING HOME\n\nUse @IMG1 + @IMG2.\n\nThe woman prepares to go grocery shopping.\n\nShe checks her shopping list on her phone.\n\nShe picks up her handbag and walks toward the front door.\n\nShe opens the door and leaves her home.\n\nCAMERA:\nSmooth cinematic tracking shot from inside the entrance following her toward the door.\n\nNatural daylight.\n\nRealistic walking movement.\n\n--------------------------------------------------\n\n4–8 SECONDS — ARRIVING AT SUPERMARKET\n\nUse @IMG3.\n\nTransition to the supermarket.\n\nThe woman arrives at the supermarket entrance.\n\nShe takes a shopping cart.\n\nShe enters the store and begins walking toward the fresh produce section.\n\nCAMERA:\nSmooth forward tracking shot following her and the shopping cart.\n\nKeep the supermarket environment clearly recognizable.\n\n--------------------------------------------------\n\n8–15 SECONDS — SELECTING GROCERIES\n\nUse @IMG4.\n\nThe woman pushes the shopping cart through the produce aisle.\n\nShe stops at the vegetable section.\n\nShe picks up a fresh tomato and examines it.\n\nShe places the tomato into the shopping cart.\n\nShe selects several fresh vegetables and fruits.\n\nShe places them naturally into the cart.\n\nShe briefly checks her shopping list on her phone.\n\nThen she continues shopping.\n\nCAMERA:\nAlternate between:\n\nmedium tracking shot,\nclose-up of her hand selecting vegetables,\nclose-up of groceries entering the cart,\nmedium shot of her checking the phone.\n\nKeep every action physically realistic.\n\n--------------------------------------------------\n\n15–20 SECONDS — CHECKOUT\n\nUse @IMG5.\n\nThe woman arrives at the checkout counter with her full shopping cart.\n\nThe groceries are placed on the checkout area.\n\nThe cashier scans several items.\n\nThe woman completes the payment using her phone/card.\n\nShe receives the receipt.\n\nShe collects her grocery bags.\n\nCAMERA:\nMedium-wide checkout shot.\n\nBrief close-up of scanning.\n\nBrief close-up of payment.\n\nReturn to the woman collecting her bags.\n\nNatural everyday interaction.\n\n--------------------------------------------------\n\n20–24 SECONDS — RETURNING HOME\n\nUse @IMG2 + @IMG6.\n\nThe woman arrives back home carrying her grocery bags.\n\nShe enters the kitchen and places the bags on the countertop.\n\nShe begins unpacking them.\n\nCAMERA:\nSmooth follow shot as she enters the kitchen.\n\n--------------------------------------------------\n\n24–30 SECONDS — ORGANIZING GROCERIES\n\nUse @IMG6.\n\nShe takes fresh vegetables from the bags.\n\nShe places vegetables neatly into the refrigerator.\n\nShe places fruit into a fruit bowl.\n\nShe puts pasta, bread and dry groceries into the kitchen cabinet.\n\nShe looks at the organized kitchen.\n\nShe gives a small natural satisfied smile.\n\nCAMERA:\nBegin with a medium shot.\n\nCut briefly to vegetables entering the refrigerator.\n\nCut to fruit being placed into the bowl.\n\nFinish with a gentle cinematic push toward her satisfied expression.\n\nCUT TO BLACK.\n\n--------------------------------------------------\n\nCAMERA STYLE:\n\nUse smooth professional lifestyle-vlog cinematography.\n\nNatural tracking shots.\n\nMedium shots for actions.\n\nClose-ups for important details.\n\nGentle push-ins.\n\nNo excessive camera shake.\n\nNo unnecessary fast camera movements.\n\nKeep the woman visually readable throughout.\n\n--------------------------------------------------\n\nREALISM PRIORITY:\n\nNatural walking.\n\nNatural hand movements.\n\nRealistic shopping cart physics.\n\nRealistic handling of vegetables.\n\nRealistic phone interaction.\n\nRealistic checkout behavior.\n\nRealistic grocery bags.\n\nRealistic refrigerator interaction.\n\nNatural facial expressions.\n\nNatural body mechanics.\n\nNo exaggerated movements.\n\nNo teleportation.\n\nNo floating objects.\n\nNo instant scene changes.\n\n--------------------------------------------------\n\nCONSISTENCY RULES:\n\nSame woman throughout.\n\nSame face throughout.\n\nSame hairstyle throughout.\n\nSame outfit throughout.\n\nSame grocery items throughout.\n\nSame supermarket environment.\n\nSame home environment.\n\nNo face morphing.\n\nNo different woman.\n\nNo distorted hands.\n\nNo extra fingers.\n\nNo changing groceries.\n\nNo cartoon.\n\nNo anime.\n\nNo fantasy elements.\n\nNo text.\n\nNo logos.\n\nNo watermark.\n\nFINAL FEELING:\n\nThe video should feel like a genuine cinematic everyday-life vlog showing a woman completing a normal grocery-shopping trip from leaving home to returning home and organizing her groceries.\n\nNatural.\nRealistic.\nRelaxed.\nProfessional.\nCinematic.", "description": "", "author": "Elsa Ai", "authorUrl": "https://x.com/ElsaSofia__AI", "sourceUrl": "https://x.com/ElsaSofia__AI/status/2091709845124927904" }, { "id": "seedance-530", "title": "Breakdance Flare to Windmill Sequence", "category": "action", "prompt": "shot:\n type: R2V\n reference: \n camera: fixed, eye-level, medium-wide shot capturing full body throughout, no cuts\n duration: 15-second continuous sequence, constant tempo throughout\ncharacter:\n appearance: delegated entirely to , no additional description\n style_separation:\n character: cel-shaded anime style, locked to reference image\n environment: photorealistic indoor dance studio floor, neutral wall, soft even lighting\naction:\n sequence_name: thomas_flare_to_windmill_combo\n segments:\n - segment: intro_setup\n duration: approx 0-3s\n description: standing neutral pose transitions down into crouched base position, both palms grounding shoulder-width apart, core braced, hips settling to a fixed rotation height\n - segment: flare_combo\n duration: approx 3-9s\n support_pattern: alternating two-hand support, hand-to-hand transfer, no static single-hand hold\n description: two continuous flare rotations - right leg sweeps laterally at constant angular velocity, left leg sweeps diagonally downward-forward as support hand transfers, right leg continues diagonally upward with legs held widely split throughout, hips remain the stationary rotation axis with no vertical bounce; cycle repeats once more at identical speed\n - segment: transition_to_windmill\n duration: approx 9-11s\n description: on the final flare rotation, upper back and shoulder lower to the floor while legs continue their circular momentum, torso rolling from the flare's hip-axis rotation into a back-and-shoulder-axis rotation, hands lift off the floor and tuck near the chest as the transition completes\n - segment: windmill_execution\n duration: approx 11-15s\n description: two continuous windmill rotations - legs swing in a wide circular arc overhead while the upper back and shoulders roll across the floor in constant-velocity rotation, legs stay extended and split for momentum, no hands touching the floor for support during this segment\nphysics_constraints:\n - hip axis remains at constant height during the flare segment, no vertical bounce\n - leg sweeps driven by hip rotation and knee flexion, not by jumping or floating\n - hand-to-floor contact during the flare is continuous except the brief instant of transfer between palms\n - the flare-to-windmill transition is a smooth momentum carry-over, not a stop-and-restart\n - during the windmill segment, rotation is driven by shoulder-and-back contact with the floor, not by pushing off with hands\n - rotation speed stays constant within each segment, no acceleration bursts\n - legs stay maximally extended and split during all rotation segments to convey centrifugal force\nlighting: soft studio lighting, consistent throughout, no flicker", "description": "", "author": "田中勇道 | AI画像・動画生成", "authorUrl": "https://x.com/yudotanaka", "sourceUrl": "https://x.com/yudotanaka/status/2091679479362207763" }, { "id": "seedance-531", "title": "Pop-up Book Paper Craft Animation", "category": "nature-drone", "prompt": "Pop-up book paper craft animation, 15 seconds, 16:9. Masterpiece paper engineering. Multi-layered topographic paper design, intricate cut-paper landscapes, embossed details, gold foil map markings, moving paper mechanisms, handcrafted textures, cinematic warm lighting, shallow depth of field. Everything exists as physical paper emerging from an antique atlas. No voice. Audio: turning pages, rustling paper, subtle orchestral wonder. ACT 1 (0-4s) An ancient atlas opens. A magnificent paper map unfolds across both pages. Mountains rise in layered paper relief. Forests, rivers, bridges, cities, and ships emerge from hidden folds. Tiny paper clouds float above the landscape. Camera travels low across the terrain. ACT 2 (4-8s) A page turns. The map begins reorganizing itself. Rivers fold upward into roads. Mountains flatten and transform into oceans. Cities slide across hidden paper tracks. Entire regions rotate and lock into new positions like a giant mechanical puzzle. ACT 3 (8-12s) Another page turns. The map becomes increasingly impossible. New continents unfold from beneath existing continents. Bridges span across the sky. Floating islands emerge from layered mechanisms. Endless paper geography grows outward beyond the original map. ACT 4 (12-15s) Final page turn. The entire world folds inward through thousands of synchronized paper movements, transforming into a giant ornate compass made from landscapes, cities, oceans, and mountains. The compass expands and unfolds into an even larger impossible map extending beyond the book's edges. Freeze on the completed transformation.", "description": "", "author": "Alexandra Aisling", "authorUrl": "https://x.com/AllaAisling", "sourceUrl": "https://x.com/AllaAisling/status/2091584001282900033" }, { "id": "seedance-532", "title": "Nostalgic DV Camcorder Fairground Video", "category": "talking-head", "prompt": "Main Subject:\nYoung Korean woman, early 20s, light cardigan over a summer dress, small crossbody bag, hair down and slightly wavy, excited cheerful expression.\nLocation: Small local fairground, early evening. Ferris wheel lights starting to glow, distant carnival games, scattered benches, string lights overhead. No crowds, no commercial branding.\nVisual Style:\nUltra-realistic documentary realism, joyful candid feeling, soft dusky evening light.\nCamera Style:\nEarly 2000s consumer DV camcorder aesthetic, handheld shake, autofocus hunting on flashing lights, exposure pumping between bright lights and shadow. No stabilization.\nTimeline (15 sec, each slot = 2 compressed beats):\n00:00–00:03 → She sits in the ferris wheel cabin, then looks out as it slowly rises.\n00:03–00:06 → She turns to camera saying \"여기서 보는 경치 진짜 좋다\" (\"The view from here is really nice\"), smiling.\n00:06–00:09 → The cabin reaches the top; she gasps softly at the skyline view.\n00:09–00:12 → She points at something below, laughing excitedly.\n00:12–00:15 → She looks at camera saying \"다시 타고 싶다\" (\"I want to ride again\"), grinning as it fades.\nAudio:\nFaint carnival music in distance, wind, creaking cabin, distant chatter. Her dialogue as noted above. No music beyond ambient scene sound.\nGoal: A joyful, nostalgic fair moment warm, excited, believable.", "description": "", "author": "𝐌", "authorUrl": "https://x.com/Strength04_X", "sourceUrl": "https://x.com/Strength04_X/status/2091580274610258004" }, { "id": "seedance-533", "title": "Cinematic Mother-Son Kitchen Comedy", "category": "ugc", "prompt": "A realistic, cinematic short video (about 20 seconds) set in a bright modern kitchen with glossy white cabinets, black granite countertop, stainless steel appliances, a black coffee machine, and a red blender in the background. Natural daylight fills the space. A young boy @Image (around 8–10 years old, brown hair, wearing a bright green Pokémon T-shirt) sits at the kitchen island, focused on a black tablet propped in front of him. A fit, tattooed mother @Image generation (long wavy blonde hair, babypink T-shirt with a square neckline and ruched bodice., light blue denim shorts, checkered kitchen towel draped over one shoulder) approaches from behind, carrying a white square plate stacked with golden-brown crepes/pancakes. He places the plate gently on the counter in front of the boy. The boy looks up from the tablet, eyes lighting up with excitement. He quickly closes the tablet, sets it aside, and starts clapping his hands happily while smiling and bouncing slightly in his chair. The mother @Image generation turns, grabs a jar of Nutella from the counter, and places it next to the plate of crepes. she @Image generation then walks behind the boy, she @Image generation aggressively pulls the chair back as the boy @Image falls down from the chair, mother @Image generation then steps around, sits down in the chair, leans forward over the counter toward the plate of crepes and Nutella, looking down at the food with a calm, content expression. Warm, wholesome mother-son atmosphere, natural movements, soft kitchen lighting, slight handheld camera feel, high detail, photorealistic style.", "description": "", "author": "Sharon Riley", "authorUrl": "https://x.com/Just_sharon7", "sourceUrl": "https://x.com/Just_sharon7/status/2091529113425297759" }, { "id": "seedance-534", "title": "Martial Arts Fight Sequence", "category": "action", "prompt": "DURATION: 30 SECONDS | 16:9 | 8K CINEMATIC\n\nIMAGE 1 = MASTER TAEKWONDO\nIMAGE 2 = MASTER KUNGFU\n\nCreate an ultra-realistic continuous martial-arts fight using IMAGE 1 and IMAGE 2 as exact character references. Preserve facial identity, hairstyle, body proportions, wardrobe, accessories and appearance throughout. No morphing, face swapping or identity drift.\n\nSTYLE: ARRI Alexa 65 cinematic look, 8K detail, 35mm anamorphic lens, realistic skin and fabric, practical lighting, cinematic HDR, natural motion blur, subtle film grain, physically accurate choreography and grounded action-film cinematography.\n\n0–5 SEC — OPENING CLASH\nInside an abandoned industrial warehouse, IMAGE 1 attacks with a powerful roundhouse → spinning back kick. IMAGE 2 narrowly evades and counters with rapid Kung Fu punches, elbow and low kick. IMAGE 1 blocks, pivots and answers with body kick → high roundhouse. Use aggressive handheld camera, low-angle tracking and Dutch angles. Every impact produces realistic body recoil and weight transfer.\n\n5–8 SEC — TRANSITION\nIMAGE 1 launches a spinning hook kick. Camera follows the rotation with a fast whip-pan and realistic motion blur. The spinning movement seamlessly carries the fight into a new location. The transition must feel continuous—no teleportation, cuts or frozen poses.\n\n8–15 SEC — CONTINUOUS COMBAT\nThe fight immediately resumes. IMAGE 1 attacks with jumping side kick → spinning kick. IMAGE 2 ducks underneath and counters with a fast Kung Fu combination. Both fighters maintain realistic footwork, momentum, distance and balance. Camera performs a 360° orbit, low tracking shots and energetic handheld movement.\n\n15–21 SEC — ESCALATION\nBoth fighters exchange increasingly aggressive combinations: Taekwondo kicks against Kung Fu punches, elbows and sweeps. Include blocks, evasions, pivots, feints and counterattacks. Impacts visibly affect posture, balance and movement. No exaggerated wire-fu or impossible physics.\n\n21–25 SEC — FINISHING SETUP\nIMAGE 1 gains control with low kick → body kick → spinning back kick. IMAGE 2 is driven backward and briefly loses balance. Camera rapidly pushes toward IMAGE 1 as he prepares the final attack.\n\n25–28 SEC — FINAL IMPACT\nIMAGE 1 explodes forward with a jumping roundhouse followed by a powerful turning kick directly into IMAGE 2. The collision feels heavy and physically devastating. Use controlled cinematic impact shake and realistic full-body reaction.\n\n28–30 SEC — EXTREME SLOW MOTION\nAt the exact impact, shift into dramatic slow motion. IMAGE 2 reacts with realistic physics: torso twisting, shoulders rotating, hips following the force, feet briefly leaving the ground and clothing reacting naturally. Camera performs a slow cinematic orbit toward IMAGE 1.\n\nFINAL FRAME: IMAGE 1 stands firmly in a powerful Taekwondo stance, breathing heavily, while IMAGE 2 lies/falls in the background.\n\nCAMERA: dynamic handheld, Dutch angles, low-angle tracking, rapid push-ins, whip-pan transi", "description": "", "author": "Saul Goodman", "authorUrl": "https://x.com/Goodmanprotocol", "sourceUrl": "https://x.com/Goodmanprotocol/status/2091508931520856435" }, { "id": "seedance-535", "title": "Creamy Chicken Pasta Cooking Vlog", "category": "product-ad", "prompt": "DURATION: 30 seconds ASPECT RATIO: Use the video's available landscape/cinematic ratio. STYLE: Ultra-photorealistic live-action cooking and lifestyle vlog, premium food-commercial cinematography, realistic human behavior, natural hand movements, realistic cooking physics, authentic home atmosphere, cinematic lighting, subtle handheld camera movement, realistic food textures, natural skin and hair. REFERENCE ASSIGNMENT: @IMG1 = FEMALE CHARACTER @IMG2 = KITCHEN ENVIRONMENT @IMG3 = INGREDIENTS AND COOKING SETUP @IMG4 = COOKING ACTION @IMG5 = FINISHED CREAMY CHICKEN PASTA @IMG6 = DINING SCENE Use all uploaded references consistently. CHARACTER CONSISTENCY: The SAME woman from @IMG1 must appear throughout the entire video. Preserve her exact face, facial features, hairstyle, skin tone, body proportions and overall identity. Do not change her appearance between scenes. Preserve the same casual home-cooking outfit from @IMG1. FOOD CONSISTENCY: The dish throughout the entire video is EXACTLY the creamy chicken pasta shown in @IMG3 and @IMG5. Maintain the same pasta, chicken, mushrooms, cherry tomatoes, cream sauce, parmesan and parsley throughout. Do not change the dish between scenes. --- 0–4 SECONDS — PREPARATION Use @IMG2 and @IMG3. The woman enters the kitchen and approaches the countertop. The ingredients for creamy chicken pasta are neatly arranged in front of her. She looks over the ingredients and begins preparing dinner. Camera starts with a natural medium-wide kitchen shot and gently moves closer. Show the real home environment. --- 4–9 SECONDS — CHOPPING Use @IMG3 and @IMG4. The woman places vegetables on the wooden cutting board. She carefully chops garlic, onion and mushrooms with a kitchen knife. Show realistic hand and finger movement. Include a brief close-up of the knife cutting the vegetables. Vegetables naturally separate as she cuts them. Return to a medium shot showing her focused expression. Keep the action smooth and believable. --- 9–15 SECONDS — COOKING Use @IMG4. She places the pan on the stove and adds a small amount of olive oil. She adds the prepared chicken and vegetables into the hot pan. A realistic sizzling sound and subtle steam accompany the cooking. She uses a wooden spoon to stir the ingredients. The chicken gradually cooks while the vegetables soften. Camera moves from a side angle toward the pan. Include a close-up of the food sizzling and being stirred. --- 15–20 SECONDS — CREAMY SAUCE & PASTA Continue using @IMG4 and @IMG3. She adds the creamy sauce ingredients to the pan. The sauce mixes naturally with the chicken and vegetables. She adds the cooked pasta. She gently tosses and stirs everything together. The creamy sauce coats the pasta realistically. Steam rises naturally from the pan. Show a satisfying close-up of the finished creamy texture. Do not rush this action. --- 20–24 SECONDS — PLATING Use @IMG5. The woman transfers the freshly cooked creamy chicken pasta from the pan onto the ceramic plate. She carefully arranges the pasta. She adds parmesan and fresh parsley on top. A small amount of realistic steam rises from the hot food. Camera transitions into a premium close-up food shot. Make the dish look genuinely freshly cooked and appetizing. --- 24–30 SECONDS — DINNER Use @IMG6. The woman sits at the dining table with the finished creamy chicken pasta. She picks up the fork naturally. She takes a small bite. She tastes the food and gives a genuine satisfied smile. She briefly looks toward the camera as if sharing the moment with her audience. Camera slowly pushes toward her and the plate. End on a warm, cozy lifestyle shot of the woman enjoying the dinner she prepared herself. CUT TO BLACK. --- CAMERA PRIORITY: Use natural cinematic camera movement. Wide establishing shots for the kitchen. Medium shots for cooking actions. Close-ups for chopping and sizzling food. Macro-style food detail during sauce and plating. Gentle push-in during the final dining moment. Avoid excessive camera shake. Avoid unnecessary camera movement. Keep the woman and the food clearly readable. --- REALISM PRIORITY: Natural human movement. Realistic hand anatomy. Realistic knife handling. Realistic food physics. Realistic steam. Realistic sauce consistency. Realistic sizzling and stirring. Natural facial expressions. Natural eating motion. No exaggerated movements. No instant food transformations. No teleporting ingredients. No changing kitchen. No changing outfit. No changing character. --- FINAL RULES: Same woman throughout. Same face throughout. Same kitchen throughout. Same outfit throughout. Same creamy chicken pasta throughout. Same ingredients throughout. No different woman. No face morphing. No extra people. No distorted hands. No extra fingers. No unrealistic eating. No cartoon. No anime. No fantasy. No text. No logos. No watermark. The final result should feel like a genuine cinematic cooking vlog filmed inside a real woman's home. Reference Image prompt: Create an ultra-photorealistic premium female character reference sheet using the uploaded woman as the STRICT IDENTITY REFERENCE. IDENTITY — ABSOLUTE PRIORITY: Preserve the exact identity of the woman in the uploaded image. Keep her: - exact face shape - eyes - eyebrows - nose - lips - jawline - skin tone - natural skin texture - hairstyle - hairline - facial proportions - age appearance - feminine body proportions Do not redesign her face. Do not beautify or alter her recognizable features. She must look like the exact same real woman in every view. CHARACTER CONCEPT: Create a realistic modern young woman who will be the main protagonist of a cinematic everyday cooking/lifestyle video. She has a natural, approachable appearance and relaxed confident personality. Create a realistic everyday home-cooking appearance rather than a fashion-model look. OUTFIT: A tasteful modern casual home outfit suitable for cooking dinner: - simple fitted neutral-colored top - comfortable casual trousers - clean natural styling - minimal jewelry - no high-fashion styling - no excessive makeup Keep the outfit practical and believable for a woman cooking at home. CHARACTER SHEET LAYOUT: Create one professional reference sheet containing: 1. Full-body FRONT view 2. Full-body 3/4 FRONT view 3. Full-body SIDE view 4. Full-body BACK view 5. Medium portrait 6. Close-up facial portrait 7. Natural smiling expression 8. Neutral expression 9. Hands and clothing detail Every view must show the EXACT SAME WOMAN. BODY & ANATOMY: Natural realistic feminine proportions. Lean, healthy everyday physique. Accurate human anatomy. Natural posture. No exaggerated body proportions. HAIR: Preserve the exact hairstyle from the uploaded reference. Show realistic individual hair strands and natural volume. PHOTOGRAPHY: Ultra-photorealistic live-action photography. Premium cinematic lifestyle production quality. Realistic skin pores and texture. Natural hair detail. Physically accurate clothing fabric. Soft professional studio lighting. Natural shadows. Subtle realistic depth of field. High-end commercial photography quality. BACKGROUND: Clean warm-neutral studio background. Minimal distractions. The character must be clearly separated from the background. IDENTITY CONSISTENCY: This exact woman will be used as the main character in: @IMG1 Character @IMG4 Cooking Action @IMG6 Dining Scene and the final 30-second video. Her face and identity must remain identical across all references and video scenes. IMPORTANT NEGATIVE RULES: No face redesign. No different woman. No face morphing. No age change. No hairstyle change. No masculine features. No exaggerated makeup. No unrealistic body proportions. No cartoon. No anime. No CGI-looking skin. No text. No logo. No watermark. Premium photorealistic cinematic character ref", "description": "", "author": "Elsa Ai", "authorUrl": "https://x.com/ElsaSofia__AI", "sourceUrl": "https://x.com/ElsaSofia__AI/status/2091483398972080172" }, { "id": "seedance-536", "title": "Japanese Festival Travel Vlog", "category": "ugc", "prompt": "Create an ultra-photorealistic live-action smartphone travel vlog scene that initially looks like an authentic real travel vlog.\n\nMAIN CHARACTER:\n\nUse Image 1 only for the woman's recognizable facial identity, natural facial features and hairstyle.\n\nShe is a young Japanese woman wearing a beautiful pastel yukata with natural traditional styling. Keep her identity and appearance consistent throughout the entire video.\n\nLOCATION:\n\nA traditional Japanese summer festival at night. Lantern-lit streets, festival stalls, warm practical lighting, crowds of people, traditional decorations, and an authentic Japanese summer festival atmosphere.\n\nVISUAL STYLE:\n\nUltra-photorealistic smartphone travel vlog.\n\nRealistic human performance.\n\nRealistic skin texture.\n\nNatural fabric physics.\n\nAuthentic smartphone camera quality.\n\nNatural handheld camera movement.\n\nAuthentic ambient festival sounds.\n\nCinematic but believable vlog footage.\n\nNo obvious AI appearance.\n\n00–05s — THE OPENING SHOT\n\nBegin with a natural selfie-style smartphone shot of the woman walking through the lantern-lit festival streets.\n\nShe films herself while walking naturally through the crowd.\n\nThe camera has realistic handheld movement and authentic smartphone stabilization.\n\nFestival lanterns, people, stalls and decorations appear naturally in the background.\n\nEverything feels like genuine travel-vlog footage.\n\n05–10s — THE TAKOYAKI MOMENT\n\nShe approaches a traditional festival food stall and buys fresh takoyaki.\n\nThe camera remains in natural selfie mode while she shows the food toward the camera.\n\nShe takes a bite of the takoyaki and smiles naturally.\n\nHer facial expression and movements remain realistic and spontaneous.\n\nThe surrounding festival ambience and crowd sounds remain authentic.\n\n10–15s — THE FESTIVAL GAME\n\nShe walks toward a traditional Japanese festival game.\n\nShe plays the game naturally and successfully wins a small plush toy.\n\nShe reacts with genuine excitement and happiness.\n\nShe briefly holds the plush toy toward the camera while smiling.\n\nThe camera movement remains natural and handheld, maintaining consistent identity and appearance.\n\n15–20s — THE FIREWORKS\n\nThe scene transitions naturally as she joins the crowd watching a spectacular fireworks display.\n\nThe camera captures her genuine excitement as colorful fireworks illuminate the night sky behind her.\n\nHer face is naturally illuminated by the fireworks.\n\nThe crowd reacts realistically in the background.\n\nThe atmosphere feels immersive, authentic and cinematic while still looking like real smartphone footage.\n\n20–25s — THE FINAL VLOG MOMENT\n\nShe turns the smartphone camera toward herself again.\n\nThe fireworks continue in the background.\n\nShe smiles naturally while holding the small plush toy she won earlier.\n\nHer expression shows genuine happiness and excitement from the festival", "description": "", "author": "Saira", "authorUrl": "https://x.com/AiWithSaira", "sourceUrl": "https://x.com/AiWithSaira/status/2091461673261662450" }, { "id": "seedance-537", "title": "Indian Village Zombie Chase Intercut", "category": "talking-head", "prompt": "Create a 26-second ultra-cinematic intercut chase sequence set in an Indian village, built around two parallel versions of the same mother-daughter relationship. The film language must feel sophisticated, emotional, and visually precise — not like generic zombie content. This should feel like a serious, beautifully directed short sequence shot with an ARRI Alexa / Alexa Mini LF style image, cinematic dynamic range, rich texture, strong highlight rolloff, shallow depth when needed, and confident visual grammar. Use expressive but controlled camera movement: handheld urgency in the present, smoother lyrical movement in the memory world, elegant match cuts, motivated pans, lens breathing, and emotionally meaningful intercutting. Keep it grounded, human, and heartbreaking. The setting is a rural Indian village and adjoining fields — narrow mud paths, small homes, low boundary walls, patches of crops, wet earth, scattered trees, open field edges, and a recognizable village texture. The sequence has two visual worlds: 1. Present / Zombie Reality Cold, blue-grey, wet, lightly rainy, fearful. This is the real world. The mother is running in panic, crying and exhausted, being chased by her own zombified daughter. This world should have a subtle cool blue tinge, overcast sky, light rain, mud, breath, desperation, and danger. Camera movement here should feel tense and close — handheld but controlled, with occasional tracking alongside or behind. Rain should visibly strike skin, fabric, and leaves. The daughter is still recognizable as a child, but unsettling: pale skin tone, lifeless focus, feral movement, subtle veins, predatory urgency, wet hair clinging to her face. No exaggerated monster design. Keep her scary because she is still a little girl. 2. Memory / Dream World Warm, sunlit, nostalgic, soft, and emotionally idealized. This is not reality — it is the mother’s memory or dream overlay. Same geography, same movement patterns, but now it is a golden, dreamy late-afternoon memory with soft warm sunlight, gentle bloom, slightly diffused highlights, and a touch of dreamy lens softness. In this version, the little girl is alive, healthy, playable, and joyfully running after her mother. The mother is laughing and looking back with love. The emotional contrast is the entire point. Camera / Lens Grammar Use 35mm / 40mm / 50mm cinematic language for emotional medium tracking shots, occasional longer-lens compression for the chase, and one or two slightly wider lenses for geography. The intercutting should rely on motion matches: same turn, same gesture, same direction of movement, but different reality. Whenever possible, cut on action so the audience feels the memory and horror colliding. The present should feel sharper, wetter, more immediate. The memory should feel slightly dream-filtered and warmer, but still photoreal. Beat Structure 0:00–0:12 — Intercut Chase Open immediately in the cold world: the mother is already running through the village in panic, breathless, crying, slipping slightly on wet earth, looking back over her shoulder. Behind her, the zombie daughter is chasing her with disturbing speed. Rain falls lightly. We stay close and urgent. Start intercutting almost immediately with the warm memory version: in the same path or nearby field edge, the little girl playfully runs after her mother, laughing. The mother turns back in sunshine, smiling with that instinctive playful fear mothers do when pretending to be chased. The key is that the movement and blocking should rhyme. A turn in the present becomes a turn in the past. A backward glance in terror becomes a backward glance in laughter. A muddy footstep becomes a barefoot or dry footstep in sunlit dust or grass. A panicked reach becomes a playful reach. The cuts should become emotionally richer as the first 12 seconds progress. The audience must understand that the mother is not just being chased — she is also remembering what this child once was. 0:12–0:24 — Catch / Field / Play Intercut In the present, the mother stumbles and falls into a field or grassy patch at the edge of the village. She lands hard in wet mud and tries to crawl backward, crying and terrified, as the daughter catches up. Do not resolve it immediately. Intercut this with the warm dream memory of the mother and child tumbling together into a field, laughing, rolling, and playing. The child climbs onto her mother playfully. They laugh, hold each other, and roll in warm grass. The cutting should now become more intimate and emotionally devastating: in one world, the daughter is on top of her like a predator; in the memory, she is on top of her like a playful child. A frightened hand in mud cuts to the same hand touching her daughter’s cheek lovingly in the warm world. A cry in the rain cuts to a laugh in golden light. Keep the sound design working with the cut structure: Present: rain, breath, wet fabric, mud, distant dogs, wind, subtle snarls or feral breathing. Memory: birds, soft wind in crops, child laughter, gentle footsteps, warm village ambience, all with a light dream-echo softness. No generated music. No score. The transitions themselves should feel musical. 0:24–0:26 — Dream Break / Infection Sting In the last two seconds, the dream fractures. The warmth collapses. Cut back hard to the cold present. Use brief disorienting flashes — the mother’s face in rain, the daughter close, the field, a trembling hand. Then give the final disturbing hint: on the mother’s neck, cheek, or temple, we glimpse subtle dark veins or infection-like changes beginning to appear. Do not show a full transformation. Just enough to suggest that now even the mother may be turning — or that the memory is collapsing into the same fate. Cut immediately. Important No dialogue needed, or only tiny involuntary cries / breaths from the mother. Let the sequence be carried by performance, camera grammar, intercutting, and ambient sound. The emotional effect should be: love memory colliding with horror reality.", "description": "", "author": "Rahul Nanda", "authorUrl": "https://x.com/rahulnanda86", "sourceUrl": "https://x.com/rahulnanda86/status/2091439050221826238" }, { "id": "seedance-538", "title": "Korean Coastal Travel Vlog", "category": "nature-drone", "prompt": "Create a beautiful 15-second Korean coastal travel vlog. A young woman films herself on a train as the ocean appears outside the window. She arrives at a quiet beach, removes her shoes, runs toward the water, and turns back toward the camera with a huge smile. Blue ocean, Korean coastal scenery, realistic waves and wind, cinematic travel vlog, natural handheld movement, no text.", "description": "", "author": "Snow", "authorUrl": "https://x.com/iamrealsnow", "sourceUrl": "https://x.com/iamrealsnow/status/2091407746122096812" }, { "id": "seedance-539", "title": "Stop-Motion Claymation Nutella Cafe", "category": "product-ad", "prompt": "3D stop-motion claymation style, plasticine texture with visible soft fingerprint smudges, warm soft-box lighting, cozy pastel brown, cream, and warm wooden tones. Miniature diorama scale, tilt-shift depth of field, playful frame-by-frame animation feel.\n​Scene Sequence & Action\n​Scene 1 (Base Construction): A minimalist clay base and street tile platform build themselves layer by layer on a beige studio backdrop. Streetlamps and small potted plants pop up around the corners.\n​Scene 2 (Structure & Branding): A small cafe building forms with brown walls and a striped awning. A large clay Nutella jar drops smoothly onto the top, transforming into the main \"Nutella\" illuminated store logo and roof structure.\n​Scene 3 (Interior Details): A close-up pan inside showing a miniature espresso machine, shelves lined with mini Nutella jars, and a counter featuring a stack of pancakes topped with chocolate spread, a croissant, and a coffee cup.\n​Scene 4 (Character Animation): Cute, chibi-style clay characters enter. A young boy and girl sit outside at a tiny wooden table. The boy uses a small knife to spread smooth, glossy Nutella over a stack of fluffy pancakes.\n​Scene 5 (Final Reveal): Camera zooms out to reveal the full animated diorama: a vibrant, bustling miniature Nutella cafe with outdoor seating, streetlamps glowing, and multiple adorable characters enjoying their treats.\n​Technical Camera & Lighting\nSmooth isometric and eye-level camera transitions, macro lens perspective, warm interior glow mixed with soft ambient studio lighting, high-detail clay texture rendering, 4k resolution, 24fps stop-motion rhythm", "description": "", "author": "Maya", "authorUrl": "https://x.com/MayaAiCreator", "sourceUrl": "https://x.com/MayaAiCreator/status/2091397686104588650" }, { "id": "seedance-540", "title": "Nostalgic MiniDV Korean Home Video", "category": "talking-head", "prompt": "Create a highly addictive, nostalgic early-2000s Korean MiniDV home-video story designed to hook viewers within the first second and make them stay until the final reveal.\n\nThe footage should look like a real forgotten MiniDV tape discovered 20 years later — authentic 4:3 consumer camcorder, imperfect handheld movement, CCD noise, soft analog sharpness, tape grain, slight color bleeding, autofocus hunting, exposure fluctuations and occasional blown highlights.\n\nColor palette: warm golden bedroom light, dusty pink highlights, soft cream skin tones, muted teal shadows and subtle faded red accents. Cozy, nostalgic, slightly dreamy but completely realistic.\n\nMain character: a 24-year-old beautiful Korean woman with long dark hair, expressive eyes and minimal natural makeup. She wears an oversized pale-blue T-shirt, loose cream pajama pants and cozy socks.\n\nKeep her face, hairstyle, outfit, bedroom, props and lighting perfectly consistent throughout.\n\nSHOT 1 — 0:00–0:03 — THE HOOK\n\nThe camera is already recording from a slightly crooked position on a bedroom desk.\n\nThe woman suddenly rushes into frame holding a small mysterious red gift box.\n\nShe looks around the room as if checking whether anyone is watching.\n\nShe whispers excitedly:\n\n“I finally found it…”\n\nShe places the box on the bed.\n\nA tiny handwritten label on it reads:\n\n“OPEN WHEN YOU’RE 24.”\n\nShe stares at it in disbelief.\n\nInstant curiosity.\n\nSHOT 2 — 0:03–0:06 — THE MYSTERY\n\nShe sits on the floor beside the bed and carefully opens the box.\n\nInside is an old photograph and a tiny handwritten note.\n\nHer playful expression slowly disappears.\n\nShe picks up the photograph.\n\nThe camera autofocuses onto it.\n\nThe photograph shows a much younger version of herself standing in the exact same bedroom.\n\nShe looks from the photograph to the room.\n\nHer expression becomes completely stunned.\n\nSHOT 3 — 0:06–0:09 — THE CONNECTION\n\nShe slowly looks around.\n\nThe camera remains completely still.\n\nShe notices something behind the old photograph: a tiny folded note.\n\nShe opens it.\n\nHer eyes widen.\n\nShe starts laughing in disbelief while shaking her head.\n\nThe note contains a simple handwritten message:\n\n“If you found this… you finally grew up.”\n\nNatural emotional reaction — not melodramatic.\n\nSHOT 4 — 0:09–0:12 — THE EMOTIONAL TWIST\n\nShe sits silently for a moment.\n\nHer expression becomes soft and emotional.\n\nShe looks at the old photograph again, then smiles warmly.\n\nShe gently places the photograph against her chest.\n\nA tiny nostalgic laugh escapes.\n\nThe warm bedroom lamp creates a beautiful glow across her face while the MiniDV camera struggles slightly with exposure.\n\nSHOT 5 — 0:12–0:15 — THE FINAL REVEAL\n\nSuddenly she notices something written on the back of the photograph.\n\nShe flips it over.\n\nHer eyes go wide.\n\nShe looks directly into the camera as if she has just realized something.\n\nThen she laughs and says:\n\n“Wait… YOU recorded this?”\n\nShe quickly walk", "description": "", "author": "Jahan Zaib", "authorUrl": "https://x.com/jzaib4269", "sourceUrl": "https://x.com/jzaib4269/status/2091394845764108513" }, { "id": "seedance-541", "title": "Cinematic Air Fryer Cooking Commercial", "category": "product-ad", "prompt": "Create a 14-second cinematic, ultra-realistic commercial video using the provided air-fryer reference image and storyboard as visual reference.\nKeep the same modern black air fryer, same girl, same modern kitchen, same lighting, same overall visual style and composition throughout the entire video. The girl should look consistent in every shot, with the same face, hairstyle, outfit, and appearance.\n\n0–2 seconds:\nThe girl opens the air fryer drawer and places a generous portion of frozen potato French fries inside. Show a clear close-up of the fries going into the basket.\n\n2–4 seconds:\nShe places several seasoned chicken leg pieces/drumsticks beside the fries in the same air-fryer basket, keeping both foods separated and clearly visible. Show a detailed top-down/close-up shot of the fries and chicken together.\n\n4–5 seconds:\nShe closes the air fryer and sets the digital temperature and cooking time on the front touchscreen. Show her finger pressing the controls.\n\n5–8 seconds:\nShow the air fryer actively cooking. Use a cinematic close-up through the cooking window/interior: the French fries and chicken legs are cooking simultaneously, gradually becoming golden and crispy. Show realistic heat, gentle steam, and natural cooking movement. The fries become golden and crisp while the chicken develops a delicious roasted surface.\n\n8–10 seconds:\nThe girl opens the air fryer and checks the perfectly cooked food. Capture the golden fries and juicy, crispy chicken legs in a beautiful close-up.\n\n10–12 seconds:\nShe uses tongs to transfer the crispy fries and chicken leg pieces onto a clean serving plate. Arrange the fries on one side and the chicken pieces on the other. Make the food look fresh, hot, golden, crispy, and appetizing.\n\n12–14 seconds:\nShow a hero close-up of the finished plate beside the air fryer. The camera slowly moves closer to highlight the crispy fries and beautifully cooked chicken.\n\n14–15 seconds:\nThe girl smiles happily while holding/looking at the finished meal. End with a premium product shot of the air fryer and plated food, with a clean commercial feeling.\n\nVisual style:\nUltra-realistic food commercial, cinematic product advertising, warm modern kitchen lighting, realistic food textures, natural hand movements, realistic steam and heat, shallow depth of field, smooth camera movements, crisp details, premium commercial photography, 4K quality.\n\nImportant: Keep the air fryer design consistent with the reference. Do not change the girl’s identity or appearance. Do not add extra people. Keep the fries and chicken cooking together in the same cooking session, and clearly show the complete process from loading → cooking → opening → plating → final delicious result. Avoid distorted hands, extra fingers, warped food,", "description": "", "author": "liana", "authorUrl": "https://x.com/Lianaalane", "sourceUrl": "https://x.com/Lianaalane/status/2091392675912221176" }, { "id": "seedance-542", "title": "Cinematic Lifestyle Vlog Character Consistency", "category": "product-ad", "prompt": "DURATION: 20 seconds ASPECT RATIO: 16:9 STYLE: Ultra-photorealistic live-action cinematic lifestyle vlog, premium commercial quality, natural human movement, realistic skin and hair, realistic clothing physics, soft cinematic lighting, subtle handheld camera feel, shallow depth of field, natural color grading. REFERENCE ASSIGNMENT: @IMG1 = FEMALE HERO / MAIN CHARACTER @IMG2 = BEDROOM / MORNING @IMG3 = KITCHEN / BREAKFAST @IMG4 = WORK / DESK @IMG5 = OUTDOOR / CAFÉ @IMG6 = EVENING / NIGHT Use @IMG1 as the strict identity reference throughout the entire video. CHARACTER CONSISTENCY: The same woman must appear in every scene. Preserve her exact face, facial structure, eyes, nose, lips, hairstyle, skin tone, feminine body proportions and overall identity. Do not change her identity between scenes. 0–3 SECONDS — MORNING Start in the bedroom using @IMG2. The woman wakes up naturally and sits on the edge of the bed. Soft morning sunlight enters through the window. She gently opens the curtains and looks toward the morning light. Camera begins with a medium-wide shot and smoothly pushes toward her. Peaceful morning atmosphere. 3–6 SECONDS — BREAKFAST Smooth cinematic transition to @IMG3. The same woman prepares a simple breakfast in the kitchen. She pours coffee or tea into a ceramic mug and places breakfast on the counter. Natural steam rises from the hot drink. She briefly looks toward the camera with a relaxed morning smile. Use a natural medium tracking shot. 6–10 SECONDS — WORK Transition to @IMG4. The same woman sits at her desk and works on her laptop. She types briefly, checks the screen and writes a few notes in her notebook. Natural productive expression. Camera moves slowly from a side angle toward a three-quarter view. Keep the environment realistic and calm. 10–14 SECONDS — OUTDOOR / CAFÉ Transition naturally to @IMG5. The same woman leaves home and walks through a beautiful modern city street toward an outdoor café. Camera smoothly tracks backward while she walks toward it. She arrives at the café, places her handbag beside the table and sits down. She smiles naturally toward the camera. Warm daylight and realistic city background. 14–17 SECONDS — CAFÉ MOMENT Close cinematic shot. She picks up her coffee/drink and takes a relaxed sip. Subtle background movement from distant pedestrians. Natural handheld lifestyle-vlog feeling. 17–20 SECONDS — NIGHT Transition to @IMG6. The same woman is back home in her cozy bedroom at night. She places her phone on the bedside table and relaxes after the day. She looks toward the window at the city lights, then turns toward the camera with a small peaceful smile. Camera slowly pushes into a close-up. End on her calm expression with warm bedroom lighting and soft city-light bokeh. CUT TO BLACK. CAMERA PRIORITY: Keep the camera cinematic and natural. Use smooth tracking, gentle push-ins, medium shots, close-ups and subtle handheld movement. Avoid excessive camera shake. Keep the woman as the visual focus. Maintain realistic transitions between locations. FINAL RULES: Same female character throughout. Same face and identity throughout. Natural realistic human movement. Realistic lighting and shadows. Realistic clothing and hair movement. No face changes. No character duplication. No extra main characters. No cartoon or anime appearance. No fantasy effects. No excessive motion blur. No distorted hands. No text. No logos. No watermark. The overall feeling should be: A beautiful, realistic cinematic glimpse into one ordinary but aesthetically pleasing day in her life. Create a premium photorealistic female character reference sheet using the uploaded woman as the STRICT identity reference. Preserve her exact facial identity, facial structure, eyes, eyebrows, nose, lips, jawline, skin tone, natural skin texture, hairstyle and overall appearance. Create the same woman as a realistic modern lifestyle vlogger. Show her with natural feminine proportions and realistic anatomy. CHARACTER PRESENTATION: Create a clean professional character sheet containing: 1. Full-body front view 2. Full-body 3/4 view 3. Full-body side view 4. Back view 5. Close-up face portrait 6. Natural smiling expression 7. Neutral expression 8. Casual standing pose Keep the exact same woman in every view. CLOTHING: Use a simple modern casual lifestyle outfit suitable for a daily vlog: a clean neutral-colored fitted top, comfortable casual trousers or jeans, and simple everyday footwear. Keep the outfit realistic, modest and natural. STYLE: Ultra-photorealistic live-action photography, premium lifestyle commercial aesthetic, realistic skin texture, natural hair strands, realistic fabric, physically accurate anatomy, soft cinematic lighting, subtle depth of field, high-end photography, natural colors. The character should look like a real woman photographed for a professional lifestyle vlog. IDENTITY CONSISTENCY IS THE HIGHEST PRIORITY. Do not change her face. Do not change her hairstyle. Do not masculinize her. Do not make her look like a different person. Do not create an anime or cartoon appearance. No fantasy styling. No text. No logo. No watermark. Clean neutral studio background. This character reference will be used as the SAME FEMALE PROTAGONIST throughout a 20-second \"A Day in Her Life\" cinematic lifestyle vlog.", "description": "", "author": "Elsa Ai", "authorUrl": "https://x.com/ElsaSofia__AI", "sourceUrl": "https://x.com/ElsaSofia__AI/status/2091345498909319528" }, { "id": "seedance-543", "title": "Magical Girl Teleportation Anime Transformation", "category": "action", "prompt": "Seedance 2.0, 15 seconds, 16:9, high-quality anime film style. A high school girl in a classroom is instantly decomposed into light particles and completely disappears, then in the next moment, is reconstructed into a singer's costume on a live stage. A flashy, high-speed teleportation transformation that keeps the audience's eyes fixed. \nRole of reference images: \nImage 1: The protagonist and uniform before transformation \nImage 2: The singer's costume and microphone after transformation \nImage 3: The school classroom before disappearance \nImage 4: The live stage after appearance \nImage 1 and Image 2 show the same one woman from the front, side, and back, and are not three different people. The center front image is the base, and the side/back images are used only for costume structure reference. Completely maintain the protagonist's face, purple-blue eyes, dark navy hair longer than the waist, hairstyle, and physique before and after transformation. There is always only one character. \nBefore transformation, accurately reproduce Image 1's navy blazer, white shirt, chest ribbon, checked pleated skirt, navy high socks, and brown loafers. After transformation, accurately reproduce Image 2's silver-white bodice, blue crystal ornaments, blue glowing navy pleated skirt, rainbow transparent sleeves and long costume tail, large ribbon on the back, black-navy long boots, blue hair ornament, and blue-black microphone. \n0.0-2.2s: An empty classroom with sunset light from Image 3. White curtains sway heavily in the wind, and the protagonist stands alone in her uniform in the center aisle between desks. Rapid dolly-in to the protagonist from a wide angle. She feels a presence and looks up. Classroom ambient sound, wind, distant chimes. \n2.2-3.5s: A blue-purple circular teleportation pattern instantly lights up at the protagonist's feet. Several thin beams of light shoot up from the floor, running rapidly through uniform buttons, chest ribbons, and skirt patterns. Surrounding dust and light particles are sucked toward the protagonist, and her long hair and curtains stream toward the center in a violent suction wind. Energy sound rises sharply. \n3.5-4.2s: The uniform and the protagonist's outline are broken down at once from the outside to the inside into countless dark navy, silver, and blue-purple light particles. The particles do not spread around the body but are compressed at ultra-high speed into a single point on the chest. The uniform fabric, hair outline, and body silhouette are sucked into the light point within 0.7 seconds, and the protagonist completely disappears. Maintain the face and hair until just before disappearance. \n4.2-4.6s: The compressed point emits a sharp bluish-white flash and generates a reverse circular shockwave before vanishing. The protagonist is completely gone, leaving only the classroom. \n4.6-4.9s: Show the empty classroom clearly for about 0.3 seconds. Complete silence. \n[hard cut] 4.9-5.2s: Center of the live stage in Image 4. A tiny bluish-white light point suddenly appears at the same screen coordinates where she disappeared in the classroom. \n5.2-6.2s: The light point explodes into giant spherical energy, and silver-blue particles, crystal shards, and light feathers are radiated at high speed in all directions, and the protagonist's outline is reconstructed. \n6.2-8.5s: Particles flow back into the reconstructed light silhouette. Rapidly and sequentially form the singer's costume from Image 2. \n8.5-9.8s: The final light particles generate the hair ornament and microphone. \n9.8-10.5s: Transformation complete. The protagonist lands powerfully on the stage floor, and blue-purple light wings explode outward. \n10.5-12.5s: Camera orbits the protagonist 180 degrees at high speed. \n12.5-15.0s: The entire stage lights up explosively, and the protagonist finishes by raising the microphone. \nImportant Constraints: Strictly adhere to 'Complete disappearance in classroom -> Instant blank -> Sudden appearance on stage'.", "description": "", "author": "なお｜AI動画・AI音楽", "authorUrl": "https://x.com/Naonekozamurai", "sourceUrl": "https://x.com/Naonekozamurai/status/2091291847499128945" } ] }