# Kling Prompts — 74 free prompts for Kling 3.0
# Original Kling prompts from awesome-kling-4-0 by Flaq AI (MIT), plus community Kling prompts compiled in awesome-kling by DSeaStar (repository MIT), each credited to its original author with a link to the original post. Curated subset; some descriptions edited.
# More: https://viralmint.net/tools/kling-prompts/

## kling-1: The Glass Manta Pursuit  [action]
[OUTPUT]
12 seconds, ultra-wide science-fantasy pursuit, photorealistic materials, three shots, fast but readable action, no weapons.

[CONTINUITY ANCHORS]
Courier Nara: adult rider, sand-colored protective suit, compact backpack, opaque bronze visor.
Skimmer: one-seat rectangular solar skimmer, weathered cream shell, two dark solar panels on its nose, no wheels or logo.
Sky creature: colossal translucent manta-shaped cloud organism, glasslike membrane with slow internal light currents.
Preserve all designs, scale relationships and travel direction left-to-right.

[WORLD]
Pale salt canyon after a storm. Hard slope descends left-to-right toward mirrored pools. Late sun frame left; wind carries loose crystalline dust downhill.

[TIMED SHOTS]
0–4s — Low parallel tracking shot on Nara’s left side, camera and skimmer moving downhill at equal speed. Skimmer banks 20 degrees into one right curve; Nara leans with it. The rear edge throws one continuous dust ribbon that follows the curve and settles under gravity.
4–8s — Wide aerial trailing shot, never crossing the travel axis. The glass manta glides overhead in the same direction but slower, casting a broad moving shadow that overtakes Nara. Its wings complete one heavy downstroke; canyon dust reacts half a second later.
8–12s — Front three-quarter low shot moving backward at matched speed. A narrow salt ridge breaks ahead. Nara pulls the skimmer nose upward and clears one two-meter gap; suspension compresses visually on landing through a brief body dip and dense dust burst. The manta passes above, filling the sky as camera holds horizon level.

[AUDIO]
Steady electric turbine whine, granular salt hiss and strong crosswind. Wing downstroke produces a deep airy pressure pulse at 6s. Landing has one low impact plus settling crystals. No dialogue or music.

[CONSTRAINTS]
Skimmer remains in ground effect, never becomes an aircraft. Rider stays seated with both hands on controls. Physically delayed dust and shadow reaction. One gap, one jump, one creature. No collision, explosion, weapon, duplicate vehicle, changing visor, impossible camera teleport, backwards dust, logos, text or watermark.

## kling-2: The Paper Crane at Platform Seven  [cinematic]
[OUTPUT]
15 seconds, 16:9, four-shot independent-film reunion, Korean and Spanish dialogue, native audio, subtle film grain.

[CHARACTER MAP]
Mina: adult Korean woman, shoulder-length wet black hair, rust-red raincoat, small kraft-paper crane in both hands, low warm voice.
Álex: adult Spanish man, wavy dark hair, short beard, navy railway work jacket with one pale reflective stripe and no logo, soft tenor voice.
The paper crane has one blue ink dot on its left wing; preserve it in every shot.

[WORLD]
Small covered coastal train platform at blue hour. Cream-and-teal local train is stationary frame right; rough sea frame left. Warm overhead lamps reflect on wet tiles. Rain blows diagonally beyond the roof.

[TIMED SHOTS]
0–4s — Wide symmetrical platform shot. Mina enters from frame left and stops; Álex steps down from the train at frame right. They recognize each other across six meters. Camera makes a very slow push forward.
4–7s — Close-up on Mina, Álex remains a soft silhouette deep frame right. She unfolds her fingers to reveal the paper crane. Her inhale catches; she says in Korean, almost a whisper: “늦었네.”
7–10s — Shot/reverse-shot close-up on Álex, eyeline frame left. He exhales, gives one small relieved nod and replies in Spanish: “Pero llegué.”
10–15s — Medium-wide two-shot from the side. They each take one step closer but do not embrace. Mina extends the crane; Álex reaches out and stops just before touching it. Hold on the charged gap between their hands.

[AUDIO]
Continuous coastal rain, distant surf and low idling-train hum. No station announcement. Keep Mina’s Korean and Álex’s Spanish exactly in their written languages; no translation. A sparse two-note piano motif begins only after Álex finishes.

[CONSTRAINTS]
One speaking mouth at a time. Preserve faces, coat colors, train position, rain direction and matched eyelines. The paper crane never changes shape, color or hand. Restrained adult emotion; no melodrama. No subtitles, readable signs, logos, extra passengers, facial drift, dry wardrobe between shots or camera-axis reversal.

## kling-3: Botanical Spark Product Reveal  [product-ad]
[OUTPUT]
9 seconds, 16:9, premium non-alcoholic sparkling botanical drink commercial, photorealistic macro finish, three shots.

[PRODUCT LOCK]
One smoked-green glass bottle with a narrow shoulder, silver knurled cap and blank embossed oval on the front. No printed label or text. Preserve bottle silhouette, cap, oval, glass color and fill level exactly across all shots.

[WORLD]
Wet black basalt surface in a dark studio. Deep emerald rim light from frame left, cool silver key light overhead, narrow warm beam from frame right. Fine mist moves left to right.

[TIMED SHOTS]
0–3s — 100mm macro, low three-quarter angle. Camera slides slowly right while staying focused on condensation. One droplet forms at the shoulder and runs straight down; bottle remains motionless and vertical.
3–6s — Match cut to overhead close-up. A single pale-green citrus peel enters from frame left and completes one smooth clockwise spiral around the bottle without touching it. Fine bubbles rise inside the liquid at constant speed.
6–9s — Medium hero shot. Camera performs a slow 25-degree clockwise orbit at constant distance. The cap lifts two millimeters with a clean pressure release; a controlled halo of cold vapor blooms and clears. End with bottle centered and oval facing camera.

[AUDIO]
0–3s: low studio silence plus individual water drops. 3.1s: crisp peel swish. 6.4s: short cap click and delicate carbonation release. 8s: two warm glass-marimba notes, then silence.

[CONSTRAINTS]
The bottle never floats, bends, rotates independently or changes scale. Keep contact shadow attached to basalt. Physically plausible refraction, droplets, vapor and peel trajectory. No splash covering the product, alcohol cues, glassware, people, text, logo, watermark, label mutation or duplicate bottle.

## kling-4: The Last Hold  [action]
[OUTPUT]
10 seconds, 9:16, one continuous indoor bouldering take, grounded sports realism, energetic but not superhuman.

[ATHLETE LOCK]
Sam: adult climber, lean build, short dark hair, teal sleeveless top, charcoal climbing pants, chalked hands, no jewelry. Preserve body proportions and clothing.

[ROUTE GEOMETRY]
Overhanging matte-gray wall. Start position: left foot on blue foothold, right foot on lower black volume, left hand on blue side-pull, right hand free. Final bright orange hold is 70 centimeters above and right. Thick crash mat below.

[CAMERA AND ACTION]
Camera begins low behind Sam’s right shoulder, then cranes upward only as Sam rises, constant distance, no cuts.
0–3s — Sam looks at the orange hold, exhales, shifts hips left while keeping three existing contacts. Chalk dust falls naturally.
3–6s — Right foot moves once to a higher blue foothold and settles fully before the next action. Sam drives through legs; torso rises close to wall.
6–8s — Right hand reaches in one clean arc and catches the orange hold. Fingers close; shoulder absorbs the swing. Feet stay on their holds.
8–10s — Sam controls the pendulum, brings left hand to match the orange hold, then looks down with a relieved grin.

[AUDIO]
Rubber shoe squeak, breath, fabric stretch, soft gym room tone and one small audience gasp at the catch. No dialogue, announcer or music.

[CONSTRAINTS]
Correct contact sequence and realistic gravity. No free-floating pause, limb duplication, hold movement, wall texture shift, impossible reach, foot sliding, sudden camera cut, crowd entering frame, logo, score text or watermark.

## kling-5: Paper City Awakens  [action]
[OUTPUT]
10 seconds, 16:9, one continuous tabletop macro transformation from paper model to living miniature city, tactile magical realism.

[START FRAME]
Open cream sketchbook on a dark wooden desk. An intricate white paper city rises from the center fold: one domed station at left, narrow canal center, three stepped houses right, single paper tree foreground. Adult hand rests outside frame right holding a wooden pencil.

[END FRAME]
Same camera angle and exact city layout, now a living miniature at blue hour: station windows glow, canal contains moving water, houses are painted muted terracotta, tree has green leaves. Sketchbook and desk remain visible, proving the scale.

[TRANSFORMATION]
0–2s — Pencil tip touches the canal line at the bottom of frame. A thin cobalt ink current flows forward along the drawn channel.
2–7s — Wherever the current passes, transformation happens once and only once: paper canal becomes reflective water; adjacent buildings gain texture and color from bottom upward; flat cutout windows illuminate; paper tree gently unfolds leaves. The wave travels foreground to background at constant speed.
7–10s — Current reaches the station. One miniature tram exits slowly and stops before the canal bridge. Camera makes a five-centimeter push-in; human hand and desk stay still.

[AUDIO]
Pencil scratch, paper unfolding, tiny water trickle, distant miniature bell at 8s. A soft room tone remains to preserve real-world scale. No narration or music.

[CONSTRAINTS]
Preserve the exact map, landmark positions, sketchbook fold and camera angle. Transformation travels only behind the ink front; no explosions, smoke, loose pages, full-size city illusion or new landmarks. One tram only. No readable text, logo or watermark.

## kling-6: Storm in a Teacup  [action]
[OUTPUT]
8 seconds, 1:1, one locked macro shot, photorealistic tabletop surrealism, physically coherent miniature storm.

[SCENE]
Plain white porcelain teacup on a worn oak table beside a closed book. Tea surface visible from a high three-quarter angle. Warm afternoon window light from frame left; cup handle points right. No branding or text.

[ACTION TIMELINE]
0–2s — Tea is almost still. One tiny circular cloud forms two centimeters above the liquid, rotating clockwise. The room outside the cup remains calm.
2–5s — Cloud darkens and releases localized rain only into the cup. Concentric ripples spread to the porcelain edge. Three miniature lightning filaments illuminate the tea from within, each separated by half a second; no bolt leaves the cup.
5–7s — A thumb-sized waterspout rises from the center and rotates once, pulling three loose tea leaves into orbit without spilling liquid over the rim.
7–8s — Storm collapses into one soft puff; surface settles toward stillness. A final single droplet falls into the exact center for a loopable end.

[AUDIO]
Quiet room, magnified rain taps, three delicate electrical ticks synchronized to light, low water swirl, final droplet. No thunder boom, dialogue or music.

[CONSTRAINTS]
Cup, handle, book, table, camera and room light remain fixed. Weather is contained entirely within cup boundaries. Realistic reflections and ripple propagation. No overflow, broken cup, fire, giant ocean, camera movement, text, logo or watermark.

## kling-7: Last Bus Home  [cinematic]
[OUTPUT]
15 seconds, 16:9, three-shot contemporary drama, restrained naturalism, cool winter night with warm practical bus light.

[CONTINUITY ANCHORS]
Eli: adult man in his early 30s, narrow face, short curly dark hair, charcoal wool coat, faded red scarf, tired eyes.
June: adult woman in her late 50s, silver bob, moss-green quilted jacket, canvas grocery bag, small brass house key in her right hand.
Keep faces, ages, wardrobe, bag, key and left-to-right screen direction unchanged.

[WORLD]
Nearly empty suburban bus at night. Rain tracks down the windows. Eli sits frame left near the rear door; June stands in the aisle frame right. Sodium streetlights sweep across the interior as the bus moves.

[TIMED SHOTS]
0–5s — Medium two-shot from the opposite seat, camera locked with gentle vehicle vibration. June notices the red scarf, stops one step away and tightens her hand around the key. Eli looks up slowly. Neither speaks.
5–10s — Over June’s shoulder into Eli’s close-up; keep his eyeline toward frame right. The passing streetlight reveals recognition. He removes one earbud and says, quietly: “You still have the key.”
10–15s — Reverse close-up on June, eyeline frame left. Her guarded expression softens; she opens her palm to show the brass key and answers: “You never asked for it back.” Hold one second after the line as the bus brakes gently and both sway in the same direction.

[AUDIO]
Continuous engine hum, soft rain on glass and two distant stop-request chimes. Eli (English, low and hesitant), then June (English, warm but controlled). No music until the final second, when one low cello note enters beneath the bus brake.

[CONSTRAINTS]
Only the named speaker’s mouth moves. Preserve the red scarf and brass key. Natural blinking and breathing; no crying, embrace or exaggerated smile. No subtitles, signage text, logos, face drift, age change, jump in seat positions or sudden weather change.

## kling-8: The Unsent Voice Note  [cinematic]
[OUTPUT]
12 seconds, 9:16 vertical, one uninterrupted handheld close-up, natural smartphone night footage, no cuts.

[CONTINUITY ANCHOR]
Noor: adult woman in her late 20s, warm brown skin, short coiled hair, oversized gray sweatshirt, tiny silver stud earrings. She sits on a kitchen floor against pale cabinets. Plain phone in her left hand; right thumb hovers above an unmarked send area.

[CAMERA]
Phone-camera viewpoint from a friend sitting on the opposite floor, chest-height close-up. Small breathing drift only; lens and distance remain constant. Focus stays on Noor’s eyes, then briefly shifts to her hovering thumb at 8s and returns to her face.

[PERFORMANCE TIMELINE]
0–3s — Noor listens to the end of her own recorded message through one earbud. Her jaw is held tight; breathing shallow.
3–7s — She mouths the first word of a reply but makes no sound. Her eyes become wet without tears falling. She gives a tiny self-conscious laugh and looks away.
7–10s — Her right thumb lowers toward the phone, pauses one centimeter above it, then deliberately moves away. The phone stays supported in her left palm.
10–12s — Shoulders release on a slow exhale. She locks the phone with one soft click and looks directly into the camera, calm rather than defeated.

[AUDIO]
Refrigerator hum, faint traffic through a closed window, sweatshirt fabric and breath. A barely audible voice-note tail from the earbud is unintelligible. One phone lock click at 10.7s. No dialogue, music or notification sound.

[CONSTRAINTS]
No visible app UI, readable text, tears falling, beauty filter or theatrical sobbing. Preserve face, earrings, phone, hands and floor position. Natural fingers and phone contact; no screen glow changing color; no cuts, zoom, orbit or background change.

## kling-9: The Missing Dumpling  [cinematic]
[OUTPUT]
13 seconds, 16:9, warm domestic comedy, four economical shots, natural Mandarin Chinese dialogue.

[CHARACTER AND SEAT MAP]
Grandma Lin: adult woman in her 70s, silver bun, plum cardigan, seat at table left, dry low voice.
Tao: adult man in his 30s, round glasses, mustard sweatshirt, seat center, nervous bright voice.
Mei: adult woman in her 30s, long braid, blue denim shirt, seat right, calm voice.
One bamboo steamer sits at table center. One final dumpling is visible at the beginning.

[WORLD]
Compact family dining room at noon, warm window light from frame right. All three remain seated. Camera stays on one side of the table axis.

[TIMED SHOTS]
0–3s — Overhead insert of the open steamer. Three pairs of chopsticks enter, hesitate around the last dumpling, then retreat. Foley: three light bamboo taps.
3–6s — Medium three-shot. Grandma Lin looks at Tao’s suspiciously full cheek and asks in Mandarin, deadpan: “最后一个呢？” Tao freezes; only his eyes move toward Mei.
6–9s — Close-up on Mei at frame right. She looks under the table, then calmly says: “问猫。” A small orange cat’s tail passes behind Tao’s chair, but the cat never reaches the table.
9–13s — Close-up on Tao. He tries to answer, accidentally reveals the dumpling in his mouth, then slowly closes his lips. Cut to the three-shot: Grandma raises one eyebrow; Mei suppresses a smile. End on one perfectly timed off-screen cat meow.

[AUDIO]
Quiet midday room tone, distant kettle, precise chopstick taps. Grandma speaks first, Mei second; Tao never speaks clearly. Keep Mandarin lines exactly as written. No laugh track or music. One cat meow on the final frame.

[CONSTRAINTS]
Only Grandma and Mei move their mouths for their own lines. Preserve fixed seats, clothing colors, steamer and last dumpling logic. The cat remains on the floor. No subtitles, extra food appearing, chopstick duplication, mouth deformation, seat swapping or camera crossing the axis.

## kling-10: Foldable Kettle Live Demo  [product-ad]
[OUTPUT]
15 seconds, 9:16, credible live-commerce demonstration, one continuous phone-camera take, no generated interface.

[LOCKS]
Host Ava: adult woman, braided ponytail, coral overshirt, neutral manicure. Product: unbranded collapsible travel kettle, white rigid base, three gray silicone rings, white lid and short black cord. Preserve part count and proportions.

[SET]
Bright apartment kitchen counter. Kettle center, clear measuring cup left, folded pouch right. Locked phone at eye height, slight autofocus breathing, soft window light.

[ACTION AND SPEECH]
0–4s — Ava holds the collapsed kettle beside her face without blocking it and says in English: “This is the packed size.”
4–9s — She sets it flat, keeps left palm on the base and pulls the lid upward with right hand until exactly three silicone rings extend. She rotates it 30 degrees to show the profile.
9–13s — She pours one measured cup of water inside, closes the lid and points to the cord; she does not plug it in or claim a boil time. She says: “Open, fill, and check your local voltage before use.”
13–15s — Product rests centered; Ava places both hands behind it for clean scale reference and smiles at lens.

[AUDIO]
Close phone-mic voice, silicone folds, water pour and room tone. No music, sales chime or synthetic audience.

[CONSTRAINTS]
No boiling, steam, outlet contact, price, discount, countdown, certification, false capacity, generated comments, text, logo or watermark. Natural fingers and product contact; base never deforms.

## kling-11: Open-Ear Headset Assembly Proof  [product-ad]
[OUTPUT]
10 seconds, 1:1, clean photorealistic product-engineering animation, dark neutral studio, two shots.

[PRODUCT LOCK]
One generic open-ear headset: flexible graphite neckband, two identical oval speaker pods, two small copper hinge pins and one central charging contact. No buttons, screen or logo. Start frame shows five separated components; end frame shows one assembled headset.

[ANIMATION]
0–5s — Orthographic three-quarter view. Five parts float no more than 4cm apart in a straight exploded arrangement. Camera makes a slow 15-degree orbit while soft edge lights reveal material differences. Parts do not spin.
5–10s — Neckband stays fixed. Left and right pods translate inward simultaneously along straight guides; copper pins insert once into matching hinges; charging contact seats last with a subtle click. Camera stops before contact and holds the completed silhouette for two seconds.

[AUDIO]
Low electronic air, two soft mechanical seats at 6.5s, one precise contact click at 7.8s, then silence. No voice-over.

[CONSTRAINTS]
Exactly five starting components and one final headset. No new screws, batteries, wires or circuitry. No melting, magnetic snap from a distance, intersection, asymmetry, text, technical claim, logo or watermark.

## kling-12: Electric Hatchback, Quiet Departure  [product-ad]
[OUTPUT]
15 seconds, 21:9, premium generic electric hatchback film at blue hour, three shots, photorealistic.

[VEHICLE LOCK]
One compact pearl-gray five-door hatchback, continuous dark glass roof, narrow front light bar, six-spoke wheels, blank plates and no logo. Same clean body, ride height, cabin and wheel design throughout.

[TIMED SHOTS]
0–5s — Interior rear three-quarter. Adult driver seated, belt fastened, both hands at 9 and 3. Dashboard remains abstract and unreadable. Driver checks left mirror, then forward; cabin ambient strip brightens softly.
5–10s — Exterior curb-height side tracking. Car moves left-to-right at low urban speed on a damp empty access road. Wheels rotate with travel, contact shadows stay attached, reflections slide backward. Camera matches speed without passing.
10–15s — Wide elevated front three-quarter. Car follows one gentle right-hand curve, slows at a marked stop line and comes to a complete stop. City lights remain distant; end with clean sky space.

[AUDIO]
Seat-belt fabric, soft indicator tick, tire hiss on damp pavement and restrained tonal music. No engine roar, tire squeal or voice-over.

[CONSTRAINTS]
One vehicle, licensed adult driver, safe speed, correct lane and full stop. Preserve panels, doors, lights and wheels. No autonomous-driving claim, racing, road traffic, drifting, transformed bodywork, readable dashboard, badge, plate text or watermark.

## kling-13: Cobot Packs the Blue Valve  [product-ad]
[OUTPUT]
12 seconds, 16:9, realistic industrial process visualization, one locked wide shot plus one inspection insert.

[SYSTEM LOCK]
One small six-axis collaborative robot with a two-finger gripper. One matte-blue metal valve body on the left fixture, one camera inspection gate center, one open molded tray right. Yellow floor boundary remains clear. No people inside the boundary.

[CYCLE]
0–4s — Wide. Gripper approaches vertically, closes around the valve's flat side and lifts 8cm. Wrist remains level; fixture does not move.
4–8s — Cut to fixed inspection insert. Robot carries valve through center gate and pauses for one white light pulse. Valve rotates exactly 90 degrees clockwise for the second face, then returns.
8–12s — Return to the original wide angle. Robot translates right, lowers valve into the matching tray cavity, opens gripper and retreats vertically. Valve remains seated; robot returns to neutral pose.

[AUDIO]
Low ventilation, quiet servo movement, gripper click, inspection beep and tray contact. No music or narration.

[CONSTRAINTS]
One robot, one valve and one tray. Mechanically plausible joint motion, no self-intersection, high-speed swing or human entry. Preserve cell geometry, safety boundary and cycle order. No sparks, welding, productivity claim, readable control panel, logo or watermark.

## kling-14: Modular Desk Lamp Feature Demo  [product-ad]
[OUTPUT]
12 seconds, 1:1 square e-commerce feature demo, clean daylight studio, four sequential shots with simple match cuts.

[PRODUCT LOCK]
Compact matte-sand desk lamp: round weighted base, one slim vertical stem, flat circular light head, small copper touch disk on the base. No logo or printed text. Same dimensions, finish and copper disk in every shot.

[WORLD]
Pale oak desk against warm off-white wall. Notebook frame left, small ceramic planter rear right. Soft window light from frame left; product shadow falls consistently to the right.

[TIMED SHOTS]
0–3s — Locked 45-degree product shot. Adult hand enters from frame right and taps the copper disk once. Lamp turns on smoothly from zero to warm white over half a second. Hand exits by the same path.
3–6s — Side profile close-up. The same hand grips only the outer edge of the light head and tilts it downward on its hinge by exactly 35 degrees; stem and base remain fixed.
6–9s — Overhead shot. The circular head rotates clockwise to illuminate the notebook; the light pool travels across the desk without changing color.
9–12s — Match cut from notebook to a plain video-call setup. Lamp now points toward an empty chair, producing soft even face-height light. Camera pulls back slightly to show the compact footprint.

[AUDIO]
Quiet room tone; one dry touch click at 1s, soft hinge resistance at 4s, subtle rotational stop at 7.8s. Calm English voice-over: “Touch. Tilt. Turn. Light where work happens.” No background music.

[CONSTRAINTS]
Hand anatomy and contact must be natural. Base never slides; stem never bends; head moves only at defined joints. Preserve lamp color, scale and light temperature. No floating parts, extra buttons, visible cables, text, UI, logo, watermark or unsupported product claim.

## kling-15: Morning Skincare UGC One-Take  [product-ad]
[OUTPUT]
12 seconds, 9:16, one continuous mirror-selfie take, authentic morning UGC, ordinary smartphone exposure and natural skin texture.

[CONTINUITY ANCHORS]
Rin: adult East Asian woman, natural pores and faint under-eye texture, messy high bun, ivory cotton robe. Plain dark phone in left hand. Small unbranded frosted pump bottle on the sink. No visible label.

[WORLD AND CAMERA]
Small lived-in bathroom, soft overcast window light, light condensation at mirror edge, folded towel and one green plant. Mirror-selfie chest-up composition. Gentle handheld drift and one small imperfect reframe; no cinematic camera move.

[ACTION AND SPEECH]
0–3s — Rin looks into the phone lens, gives a tired half-smile and says in conversational English: “Okay, this is the step I don’t skip anymore.”
3–6s — Keeping the phone stable in her left hand, she presses the pump once with her right index finger. One pea-sized amount lands on two right fingertips. She glances down briefly; focus breathes naturally.
6–10s — She pats the product onto one cheek with the same two fingertips, three gentle contacts, then laughs when a water droplet slides near the lens edge. She says: “It just feels calm and light.”
10–12s — She holds the bottle near, not covering, her face for one second, then returns it to the sink and looks back at the lens.

[AUDIO]
Real bathroom room tone, distant water pipe, pump click and robe fabric. Rin’s voice is close and unprocessed. No music, voice-over, beauty-ad sparkle or subtitles.

[CONSTRAINTS]
One phone, one bottle, one pump action, same hand roles throughout. Natural finger count and mirror logic. Keep wording experiential, not medical; no before/after claim. Preserve pores and everyday lighting. No logo, label, text, watermark, face smoothing, jump cut, extra product, duplicated reflection or luxury set dressing.

## kling-16: Neighborhood Bakery Opening Day  [product-ad]
[OUTPUT]
15 seconds, 9:16, warm local bakery launch story, four shots, documentary-commercial blend, no generated captions.

[CONTINUITY ANCHORS]
Owner Mara: adult woman in her 40s, cropped silver hair, oval green glasses, indigo apron over cream shirt.
Signature pastry: palm-sized spiral bun with dark sesame center and glossy honey edge.
Bakery: narrow space, pale green tiles, wooden counter, round brass oven window. Keep all three consistent.

[TIMED SHOTS]
0–4s — Exterior-to-interior continuous push through the open door just after sunrise. Mara flips a blank wooden hanging sign and looks toward the first customer entering behind camera. Natural lens exposure settles as the camera crosses the doorway.
4–8s — Macro side shot. Mara slides one tray from the oven; heat shimmer rises. She lifts exactly one spiral bun with metal tongs and places it on kraft paper. Honey edge catches the light.
8–12s — Customer POV at counter. Mara extends the wrapped bun toward camera, maintains eye contact and says warmly in Mandarin Chinese: “第一炉，刚刚好。” Her hands remain beneath the paper; customer hands receive it from below.
12–15s — Wide from the back of the bakery. Two adult neighbors enter, morning light grows, Mara turns back toward the oven. End on clean negative space above the counter for a real title card to be added in post.

[AUDIO]
Door bell at 2.2s, tray rail scrape at 5s, paper fold at 9s, Mara’s single Mandarin line, low street bicycles and quiet oven fan. Light acoustic guitar begins at 11s without vocals.

[CONSTRAINTS]
Preserve Mara, apron, glasses, bakery geometry and pastry shape. Exactly one bun is transferred in the close-up. Natural tong and hand contact. No generated shop name, menu, price, subtitle, logo or watermark. No crowded grand opening, confetti, exaggerated steam or impossible oven fire.

## kling-17: How a Heat Pump Moves Warmth  [talking-head]
[OUTPUT]
15 seconds, 16:9, clean 3D educational animation for a general adult audience, three stages, neutral light background, no generated text.

[SYSTEM LAYOUT]
Cutaway side view of a simple house on frame right and outdoor air on frame left. Outdoor coil outside left wall, compressor at lower center, indoor coil inside right wall. One continuous closed copper loop connects all parts. Blue particles represent lower-temperature refrigerant; orange particles represent higher-temperature refrigerant. House and loop stay fixed.

[ANIMATION]
0–5s — Cold outdoor scene. Blue particles travel clockwise through the outdoor coil and absorb small golden heat dots from surrounding air. Golden dots diminish outside and join the moving particles. Camera remains wide.
5–10s — Camera pushes to compressor at lower center. The same particles enter blue, compress closer together and shift smoothly to orange; a small vibration shows mechanical work. Nothing flows backward.
10–15s — Camera follows orange particles into indoor coil. Golden heat dots move from coil into the room; room color warms slightly. Particles continue around the closed loop and shift toward blue after releasing heat. End on the full system with one complete clockwise circuit visible.

[AUDIO]
Calm English voice-over: “A heat pump gathers available warmth outside, compresses the refrigerant to raise its temperature, then releases that warmth indoors.” Soft mechanical hum and subtle particle ticks. No music.

[CONSTRAINTS]
Conceptual explainer, not installation guidance. Preserve fixed component positions and clockwise closed loop. Heat direction follows the narration; colors remain consistent. No labels, equations, brand equipment, person, open electrical panel, invented efficiency claim, logo or watermark. Add verified labels and citations later in post.

## kling-18: The Night Pollinator  [talking-head]
[OUTPUT]
12 seconds, 16:9, nocturnal macro nature-documentary style, realistic insect scale and behavior, two shots.

[SUBJECT]
One medium-sized hawk moth with mottled brown wings, long coiled proboscis and intact six legs. One cluster of pale tubular night-blooming flowers. Do not identify an exact species in narration.

[WORLD]
Quiet garden at night after light rain. Cool moonlit foliage, soft warm porch light far background, small droplets on leaves. Flower cluster remains stationary frame center.

[TIMED SHOTS]
0–6s — Locked macro side view. Moth approaches from frame left, hovers without landing, wings beating rapidly into a natural blur. It uncoils the proboscis forward and inserts only the tip into one flower tube. Body maintains stable hover distance.
6–12s — Tighter front three-quarter macro. Pollen grains brush the moth’s face as it withdraws and moves to the adjacent flower. One droplet falls from a leaf behind it. Moth exits frame right at normal speed; flower stems sway slightly from airflow, then settle.

[AUDIO]
Natural night insects, faint wing buzz close to camera and one water droplet. Calm English narrator: “After dark, some flowers trade color for scent, guiding hovering visitors from bloom to bloom.” No dramatic score.

[CONSTRAINTS]
Six legs, two antennae, one proboscis, coherent wing attachment and plausible flower interaction. No giant scale, glowing insect, magical pollen trail, predation, extra wings, flower morphing, fake scientific label, subtitle, logo or watermark. Treat visuals as illustrative, not recorded evidence.

## kling-19: The Infinite Umbrella Problem  [talking-head]
[OUTPUT]
8-second seamless 9:16 comedy loop, realistic city sidewalk in gentle rain, locked medium-wide camera.

[CHARACTER AND PROP LOCK]
Niko: adult man, mustard raincoat, navy trousers, red sneakers, holding one closed black umbrella in right hand at start. Plain bus shelter frame left, puddle center, gray wall background. No signs or logos.

[LOOP ACTION]
0–2s — Niko steps into the puddle with left foot, looks up at rain and opens the black umbrella overhead. Water splash follows foot contact naturally.
2–4s — A smaller closed black umbrella drops from inside the open canopy into his left hand. He looks at it once, confused; large umbrella stays overhead in right hand.
4–6s — He opens the smaller umbrella. The original large umbrella instantly and cleanly folds upward into the smaller canopy only while the two canopies fully overlap, leaving Niko holding one normal closed black umbrella in his right hand.
6–8s — Niko lowers his arm, shifts weight back and returns exactly to the first pose just before the puddle step. Rain, traffic reflection and coat hem return to matching positions for the loop.

[AUDIO]
Steady rain loop, one shoe splash, umbrella open snap at 1.5s, tiny comedic wooden click at the nested reveal, second snap, then ambience aligns exactly to first frame. No dialogue, music or laugh track.

[CONSTRAINTS]
Start and end frame match in pose, umbrella state, rain direction, puddle ripples and camera. Umbrella transformation occurs only under full canopy occlusion. One person, no duplicate limbs, no extra umbrella remaining, no teleport outside occlusion, text, logo or watermark.

## kling-20: Thirty Seconds of Shade  [talking-head]
[OUTPUT]
15 seconds, 9:16, human-scale public-interest story about heat and mutual care, observational realism, three shots.

[CHARACTER LOCK]
Rosa: adult street vendor in her 50s, straw hat, pale-blue shirt, green pushcart with a small fixed canopy.
Imani: adult bicycle courier in her 20s, orange helmet, gray reflective vest with no logo, black bicycle.
Preserve identities, clothing, cart and bicycle.

[WORLD]
Hot late-afternoon neighborhood street. Hard sun from upper frame right; pale wall produces a narrow shadow. Heat shimmer is subtle. No identifiable city signage.

[TIMED SHOTS]
0–5s — Medium tracking shot. Imani walks the bicycle left-to-right, slows and wipes forehead. Sunlight is hard; footsteps and breathing natural. Rosa notices from beside her cart.
5–10s — Close two-shot at cart. Without speaking, Rosa releases one latch and rotates the canopy outward until its shadow covers Imani. The cart stays planted; shadow moves consistently with canopy geometry. Imani stops and looks up, surprised.
10–15s — Wider static shot. Imani rests in shade, takes one sip from her own bottle and gives Rosa a grateful nod. Rosa returns the nod and serves an off-screen customer. End on their two silhouettes sharing the same patch of shade, with clean lower-frame space for verified campaign copy added later.

[AUDIO]
Dry summer street, distant fan, bicycle freewheel and canopy latch. Rosa says in Spanish, gently: “Quédate un momento.” Imani answers in English: “Thank you.” No music until a single soft guitar harmonic after the nod.

[CONSTRAINTS]
Adult characters; realistic heat behavior and shade geometry. One speaking mouth at a time; keep lines in written languages. No medical emergency, collapse, invented charity branding, statistic, subtitle, generated campaign text, logo or watermark. Add verified local heat guidance and contact information in post.

## kling-21: Scallion Pancake ASMR  [talking-head]
[OUTPUT]
12 seconds, 9:16, three-shot food ASMR, natural kitchen light, honest texture, no presenter face.

[FOOD AND HAND LOCK]
One round layered scallion pancake, 16 centimeters wide, pale dough with evenly distributed green scallion rings. Adult cook’s clean hands, short natural nails, dark-blue apron. Black carbon-steel pan and one flat wooden spatula.

[WORLD]
Small home kitchen beside an open window, soft morning side light, pale stone counter. Background remains quiet and out of focus.

[TIMED SHOTS]
0–4s — Top-down macro. Cook rolls the layered dough forward exactly once; visible scallion rings compress but stay inside the dough. Fine flour shifts outward under the rolling pin. Audio emphasizes wood on dough and dry flour.
4–8s — Side macro at pan height. Pancake lies flat in a thin film of oil. Edges bubble and turn golden from left to right. Wooden spatula lifts one edge to reveal crisp concentric layers, then lowers it; no flip occurs in this shot.
8–12s — 45-degree close-up on cutting board. Cook makes one clean center cut with a broad knife, then gently separates the two halves by two centimeters. Steam escapes and flaky layers open. Hold for one second on texture.

[AUDIO]
No music or speech. Rolling friction, quiet window birds, controlled oil sizzle, spatula scrape, one crisp knife contact and delicate crackle as layers separate. Audio perspective matches each macro shot.

[CONSTRAINTS]
One pancake, one pan, one spatula, one knife. Correct tool contact and adult hands. Food does not regenerate, jump position or burn. No excessive oil splash, floating steam, raw center after cooked exterior, extra fingers, text, packaging, logo or watermark.

## kling-22: One Morning in Quanzhou  [product-ad]
[OUTPUT]
15 seconds, 16:9, four-shot dawn travel poem in Quanzhou, Fujian, observational realism, warm humid atmosphere.

[LOCATION ANCHORS]
Historic arcaded street with weathered cream walls and dark timber shutters; small tea stall with red clay kettle; local harbor with low working boats. Respect real southern Fujian architectural scale. No invented landmark mashups or readable commercial signs.

[TIMED SHOTS]
0–4s — Locked wide under an arcade just before sunrise. Shopkeeper lifts one wooden shutter; bicycle passes slowly through the pool of warm interior light. Damp stone reflects the movement.
4–8s — Macro at tea stall. Hot water pours from red clay kettle into one small white cup; camera racks focus to steam catching sideways sun. Adult customer’s hand receives the cup from below.
8–12s — Medium tracking shot beside an adult woman walking through the arcade with a woven market basket. Camera keeps pace; hanging fabric moves in the sea breeze; she nods to an off-screen neighbor.
12–15s — Wide harbor reveal. Camera moves out from behind a stone column to show morning boats in soft haze. One small gull crosses; hold a calm final frame.

[AUDIO]
Continuous distant bicycle bells, early conversation and humid city room tone; kettle pour close at 5s; harbor engine enters gradually. Mandarin voice-over, calm and unhurried: “清晨先从一扇窗、一杯茶，慢慢醒来。” No song.

[CONSTRAINTS]
Natural local daily life without costume spectacle or exoticization. Preserve sunrise direction and humid color across shots. No crowd duplication, fake script, giant temple inserted into street, drone hyperlapse, logo, subtitle or watermark. Voice-over remains off-screen; no visible mouth moves.

## kling-23: Courtyard Light Study  [talking-head]
[OUTPUT]
12 seconds, 16:9, one continuous architectural walkthrough, refined but truthful hospitality film, no people.

[SPACE LOCK]
Compact lime-plaster guest suite around a planted courtyard. Entry door opens to sitting area; low linen sofa frame left; courtyard centered behind sliding glass; sleeping alcove frame right behind timber screen. Small circular reflecting pool in courtyard; one olive tree. Preserve exact plan, furniture count and material colors.

[CAMERA PATH]
Camera at adult eye height begins just inside the entry, gimbal-smooth but human pace. Move forward 2.5 meters through sitting area, arc gently right around the sofa without passing through it, pause to frame courtyard, then slide another meter right to reveal sleeping alcove through the timber screen. Horizon stays level; lens feels 24–28mm without extreme distortion.

[ENVIRONMENT MOTION]
Late-afternoon sun enters from courtyard and projects stable leaf shadows onto lime wall. One curtain edge moves in a light breeze. Reflecting-pool ripples respond to a single falling olive leaf at 7s. Bedding, furniture and doors remain still.

[AUDIO]
Soft room tone, distant birds, quiet fabric movement, one water drop and subtle footsteps from the camera operator. No music, narration or artificial whoosh.

[CONSTRAINTS]
Architecturally possible continuous path. No wall, doorway, furniture, pool or alcove changes; no wide-angle stretching, room expansion, invisible cut, floating décor, overexposed window, fireplace, TV, text, logo or watermark. Show only spaces actually connected in the declared plan.

## kling-24: Blue Pottery Kiln  [talking-head]
[OUTPUT]
15 seconds, 16:9, four-shot observational craft documentary, natural workshop light, respectful and unsentimental.

[ARTISAN AND OBJECT LOCK]
Farah: adult ceramic artisan, medium-brown skin, dark hair covered by plain indigo cotton scarf, clay-gray apron, clear safety glasses during kiln shot.
Vessel: one low round vase with narrow neck, carved wave band around shoulder, cobalt-blue glaze. Preserve vessel proportions and carved motif.

[TIMED SHOTS]
0–4s — Close side shot at pottery wheel. Farah’s wet hands center one clay form; wheel rotates counterclockwise at steady speed. Fingers press symmetrically and neck rises two centimeters.
4–8s — Macro insert on leather-hard vase. Farah uses one small wooden loop tool to carve the wave band in a continuous line; clay ribbon curls away under the tool.
8–11s — Medium shot at glazing bench. She pours cobalt glaze over the stationary vase once; excess drains into basin. Hands rotate the foot ring only after pouring stops.
11–15s — Kiln reveal after firing, with Farah wearing safety glasses and heat-resistant gloves. She opens an already cooled kiln slowly, lifts the finished blue vase with both hands and turns it 20 degrees toward window light to reveal the wave relief.

[AUDIO]
Wheel hum, wet clay, carving scrape, glaze pour and workshop birds. At final shot, room tone becomes quiet enough to hear gloves touch ceramic. No narration or music.

[CONSTRAINTS]
Chronological material states: wet clay → leather-hard carving → glazed unfired → cooled fired vessel. Safe kiln behavior; no visible flame or bare-hand hot handling. Preserve Farah and vessel motif. No magical instant firing, changing wheel direction, extra tools, costume styling, text, logo or watermark.

## kling-25: Lantern Runner Game Cinematic  [talking-head]
[OUTPUT]
12 seconds, 16:9, stylized original third-person adventure cinematic, painterly 3D finish, three shots.

[LOCKS]
Mara, original adult courier: cropped black hair, rust-red cape, charcoal boots, round amber lantern in left hand. World: flooded stone archive with waist-high shelves, three glowing blue doorways and ankle-deep water. No existing franchise design.

[GEOGRAPHY]
Mara travels left-to-right through the same central aisle. Blue doorway A behind, B at midpoint, C ahead. Camera remains on her near side; screen direction never reverses.

[TIMED SHOTS]
0–4s — Low rear three-quarter tracking. Mara runs through shallow water; each footfall creates one delayed splash. Lantern swings opposite her stride and illuminates nearby shelves.
4–8s — Side medium shot at doorway B. She plants right foot, slides 50cm and raises lantern. A circular amber light wave expands across water, revealing a safe stone path; shelves do not move.
8–12s — High wide shot. Mara follows the revealed path toward doorway C while blue light dims behind her. Camera cranes upward and stops on the readable route, with Mara still moving left-to-right.

[AUDIO]
Boot splashes, cape cloth, lantern glass rattle and one low magical pulse. Original percussion enters after the light wave; no dialogue.

[CONSTRAINTS]
Preserve identity, costume, lantern hand, landmarks and screen direction. One character, no enemy or weapon, no copied character, UI, quest text, logo or watermark. Light reveals the path but does not move objects.

## kling-26: A Night on the Moon's Terminator  [talking-head]
[OUTPUT]
15 seconds, 21:9, scientifically restrained lunar-surface visualization, slow documentary camera, three shots.

[WORLD]
Airless gray lunar terrain near the day-night boundary. Low sun just above left horizon casts long hard shadows to frame right. Black sky with sparse fixed stars; no atmospheric haze, clouds or wind. One 40cm boulder provides scale.

[TIMED SHOTS]
0–5s — Ground-level wide. Camera glides forward 1m toward the boulder; fine regolith remains undisturbed because no subject touches it. Sun angle and shadows remain fixed.
5–10s — Macro on boulder edge. Sharp sunlight reaches one side while the opposite remains dark; camera racks focus from lit grains to a distant crater rim. Stars do not blur or twinkle.
10–15s — Slow crane to a high wide view revealing the boundary across cratered terrain. Hold for two seconds without accelerating.

[AUDIO]
No diegetic wind or surface sound. Calm English narrator: “This visualization follows the lunar terminator, where low sunlight stretches shadows across airless ground.” Very quiet non-diegetic tonal bed only.

[CONSTRAINTS]
Visualization, not claimed mission footage. No Earth unless position is verified, astronaut, flag, vehicle, dust gust, blue sky, aurora, twinkling stars, generated labels, logo or watermark. Astronomy review required.

## kling-27: Clean-Screen Bicycle Turn Plate  [product-ad]
[OUTPUT]
8 seconds, 16:9, full-body compositing plate, locked camera, evenly lit chroma-green cyclorama and floor.

[PERFORMER AND PROP]
Consented adult performer Kai in matte gray fitted sportswear, gray shoes, tied-back dark hair. One plain matte-black city bicycle with no reflectors, labels or chrome. Preserve body, wardrobe and bicycle geometry.

[FRAMING AND LIGHT]
Camera at hip height, 50mm-equivalent, entire bicycle and performer stay at least 12% inside all frame edges. Two soft keys create even exposure and a short neutral contact shadow; no green spill on skin, clothing or bicycle.

[ACTION]
0–2s — Kai stands left of bicycle, both wheels planted, right hand on saddle and left on handlebar.
2–5s — Walks the bicycle in a smooth semicircle clockwise, turning it from profile to front three-quarter. Wheels roll with ground distance; feet never cross unnaturally.
5–8s — Stops, lowers kickstand with right foot, releases hands and holds still for the final 1.5s.

[AUDIO]
Muted production reference audio: footsteps, tire roll and kickstand click. No music or speech.

[CONSTRAINTS]
Uniform chroma green, no set seam, tracking marker, green wardrobe, motion blur on body edges, crop, reflection, extra shadow, rider mounting, prop duplication, text, logo or watermark.

## kling-28: Stairwell Chase White-Model Previs  [talking-head]
[OUTPUT]
12 seconds, 16:9, grayscale white-model previsualization, no textures, three clearly separated shots.

[BLOCKING]
Simple concrete-gray stairwell: two flights, central landing, one door at top. Figure A is matte white with a black shoulder stripe; Figure B is medium gray with a white wrist band. Both are adult-scale featureless mannequins. A begins lower flight, B begins 3m behind. No weapons or falls.

[TIMED SHOTS]
0–4s — Wide side master. A runs up six steps left-to-right; B follows at constant 3m distance. Camera locked; foot plants align to steps.
4–8s — Overhead landing shot. A turns clockwise around the rail, B follows the identical safe line. Maintain 1m clearance from railing and each other.
8–12s — Shoulder-height camera retreats up second flight ahead of A at walking-gimbal speed. A slows before the top door; B stops on landing. Camera never passes through walls or railings.

[AUDIO]
Reference-only metronome at 120 BPM and dry footstep cues. No score, dialogue or environment design.

[CONSTRAINTS]
Previs only, not final footage. Fixed stair geometry, character markers, distance and screen direction. No texture, face, costume, stunt contact, jump, fall, camera collision, dynamic light, text, logo or watermark.

## kling-29: Wet-Track Precision Lap  [action]
[OUTPUT]
15 seconds, 21:9, realistic closed-course driver-training film at dawn, four shots, high energy without collisions.

[VEHICLE AND DRIVER]
One compact cobalt-blue track car with white roof, black seven-spoke wheels, blank number panel and no logo. Adult professional driver wears a white certified helmet, blue suit and secured six-point harness. Preserve vehicle panels, wheel design and driver throughout.

[TRACK GEOGRAPHY]
Private wet handling circuit, right-hand hairpin marked by six orange cones and a white apex line. Empty runoff, barriers and marshals safely behind fence. Car travels left-to-right before turning away from camera.

[TIMED SHOTS]
0–4s — Interior footwell insert. Right foot releases brake progressively and applies throttle; left foot stays on dead pedal. Water beads move backward on side window. Engine note rises smoothly.
4–8s — Low exterior side tracking. Car approaches left-to-right at controlled speed; tire spray trails behind wheels, never ahead. Camera remains outside barriers.
8–12s — High fixed hairpin view. Driver brakes before cone one, turns once toward the apex and follows the white line without sliding or hitting cones. Brake lights illuminate during deceleration only.
12–15s — Rear three-quarter from safe long lens. Car straightens, accelerates away and spray narrows as it reaches drier pavement. End with all six cones standing.

[AUDIO]
Authentic single engine layer matched across cuts, wet tire hiss, two gear changes and no music until a restrained pulse enters at 12s. No dialogue.

[CONSTRAINTS]
Private course, one car, trained adult, correct harness and intact safety zone. No public traffic, passenger, collision, drift, jump, hydroplane, cone strike, speed claim, dashboard text, badge or watermark.

## kling-30: Clockwork Heron Launch  [action]
[OUTPUT]
12 seconds, 16:9, original stylized 3D mechanical animation, brushed brass and indigo enamel, three shots.

[DESIGN LOCK]
One clockwork heron machine: oval brass body, two long folded legs, narrow indigo beak, two segmented wings with exactly five primary plates each, small round amber lens eyes. No pilot, weapon, logo or resemblance to an existing character.

[WORLD]
Quiet reed workshop built on a wooden platform above shallow water at sunrise. One circular launch rail points toward open marsh. Warm light frame right, cool mist low over water.

[TIMED SHOTS]
0–4s — Three macro mechanical inserts: one spring winds clockwise, two leg locks release, then ten wing plates unfold in paired sequence from body outward. Cut only on gear contact; each action visibly causes the next.
4–8s — Medium side view. Heron takes exactly three measured steps onto the launch rail. Legs bear weight and flex at the knee joints; head counterbalances forward. Camera tracks at matching speed.
8–12s — Wide. Wings complete one strong downstroke; machine lifts one meter, clears the platform and glides toward marsh. Water ripples from air pressure after the downstroke. Camera cranes slightly but does not chase.

[AUDIO]
Gear ticks, spring tension, three wooden foot contacts, layered brass wing movement and one deep air push. Original two-note woodwind call after takeoff; no dialogue.

[CONSTRAINTS]
One machine, two legs, two wings, five plates per wing. Mechanically connected motion, correct ground contact and delayed water response. No extra parts, organic feathers, fire, battle, copied franchise design, text or watermark.

## kling-31: Glassblower Rhythm Cut  [action]
[OUTPUT]
15 seconds, 16:9, documentary craft montage driven entirely by synchronized workshop sound, four shots.

[LOCKS]
Adult glassblower Eli wears clear face shield, dark cotton shirt, heat-resistant sleeves and gloves. One orange molten glass gather on one steel blowpipe. Brick reheating furnace frame left, metal bench center. Preserve PPE, tool and glass color progression.

[TIMED SHOTS AND SOUND CUES]
0–4s — Close side shot. Eli rotates the blowpipe steadily on bench rails; one metal-on-metal rolling rhythm at constant tempo. Molten glass stays centered by gravity and rotation.
4–8s — Macro insert. Wet wooden block cups the rotating gather with controlled steam: one soft hiss beginning only after contact. No bare hand approaches heat.
8–11s — Medium. Eli places pipe end to lips and gives one short controlled breath; glass expands slightly into a round bubble while rotation continues. Breath is audible, not exaggerated.
11–15s — Close on steel shears making one shallow trim in hot glass, producing a crisp snip. Hard cut on the snip to the cooled finished vessel standing on a plain shelf; one fingertip glass ring lands after the cut. Hold in quiet.

[AUDIO]
No added music. Rail rhythm provides tempo; steam hiss, breath, furnace rumble, shears and final glass ring are isolated, natural and exactly synchronized.

[CONSTRAINTS]
Approved demonstration by trained adult with PPE. One blowpipe and one glass object. No unsafe touch, facial proximity to furnace, exploding glass, duplicated tools, impossible instant cooling shown within a shot, generated narration, text, logo or watermark.

## kling-32: Quiet Docking Above the Aurora  [action]
[OUTPUT]
15 seconds, 21:9, realistic near-future orbital docking visualization, calm procedural tone, three shots.

[VEHICLE LOCKS]
Service craft: small white cylinder, four folded rectangular solar panels, black circular docking ring at nose, no crew visible. Station: gray research module with matching axial port and two long blue solar arrays. Blank surfaces, no national or company marks.

[ORIENTATION]
Station docking axis runs screen left-to-right. Station port faces frame left; service craft approaches from frame left nose-first. Earth limb remains low background with a faint auroral band. Sunlight direction stays upper right.

[TIMED SHOTS]
0–5s — Long-lens side view. Craft closes distance slowly at less than one body length over five seconds. Two tiny lateral thruster pulses correct upward drift; exhaust is brief and subtle. Station remains inertially steady.
5–10s — Camera cuts to station-port view looking outward. Craft nose stays centered using one short roll correction under five degrees, then stops all visible rotation. No rapid zoom.
10–15s — Exterior three-quarter. Docking rings meet at near-zero relative speed, compress slightly and lock with one small mechanical movement. Solar arrays do not flex. End with both vehicles moving as one while Earth drifts slowly behind.

[AUDIO]
Exterior shots have no diegetic sound. A restrained non-diegetic tonal bed continues. At contact, cut briefly to an interior structural microphone perspective for one muted latch thump and two confirmation clicks; no voice-over.

[CONSTRAINTS]
Visualization, not operational instruction. Preserve ports, axes, solar panels, light and low relative speed. No explosion, debris, visible exterior sound wave, large flame, astronaut, flag, readable UI, mission claim, logo or watermark.

## kling-33: Refill Tin: Script-to-Motion-Graphics Ad  [animation]
[OUTPUT]
15 seconds, 1:1, bright tactile mixed-media product film, four beats, clean negative space for post-production copy.

[REFERENCE ROLES]
Image 1 is a three-beat script board and controls sequence only; ignore its fonts, colors and people. Image 2 locks one unbranded cylindrical tea-refill tin: brushed silver body, flat teal lid, shallow vertical seam. Start frame locks centered closed tin; end frame locks the same tin beside one paper refill pouch.

[GRAPHIC SYSTEM]
Only circles, straight paper strips and soft teal shadows. Off-white background, teal and apricot accents. No generated words, numbers or icons.

[TIMED SHOTS]
0–4s — Tin centered. Two apricot paper circles roll in from opposite sides and stop behind it like a simple sunrise. Camera locked.
4–8s — Lid lifts vertically 3cm; one kraft-paper refill pouch slides from frame left and pours a controlled ribbon of loose tea into the tin. Tea level stops below the rim; pouch does not deform.
8–12s — Overhead match cut. Teal paper strips fold into a circular loop around tin and pouch, without becoming a logo. Camera rotates 20 degrees clockwise while objects remain fixed.
12–15s — Return to three-quarter hero frame matching the supplied end image. Lid closes once; pouch stands beside tin. Hold clean upper-right space for verified copy.

[AUDIO]
Calm English voice-over: “Keep the tin. Refill what you use.” Paper roll, tea pour and soft lid click synchronized to actions. Two-note marimba motif, no vocals.

[CONSTRAINTS]
Preserve tin and pouch geometry; one of each. The script reference never controls branding or appearance. No product claim beyond exact voice-over, generated text, recycling certification, leaf logo, duplicate item or watermark.

## kling-34: From Seedling to Supper  [animation]
[OUTPUT]
12 seconds, 16:9, four-stage farm-to-table visual poem, smooth realistic transitions, no people or branding.

[REFERENCE ROLES]
Image 1 locks a tomato seedling in a terracotta pot. Image 2 locks one mature tomato cluster on vine. Image 3 locks one red tomato on a wooden cutting board. Image 4 locks one bowl of tomato soup on a linen table. Use only the central subject and its surface; ignore unrelated background objects.

[CORRESPONDENCE]
Keep the main round red form centered at 55% frame width. Growth direction is bottom-to-top; the final camera direction remains left-to-right. Use leaf, circular fruit and steam shapes as visual bridges.

[TIMED TRANSITIONS]
0–3s — Macro push toward seedling. Two leaves unfold naturally; the central leaf fills frame.
3–6s — Cut within leaf occlusion to mature vine. Camera continues the same push. One green tomato changes to red through a short time-lapse while its position and size stay fixed.
6–9s — The red tomato rotates only 20 degrees; a matching red circular wipe formed by its surface reveals the same tomato resting on the cutting board. A knife remains parked safely outside frame edge and never moves.
9–12s — Camera passes behind a rising soft steam veil from off-screen cooking; reveal finished soup bowl with one basil leaf. End on a stable overhead composition.

[AUDIO]
One continuous gentle room tone evolves from garden birds to kitchen ambience. Leaf brush, soft wooden contact and quiet simmer bridge transitions. No narration or music.

[CONSTRAINTS]
Four stages in fixed order. No liquid morph directly from raw whole tomato, impossible knife action, hands, duplicated fruit, reversing camera, text, logo or watermark. Transition occlusions must hide, not display, geometry changes.

## kling-35: Blue Glaze, Tidal Map  [animation]
[OUTPUT]
10 seconds, 21:9, elegant craft-to-landscape transition film, three shots, rich but natural blue palette.

[LOCKS]
One shallow white ceramic plate with an original cobalt branching glaze pattern. One aerial reference of a fictional rocky coastline with branching blue inlets. No identifiable map or cultural motif.

[TIMED SHOTS]
0–3s — 100mm macro glides across the dry plate surface from lower left to upper right. Cobalt line fills more of frame; glaze remains solid and reflective.
3–6s — Camera reaches a dark cobalt pool until blue occupies the full frame. Cut on full-color occlusion to an aerial ocean surface whose inlet line continues at the same angle and width. Camera keeps moving lower-left to upper-right.
6–8s — A thin cloud bank crosses and fully covers frame. Under cloud occlusion, transition to a clean architectural paper model whose blue channels repeat the coastline branching pattern.
8–10s — Camera stops above the full paper model; one warm raking light reveals relief. Hold clean lower-right space for a real title added in post.

[AUDIO]
Soft ceramic fingertip ring at 1s, distant tide after first transition, paper rustle after second. One continuous low bowed-glass tone connects all shots.

[CONSTRAINTS]
Transitions occur only under full blue or cloud occlusion. Plate never melts; ocean never spills into model; pattern and camera direction remain coherent. No real map label, generated text, logo or watermark.

## kling-36: The Crystal Canyon Is Breakfast  [animation]
[OUTPUT]
12 seconds, 16:9, playful photorealistic scale reveal, one continuous apparent pullback, sunrise palette.

[START AND END]
Start reference: amber translucent crystal canyon with one dark ridge left and a pale granular plain center. End reference: macro sugar crust on one caramelized pastry on a blue ceramic plate, same ridge and plain positions. Preserve landmark correspondence.

[CAMERA PATH]
0–4s — Camera glides backward through the amber canyon at slow walking speed. Warm light comes from upper right; tiny granular particles stay fixed to ground.
4–8s — Pullback accelerates gently. Depth of field expands; canyon walls reveal repeating sugar-crystal facets. A distant low rumble resolves into room ventilation. No cut or morph is visible.
8–12s — Camera crosses from extreme macro to table-scale view, revealing the entire canyon as the pastry's crisp sugar surface. Continue backward until blue plate, linen napkin and morning window light are visible. One adult hand sets a plain coffee cup 15cm away without touching pastry. Hold two seconds.

[AUDIO]
Low canyon-like air gradually resolves into quiet kitchen room tone. Very small sugar crackle, cup contact at 10s and no music or narration.

[CONSTRAINTS]
One pastry, plate, cup and hand. Landmarks keep position during scale change. The canyon is always the real surface at macro scale; no miniature people, buildings, falling rocks, melting, bite, text, logo or watermark.

## kling-37: The Forty-Second Architecture Lesson  [talking-head]
[OUTPUT]
15 seconds, 16:9, approachable online-course opener, one continuous medium shot, realistic studio finish.

[PRESENTER LOCK]
Dr. Salma, adult architect with shoulder-length dark curls, round amber glasses and navy linen jacket. She stands behind a light wood table. One blank white card model with a doorway cutout sits center. Preserve identity, wardrobe and model geometry.

[CAMERA]
Locked eye-level 50mm composition, waist-up. Very slow 3% push-in begins after 5s. Salma looks into lens except during the model demonstration.

[ACTION AND SPEECH]
0–4s — Salma says in English: “A room is not only its walls.” Brief breath; hands rest beside the model.
4–10s — She turns the model 30 degrees clockwise with two fingertips and says: “Watch what happens when the entrance changes.” Her gaze follows the doorway, then returns to lens.
10–15s — She moves one small warm desk light from left to right of the model; the shadow visibly changes. She says in Arabic: “الضوء يرسم الطريق.” End with hands still and a small inviting smile.

[AUDIO]
Close natural voice, card friction and one light-base contact. Quiet treated room, no music or subtitles.

[CONSTRAINTS]
Exact lines and language assignment. One speaking mouth, natural fingers, no model redesign, floating prop or exaggerated presenter gestures. No generated diagrams, text, credentials, logo or watermark.

## kling-38: Multilingual Library Helper  [talking-head]
[OUTPUT]
12 seconds, 9:16, friendly public-library welcome clip, clean digital-human presentation, two language turns.

[AVATAR AND SET]
Approved fictional adult avatar Ivo: short auburn hair, forest-green cardigan, cream shirt, small silver circle pin with no mark. Waist-up behind a plain information desk. Background shelves softly focused; blank sign area frame right for real post-production text.

[PERFORMANCE]
0–5s — Ivo faces lens, open relaxed posture, and says in Spanish: “Hola. Para devolver libros, siga las luces azules.” At “luces azules,” right hand makes one small open-palm gesture toward frame right.
5–9s — Half-second pause. Ivo switches to English: “For account questions, a staff member can help at this desk.” Both hands return visibly to the desk.
9–12s — Ivo nods once and looks briefly toward the blank sign area, then back to lens. Hold still for the final second.

[AUDIO]
Clear neutral voice, accurate language switch, low library ambience and distant page turn. No music, announcement or subtitles.

[CONSTRAINTS]
Fictional authorized avatar and voice only. Exact lines; no policy, opening-hours or accessibility claim beyond the script. No lip drift, language mixing, extra fingers, generated signage, books with readable titles, logo or watermark.

## kling-39: Pippa's Adoption Portrait  [talking-head]
[OUTPUT]
12 seconds, 9:16, warm documentary pet profile, three gentle shots, no generated captions.

[LOCKS]
Pippa: one small adult mixed-breed dog, cream wiry coat, tan left ear, brown eyes and teal harness. Handler Jun: adult, gray trousers and yellow sweater; face remains out of frame. Quiet shelter meeting room with blue rug and low wooden bench.

[TIMED SHOTS]
0–4s — Dog-eye-level medium shot. Pippa sits on the blue rug, looks toward an off-camera soft squeak, tilts head once and keeps all four paws grounded.
4–8s — Close side shot. Jun offers a closed relaxed hand from below. Pippa leans forward to sniff, then looks up; Jun does not grab or restrain her.
8–12s — Wider locked shot. Jun rolls one soft fabric ball 60cm across the rug. Pippa follows at a walk, touches it with nose and returns gaze toward Jun. End with clean upper-frame space for verified shelter details in post.

[AUDIO]
Quiet room, light collar tag, paws on rug and one soft toy roll. No bark requirement, sentimental narration or music swell.

[CONSTRAINTS]
One dog, one handler and one ball. Preserve coat pattern, ear color, harness and room. Calm voluntary behavior; no forced contact, cage, child, health claim, breed certainty, generated adoption status, text, logo or watermark.

## kling-40: Pepper and Soap Science Table  [talking-head]
[OUTPUT]
15 seconds, 16:9, bright classroom science demonstration, one overhead insert within a locked medium-wide scene.

[PEOPLE AND MATERIALS]
Adult educator Hana wears blue apron and clear splash glasses. Two school-age children sit opposite her, hands folded until invited. On table: one shallow white plate of water, small dish of ground black pepper, one cotton swab, one pump of liquid soap. No food is consumed.

[TIMED ACTION]
0–5s — Medium-wide. Hana sprinkles a small even layer of pepper onto the water and says in English: “The pepper helps us see movement on the surface.” Children watch; they do not touch materials.
5–10s — Overhead close-up. Hana presses the soap pump once onto the cotton swab, then touches the swab tip to the water center. Pepper moves outward from the contact point; plate stays still.
10–15s — Return wide. Hana removes the swab, places it in a small waste cup and says: “This is a model, not a test of how clean something is.” Children give one shared surprised reaction; Hana smiles.

[AUDIO]
Natural classroom room tone, pepper tap, pump click and restrained child reaction. No music or voice-over.

[CONSTRAINTS]
Adult handles all materials. Preserve two children, one educator and object count. No ingestion, splashing, skin contact, medical claim, germ animation, unsafe chemical, generated text, school logo or watermark. Factual review required.

## kling-41: Copper Compass Across Four Worlds  [nature-drone]
[OUTPUT]
12 seconds, 16:9, four-scene cinematic match-cut montage, crisp realistic materials, exactly four shots.

[REFERENCE ROLES]
Object reference locks one palm-sized scratched copper compass with a dark blue needle and plain lid. Environment references control only: coastal cliff at dawn, night train table, desert survey camp, snowy observatory. Do not transfer people or objects between environment references.

[MATCH-CUT RULE]
The compass center remains at 52% frame width and 58% frame height, same apparent size and same 35-degree lid angle at every cut. Each transition occurs during the final six frames of a hand closing the lid; motion direction stays right-to-left.

[TIMED SHOTS]
0–3s — Coastal cliff macro. Weathered adult hand opens the compass; needle settles north, salt mist crosses left-to-right, slow 5cm push-in.
3–6s — Cut under closing fingers to the same compass on a night-train table. Different sleeve, same hand path. Passing lights sweep across copper; needle trembles once with rail vibration.
6–9s — Cut under the lid to a desert survey cloth. Fine sand moves around, never onto, the hinge. Hand rotates the whole compass 20 degrees clockwise; needle independently returns north.
9–12s — Cut under closing fingers to snowy observatory stone. Gloved hand opens the lid fully; camera tilts from compass toward a clear polar star, ending with the compass still visible at lower center.

[AUDIO]
One continuous low musical note bridges all cuts. Distinct layers: surf and lid click; rail rhythm; dry wind; high mountain air. The same metal click lands exactly at 2.8s, 5.8s and 8.8s.

[CONSTRAINTS]
One compass only. Preserve scratches, hinge, needle color, scale and screen position. Cuts happen only behind fingers and lid; no dissolve, portal, morphing map, readable text, logo or watermark.

## kling-42: Sunday Table, Three Generations  [talking-head]
[OUTPUT]
15 seconds, 16:9, intimate family lunch scene, naturalistic cinema, three connected shots with native dialogue.

[REFERENCE ROLES]
Image 1 locks Mei, adult grandmother with short white curls and burgundy cardigan. Image 2 locks adult daughter An, chin-length black hair and olive shirt. Image 3 locks adult grandson Leo, curly dark hair and mustard sweater. Image 4 supplies only the small sunlit dining room and oval wooden table; ignore any people in it.

[GEOGRAPHY]
Mei sits frame left, An frame right, Leo centered on far side. One blue serving bowl in the table center. Their seats, wardrobe and eyelines never swap.

[TIMED SHOTS]
0–5s — Wide locked master. Mei lifts the blue bowl with both hands and passes it clockwise to An. Leo watches the bowl, then glances at Mei.
5–10s — Medium two-shot across table. An receives the bowl from below, sets it down once and says in Mandarin: “还是这个味道。” Mei is soft foreground left, listening without speaking.
10–15s — Close on Mei. She smiles with restrained pride, looks toward An and answers in English: “You remembered.” Focus shifts to Leo quietly taking one dumpling from the bowl; end on all three sharing a small laugh.

[AUDIO]
Quiet midday room, ceramic contact, chair fabric and distant neighborhood birds. Only An speaks the Mandarin line; only Mei speaks the English line. No narrator or subtitles.

[CONSTRAINTS]
Exactly three adults, one bowl and one dumpling lifted. Natural hand contact and table occlusion. Preserve identity, age, hair, clothing, seat and screen direction. No face blending, duplicate people, extra dishes appearing, generated wall text, logo or watermark.

## kling-43: Museum Guide Motion Transfer  [talking-head]
[OUTPUT]
10 seconds, 9:16, one continuous vertical museum-guide presentation, realistic documentary finish.

[REFERENCE ROLES]
Character image locks adult guide Noor: warm brown skin, short coiled hair, charcoal suit and teal scarf. Gallery image locks white curved wall, one abstract bronze sculpture and polished gray floor. Motion video supplies only the walk-pause-turn gesture and its timing; do not copy the source person's face, body, wardrobe, background or camera.

[CAMERA AND ACTION]
Chest-height gimbal moves backward at Noor's walking pace, holding a medium full shot. 0–3s — Noor walks three measured steps toward camera, hands relaxed. 3–6s — she stops beside, never in front of, the sculpture and turns her torso 45 degrees left. 6–8s — open-palm gesture toward the sculpture, fingers together, gaze follows hand. 8–10s — she returns gaze to lens and gives one inviting nod. Camera decelerates with her and never orbits.

[SPEECH]
Noor says in French, calmly: “Regardez d'abord la forme, puis l'espace qu'elle retient.” Speech begins after the stop at 3.4s; lips, breath and gesture cadence align.

[AUDIO]
Clear close voice, low gallery HVAC, soft shoes and natural two-second reverberation. No music or crowd.

[CONSTRAINTS]
Transfer motion timing only. Preserve Noor's identity, proportions, suit, scarf and gallery. One sculpture, correct floor contact, no sliding feet, exaggerated imitation, source-scene leakage, subtitle, signage, logo or watermark.

## kling-44: Rainy Platform Revision and Extension  [talking-head]
[EDIT INTENT]
Modify the supplied 7-second platform clip, then extend it by 5 seconds. Preserve original camera path, timing, adult actor identity, navy coat, suitcase, train, platform geometry and all hand/body motion.

[CHANGE ONLY]
Replace dry overcast weather with light rain. Add physically consistent small droplets, wet platform reflections and a few damp marks growing on the coat shoulders. Keep visibility high. Reflections follow original lights and camera motion. Do not change time of day or add wind.

[AUDIO REPAIR]
Retain original footsteps, train brake and announcement timing. Add low rain on the roof and two suitcase-wheel splashes. Do not regenerate or alter existing speech.

[EXTENSION FROM FINAL FRAME]
7–9s — Continue the same camera velocity as the train stops. The nearest door opens once; its reflection moves across the wet platform.
9–12s — Actor lifts suitcase handle, takes two steps toward the open door and pauses to let one adult passenger exit. Camera slows to a stop at the same shoulder-level distance. End before boarding.

[CONTINUITY]
Match lens, exposure, grain, rain density, rail direction, actor stride and suitcase-wheel rotation across the original/extension seam.

[CONSTRAINTS]
No face, wardrobe, suitcase, train, architecture, dialogue or camera redesign. Do not remove original objects. No lightning, heavy storm, crowd multiplication, umbrella, slow motion, text, logo or watermark.

## kling-45: The Metro Card That Came Back  [cinematic]
[OUTPUT]
15 seconds, 9:16, contemporary vertical micro-drama, restrained realism, four fast but readable shots, episode-one cliffhanger.

[CONTINUITY ANCHORS]
Mina: adult woman, short black bob, camel coat, canvas tote on left shoulder. Theo: adult station attendant, shaved head, navy uniform with no badge. Prop: one scratched green transit card with a small crescent-shaped corner chip; no readable printing.

[GEOGRAPHY]
Quiet underground station after the evening rush. Mina stands outside the closed service window, Theo inside. The card begins in Mina's right hand. Camera never crosses the service-window axis.

[TIMED SHOTS]
0–4s — Tight handheld medium. Mina slides the green card through the tray and says in Mandarin: “这张卡不是我的。” Theo looks down, then freezes before touching it.
4–8s — Insert from Mina's side. Theo turns the card over with one gloved fingertip. The crescent chip is clearly visible. He asks quietly in English: “Where did you find this?”
8–12s — Close on Mina. Her defensive expression softens; she answers: “Inside my locked apartment.” A train passes behind camera, briefly sweeping light across her face without hiding the cut.
12–15s — Close behind Theo's shoulder. He opens a shallow drawer containing one second, identical chipped green card in a clear evidence sleeve. He does not remove it. Mina sees it and steps back once. Cut to black before either speaks.

[AUDIO]
Station ventilation, distant train, tray scrape and drawer rail. Only Mina speaks the Mandarin line and final English line; only Theo asks the question. One low tonal hit when the drawer opens; no subtitles.

[CONSTRAINTS]
Two adults and exactly two matching cards by the final shot. Preserve chip position, wardrobe, tote shoulder, window axis and eyelines. No police insignia, threat, weapon, supernatural glow, generated text, logo or watermark.

## kling-46: The Last Clean Mug  [cinematic]
[OUTPUT]
12 seconds, 9:16, dry workplace comedy, ordinary break-room lighting, four shots with precise reaction timing.

[CHARACTERS AND PROP]
Omar: adult man in green knit vest, seated frame left. Leena: adult woman in blue overshirt, standing frame right. Jo: adult nonbinary colleague in gray hoodie, initially soft background center. One plain yellow ceramic mug sits beside the sink. No other mug is visible.

[TIMED SHOTS]
0–3s — Locked two-shot. Omar and Leena reach for the yellow mug at the same moment but stop before contact. Omar says in English: “I washed it.”
3–6s — Reverse close on Leena, hand still hovering. She answers: “You watched me wash it.” Omar lowers his hand, caught.
6–9s — Rack focus from their frozen hands to Jo in the background, calmly drinking from a small metal camping cup brought from home. Jo glances at them but says nothing.
9–12s — Return to the two-shot. Omar and Leena look at the yellow mug, then simultaneously step away. The mug handle slowly rotates toward camera because the drying mat settles, producing an outsized ceramic squeak. Both turn back suspiciously. Hard cut.

[AUDIO]
Refrigerator hum, two exact English lines, fabric movement, one sip and the final ceramic squeak. No laugh track, music or subtitles.

[CONSTRAINTS]
Three adults, one yellow mug and one metal cup. No simultaneous speech, hand collision, mug teleport, animated face on mug or supernatural motion beyond the tiny mat-driven rotation. Preserve positions, wardrobe and prop colors. No text, brand or watermark.

## kling-47: Laundry Day Above the Harbor  [cinematic]
[OUTPUT]
12 seconds, 9:16, convincing phone-shot mockumentary, one continuous take from a public harbor promenade, playful surrealism.

[SPECTACLE LOCK]
One enormous empty wicker laundry basket, approximately 25m wide, floating 40m above the water. Natural tan weave, oval opening facing slightly downward, two handles. It never contacts buildings, boats or people.

[CAMERA AND ACTION]
0–3s — Phone camera points at calm harbor and three adult pedestrians. A broad basket-shaped shadow passes slowly across the pavement from left to right. Witnesses stop and look upward.
3–7s — Camera operator tilts up late and briefly loses focus, revealing the floating basket drifting left-to-right at walking speed. A single red sock hangs over its rim and flutters in the same wind direction.
7–10s — Camera digitally zooms only 1.3×. One handle creaks; the sock slips, falls five meters, then catches safely on the lower weave. Witness off-camera says in English: “Whose laundry day is this?”
10–12s — Camera tilts back to the promenade. One elderly adult calmly raises a clothespin as if volunteering. Hold on the deadpan gesture.

[AUDIO]
Harbor wind, gulls, phone-mic handling, distant wicker creak, one off-camera line and one small clothespin click. No cinematic score or crowd scream.

[CONSTRAINTS]
One basket and one sock. Coherent shadow, scale, perspective, wind and occlusion. Adults stay safely on promenade. No branded skyline, destruction, panic, falling debris, giant animal, generated caption, logo or watermark.

## kling-48: The Shadow Takes the Early Train  [cinematic]
[OUTPUT]
8-second seamless 1:1 social loop, locked camera, realistic morning station entrance with one controlled surreal event.

[LOCKS]
Adult commuter Nia wears a pale-gray coat and carries one red tote in right hand. Low sun from frame left casts her shadow diagonally toward frame right. One blank train-entrance wall, no readable signs.

[LOOP ACTION]
0–2s — Nia stands still checking the closed face of a plain wristwatch. Her shadow matches exactly.
2–4s — The shadow alone looks toward the entrance, taps its foot twice and begins walking toward frame right while Nia remains still. Shadow keeps Nia's silhouette and tote shape.
4–6s — Nia notices the departing shadow, sighs, and takes two quick steps after it. At the doorway edge, her foot contacts the shadow's trailing foot and they merge cleanly under natural overlap.
6–8s — Nia steps backward along the same path to the exact opening pose; shadow, tote, coat hem and wrist return to their first-frame positions. Ambient light and background pedestrians also reset without a visible jump.

[AUDIO]
Seamless station ambience, two shadow foot taps represented by dry shoe sounds, Nia's small sigh and two steps. No speech or music.

[CONSTRAINTS]
Only the shadow behaves independently. One person, one tote, one continuous shadow and fixed sun direction. No detached body parts, second person, face in shadow, teleport outside overlap, generated text, logo or watermark.

## kling-49: Ink Courier Animated Chase  [talking-head]
[OUTPUT]
12 seconds, 16:9, original hand-drawn 2D animation, expressive black brush line, visible paper grain, limited cel shading, palette of indigo, cream and vermilion, three shots.

[CHARACTER LOCK]
Courier Iko: adult nonbinary rider, short triangular indigo hair, cream wrap jacket with one vermilion sash, black cropped trousers, rectangular canvas mail case. Original design; preserve silhouette, face, colors and case.
Mount: long-legged blue paper bird with folded geometric wings and one cream beak.

[WORLD]
Vertical city built from stacked handwritten envelopes, suspended bridges made of red thread, cream sky with broad dry-brush clouds. No readable writing; marks remain abstract.

[TIMED SHOTS]
0–4s — Side-scrolling wide shot. Iko and the bird run left-to-right across a red-thread bridge. Animation uses strong contact poses: each foot compresses the thread, which rebounds after release. Camera pans at matched speed.
4–8s — Low front angle. A wall of loose envelopes slides down the street behind them. Iko pulls one ribbon; bird folds both wings tightly and slips through a narrow triangular gap. Speed lines remain brush strokes attached to direction of travel.
8–12s — Overhead shot rotates only 30 degrees as bird unfolds wings and glides over an ink canal. Iko opens the mail case; one glowing blank envelope rises, stamps the dark canal with a cream reflection, then returns to the case. End on a clean heroic silhouette.

[AUDIO]
Dry paper percussion, brush swishes, stretched thread plucks and rapid soft foot taps. One low wooden drum on the wing unfold. No dialogue or recognizable melody.

[CONSTRAINTS]
Consistent 2D drawing, line weight, paper texture and limited palette. Preserve original character and mount. No photorealism, 3D rendering, readable handwriting, existing uniforms, franchise symbols, extra limbs, sash color change, logo or watermark.

## kling-50: Four Seasons, One Coat  [cinematic]
[OUTPUT]
15 seconds, 9:16, high-fashion vertical film, four seasons connected by motivated foreground wipes, elegant natural motion.

[MODEL AND GARMENT LOCK]
Amara: adult Black woman, close-cropped hair, athletic silhouette, neutral makeup.
Coat: ankle-length charcoal technical coat, asymmetric copper zipper from left hip to right collar, two rectangular pockets, matte fabric. Preserve coat cut, zipper, pockets and charcoal color in every season.

[SHOT PLAN]
0–4s SPRING — Medium full-body track in a pale greenhouse. Amara walks toward camera; flowering branch crosses the entire lens at 3.5s to create a soft wipe.
4–8s SUMMER — Continue the exact same step and body position on a bright coastal boardwalk. Coat is open but unchanged; a white sail passes fully across frame at 7.5s.
8–12s AUTUMN — Continue in a copper-leaf courtyard. Amara turns once; coat hem follows with believable fabric lag. A cluster of leaves fills the lens at 11.5s.
12–15s WINTER — Continue the turn on a snowy minimalist street. Coat is zipped with same copper zipper. She stops, looks into lens and exhales one visible breath. Camera settles into a symmetrical full-body hero frame.

[AUDIO]
One continuous minimal percussion pulse across all seasons. Greenhouse birds → coastal wind → dry leaves → soft snow hush, crossfaded under each wipe. Fabric movement remains consistent. No speech.

[CONSTRAINTS]
Model identity, body proportions and coat geometry never change. Each transition occurs only under full foreground occlusion and continues the same motion phase. Natural fabric weight. No new accessories, wardrobe recolor, season blend before wipe, exposed mid-transition morph, text, logo or watermark.

## kling-51: Rooftop Percussion at Dawn  [product-ad]
[OUTPUT]
15 seconds, 16:9, live rooftop percussion performance at dawn, documentary concert energy, original rhythm, four shots.

[PERFORMER MAP]
Aya: adult Japanese woman, red windbreaker, short hair, frame left, plays one shallow metal handpan.
Malik: adult British man, blue overshirt, shaved head, center, plays one wooden cajón.
Camila: adult Colombian woman, yellow knit top, long braid, frame right, plays two small seed shakers.
Preserve faces, instruments, clothing colors and left-center-right positions.

[RHYTHM AND SHOTS]
0–4s — Wide locked shot, pale sunrise behind city roofs. Malik starts a steady low cajón pulse: four evenly spaced hits. The others listen and sway naturally.
4–8s — Medium side track from Aya to Malik. Aya adds a three-note handpan phrase after every second cajón hit. Her fingers contact visible tone fields; each note aligns exactly to contact.
8–12s — Close-up on Camila’s hands and face. She adds a soft double-shake pattern, wrists moving compactly. Camera rack-focuses from seeds inside the translucent shaker to her smile.
12–15s — Return to wide. All three play one synchronized final accent, then freeze their hands while the metal note decays. A flock of ordinary birds crosses far background after the final hit.

[AUDIO]
Native performance only: dry low cajón, warm resonant handpan, fine seed texture, rooftop wind and distant city. No sampled song, vocals, cheering or added orchestra. Maintain room-free outdoor acoustics and realistic decay.

[CONSTRAINTS]
One instrument per performer; accurate hand-to-sound synchronization; fixed stage positions. No extra sticks, changing instruments, impossible hand speed, duplicated fingers, lip movement, visible brand, skyline text or watermark.

## kling-52: Shadow Echo Choreography  [general]
[OUTPUT]
10 seconds, 1:1, one continuous full-body dance shot, minimalist contemporary movement, controlled surreal shadow effect.

[PERFORMER LOCK]
León: adult Latino dancer, lean build, shaved head, loose cream shirt, black wide trousers, barefoot. Full body visible at all times.

[WORLD]
Empty pale-gray studio, matte floor, one hard warm spotlight positioned high frame left. Camera locked at waist height, 50mm natural perspective, no crop changes. Real shadow falls to frame right.

[CHOREOGRAPHY]
0–2s — León stands still, then lifts right forearm to shoulder height over one second. Real body moves first; shadow remains still.
2–5s — Exactly 0.8 seconds later, shadow repeats the same forearm motion while León steps left and rolls shoulders once. Every shadow movement repeats León’s prior pose sequence, never inventing a gesture.
5–8s — León performs one slow clockwise turn with arms extended. Delayed shadow begins the same turn 0.8 seconds later, attached correctly to both feet and consistent with spotlight direction.
8–10s — León stops facing camera with palms down. Shadow completes its delayed turn, arrives at the same final pose, and synchronizes precisely on the final beat.

[AUDIO]
Bare feet on matte floor, shirt fabric, breathing and one original low pulse every second. At synchronization, one dry handclap-like accent with no visible clap. No melody or speech.

[CONSTRAINTS]
Shadow remains attached to floor contact, uses León’s silhouette and follows a constant 0.8-second delay until final sync. Correct spotlight geometry. No second dancer, detached shadow, extra limbs, camera move, cropped feet, wardrobe change, text, logo or watermark.

## kling-53: Warrior Riding a White Wolf Across the Tundra  [action]
Tracking shot following a warrior woman riding a massive white wolf running at high speed across a frozen tundra, snow flying up from paws, wind whipping her cloak, cold blue tones, dramatic atmosphere, cinematic realism

## kling-54: Neon Tokyo Highway Drift (Aerial Tracking)  [nature-drone]
Aerial tracking shot of two cars drifting around a neon-lit Tokyo highway curve, tire smoke rising, reflections shimmering on wet asphalt. Electric atmosphere, dynamic, intense

## kling-55: Slow Zoom on a Man in a Tailored Suit, Neon Mood  [cinematic]
Slow zoom in on the face of a Korean Man in an elegant tailored suit, looking directly into the camera, centred composition, smoking a cigarette, soft smoke rising, soft ambient light with green and red neon reflections, melancholic expression, cinematic lighting with vintage colour gradation, inspired by Wong Kar-wai's style

## kling-56: POV Downhill Mountain Bike Through a Golden Forest  [nature-drone]
POV downhill bike cam, the trail twisting fast through golden-lit forest, dust and pebbles flying as gloved hands steer sharply. Trees blur past in kinetic rush. Gritty, immersive, high-adrenaline

## kling-57: Spaceship Tearing Through the Atmosphere  [general]
Tracking shot of a massive spaceship tearing through atmosphere, plasma trails glowing beneath, clouds scattering below as heat distorts the air, Turbulent, majestic, awe-inducing

## kling-58: Soldier Bursting Out of a Blast (Front Push)  [general]
Epic front-facing camera push, dust clouds swelling as the soldier bursts forward from the blast, gear rattling, face focused. Desperate, visceral, high-stakes

## kling-59: Hacker at Flickering Screens (Handheld Push)  [ugc]
Side-angle handheld push, camera gliding closer as the hacker types frantically, grainy screens and flashing red LEDs reflecting on pale skin. Moody, analog, suspenseful

## kling-60: 360° Orbit Around a Victorious Gladiator  [general]
360° orbit around a victorious gladiator, sword raised, sweat glistening on bare torso, sunbeams cutting through dusty air as the coliseum towers around him. Heroic, powerful, mythic

## kling-61: Young Monk Levitating in Meditation  [general]
Slow frontal zoom-in as the young monk begins to levitate gently maintaining the same meditation pose above the stone floor, golden aura radiating from his body, robes fluttering in the breeze. Sacred, serene, transcendent

## kling-62: POV at the Helm in a Storm at Sea  [ugc]
POV handheld cam, gripping the trembling helm as rain lashes the face, soaked sleeves visible, coat flailing in wind. Lightning flashes, waves crash. Brutal, chaotic, immersive

## kling-63: FPV Chase of a Wingsuit Flyer Between Cliffs  [nature-drone]
FPV chase cam shot closely tailing a wingsuit flyer diving between narrow cliffs. Arms stretched, wings rippling, sharp mountain edges blur below, crisp sky, sun flaring through peaks, fast shutter, thrilling, adrenaline

## kling-64: Low-Angle Dirt Bike Jump Overhead  [cinematic]
Low angle tracking shot, camera hugging the ground as the bike soars overhead. Front tire roars past, dust explodes backward, crystal-clear blue sky in the backdrop. Razor-sharp textures, vibrating terrain. Wild, visceral, cinematic

## kling-65: FPV Skier Dropping Through Forest Powder  [general]
FPV shot, skier drops fast through forested terrain, ski tips jitter from speed. Motion blur on edges, powder streams in waves. Long alpine shadows cut across the white. Crisp, intense, hyper-realistic

## kling-66: Whale Breaching at Golden Sunset (Slow Motion)  [nature-drone]
Slow-motion cinematic tracking shot, a massive whale breaches the ocean surface, glowing from the golden sunset behind. Water cascades off its body, birds scatter mid-air, mountains silhouette in the background. Rippling reflections shimmer. Majestic, awe-inspiring

## kling-67: Spacecraft Diving Through Flaming Debris  [action]
Pan left, a spacecraft dives through a cloud of flaming debris, sparks bouncing off its scorched hull, explosions ripple behind, fragments spiral in zero gravity, The camera follows the spacecraft escaping surrounded by debris. Fierce, chaotic, cinematic

## kling-68: Gryphon Descending Onto a Battlefield  [cinematic]
A gryphon descending from the clouds onto a battlefield, claws ready, sunlight behind its wings, mythic realism, cinematic lighting, wide angle, photorealistic, highly-detailed

## kling-69: Sorceress Floating in a Rune Stone Circle  [cinematic]
Slow pull-in shot, focusing on a sorceress floating on glowing runes inside an ancient stone circle. Her spell radiates skyward, casting an ethereal light over the misty night, the wind stirring her cloak. Mystical enchantment, powerful and cinematic

## kling-70: 360° Orbit of a Space Marine in an Alien Wasteland  [general]
360° close-up orbiting shot, camera surrounds a space marine as he walks through an alien wasteland, dust swirls around his feet, epic, intense

## kling-71: Top-Down Drift Over a Drummer Mid-Performance  [general]
Slow top-down camera drift, gliding above a drummer mid-performance in a tight studio. Sticks blur in motion, cymbals shimmer and vibrate, cables tangle below. Warm analog glow bathes the scene in soft shadows. Intimate, rhythmic, nostalgic 90s vibe

## kling-72: Urban Hero Unleashing Energy Bolts (Zoom In)  [general]
Zoom in, the camera approaches smoothly focusing on a man in full action, who places both arms outstretched in front, unleashing bolts of energy emanating from the soles of his hands, his eyes glow, fog swirls at his feet, neon reflections ripple across the wet pavement. Urban superhero realism, electric and explosive

## kling-73: Child's Drawing Turned Into a Real Animal  [animation]
Photorealistic live-action footage of a real animal in a natural outdoor environment. Its face, eyes, mouth, proportions and overall shape must exactly match this child's crude drawing, preserving every scribble and awkward detail. Realistic fur, lighting and natural movement while walking and looking around. Cinematic 4K.

## kling-74: Overhead Pancake Food B-Roll (One Take)  [general]
Overhead food B-roll, Kling 3.0, single continuous shot.
Batter hits a hot pan; edges crisp and bubble; steam rises in morning window light.
Slow subtle camera drift, shallow depth of field on the sizzle, natural sound of oil, photoreal, recipe-app ready, no text, no hands morphing.